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Car Park
Songs like
Car Park
by
Fenne Lily
Based on a tempo of (+/- 10%) and a similar genre
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Fenne Lily
Red Deer Day
140 bpm • C Maj • 04:43 • -13.54db
18% Popularity • 66% Danceability • 30% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
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George Ogilvie
Foreign Hands (George's Version)
140 bpm • D# min • 04:18 • -8.74db
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Rosenthal
For You To Be Here
140 bpm • D# Maj • 02:48 • -10.38db
36% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Flyte
White Roses
140 bpm • A# Maj • 03:26 • -7.08db
49% Popularity • 53% Danceability • 63% Energy • 14% Liveness
2% Instrumentalness • 60% Positiveness
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CLOVES
Wasted Time
140 bpm • A Maj • 04:04 • -8db
39% Popularity • 44% Danceability • 44% Energy • 22% Liveness
2% Instrumentalness • 19% Positiveness
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The Milk Carton Kids
A Sea of Roses
141 bpm • F# Maj • 03:19 • -17.15db
33% Popularity • 52% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Fenne Lily
Car Park
140 bpm • B Maj • 02:53 • -10.47db
35% Popularity • 63% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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George Ogilvie
Out Of Harms' Way
140 bpm • D Maj • 04:20 • -15db
21% Popularity • 60% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Tom Rosenthal
Have We Met Before?
140 bpm • G# Maj • 02:39 • -19db
52% Popularity • 49% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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All The Luck In The World
High Beams
140 bpm • D Maj • 03:32 • -10.68db
17% Popularity • 34% Danceability • 43% Energy • 14% Liveness
3% Instrumentalness • 10% Positiveness
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Beta Radio
On the Frame (Acoustic)
141 bpm • D min • 03:04 • -13.3db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lowland Hum
In Flight
139 bpm • D# Maj • 03:39 • -14.42db
25% Popularity • 61% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Oliver Riot
Ivory Black
139 bpm • C Maj • 04:27 • -13db
43% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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George Ogilvie
All That I Ask
140 bpm • G# Maj • 04:38 • -7db
33% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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S. Carey
More I See
141 bpm • E Maj • 04:03 • -11db
44% Popularity • 47% Danceability • 46% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
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Fenne Lily
Car Park (Overflow)
139 bpm • B Maj • 02:24 • -19db
22% Popularity • 49% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Hudson Taylor
Old Soul (acoustic)
141 bpm • D Maj • 04:42 • -8.33db
40% Popularity • 28% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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James Vincent McMorrow
One Thousand Times - Venice Beach, April...
139 bpm • A Maj • 04:35 • -11.68db
1% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Staves
Steady
139 bpm • B min • 03:28 • -8db
35% Popularity • 43% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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George Ogilvie
Foreign Hands
141 bpm • D# min • 04:18 • -5.58db
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Honeywater
Old Eden
141 bpm • A# Maj • 05:20 • -9.21db
41% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Bell X1
The Upswing
139 bpm • A Maj • 04:59 • -11.85db
37% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Lydia Cole
Dream
142 bpm • G# Maj • 03:57 • -14.87db
16% Popularity • 40% Danceability • 30% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
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Fenne Lily
Half Finished
138 bpm • G Maj • 05:34 • -13db
20% Popularity • 36% Danceability • 28% Energy • 28% Liveness
1% Instrumentalness • 46% Positiveness
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Band of Horses
No One's Gonna Love You (Stockholm Versi...
142 bpm • C# Maj • 03:48 • -8.56db
47% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Bess Atwell
Cherry Baby
138 bpm • F# min • 05:26 • -13.36db
29% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Flyte
Losing You
142 bpm • C# Maj • 03:18 • -7.85db
44% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Jesse Marchant
Sister, I
138 bpm • F Maj • 04:05 • -11db
32% Popularity • 47% Danceability • 43% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Tom Rosenthal
It Won't Be Me
142 bpm • C Maj • 03:42 • -9.74db
20% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mat Hunsley
Dropping
138 bpm • B min • 03:53 • -12.34db
11% Popularity • 68% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Austin Basham
Frames
142 bpm • C# Maj • 03:49 • -6.65db
28% Popularity • 54% Danceability • 66% Energy • 16% Liveness
9% Instrumentalness • 32% Positiveness
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Lowland Hum
Vedauwoo
138 bpm • D# Maj • 02:39 • -15.58db
40% Popularity • 64% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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Tomberlin
Seventeen
138 bpm • G Maj • 04:31 • -9.95db
38% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Blanco White
Sol
143 bpm • E Maj • 06:22 • -18.25db
40% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
40% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Christian Lee Hutson
Northsiders
137 bpm • A Maj • 03:43 • -14.45db
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Beta Radio
Sitting Room
143 bpm • G# Maj • 04:09 • -14db
42% Popularity • 48% Danceability • 31% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Bess Atwell
Swimming Pool
143 bpm • C# Maj • 04:33 • -12.02db
22% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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isaac gracie
burn my clothes, bury my crown - live
137 bpm • G# min • 03:52 • -9.64db
21% Popularity • 48% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
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Alexander Biggs
Out in the Dark
143 bpm • D min • 02:43 • -11.64db
22% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Becca Mancari
Golden (Acoustic)
137 bpm • E Maj • 05:07 • -10.92db
41% Popularity • 36% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Christian Lee Hutson
Lose This Number
137 bpm • B Maj • 03:56 • -11.73db
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
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Fenne Lily
Taken - acoustic
137 bpm • A Maj • 04:11 • -15.61db
18% Popularity • 40% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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SYML
Flags
136 bpm • G Maj • 03:29 • -12db
43% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Tom Rosenthal
You Only Need You
136 bpm • E Maj • 03:46 • -11db
23% Popularity • 55% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Novo Amor
Weather
144 bpm • F# Maj • 03:52 • -13.55db
60% Popularity • 53% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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All The Luck In The World
Moon
144 bpm • E Maj • 03:55 • -14db
19% Popularity • 40% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Tapes
Adele
136 bpm • D Maj • 03:23 • -18.59db
27% Popularity • 48% Danceability • 18% Energy • 11% Liveness
10% Instrumentalness • 14% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
39% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Hudson Taylor
Old Soul
144 bpm • D Maj • 04:08 • -8.62db
20% Popularity • 40% Danceability • 39% Energy • 8% Liveness
53% Instrumentalness • 52% Positiveness
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Aisha Badru
Waiting Around - Acoustic
145 bpm • C Maj • 02:32 • -15db
51% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Novo Amor
I Make Sparks
144 bpm • C Maj • 03:38 • -13db
51% Popularity • 59% Danceability • 37% Energy • 10% Liveness
74% Instrumentalness • 35% Positiveness
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Odina
Father
135 bpm • C min • 04:08 • -13db
24% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Ocelots
Till We Get There
145 bpm • E Maj • 04:02 • -12.52db
13% Popularity • 32% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
144 bpm • F# Maj • 04:14 • -12.15db
17% Popularity • 55% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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S. Carey
Brassy Sun
145 bpm • C Maj • 03:36 • -18db
34% Popularity • 40% Danceability • 20% Energy • 9% Liveness
78% Instrumentalness • 9% Positiveness
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Oh So Quiet
Rain at Night
135 bpm • A# min • 03:48 • -10db
30% Popularity • 58% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Tall Tree 6ft Man
The Way It Shapes You
145 bpm • C Maj • 02:56 • -11.66db
23% Popularity • 75% Danceability • 33% Energy • 15% Liveness
21% Instrumentalness • 33% Positiveness
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Old Sea Brigade
Cover My Own
134 bpm • G Maj • 03:53 • -15db
39% Popularity • 73% Danceability • 21% Energy • 7% Liveness
3% Instrumentalness • 40% Positiveness
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The National
I Am Easy To Find
134 bpm • B Maj • 04:30 • -11db
44% Popularity • 48% Danceability • 37% Energy • 24% Liveness
45% Instrumentalness • 19% Positiveness
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Fenne Lily
Map of Japan
144 bpm • F# Maj • 04:13 • -12.52db
24% Popularity • 57% Danceability • 30% Energy • 10% Liveness
14% Instrumentalness • 34% Positiveness
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S. Carey
Hideout
135 bpm • G# Maj • 02:53 • -11.16db
33% Popularity • 30% Danceability • 36% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
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Charlie Cunningham
Permanent Way
147 bpm • G# Maj • 04:12 • -17.42db
54% Popularity • 56% Danceability • 55% Energy • 9% Liveness
48% Instrumentalness • 45% Positiveness
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The Staves
Make It Holy
133 bpm • F min • 04:33 • -12.98db
35% Popularity • 56% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Aisha Badru
Splintered
147 bpm • C# min • 04:10 • -12db
39% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Silences
Emma
133 bpm • C min • 03:24 • -10.14db
24% Popularity • 37% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Fenne Lily
Brother
136 bpm • G Maj • 02:50 • -13.31db
30% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Simen Mitlid
Saturdays
148 bpm • E Maj • 03:28 • -17db
16% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Charlie Cunningham
Glass
147 bpm • G Maj • 03:19 • -15.18db
36% Popularity • 44% Danceability • 35% Energy • 12% Liveness
38% Instrumentalness • 25% Positiveness
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Ben Howard
Nica Libres At Dusk
148 bpm • A Maj • 06:34 • -12.79db
46% Popularity • 45% Danceability • 43% Energy • 10% Liveness
39% Instrumentalness • 36% Positiveness
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Rosie Carney
Better Man
132 bpm • D Maj • 04:55 • -19.29db
33% Popularity • 29% Danceability • 11% Energy • 9% Liveness
25% Instrumentalness • 5% Positiveness
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Darlingside
Hold Your Head Up High
132 bpm • A Maj • 03:37 • -11.31db
41% Popularity • 38% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Fenne Lily
What's Good
134 bpm • G# min • 03:36 • -14.84db
41% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Anna Leone
My Soul I
132 bpm • A Maj • 04:15 • -10.57db
46% Popularity • 29% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
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Charlie Cunningham
An Opening
147 bpm • G# Maj • 03:51 • -12.57db
45% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Molly Parden
Weather
132 bpm • B Maj • 05:00 • -8db
39% Popularity • 47% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Miya Folick
Strange Darling
132 bpm • E min • 03:42 • -14.52db
33% Popularity • 58% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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Honeywater
So Little Time
132 bpm • D Maj • 03:40 • -8.71db
27% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Fenne Lily
Someone Else's Trees
133 bpm • E Maj • 04:50 • -15.54db
24% Popularity • 40% Danceability • 20% Energy • 37% Liveness
6% Instrumentalness • 20% Positiveness
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The Staves
Mexico
132 bpm • F Maj • 04:06 • -15db
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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isaac gracie
all in my mind
132 bpm • G# Maj • 03:59 • -9.02db
30% Popularity • 36% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Angelo De Augustine
Somewhere Far Away from Home
132 bpm • C Maj • 03:07 • -13.95db
24% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Molly Parden
Feel Alive Again
149 bpm • D Maj • 04:14 • -13.82db
40% Popularity • 47% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Thomas Willow
Binary Love
132 bpm • C min • 04:35 • -8.42db
19% Popularity • 51% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Fenne Lily
To Be A Woman Pt. 2
148 bpm • F min • 03:15 • -7.96db
16% Popularity • 51% Danceability • 63% Energy • 9% Liveness
9% Instrumentalness • 44% Positiveness
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Johanna Warren
Black Moss
131 bpm • B Maj • 04:08 • -11.74db
28% Popularity • 43% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Tuvaband
Unknown
131 bpm • F# Maj • 04:10 • -17db
39% Popularity • 42% Danceability • 10% Energy • 89% Liveness
0% Instrumentalness • 8% Positiveness
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Terrible Sons
Tears Don’t Fall
149 bpm • G Maj • 03:10 • -12.69db
36% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
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S. Carey
Hundred Acres
131 bpm • E Maj • 03:51 • -14.54db
24% Popularity • 52% Danceability • 30% Energy • 18% Liveness
49% Instrumentalness • 19% Positiveness
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Bedouine
Nice and Quiet
131 bpm • C Maj • 03:51 • -15db
42% Popularity • 51% Danceability • 29% Energy • 10% Liveness
38% Instrumentalness • 44% Positiveness
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Fenne Lily
Hypochondriac - acoustic
133 bpm • D# Maj • 03:30 • -16.11db
28% Popularity • 51% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Lydia Luce
Sausalito
150 bpm • D Maj • 03:42 • -11db
43% Popularity • 35% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Tom Rosenthal
Fenn
150 bpm • G Maj • 02:19 • -8db
34% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Charlie Cunningham
Lights Off
150 bpm • G Maj • 03:53 • -11.67db
50% Popularity • 64% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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The Woodlands
Sudden Love - Acoustic
131 bpm • C Maj • 03:02 • -12.2db
40% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Fenne Lily
Hypochondriac
132 bpm • D# Maj • 03:12 • -7db
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
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Big Thief
Masterpiece - solo
131 bpm • E Maj • 04:00 • -8.58db
52% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Blanco White
Papillon
130 bpm • E min • 03:59 • -15.9db
40% Popularity • 37% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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George Ogilvie
Tremosine
130 bpm • F# Maj • 05:43 • -11.82db
19% Popularity • 32% Danceability • 30% Energy • 39% Liveness
46% Instrumentalness • 14% Positiveness
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Car Park