Songs like Carmen Suite No. 2, Act III: Marcha de los contrabandistas by London Festival Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Jules Massenet
Elegie: O doux printemps d'autrefois
114 bpm • C min • 04:09 • -18db
26% Popularity • 22% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
33% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
33% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Kenneth J. Alford
Colonel Bogey
114 bpm • A# Maj • 04:36 • -14.1db
3% Popularity • 38% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
3% Popularity • 38% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: I. Marche des...
114 bpm • C min • 03:58 • -22.29db
14% Popularity • 34% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
14% Popularity • 34% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
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Franz von Suppé
Caballeria Ligera - Obertura
115 bpm • G Maj • 01:34 • -12.02db
38% Popularity • 47% Danceability • 52% Energy • 5% Liveness
91% Instrumentalness • 24% Positiveness
38% Popularity • 47% Danceability • 52% Energy • 5% Liveness
91% Instrumentalness • 24% Positiveness
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Rodion Shchedrin
Carmen Ballet Suite (after Bizet): IX. T...
115 bpm • F Maj • 02:42 • -12db
35% Popularity • 52% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 46% Positiveness
35% Popularity • 52% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 46% Positiveness
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Niccolò Paganini
The Carnival of Venice
114 bpm • A Maj • 09:17 • -26db
16% Popularity • 49% Danceability • 6% Energy • 17% Liveness
7% Instrumentalness • 39% Positiveness
16% Popularity • 49% Danceability • 6% Energy • 17% Liveness
7% Instrumentalness • 39% Positiveness
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Orquesta Filarmónica de Viena
Adagio Allegro Molto
115 bpm • E min • 09:10 • -17db
16% Popularity • 27% Danceability • 22% Energy • 8% Liveness
82% Instrumentalness • 10% Positiveness
16% Popularity • 27% Danceability • 22% Energy • 8% Liveness
82% Instrumentalness • 10% Positiveness
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Dimitri Tiomkin
The Guns of Navarone
115 bpm • C Maj • 03:11 • -13.5db
7% Popularity • 39% Danceability • 35% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
7% Popularity • 39% Danceability • 35% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: IV. Chanson d...
113 bpm • F Maj • 02:39 • -18db
35% Popularity • 56% Danceability • 11% Energy • 5% Liveness
85% Instrumentalness • 26% Positiveness
35% Popularity • 56% Danceability • 11% Energy • 5% Liveness
85% Instrumentalness • 26% Positiveness
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Johann Strauss I
J. Strauss: Radetzky March
112 bpm • A Maj • 02:52 • -17.26db
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
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Cole Porter
Ridin' High
116 bpm • D Maj • 02:43 • -11.17db
3% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
3% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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CHA Medical Center
Orchestral Suite No.2 in B minor, BWV106...
116 bpm • B min • 01:29 • -18.34db
45% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
45% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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Modest Mussorgsky
Night On Bald Mountain
116 bpm • D Maj • 10:36 • -20.52db
3% Popularity • 32% Danceability • 17% Energy • 28% Liveness
78% Instrumentalness • 6% Positiveness
3% Popularity • 32% Danceability • 17% Energy • 28% Liveness
78% Instrumentalness • 6% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
35% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
35% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: V. La Garde M...
115 bpm • D min • 03:53 • -23.19db
14% Popularity • 74% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 52% Positiveness
14% Popularity • 74% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 52% Positiveness
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Johann Sebastian Strauss
Persian March / Spanish March
112 bpm • D# Maj • 04:36 • -15.58db
3% Popularity • 42% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 59% Positiveness
3% Popularity • 42% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 59% Positiveness
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Manuel de Falla
Spanish Dance No. 1
112 bpm • A Maj • 03:21 • -13db
16% Popularity • 53% Danceability • 32% Energy • 4% Liveness
25% Instrumentalness • 59% Positiveness
16% Popularity • 53% Danceability • 32% Energy • 4% Liveness
25% Instrumentalness • 59% Positiveness
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John Keating/London Symphony Orchestra
Brahms Symphony No. 3 - 3rd Movement
116 bpm • C min • 04:58 • -18.84db
14% Popularity • 19% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 24 in ...
111 bpm • A min • 04:28 • -17.63db
57% Popularity • 46% Danceability • 13% Energy • 4% Liveness
27% Instrumentalness • 43% Positiveness
57% Popularity • 46% Danceability • 13% Energy • 4% Liveness
27% Instrumentalness • 43% Positiveness
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London Festival Orchestra
Tchaikovsky: Piano Concerto No. 1 in B f...
112 bpm • A# Maj • 06:43 • -17.15db
3% Popularity • 38% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 21% Positiveness
3% Popularity • 38% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 21% Positiveness
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AntonÃn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7. P...
111 bpm • F# Maj • 03:22 • -24.6db
18% Popularity • 25% Danceability • 4% Energy • 28% Liveness
5% Instrumentalness • 13% Positiveness
18% Popularity • 25% Danceability • 4% Energy • 28% Liveness
5% Instrumentalness • 13% Positiveness
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Émile Waldteufel
Espana, Waltz, Op. 236
118 bpm • F Maj • 06:25 • -14.33db
20% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
20% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
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Stephen James Edwards
Chopin Minute Waltz
118 bpm • C# Maj • 02:02 • -20.06db
28% Popularity • 38% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 78% Positiveness
28% Popularity • 38% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 78% Positiveness
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Linda McKechnie
Shine Jesus Shine
118 bpm • F Maj • 03:46 • -11.29db
3% Popularity • 36% Danceability • 34% Energy • 20% Liveness
95% Instrumentalness • 19% Positiveness
3% Popularity • 36% Danceability • 34% Energy • 20% Liveness
95% Instrumentalness • 19% Positiveness
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South German Philharmonic Orchestra
Unfinished Symphony No. 8 in B Minor
110 bpm • B min • 02:24 • -19.58db
22% Popularity • 22% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 20% Positiveness
22% Popularity • 22% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 20% Positiveness
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London Festival Orchestra
Chopin: Waltz In D Flat, Op. 64/1, "Minu...
111 bpm • C# Maj • 01:56 • -24.19db
43% Popularity • 41% Danceability • 13% Energy • 19% Liveness
90% Instrumentalness • 20% Positiveness
43% Popularity • 41% Danceability • 13% Energy • 19% Liveness
90% Instrumentalness • 20% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
23% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
23% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
53% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Radetzky-Marsch, Op. 228
110 bpm • A Maj • 02:55 • -19.77db
27% Popularity • 50% Danceability • 35% Energy • 19% Liveness
18% Instrumentalness • 72% Positiveness
27% Popularity • 50% Danceability • 35% Energy • 19% Liveness
18% Instrumentalness • 72% Positiveness
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CHA Medical Center
Schubert: Swan Song D.957
118 bpm • D Maj • 04:09 • -14.77db
27% Popularity • 21% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
27% Popularity • 21% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
36% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
36% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: The Swa...
118 bpm • G Maj • 03:04 • -33.12db
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Al Stillman
The Great Escape
118 bpm • F Maj • 05:32 • -16.1db
10% Popularity • 40% Danceability • 25% Energy • 9% Liveness
54% Instrumentalness • 24% Positiveness
10% Popularity • 40% Danceability • 25% Energy • 9% Liveness
54% Instrumentalness • 24% Positiveness
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Ion Ivanovici
Waves of the Danube
110 bpm • C# Maj • 04:50 • -15.07db
33% Popularity • 33% Danceability • 22% Energy • 17% Liveness
90% Instrumentalness • 41% Positiveness
33% Popularity • 33% Danceability • 22% Energy • 17% Liveness
90% Instrumentalness • 41% Positiveness
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London Festival Orchestra
Yossel, Yossel
109 bpm • A min • 02:28 • -12.83db
3% Popularity • 24% Danceability • 34% Energy • 12% Liveness
88% Instrumentalness • 25% Positiveness
3% Popularity • 24% Danceability • 34% Energy • 12% Liveness
88% Instrumentalness • 25% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": III...
109 bpm • D Maj • 02:27 • -19db
42% Popularity • 46% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 71% Positiveness
42% Popularity • 46% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 71% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: IV. Waltz 1
109 bpm • A# Maj • 02:47 • -19db
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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George Frideric Handel
Handel: Keyboard Suite in G Minor, HWV 4...
109 bpm • G min • 06:56 • -18db
32% Popularity • 44% Danceability • 16% Energy • 12% Liveness
38% Instrumentalness • 33% Positiveness
32% Popularity • 44% Danceability • 16% Energy • 12% Liveness
38% Instrumentalness • 33% Positiveness
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Edward Elgar
Pomp And Circumstance March No 4
108 bpm • G Maj • 05:16 • -15.26db
26% Popularity • 32% Danceability • 30% Energy • 17% Liveness
85% Instrumentalness • 20% Positiveness
26% Popularity • 32% Danceability • 30% Energy • 17% Liveness
85% Instrumentalness • 20% Positiveness
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London Festival Orchestra
Lawrence Of Arabia: Theme
120 bpm • D Maj • 03:29 • -16.89db
3% Popularity • 24% Danceability • 20% Energy • 24% Liveness
71% Instrumentalness • 9% Positiveness
3% Popularity • 24% Danceability • 20% Energy • 24% Liveness
71% Instrumentalness • 9% Positiveness
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Frédéric Chopin
Nocturne en Mi Bémol Majeur, Op. 9 No. ...
120 bpm • D# Maj • 04:28 • -24.7db
61% Popularity • 43% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
61% Popularity • 43% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Albert Ketèlbey
In a Persian Market
108 bpm • D min • 06:46 • -23db
24% Popularity • 31% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
24% Popularity • 31% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VI. Waltz 2
108 bpm • C min • 03:13 • -18.31db
63% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
63% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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AntonÃn Dvořák
Humoresque, Op. 101, No. 7
108 bpm • F# Maj • 03:03 • -23db
32% Popularity • 45% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
32% Popularity • 45% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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New Philharmonia Orchestra London
The Sleeping Beauty, Ballet Suite, op. 6...
108 bpm • A# Maj • 04:23 • -24db
22% Popularity • 23% Danceability • 8% Energy • 18% Liveness
96% Instrumentalness • 39% Positiveness
22% Popularity • 23% Danceability • 8% Energy • 18% Liveness
96% Instrumentalness • 39% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: II. Les Drago...
120 bpm • G Maj • 01:37 • -32.29db
29% Popularity • 62% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
29% Popularity • 62% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
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Sergei Prokofiev
Prokofiev: Suite No. 2 from Romeo and Ju...
108 bpm • A min • 01:53 • -13.79db
42% Popularity • 40% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
42% Popularity • 40% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Arturo Márquez
Danzón No. 2: Danzon No. 2 (Live)
107 bpm • D min • 09:46 • -20.13db
22% Popularity • 36% Danceability • 16% Energy • 6% Liveness
76% Instrumentalness • 21% Positiveness
22% Popularity • 36% Danceability • 16% Energy • 6% Liveness
76% Instrumentalness • 21% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
39% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
39% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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London Festival Orchestra
Grieg: Piano Concerto In A Minor
121 bpm • A min • 05:19 • -19.56db
21% Popularity • 39% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
21% Popularity • 39% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
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Bedřich Smetana
Louisina Polka in E-Flat Major, JB 1:1
107 bpm • D# Maj • 03:11 • -18db
24% Popularity • 60% Danceability • 12% Energy • 17% Liveness
86% Instrumentalness • 61% Positiveness
24% Popularity • 60% Danceability • 12% Energy • 17% Liveness
86% Instrumentalness • 61% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
41% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
41% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Bach, JS: Orchestral Suite No. 2 in B Mi...
121 bpm • B min • 01:26 • -20.76db
42% Popularity • 56% Danceability • 24% Energy • 9% Liveness
98% Instrumentalness • 86% Positiveness
42% Popularity • 56% Danceability • 24% Energy • 9% Liveness
98% Instrumentalness • 86% Positiveness
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Fritz Kreisler
Kreisler: Schön Rosmarin
121 bpm • G Maj • 01:57 • -15db
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 90% Positiveness
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 90% Positiveness
► Preview
Johann Strauss I
Strauss: Radetzky March, Op. 228
122 bpm • A Maj • 02:49 • -19db
32% Popularity • 62% Danceability • 36% Energy • 22% Liveness
70% Instrumentalness • 69% Positiveness
32% Popularity • 62% Danceability • 36% Energy • 22% Liveness
70% Instrumentalness • 69% Positiveness
► Preview
Karoly Botvay
The 4 Seasons: Violin Concerto in F majo...
107 bpm • F Maj • 05:22 • -24db
39% Popularity • 43% Danceability • 3% Energy • 15% Liveness
30% Instrumentalness • 18% Positiveness
39% Popularity • 43% Danceability • 3% Energy • 15% Liveness
30% Instrumentalness • 18% Positiveness
► Preview
Sergei Rachmaninoff
10 Preludes, Op. 23: No. 5 in G Minor: A...
106 bpm • G min • 03:57 • -13.65db
39% Popularity • 36% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
39% Popularity • 36% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Alexander Pitamic
Serenade für Streicher Nr. 13, G-Dur, K...
122 bpm • G Maj • 06:31 • -20.52db
36% Popularity • 54% Danceability • 8% Energy • 10% Liveness
50% Instrumentalness • 41% Positiveness
36% Popularity • 54% Danceability • 8% Energy • 10% Liveness
50% Instrumentalness • 41% Positiveness
► Preview
Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
► Preview
Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
► Preview
CHA Medical Center
Vivaldi: The Four Seasons, Spring 1st mo...
106 bpm • E Maj • 03:13 • -12.75db
40% Popularity • 49% Danceability • 22% Energy • 17% Liveness
12% Instrumentalness • 24% Positiveness
40% Popularity • 49% Danceability • 22% Energy • 17% Liveness
12% Instrumentalness • 24% Positiveness
► Preview
Slovak Philharmonic
Leise flehen meine Lieder, D. 957
123 bpm • D Maj • 04:12 • -18.32db
27% Popularity • 22% Danceability • 11% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
27% Popularity • 22% Danceability • 11% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
► Preview
Johann Sebastian Strauss
Russian March
106 bpm • C min • 00:54 • -16.6db
16% Popularity • 54% Danceability • 40% Energy • 80% Liveness
91% Instrumentalness • 72% Positiveness
16% Popularity • 54% Danceability • 40% Energy • 80% Liveness
91% Instrumentalness • 72% Positiveness
► Preview
Sergei Rachmaninoff
Italian Polka
106 bpm • C Maj • 03:09 • -7db
14% Popularity • 60% Danceability • 50% Energy • 19% Liveness
86% Instrumentalness • 81% Positiveness
14% Popularity • 60% Danceability • 50% Energy • 19% Liveness
86% Instrumentalness • 81% Positiveness
► Preview
Pablo de Sarasate
Introduction and Tarantella, Op. 43
106 bpm • G Maj • 05:15 • -18.57db
25% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
25% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
► Preview
CHA Medical Center
Mozart: Symphony No.40 in g minor, K550 ...
123 bpm • G min • 06:33 • -13.58db
20% Popularity • 35% Danceability • 23% Energy • 15% Liveness
86% Instrumentalness • 26% Positiveness
20% Popularity • 35% Danceability • 23% Energy • 15% Liveness
86% Instrumentalness • 26% Positiveness
► Preview
London Festival Orchestra
Carmen, Opera Suite No. 2: II. Habanera ...
123 bpm • D Maj • 02:11 • -26.94db
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
SWF Symphony Orchestra Baden-Baden
Symphony No. 40 in G Minor, KV. 550: I. ...
105 bpm • G min • 07:53 • -19db
23% Popularity • 33% Danceability • 18% Energy • 15% Liveness
86% Instrumentalness • 27% Positiveness
23% Popularity • 33% Danceability • 18% Energy • 15% Liveness
86% Instrumentalness • 27% Positiveness
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The Jane Austen Era
Menuet No. 5, Op. 11
105 bpm • A Maj • 03:35 • -24.99db
36% Popularity • 46% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
36% Popularity • 46% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
► Preview
Niccolò Paganini
Violin Concerto No. 2 in B Minor, Op. 7,...
105 bpm • B min • 08:43 • -23.55db
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
► Preview
Jacques Offenbach
La vie parisienne, Polka
105 bpm • G Maj • 02:27 • -16db
34% Popularity • 56% Danceability • 38% Energy • 7% Liveness
44% Instrumentalness • 72% Positiveness
34% Popularity • 56% Danceability • 38% Energy • 7% Liveness
44% Instrumentalness • 72% Positiveness
► Preview
Ralph Vaughan Williams
Sir John in Love: Fantasia on Greensleev...
105 bpm • C min • 05:01 • -26db
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
► Preview
London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
► Preview
Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
45% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
45% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Johann Sebastian Strauss
Annen Polka / Explosions Polka / Pizzaca...
104 bpm • F Maj • 06:35 • -18.49db
3% Popularity • 55% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 68% Positiveness
3% Popularity • 55% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 68% Positiveness
► Preview
Philharmonische Vereinigung Arte Sinfonica
Slawische Tänze, op. 46, Nr. 10
104 bpm • E min • 05:35 • -17.87db
12% Popularity • 20% Danceability • 16% Energy • 32% Liveness
86% Instrumentalness • 7% Positiveness
12% Popularity • 20% Danceability • 16% Energy • 32% Liveness
86% Instrumentalness • 7% Positiveness
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Johann Strauss I
Radetzky-Marsch, Op. 228
104 bpm • A Maj • 03:17 • -15.23db
8% Popularity • 52% Danceability • 56% Energy • 6% Liveness
68% Instrumentalness • 63% Positiveness
8% Popularity • 52% Danceability • 56% Energy • 6% Liveness
68% Instrumentalness • 63% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
The Slovak Philharmonic Orchestra, Libor Pesek
Symphony No 40: Molto Allegro
104 bpm • G min • 07:51 • -18db
21% Popularity • 44% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
21% Popularity • 44% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
► Preview
Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
► Preview
Ruggero Leoncavallo
Pagliacci: Vesti la giubba - Instrumenta...
104 bpm • E Maj • 03:32 • -16db
15% Popularity • 16% Danceability • 20% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 20% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
Raymonda, Act III: Variation 4
103 bpm • D min • 02:26 • -29.45db
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Boris Khaykin
Minuet from String Quintet in E Major, O...
103 bpm • G min • 03:15 • -26db
13% Popularity • 49% Danceability • 11% Energy • 44% Liveness
82% Instrumentalness • 50% Positiveness
13% Popularity • 49% Danceability • 11% Energy • 44% Liveness
82% Instrumentalness • 50% Positiveness
► Preview
Gioachino Rossini
Guillaume Tell: Guillaume Tell: Overture
103 bpm • E Maj • 11:35 • -19db
28% Popularity • 28% Danceability • 14% Energy • 21% Liveness
67% Instrumentalness • 9% Positiveness
28% Popularity • 28% Danceability • 14% Energy • 21% Liveness
67% Instrumentalness • 9% Positiveness
► Preview
Sergei Rachmaninoff
Italian Polka
103 bpm • D# Maj • 02:09 • -27db
37% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
37% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
51% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
51% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
► Preview
Alexander Borodin
Polovtsian Dances From "Prince Igor"
103 bpm • D Maj • 11:30 • -21.85db
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
► Preview
La Sinfónica Clásica
Polka Italienne
126 bpm • D# Maj • 01:39 • -21.78db
24% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
24% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
► Preview
Royal Philharmonic Orchestra
Hungarian Dance No.5 In G Minor
126 bpm • G min • 01:14 • -17.39db
26% Popularity • 30% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 45% Positiveness
26% Popularity • 30% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 45% Positiveness
► Preview
Camille Saint-Saëns
Introduction et Rondo capriccioso, Op. 2...
103 bpm • A min • 08:56 • -23db
30% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
30% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
► Preview
Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
127 bpm • D Maj • 06:11 • -16db
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
