Songs like Carmen, WD 31, Act I: Seguidilla. Près des remparts de Séville by Georges Bizet
Based on a tempo of (+/- 10%) and a similar genre
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Giacomo Puccini
Turandot / Act II: O, Principi, che a lu...
76 bpm • F# min • 04:24 • -15.18db
8% Popularity • 18% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Plácido Domingo
L'elisir d'amore: Act II: Una furtiva la...
76 bpm • A# min • 05:02 • -15.19db
0% Popularity • 16% Danceability • 18% Energy • 14% Liveness
16% Instrumentalness • 7% Positiveness
0% Popularity • 16% Danceability • 18% Energy • 14% Liveness
16% Instrumentalness • 7% Positiveness
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Georges Bizet
Carmen, WD 31, Act I: Seguidilla. Près ...
76 bpm • D Maj • 04:29 • -24.22db
17% Popularity • 41% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 41% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Vincenzo Bellini
I puritani / Act 1: "A te, o cara"
76 bpm • D Maj • 06:56 • -17db
13% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Träume
76 bpm • G# Maj • 04:50 • -25.98db
10% Popularity • 26% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 4 Lieder, Op. 27: No. 4, Mor...
75 bpm • G Maj • 03:50 • -29db
21% Popularity • 11% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Ernest Guiraud
L'Arlésienne Suite No. 2 (Arr. E. Guira...
75 bpm • D# Maj • 03:59 • -28.29db
7% Popularity • 28% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
7% Popularity • 28% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Giacomo Puccini
Puccini: Preludio sinfonico
75 bpm • A Maj • 08:47 • -21db
24% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen, WD 31, Act II: Gypsy Song. Les t...
75 bpm • A min • 06:16 • -21db
15% Popularity • 27% Danceability • 5% Energy • 52% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 27% Danceability • 5% Energy • 52% Liveness
0% Instrumentalness • 12% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: Valse...
77 bpm • F Maj • 03:35 • -22db
10% Popularity • 40% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 40% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Wagner
Die Meistersinger von NĂĽrnberg, WWV 96,...
75 bpm • C Maj • 07:15 • -25.78db
3% Popularity • 20% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 20% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 7. Zdes' khorosho
77 bpm • A Maj • 02:19 • -15db
25% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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AntonĂn Dvořák
Rusalka, Op. 114 / Act 1: Sem casto pric...
75 bpm • F Maj • 04:08 • -18.34db
17% Popularity • 18% Danceability • 15% Energy • 6% Liveness
8% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 15% Energy • 6% Liveness
8% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Messa di Gloria: Gratias agimus...
77 bpm • C# Maj • 03:35 • -22.48db
13% Popularity • 12% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 12% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act III: "Ch...
77 bpm • C Maj • 03:55 • -17.2db
24% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Leoš Janáček
Jenufa / Act 2: Co chvila ... co chvila
77 bpm • B Maj • 03:47 • -15db
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Meistersinger von NĂĽrnberg, WWV 96 ...
75 bpm • F# min • 06:17 • -18db
22% Popularity • 16% Danceability • 20% Energy • 57% Liveness
50% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 20% Energy • 57% Liveness
50% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Vincenzo Bellini
La sonnambula, Act II: Ah! Non credea mi...
75 bpm • F Maj • 04:47 • -24db
7% Popularity • 20% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: La rondine, Act 1: "Chi il bel ...
77 bpm • F Maj • 02:22 • -25db
14% Popularity • 31% Danceability • 7% Energy • 34% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 31% Danceability • 7% Energy • 34% Liveness
0% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • F min • 04:38 • -18db
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act II: (...
78 bpm • E min • 10:11 • -19.71db
14% Popularity • 15% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Treulich gef...
74 bpm • A# Maj • 05:08 • -32.9db
23% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
23% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Ils se s...
74 bpm • G min • 01:08 • -28db
16% Popularity • 38% Danceability • 2% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 38% Danceability • 2% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
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Vincenzo Bellini
I Puritani / Act 1: Ah! per sempre io ti...
74 bpm • G Maj • 07:54 • -16db
10% Popularity • 22% Danceability • 22% Energy • 20% Liveness
20% Instrumentalness • 16% Positiveness
10% Popularity • 22% Danceability • 22% Energy • 20% Liveness
20% Instrumentalness • 16% Positiveness
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Giacomo Puccini
Manon Lescaut: Act I: Donna non vidi mai...
75 bpm • A# Maj • 02:35 • -23db
34% Popularity • 17% Danceability • 10% Energy • 24% Liveness
6% Instrumentalness • 11% Positiveness
34% Popularity • 17% Danceability • 10% Energy • 24% Liveness
6% Instrumentalness • 11% Positiveness
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Gustav Mahler
Das Lied von der Erde: Das Trinklied vom...
78 bpm • G min • 08:30 • -17.71db
19% Popularity • 18% Danceability • 17% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
19% Popularity • 18% Danceability • 17% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
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Mirella Freni
La Bohème: Mi chiamano Mimi
74 bpm • D Maj • 05:07 • -15.42db
22% Popularity • 26% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620, Act I: No. 3, ...
74 bpm • D# Maj • 03:42 • -23.69db
18% Popularity • 28% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 28% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, CG 9, Act 1:...
78 bpm • F Maj • 03:55 • -18.15db
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Giuseppe Verdi
La traviata / Act II: "Alfredo, Alfredo,...
78 bpm • D# Maj • 04:03 • -17db
26% Popularity • 27% Danceability • 20% Energy • 5% Liveness
2% Instrumentalness • 5% Positiveness
26% Popularity • 27% Danceability • 20% Energy • 5% Liveness
2% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Puccini: Messa di Gloria: Benedictus qui...
74 bpm • A# Maj • 02:09 • -24.33db
13% Popularity • 19% Danceability • 7% Energy • 20% Liveness
14% Instrumentalness • 5% Positiveness
13% Popularity • 19% Danceability • 7% Energy • 20% Liveness
14% Instrumentalness • 5% Positiveness
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Georges Bizet
Carmen / Act I: "L'amour est un enfant B...
78 bpm • F Maj • 03:49 • -22.31db
7% Popularity • 32% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 32% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • A# min • 04:42 • -17.94db
15% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Carlo Bergonzi
Addio fiorito asil
74 bpm • C# Maj • 01:56 • -20.5db
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Una vo...
78 bpm • B Maj • 05:35 • -21.94db
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
Verdi: Il trovatore, Act 4: "D'amor sull...
79 bpm • G# Maj • 03:48 • -19.33db
32% Popularity • 30% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 5% Positiveness
32% Popularity • 30% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 5% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 4: "Sono andati"
78 bpm • G# Maj • 05:58 • -19.67db
25% Popularity • 20% Danceability • 11% Energy • 66% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 11% Energy • 66% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Les Pecheurs des Perles / Act 1: "Au fon...
78 bpm • D# Maj • 05:25 • -16.03db
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Act 3: "J'ai...
79 bpm • E min • 04:22 • -20.16db
17% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
73 bpm • C# Maj • 05:30 • -20db
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: VI. Agnus...
73 bpm • E min • 05:05 • -27db
12% Popularity • 12% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Turandot: Act I: Signore, ascolta!
78 bpm • F# Maj • 02:19 • -29db
37% Popularity • 27% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
37% Popularity • 27% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Georges Bizet
La jolie fille de Perth - Adapted Chris ...
74 bpm • A min • 05:47 • -14.77db
16% Popularity • 18% Danceability • 17% Energy • 10% Liveness
17% Instrumentalness • 14% Positiveness
16% Popularity • 18% Danceability • 17% Energy • 10% Liveness
17% Instrumentalness • 14% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "L'amo...
79 bpm • G min • 01:00 • -18.56db
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Ernest Guiraud
L'Arlésienne Suite No. 2: L'arlesienne ...
79 bpm • D Maj • 03:43 • -12.5db
1% Popularity • 46% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 46% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act III: "...
73 bpm • F# Maj • 05:55 • -19.75db
12% Popularity • 18% Danceability • 19% Energy • 13% Liveness
1% Instrumentalness • 15% Positiveness
12% Popularity • 18% Danceability • 19% Energy • 13% Liveness
1% Instrumentalness • 15% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi, Act I - Scene ...
80 bpm • G min • 04:12 • -30.32db
11% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Suor Angelica: Senza mamma
79 bpm • A min • 04:41 • -17.99db
17% Popularity • 23% Danceability • 9% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 9% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "La belle, ...
79 bpm • A Maj • 01:03 • -23db
10% Popularity • 40% Danceability • 5% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 40% Danceability • 5% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
80 bpm • C# Maj • 06:03 • -19.88db
13% Popularity • 15% Danceability • 15% Energy • 4% Liveness
2% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 15% Energy • 4% Liveness
2% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 1: "Quanto è bel...
80 bpm • C Maj • 03:20 • -15.64db
25% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Renata Scotto
La Traviata - Act. Iii - Addio Del Passa...
72 bpm • A min • 03:13 • -20db
32% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
32% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
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Plácido Domingo
Nessun dorma! from Turandot
80 bpm • D Maj • 02:59 • -12db
32% Popularity • 14% Danceability • 41% Energy • 16% Liveness
7% Instrumentalness • 13% Positiveness
32% Popularity • 14% Danceability • 41% Energy • 16% Liveness
7% Instrumentalness • 13% Positiveness
► Preview
Gioachino Rossini
La Cenerentola / Act 2: "Nacqui all'affa...
72 bpm • E Maj • 07:32 • -18.08db
17% Popularity • 25% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Georges Bizet
Bizet: Carmen: Pres des remparts de Sevi...
78 bpm • B min • 04:45 • -20.57db
11% Popularity • 24% Danceability • 18% Energy • 59% Liveness
34% Instrumentalness • 12% Positiveness
11% Popularity • 24% Danceability • 18% Energy • 59% Liveness
34% Instrumentalness • 12% Positiveness
► Preview
Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Charles Gounod
Faust, CG 4 / Act 3: "Quel trouble incon...
80 bpm • G# Maj • 06:14 • -17.77db
9% Popularity • 16% Danceability • 17% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 17% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Verdi: Aida, Act 4: "O terra, addio, val...
80 bpm • C# Maj • 04:45 • -22.19db
17% Popularity • 18% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Hector Berlioz
Les Troyens, H 133 / Act V: "Ah! Ah! Je ...
80 bpm • G# Maj • 06:45 • -23.17db
14% Popularity • 18% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Carmen, WD 31, Act I: Dans l'air nous su...
78 bpm • E Maj • 02:23 • -20.9db
23% Popularity • 30% Danceability • 10% Energy • 70% Liveness
92% Instrumentalness • 17% Positiveness
23% Popularity • 30% Danceability • 10% Energy • 70% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Richard Strauss
Strauss, R: 5 Lieder, Op. 48: No. 4, Win...
72 bpm • A# Maj • 03:21 • -25.12db
8% Popularity • 26% Danceability • 6% Energy • 9% Liveness
20% Instrumentalness • 7% Positiveness
8% Popularity • 26% Danceability • 6% Energy • 9% Liveness
20% Instrumentalness • 7% Positiveness
► Preview
Dame Joan Sutherland
Waltz Song: Je veux vivre
72 bpm • G Maj • 03:26 • -18.28db
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
► Preview
Giuseppe Verdi
La traviata, Act I: Sempre libera "Cabal...
80 bpm • G# Maj • 03:36 • -15.98db
5% Popularity • 32% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
5% Popularity • 32% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
► Preview
Charles Gounod
Gounod: Roméo et Juliette, Act 1: "Non,...
80 bpm • F Maj • 03:48 • -21db
11% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Carl Orff
Carmina Burana: XVIII. Circa mea pectora
80 bpm • B min • 02:13 • -25.18db
29% Popularity • 38% Danceability • 21% Energy • 18% Liveness
3% Instrumentalness • 48% Positiveness
29% Popularity • 38% Danceability • 21% Energy • 18% Liveness
3% Instrumentalness • 48% Positiveness
► Preview
Georges Bizet
Carmen, WD 31, Act III: Je dis que rien ...
80 bpm • D# Maj • 04:52 • -21.68db
6% Popularity • 27% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
6% Popularity • 27% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 2 in B-Flat Major, Op. 52, ...
80 bpm • G Maj • 04:13 • -21.86db
5% Popularity • 19% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 19% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Verdi: Messa da Requiem: XVIII. Libera m...
81 bpm • G# Maj • 02:27 • -23.61db
14% Popularity • 22% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Gounod
Roméo et Juliette, Acte II: "L'amour......
80 bpm • F Maj • 06:10 • -18.27db
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Il tabarro: "Dunque, che cosa c...
72 bpm • C Maj • 03:48 • -25.88db
10% Popularity • 30% Danceability • 10% Energy • 56% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 30% Danceability • 10% Energy • 56% Liveness
0% Instrumentalness • 14% Positiveness
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Georges Bizet
Les pĂŞcheurs de perles, WD 13 / Act 1: ...
80 bpm • A min • 03:48 • -18.84db
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
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Richard Strauss
Strauss, R: 5 Lieder, Op. 41: No. 1, Wie...
81 bpm • D Maj • 04:49 • -23.73db
9% Popularity • 13% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 6% Positiveness
9% Popularity • 13% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 6% Positiveness
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Richard Wagner
Tannhäuser - Paris Version / Act 3: "Be...
71 bpm • D# Maj • 05:33 • -20db
12% Popularity • 7% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
37% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: Ah, je...
71 bpm • F Maj • 03:55 • -19.65db
17% Popularity • 30% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
17% Popularity • 30% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 2: "Quando m'en ...
71 bpm • A Maj • 05:21 • -14.73db
33% Popularity • 33% Danceability • 32% Energy • 44% Liveness
8% Instrumentalness • 9% Positiveness
33% Popularity • 33% Danceability • 32% Energy • 44% Liveness
8% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Act I: No. 6...
71 bpm • D# Maj • 02:46 • -21.61db
19% Popularity • 39% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 39% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 2: "La fleur que tu ...
80 bpm • C# Maj • 04:20 • -16db
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 8 Gedichte aus Letzte Blätt...
81 bpm • C Maj • 01:55 • -16.04db
20% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act III: Lie...
82 bpm • B Maj • 08:43 • -17db
14% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
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Jules Massenet
Manon / Act 2: "En fermant les yeux"
82 bpm • D Maj • 02:46 • -22.42db
14% Popularity • 12% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 12% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588 / Act 1: "Soave s...
81 bpm • E Maj • 02:38 • -17db
15% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
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Georges Bizet
Carmen / Act 2: Quintette: "Nous avons e...
72 bpm • F min • 05:15 • -20.77db
14% Popularity • 38% Danceability • 14% Energy • 41% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 38% Danceability • 14% Energy • 41% Liveness
0% Instrumentalness • 23% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 4, Im A...
82 bpm • A# Maj • 08:27 • -24.29db
20% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La Sonnanbula - Prendi, l'anel ti dono
82 bpm • G# Maj • 05:17 • -20.14db
6% Popularity • 21% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 21% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Richard Wagner
Tannhäuser - Paris Version / Act III: O...
71 bpm • G Maj • 03:00 • -31.49db
31% Popularity • 19% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Don Pasquale / Act 3: "Tornami a dir"
70 bpm • A Maj • 03:32 • -32.29db
1% Popularity • 12% Danceability • 3% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
1% Popularity • 12% Danceability • 3% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Zaide, K.344 / Act 1: "Ruhe sanft, mein ...
70 bpm • G Maj • 06:44 • -19.83db
9% Popularity • 20% Danceability • 14% Energy • 18% Liveness
10% Instrumentalness • 10% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 18% Liveness
10% Instrumentalness • 10% Positiveness
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Georges Bizet
Carmen, WD 31, Act III: Duet. Je suis Es...
82 bpm • C# Maj • 03:42 • -19.72db
2% Popularity • 35% Danceability • 12% Energy • 68% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 35% Danceability • 12% Energy • 68% Liveness
0% Instrumentalness • 36% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 1:...
82 bpm • G# Maj • 05:48 • -17.5db
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "O soave fanciulla"
83 bpm • C Maj • 04:03 • -22.52db
8% Popularity • 16% Danceability • 8% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
I Puritani / Act 2: Il rival salvar tu d...
83 bpm • G# Maj • 12:55 • -15.33db
8% Popularity • 28% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
8% Popularity • 28% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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LĂ©o Delibes
Delibes: Lakmé, Act 2: "Où va la jeune...
70 bpm • E min • 06:30 • -22db
13% Popularity • 21% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
13% Popularity • 21% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness