Songs like Carmina Burana: III. Cour d'amours: Amor volat undique by Carl Orff
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Romeo and Juliet, Fantasy O...
79 bpm • B min • 05:04 • -18.9db
31% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 / Act 1: Dance ...
79 bpm • C Maj • 05:07 • -20.88db
56% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
56% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Carl Orff
Carmina Burana: I Primo vere: Omnia Sol ...
79 bpm • A# Maj • 01:48 • -27db
8% Popularity • 37% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 37% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72: No. 2 in E Mi...
80 bpm • E min • 01:18 • -29.24db
49% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
49% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
53% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
53% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Carl Orff
Carmina Burana: Tempus est iocundum
78 bpm • D Maj • 02:18 • -19.63db
16% Popularity • 46% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 46% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 35% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 4 in F Minor, ...
80 bpm • F min • 09:35 • -15db
35% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
35% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
40% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
40% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
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Richard Wagner
Das Rheingold: Scene II: Einleitung
78 bpm • C# Maj • 01:07 • -33db
31% Popularity • 19% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
31% Popularity • 19% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Tritsch Tratsch - Galopp Polka, Op. 214
80 bpm • A Maj • 02:42 • -20db
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
52% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • D Maj • 02:41 • -28.76db
16% Popularity • 19% Danceability • 3% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 3% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
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Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Léo Delibes
Lakmé, Act 1: Dôme épais le jasmin "F...
77 bpm • B Maj • 01:30 • -15.81db
45% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
49% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
49% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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Antonio Salieri
De profundis
77 bpm • F min • 03:03 • -17db
31% Popularity • 15% Danceability • 10% Energy • 10% Liveness
40% Instrumentalness • 14% Positiveness
31% Popularity • 15% Danceability • 10% Energy • 10% Liveness
40% Instrumentalness • 14% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 3, Cour d'amou...
78 bpm • F Maj • 00:58 • -19db
21% Popularity • 35% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 35% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
81 bpm • E min • 03:41 • -13db
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
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Johann Strauss II
Perpetuum mobile, Op. 257
81 bpm • D# Maj • 02:51 • -25.52db
35% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
35% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
35% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
35% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Arthur Fiedler
Le barbier de Séville Largo al factotum...
77 bpm • C Maj • 04:23 • -12db
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
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Slovak Radio Symphony Orchestra
Gold Und Silber (Gold And Silver), Op. 7...
81 bpm • C Maj • 08:42 • -22.44db
32% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
32% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • E min • 02:27 • -36db
32% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Gustav Holst
The Planets, Op. 32: I. Mars, the Bringe...
77 bpm • G Maj • 07:09 • -14.71db
44% Popularity • 29% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
44% Popularity • 29% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Marc-Antoine Charpentier
Te Deum: I. Prélude
81 bpm • C# Maj • 01:44 • -14.86db
29% Popularity • 42% Danceability • 33% Energy • 21% Liveness
94% Instrumentalness • 49% Positiveness
29% Popularity • 42% Danceability • 33% Energy • 21% Liveness
94% Instrumentalness • 49% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
77 bpm • E min • 01:39 • -14db
14% Popularity • 28% Danceability • 20% Energy • 40% Liveness
77% Instrumentalness • 30% Positiveness
14% Popularity • 28% Danceability • 20% Energy • 40% Liveness
77% Instrumentalness • 30% Positiveness
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Nikolaus Harnoncourt
Mozart: Requiem in D Minor, K. 626: III....
77 bpm • G min • 01:51 • -18.33db
29% Popularity • 39% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 27% Positiveness
29% Popularity • 39% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 27% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
77 bpm • A# Maj • 02:04 • -17db
30% Popularity • 42% Danceability • 22% Energy • 46% Liveness
94% Instrumentalness • 53% Positiveness
30% Popularity • 42% Danceability • 22% Energy • 46% Liveness
94% Instrumentalness • 53% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 3, Cour d'amou...
81 bpm • D Maj • 02:43 • -26.64db
24% Popularity • 11% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Anton Arensky
Egipetskiye nochi (Egyptian Nights), Op....
82 bpm • C min • 03:45 • -33.15db
26% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
26% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 7 in A Major, Op...
77 bpm • E min • 02:41 • -17db
25% Popularity • 24% Danceability • 4% Energy • 7% Liveness
63% Instrumentalness • 5% Positiveness
25% Popularity • 24% Danceability • 4% Energy • 7% Liveness
63% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan - Suite: 3. The ...
82 bpm • F Maj • 01:26 • -29.2db
20% Popularity • 45% Danceability • 6% Energy • 18% Liveness
91% Instrumentalness • 51% Positiveness
20% Popularity • 45% Danceability • 6% Energy • 18% Liveness
91% Instrumentalness • 51% Positiveness
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Franz von Suppé
Pique Dame: Overture
82 bpm • D Maj • 07:51 • -14db
16% Popularity • 30% Danceability • 24% Energy • 68% Liveness
83% Instrumentalness • 12% Positiveness
16% Popularity • 30% Danceability • 24% Energy • 68% Liveness
83% Instrumentalness • 12% Positiveness
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Carl Orff
Carmina Burana: Veris leta facies
77 bpm • D Maj • 04:31 • -38db
21% Popularity • 7% Danceability • 0% Energy • 12% Liveness
47% Instrumentalness • 5% Positiveness
21% Popularity • 7% Danceability • 0% Energy • 12% Liveness
47% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Hut On Fo...
76 bpm • G Maj • 03:53 • -18.55db
26% Popularity • 26% Danceability • 20% Energy • 65% Liveness
80% Instrumentalness • 15% Positiveness
26% Popularity • 26% Danceability • 20% Energy • 65% Liveness
80% Instrumentalness • 15% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: I. Al...
82 bpm • C min • 08:13 • -15db
19% Popularity • 34% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
19% Popularity • 34% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Antonio Salieri
Requiem in C Minor: Introitus - Kyrie
82 bpm • F min • 06:33 • -21.85db
16% Popularity • 10% Danceability • 4% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 4% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: March and Canzona for Queen Mar...
82 bpm • C min • 02:17 • -24.6db
31% Popularity • 19% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 19% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Bedřich Smetana
Dance Of The Comedians
76 bpm • C Maj • 05:27 • -14.49db
20% Popularity • 38% Danceability • 28% Energy • 77% Liveness
80% Instrumentalness • 30% Positiveness
20% Popularity • 38% Danceability • 28% Energy • 77% Liveness
80% Instrumentalness • 30% Positiveness
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Georg Philipp Telemann
Concerto for Recorder, Transverse Flute,...
82 bpm • D min • 02:29 • -14.92db
40% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
40% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
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Angel Antonio González
Tocata y Fuga in D Minor, BWV 565
76 bpm • D min • 09:45 • -13db
24% Popularity • 9% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
24% Popularity • 9% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Johann Strauss II
Frühlingsstimmen, Op. 410
76 bpm • F# min • 06:14 • -16.7db
24% Popularity • 33% Danceability • 17% Energy • 23% Liveness
50% Instrumentalness • 34% Positiveness
24% Popularity • 33% Danceability • 17% Energy • 23% Liveness
50% Instrumentalness • 34% Positiveness
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Carl Orff
Carmina Burana: Estuans interius
82 bpm • A min • 02:20 • -22.71db
17% Popularity • 35% Danceability • 20% Energy • 17% Liveness
39% Instrumentalness • 23% Positiveness
17% Popularity • 35% Danceability • 20% Energy • 17% Liveness
39% Instrumentalness • 23% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
76 bpm • C Maj • 04:31 • -17.38db
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
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Ludwig van Beethoven
Symphony No. 3 in E-Flat Major, Op. 55 "...
82 bpm • D# Maj • 06:06 • -22.5db
12% Popularity • 43% Danceability • 20% Energy • 13% Liveness
72% Instrumentalness • 32% Positiveness
12% Popularity • 43% Danceability • 20% Energy • 13% Liveness
72% Instrumentalness • 32% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
82 bpm • F Maj • 09:43 • -23.25db
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Sonnena...
76 bpm • C Maj • 01:31 • -18db
32% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
► Preview
John Krance
Carmina Burana Suite, "Cantiones profana...
82 bpm • G Maj • 01:57 • -20.22db
7% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
7% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Carl Orff
Carmina Burana / Blanziflor et Helena: "...
82 bpm • G Maj • 02:02 • -11.1db
9% Popularity • 18% Danceability • 29% Energy • 53% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 18% Danceability • 29% Energy • 53% Liveness
0% Instrumentalness • 19% Positiveness
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Luigi Cherubini
Marche funebre
82 bpm • D min • 07:23 • -20db
16% Popularity • 18% Danceability • 2% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 2% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Richard Wagner
Das Rheingold: Einzug der Götter in Wal...
76 bpm • C# Maj • 08:43 • -20.73db
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
39% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
39% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
► Preview
Ludwig van Beethoven
Speaking Unto Nations (Beethoven Symphon...
83 bpm • E min • 05:02 • -20.74db
44% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
44% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Pablo de Sarasate
Sarasate: Zigeunerweisen, Op. 20
83 bpm • C min • 08:37 • -20.64db
33% Popularity • 26% Danceability • 14% Energy • 5% Liveness
13% Instrumentalness • 13% Positiveness
33% Popularity • 26% Danceability • 14% Energy • 5% Liveness
13% Instrumentalness • 13% Positiveness
► Preview
Carl Orff
Orff: Carmina Burana, Pt. 1, Primo vere:...
75 bpm • A# Maj • 02:30 • -16db
25% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Charles Gounod
Marche funebre d'une marionnette (Funera...
75 bpm • A Maj • 05:49 • -27.8db
21% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
21% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
► Preview
Ludwig van Beethoven
Egmont Overture, Op. 84 - Remastered
83 bpm • F min • 08:35 • -16.16db
40% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
40% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
► Preview
Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
56% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
56% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
► Preview
Carl Orff
Orff: Carmina Burana, Pt. 1, Primo vere:...
83 bpm • G min • 02:38 • -30.09db
25% Popularity • 22% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 22% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
54% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
54% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Franz Liszt
Hungarian Rhapsody No. 2 in C Sharp Mino...
83 bpm • C# Maj • 09:03 • -21.03db
31% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
31% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Johann Sebastian Bach
Toccata and Fugue in D Minor, BWV 565: I...
84 bpm • D min • 02:30 • -15.53db
46% Popularity • 30% Danceability • 16% Energy • 24% Liveness
26% Instrumentalness • 11% Positiveness
46% Popularity • 30% Danceability • 16% Energy • 24% Liveness
26% Instrumentalness • 11% Positiveness
► Preview
Johann Adolf Hasse
Hasse: Sanctus Petrus et Sancta Maria Ma...
75 bpm • D Maj • 06:48 • -14.93db
35% Popularity • 24% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 19% Positiveness
35% Popularity • 24% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 19% Positiveness
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Marc-Antoine Charpentier
Prelude from Te Deum
84 bpm • C# Maj • 01:26 • -10.31db
24% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
24% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 3, Cour d'amou...
84 bpm • A Maj • 00:39 • -28.11db
22% Popularity • 38% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
22% Popularity • 38% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
75 bpm • A Maj • 02:23 • -22.89db
31% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
39% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Richard Wagner
Tannhauser: Pilgrims Chorus
75 bpm • D# Maj • 04:35 • -23.15db
19% Popularity • 8% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VII. Libera me
74 bpm • D min • 04:49 • -20db
37% Popularity • 15% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 2, In Taberna:...
84 bpm • A min • 02:19 • -17.45db
23% Popularity • 43% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 43% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Edvard Grieg
Peer Gynt-Suite Nr. 1, Op. 46: II. Ases ...
84 bpm • B min • 05:06 • -29.72db
26% Popularity • 8% Danceability • 1% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
26% Popularity • 8% Danceability • 1% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Bournemouth Symphony Orchestra, George Hurst
The Planets, Suite for Large Orchestra, ...
84 bpm • G# Maj • 07:12 • -14db
22% Popularity • 14% Danceability • 45% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
22% Popularity • 14% Danceability • 45% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Guillaume Tell (William Tell): Overture ...
74 bpm • G Maj • 02:17 • -39db
38% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
38% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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Aram Khachaturian
Gayane Suite No. 3: IV. Gayane's Adagio
74 bpm • F min • 04:56 • -23.68db
37% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
74 bpm • C Maj • 00:55 • -14.36db
4% Popularity • 51% Danceability • 29% Energy • 31% Liveness
92% Instrumentalness • 38% Positiveness
4% Popularity • 51% Danceability • 29% Energy • 31% Liveness
92% Instrumentalness • 38% Positiveness
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Carl Orff
Carmina Burana: Ecce gratum
84 bpm • F Maj • 02:29 • -17db
20% Popularity • 29% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 29% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 31% Positiveness
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Samuel Barber
Adagio for Strings (Platoon)
85 bpm • A# min • 07:01 • -24db
21% Popularity • 17% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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George Frideric Handel
Passacaglia for Violin and Violoncello a...
74 bpm • G min • 07:21 • -23.88db
29% Popularity • 26% Danceability • 9% Energy • 8% Liveness
65% Instrumentalness • 24% Positiveness
29% Popularity • 26% Danceability • 9% Energy • 8% Liveness
65% Instrumentalness • 24% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Tim Fain
Swan Lake, Op. 20
85 bpm • F# min • 05:26 • -18.49db
30% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
30% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
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Henry Purcell
Funeral Sentences for the death of Queen...
85 bpm • A# min • 02:23 • -24db
15% Popularity • 24% Danceability • 18% Energy • 11% Liveness
73% Instrumentalness • 5% Positiveness
15% Popularity • 24% Danceability • 18% Energy • 11% Liveness
73% Instrumentalness • 5% Positiveness
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Carl Orff
Carmina Burana: III Cour d'amours: Dulci...
74 bpm • B min • 00:45 • -31.07db
18% Popularity • 25% Danceability • 3% Energy • 12% Liveness
40% Instrumentalness • 4% Positiveness
18% Popularity • 25% Danceability • 3% Energy • 12% Liveness
40% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Vaughan Williams & Greaves: Fantasia on ...
74 bpm • C min • 04:32 • -31.54db
21% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
21% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
49% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
55% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
55% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann: Les oiseaux dans ...
86 bpm • G# Maj • 06:34 • -18.4db
23% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
23% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: No. 13 Dance o...
73 bpm • C Maj • 05:44 • -24.9db
49% Popularity • 14% Danceability • 6% Energy • 56% Liveness
24% Instrumentalness • 12% Positiveness
49% Popularity • 14% Danceability • 6% Energy • 56% Liveness
24% Instrumentalness • 12% Positiveness
