Songs like Carnival of the Animals: Aquarium by Camille Saint-Saëns
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Fauré: Pavane, Op. 50 (Instrumental Ver...
70 bpm • F# min • 06:19 • -24.45db
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Ernst von Dohnányi
Variations on a Nursery Song, Op. 25: Va...
70 bpm • C Maj • 01:38 • -21.52db
3% Popularity • 30% Danceability • 10% Energy • 34% Liveness
88% Instrumentalness • 4% Positiveness
3% Popularity • 30% Danceability • 10% Energy • 34% Liveness
88% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Franz Liszt
Liebestraum (Love Dream)
70 bpm • G# Maj • 04:39 • -15.14db
46% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: Aquarium
70 bpm • A min • 02:46 • -28.43db
47% Popularity • 19% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
70 bpm • F Maj • 04:08 • -20db
41% Popularity • 40% Danceability • 5% Energy • 10% Liveness
49% Instrumentalness • 29% Positiveness
41% Popularity • 40% Danceability • 5% Energy • 10% Liveness
49% Instrumentalness • 29% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Liszt
Consolations, S. 172: No. 3, Lento placi...
70 bpm • C# Maj • 05:12 • -39db
54% Popularity • 27% Danceability • 0% Energy • 17% Liveness
87% Instrumentalness • 9% Positiveness
54% Popularity • 27% Danceability • 0% Energy • 17% Liveness
87% Instrumentalness • 9% Positiveness
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Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
53% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
53% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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Frédéric Chopin
Waltz No. 19 in A minor, Op. posth.
69 bpm • A min • 02:12 • -37.24db
55% Popularity • 31% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 15% Positiveness
55% Popularity • 31% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 15% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Charles Koechlin
Deux Nocturnes, Op. 32: I. Venise. Andan...
71 bpm • F min • 03:10 • -33.87db
0% Popularity • 16% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Clara Schumann
Scherzo No. 2 in C Minor, Op. 14
69 bpm • C min • 04:52 • -24.3db
17% Popularity • 28% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
17% Popularity • 28% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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William Alwyn
Sonata: I. Slow
71 bpm • G Maj • 03:27 • -24.44db
0% Popularity • 23% Danceability • 5% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 5% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
69 bpm • E min • 02:23 • -26.28db
23% Popularity • 26% Danceability • 5% Energy • 12% Liveness
31% Instrumentalness • 6% Positiveness
23% Popularity • 26% Danceability • 5% Energy • 12% Liveness
31% Instrumentalness • 6% Positiveness
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Alexander Glazunov
Scènes de ballet, Op. 52: II. Marionnet...
69 bpm • D Maj • 02:13 • -34.93db
33% Popularity • 12% Danceability • 2% Energy • 20% Liveness
92% Instrumentalness • 22% Positiveness
33% Popularity • 12% Danceability • 2% Energy • 20% Liveness
92% Instrumentalness • 22% Positiveness
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Franz Liszt
Ave Maria, S. 558 (after Schubert, D. 83...
69 bpm • A# Maj • 05:28 • -27.59db
27% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Arvo Pärt
Spiegel im Spiegel - Version for Violin ...
71 bpm • F Maj • 10:36 • -42.24db
51% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
51% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Samuel Coleridge-Taylor
Sometimes I Feel Like a Motherless Child
68 bpm • C Maj • 04:01 • -20.33db
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2 Etude
72 bpm • A min • 01:11 • -26.24db
62% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
62% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
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John Williams
Schindler's List: Main Theme
68 bpm • D min • 03:43 • -22.58db
41% Popularity • 9% Danceability • 11% Energy • 9% Liveness
39% Instrumentalness • 4% Positiveness
41% Popularity • 9% Danceability • 11% Energy • 9% Liveness
39% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Serenade in B-Flat Major, K. 361 "Gran P...
68 bpm • D# Maj • 05:30 • -25.19db
59% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
59% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 In A Flat Maj...
68 bpm • G# Maj • 01:34 • -34.56db
64% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
64% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: VII. Aq...
72 bpm • D min • 02:29 • -23.18db
30% Popularity • 34% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 34% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: II. A...
68 bpm • E min • 07:41 • -24db
49% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 5 Gra...
68 bpm • D Maj • 03:38 • -27.55db
48% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
48% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Emile Pandolfi
Once Upon a December
73 bpm • B min • 04:12 • -19.35db
53% Popularity • 24% Danceability • 17% Energy • 16% Liveness
93% Instrumentalness • 13% Positiveness
53% Popularity • 24% Danceability • 17% Energy • 16% Liveness
93% Instrumentalness • 13% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 3, Moderato
73 bpm • G# Maj • 04:23 • -28.44db
12% Popularity • 34% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
12% Popularity • 34% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: No. 13 Dance o...
73 bpm • C Maj • 05:44 • -24.9db
48% Popularity • 14% Danceability • 6% Energy • 56% Liveness
24% Instrumentalness • 12% Positiveness
48% Popularity • 14% Danceability • 6% Energy • 56% Liveness
24% Instrumentalness • 12% Positiveness
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Nigel Kennedy
Lullaby for Kamila (Arr. for Cello and P...
73 bpm • D# Maj • 04:02 • -18.22db
20% Popularity • 28% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
20% Popularity • 28% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
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Philharmonic Orchestra
Pavane for a Dead Princess
73 bpm • G Maj • 06:56 • -29db
37% Popularity • 7% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 7% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 3 Carillon
72 bpm • F Maj • 01:35 • -31.25db
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Huw Watkins
Flute Concerto: III. Allegro molto
67 bpm • F# Maj • 08:08 • -21.02db
0% Popularity • 44% Danceability • 9% Energy • 6% Liveness
76% Instrumentalness • 6% Positiveness
0% Popularity • 44% Danceability • 9% Energy • 6% Liveness
76% Instrumentalness • 6% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 19 in E Minor, Op. 72, No. ...
67 bpm • E min • 04:01 • -30.9db
55% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
55% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake (Suite), Op. 20a, TH. 219: I. ...
74 bpm • E min • 03:03 • -16db
54% Popularity • 13% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 13% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
74 bpm • G# Maj • 04:54 • -26.61db
15% Popularity • 29% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 29% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: III. Une barque s...
66 bpm • D Maj • 07:00 • -23.19db
43% Popularity • 20% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
43% Popularity • 20% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Gabriel Fauré
Pavane, Op. 50
66 bpm • F# min • 06:50 • -27.54db
42% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
3 Nocturnes, Op. 9: I. Larghetto
74 bpm • A# min • 05:52 • -29.03db
44% Popularity • 34% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 34% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Charles-Marie Widor
Suite for Flute and Piano, Op. 34: III. ...
74 bpm • G# Maj • 05:41 • -29.46db
0% Popularity • 26% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: No. 1, Von fremden...
66 bpm • G Maj • 01:41 • -39.21db
3% Popularity • 44% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
3% Popularity • 44% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Aram Khachaturian
Gayane Suite No. 3: IV. Gayane's Adagio
74 bpm • F min • 04:56 • -23.68db
36% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
With Rue My Heart Is Laden, Op. 2 No. 2 ...
66 bpm • B min • 01:10 • -28.52db
16% Popularity • 26% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
16% Popularity • 26% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 11% Positiveness
► Preview
Fritz Kreisler
Liebesleid
74 bpm • A Maj • 03:41 • -25db
40% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
40% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
► Preview
Frédéric Chopin
Waltz in A Minor, Op. Posth., B. 150
74 bpm • A min • 02:28 • -28.4db
52% Popularity • 46% Danceability • 5% Energy • 6% Liveness
91% Instrumentalness • 12% Positiveness
52% Popularity • 46% Danceability • 5% Energy • 6% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 2 in...
66 bpm • A min • 01:37 • -30db
63% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
63% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Franz Liszt
Consolation No. 3 in D-Flat Major, S. 17...
74 bpm • C# Maj • 04:19 • -35.64db
52% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
52% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Martin Bloch
Debussy - Claire De Lune
74 bpm • C# Maj • 05:30 • -26db
53% Popularity • 31% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
53% Popularity • 31% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Philip Glass
The Hours: An Unwelcome Friend
74 bpm • G min • 04:16 • -36.17db
59% Popularity • 25% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
59% Popularity • 25% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
75 bpm • A min • 02:11 • -30db
21% Popularity • 23% Danceability • 8% Energy • 9% Liveness
70% Instrumentalness • 12% Positiveness
21% Popularity • 23% Danceability • 8% Energy • 9% Liveness
70% Instrumentalness • 12% Positiveness
► Preview
Charles-Marie Widor
Suite for Flute and Piano, Op. 34: I. Mo...
66 bpm • C# Maj • 04:17 • -26.34db
0% Popularity • 32% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
0% Popularity • 32% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
► Preview
Nora Mercz
Sadko: Hindu Song (arr. N. Mercz): Hindu...
65 bpm • F Maj • 03:32 • -31.62db
53% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
53% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Ernst von Dohnányi
Variations on a Nursery Song, Op. 25: In...
65 bpm • G Maj • 03:33 • -14.46db
1% Popularity • 22% Danceability • 22% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
1% Popularity • 22% Danceability • 22% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 1 In B Flat Minor, Op. 9 No...
75 bpm • C# Maj • 04:46 • -27.53db
62% Popularity • 26% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
62% Popularity • 26% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
60% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
60% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: The Swan
65 bpm • G Maj • 02:30 • -24.81db
61% Popularity • 21% Danceability • 7% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
61% Popularity • 21% Danceability • 7% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Triple Concerto in C Major, Op. 56: II. ...
65 bpm • G# Maj • 04:39 • -18.25db
35% Popularity • 20% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 20% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Giuseppe Tartini
Violin Sonata in G Minor, "Devil's Trill...
75 bpm • G min • 07:34 • -18db
42% Popularity • 28% Danceability • 10% Energy • 19% Liveness
3% Instrumentalness • 10% Positiveness
42% Popularity • 28% Danceability • 10% Energy • 19% Liveness
3% Instrumentalness • 10% Positiveness
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Maurice Duruflé
Prélude, récitatif et variations, Op. ...
65 bpm • A min • 01:38 • -29.11db
0% Popularity • 21% Danceability • 1% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 1% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
46% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
46% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz.56: III. Andant...
75 bpm • D min • 01:17 • -40db
27% Popularity • 25% Danceability • 1% Energy • 5% Liveness
7% Instrumentalness • 5% Positiveness
27% Popularity • 25% Danceability • 1% Energy • 5% Liveness
7% Instrumentalness • 5% Positiveness
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Benjamin Frith
Nocturne No. 10 In E Minor
65 bpm • E min • 03:12 • -36.52db
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Samuel Coleridge-Taylor
Impromptu No. 2 in B Minor
65 bpm • B min • 04:35 • -26.69db
15% Popularity • 34% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 34% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Amy Beach
By the Still Waters, Op. 114
76 bpm • C# Maj • 03:07 • -43db
58% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Howard Ferguson
Three Sketches: I. Proco allegro
76 bpm • C Maj • 01:19 • -26.22db
0% Popularity • 26% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
0% Popularity • 26% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
► Preview
Ernst von Dohnányi
Variations on a Nursery Song, Op. 25: Va...
65 bpm • F min • 01:52 • -20.31db
1% Popularity • 34% Danceability • 44% Energy • 14% Liveness
80% Instrumentalness • 10% Positiveness
1% Popularity • 34% Danceability • 44% Energy • 14% Liveness
80% Instrumentalness • 10% Positiveness
► Preview
Béla Bartók
Suite Paysanne Hongroise: Chants populai...
76 bpm • A min • 01:41 • -29.33db
0% Popularity • 33% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 9% Positiveness
0% Popularity • 33% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Coriolan, Op. 62: Overture
76 bpm • F min • 08:57 • -17.06db
43% Popularity • 26% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
43% Popularity • 26% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Arnold Bax
Four Pieces: IV. Grotesque
76 bpm • A# min • 02:20 • -24.44db
0% Popularity • 49% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
0% Popularity • 49% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: No. 12, Kind im Ei...
64 bpm • E min • 01:44 • -36.87db
1% Popularity • 26% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
1% Popularity • 26% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
► Preview
Maurice Ravel
Daphnis et Chloe: Part III: Lever du jou...
77 bpm • E min • 05:29 • -17db
41% Popularity • 7% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 7% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Prélude in E minor, Op. 28, No. 4
63 bpm • E min • 02:26 • -33db
59% Popularity • 39% Danceability • 0% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
59% Popularity • 39% Danceability • 0% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 7 In A, Op. 92: 2. Allegret...
77 bpm • E min • 07:45 • -22.93db
48% Popularity • 22% Danceability • 4% Energy • 9% Liveness
76% Instrumentalness • 9% Positiveness
48% Popularity • 22% Danceability • 4% Energy • 9% Liveness
76% Instrumentalness • 9% Positiveness
► Preview
Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
