Songs like Carnival of the Animals:The Elephant by Philharmonia Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: I. Mornin...
73 bpm • E Maj • 03:54 • -25.77db
27% Popularity • 7% Danceability • 2% Energy • 15% Liveness
76% Instrumentalness • 4% Positiveness
27% Popularity • 7% Danceability • 2% Energy • 15% Liveness
76% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Songs Without Words: Frühlingslied, Op....
73 bpm • A Maj • 02:05 • -17db
23% Popularity • 20% Danceability • 12% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
23% Popularity • 20% Danceability • 12% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
Piano Concerto no. 2 in F Major, Op. 102...
73 bpm • C min • 07:02 • -41db
4% Popularity • 18% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
4% Popularity • 18% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
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Philharmonia Orchestra
Carnival of the Animals:The Elephant
73 bpm • D# Maj • 01:07 • -35db
9% Popularity • 36% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
9% Popularity • 36% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Erik Satie
Trois Gymnopédies: I. Lent Et Douloureu...
73 bpm • D Maj • 02:41 • -42.54db
16% Popularity • 14% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 2 in G Minor, Op. 22:...
73 bpm • G min • 12:28 • -25.04db
8% Popularity • 20% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Norwegian Dances, Op. 35: No. 2, ...
73 bpm • E Maj • 02:18 • -24db
15% Popularity • 30% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
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Henrik MÃ¥we
5 Morceaux de fantasie, Op. 3: No. 2, Pr...
73 bpm • F# min • 03:57 • -17.42db
14% Popularity • 44% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
14% Popularity • 44% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Vaughan Williams & Greaves: Fantasia on ...
74 bpm • C min • 04:32 • -31.54db
22% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Philharmonische Vereinigung Arte Sinfonica
" Faust " , Ballettmusik: Nr. 7 Allegro ...
72 bpm • E min • 02:43 • -19.1db
3% Popularity • 30% Danceability • 46% Energy • 37% Liveness
86% Instrumentalness • 31% Positiveness
3% Popularity • 30% Danceability • 46% Energy • 37% Liveness
86% Instrumentalness • 31% Positiveness
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Erik Satie
3 Gymnopedies: III. Lent et Grave
73 bpm • A min • 02:49 • -33.11db
5% Popularity • 12% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
5% Popularity • 12% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Josef Suk
Spring, Op. 22a
74 bpm • D min • 03:44 • -25.33db
11% Popularity • 11% Danceability • 5% Energy • 25% Liveness
97% Instrumentalness • 5% Positiveness
11% Popularity • 11% Danceability • 5% Energy • 25% Liveness
97% Instrumentalness • 5% Positiveness
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Radio Orchestra Berlin
The Marriage of Figaro (overture)
74 bpm • D# Maj • 04:09 • -14db
25% Popularity • 40% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 32% Positiveness
25% Popularity • 40% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 32% Positiveness
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Franz Liszt
Piano Concerto No. 1 in E-Flat Major, S1...
74 bpm • F min • 05:41 • -25.47db
4% Popularity • 25% Danceability • 4% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
4% Popularity • 25% Danceability • 4% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Cinderella, Op. 87: 13. Summer Fairy
74 bpm • F Maj • 01:35 • -30.64db
39% Popularity • 24% Danceability • 8% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 8% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
32% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
32% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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George Frideric Handel
Julius Caesar, HWV 17, Act III Scene 1: ...
72 bpm • E Maj • 06:50 • -27db
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Claude Debussy
Debussy: Danses pour Harpe et Cordes, CD...
74 bpm • A Maj • 04:43 • -21.64db
1% Popularity • 27% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
1% Popularity • 27% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 9 in D Minor, Op...
74 bpm • D Maj • 06:31 • -17.28db
4% Popularity • 13% Danceability • 8% Energy • 64% Liveness
88% Instrumentalness • 10% Positiveness
4% Popularity • 13% Danceability • 8% Energy • 64% Liveness
88% Instrumentalness • 10% Positiveness
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Frédéric Chopin
Chopin / Arr. Douglas: Les sylphides: Wa...
74 bpm • C# min • 04:33 • -27db
3% Popularity • 23% Danceability • 7% Energy • 64% Liveness
85% Instrumentalness • 7% Positiveness
3% Popularity • 23% Danceability • 7% Energy • 64% Liveness
85% Instrumentalness • 7% Positiveness
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Southwest German Chamber Orchestra
Orfeo ed Euridice: XXVII. Ballo: Andante...
72 bpm • F Maj • 02:28 • -29.75db
20% Popularity • 22% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 24% Positiveness
20% Popularity • 22% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 24% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum, Op. 61, MWV M13: ...
72 bpm • C Maj • 05:16 • -17.22db
11% Popularity • 37% Danceability • 16% Energy • 6% Liveness
86% Instrumentalness • 13% Positiveness
11% Popularity • 37% Danceability • 16% Energy • 6% Liveness
86% Instrumentalness • 13% Positiveness
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William Walton
Henry V - Suite (arr. Mathieson): IV. To...
71 bpm • C Maj • 01:40 • -32.65db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
99% Instrumentalness • 6% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
99% Instrumentalness • 6% Positiveness
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Bonn Classical Philharmonic
Narative Love
75 bpm • D min • 02:23 • -26.46db
0% Popularity • 45% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
0% Popularity • 45% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Philharmonische Vereinigung Arte Sinfonica
Sinfonie Pathétique, Nr. 6, H-Moll, op....
75 bpm • B min • 10:06 • -21.8db
6% Popularity • 6% Danceability • 4% Energy • 29% Liveness
84% Instrumentalness • 3% Positiveness
6% Popularity • 6% Danceability • 4% Energy • 29% Liveness
84% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Verdi: Aida: Preludio
75 bpm • D Maj • 03:39 • -21db
26% Popularity • 7% Danceability • 2% Energy • 14% Liveness
5% Instrumentalness • 3% Positiveness
26% Popularity • 7% Danceability • 2% Energy • 14% Liveness
5% Instrumentalness • 3% Positiveness
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Orquesta Sinfónica de BerlÃn
Coriolan Overtura Op 62
75 bpm • F min • 08:43 • -18.35db
8% Popularity • 28% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 12% Positiveness
8% Popularity • 28% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 12% Positiveness
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Édouard Lalo
Lalo: Symphonie espagnole, Op. 21: I. Al...
75 bpm • D min • 07:57 • -21.5db
17% Popularity • 32% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 27% Positiveness
17% Popularity • 32% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 27% Positiveness
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Georges Bizet
Carmen, WD 31: Entr'acte to Act III (Arr...
71 bpm • D# Maj • 02:30 • -30.55db
14% Popularity • 27% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 12% Positiveness
14% Popularity • 27% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 12% Positiveness
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Gaetano Donizetti
Don Pasquale, Act I Terza Scena: Sogno s...
71 bpm • G# Maj • 02:29 • -22db
17% Popularity • 21% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 21% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Claude Debussy
La Mer in B Minor: I. "De l'aube à midi...
75 bpm • A Maj • 09:01 • -18.3db
7% Popularity • 8% Danceability • 14% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 14% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
75 bpm • D min • 02:34 • -17.17db
20% Popularity • 33% Danceability • 21% Energy • 24% Liveness
92% Instrumentalness • 36% Positiveness
20% Popularity • 33% Danceability • 21% Energy • 24% Liveness
92% Instrumentalness • 36% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: IX. The...
75 bpm • D# Maj • 01:49 • -44.6db
0% Popularity • 58% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 58% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 3, Cour d'amou...
71 bpm • D Maj • 01:42 • -31.76db
11% Popularity • 28% Danceability • 3% Energy • 25% Liveness
2% Instrumentalness • 9% Positiveness
11% Popularity • 28% Danceability • 3% Energy • 25% Liveness
2% Instrumentalness • 9% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
46% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
46% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Concerto No. 5 in E-Fla...
71 bpm • B Maj • 05:23 • -26.46db
17% Popularity • 28% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
17% Popularity • 28% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Gaetano Donizetti
Don Pasquale, Act I Seconda Scena: Ah! U...
75 bpm • C Maj • 01:59 • -18db
16% Popularity • 32% Danceability • 37% Energy • 58% Liveness
96% Instrumentalness • 69% Positiveness
16% Popularity • 32% Danceability • 37% Energy • 58% Liveness
96% Instrumentalness • 69% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
71 bpm • F Maj • 02:19 • -25.27db
16% Popularity • 41% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 30% Positiveness
16% Popularity • 41% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: No. 1: Introduc...
76 bpm • G Maj • 02:24 • -20.7db
3% Popularity • 35% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
3% Popularity • 35% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Bonn Classical Philharmonic
Radiogram Minuet
70 bpm • D min • 02:15 • -29.51db
0% Popularity • 27% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 24% Positiveness
0% Popularity • 27% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 24% Positiveness
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Richard Wagner
Tannhäuser - Paris Version / Act III: O...
71 bpm • G Maj • 03:00 • -31.49db
31% Popularity • 19% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: III. Peer...
76 bpm • F# min • 02:40 • -20db
7% Popularity • 35% Danceability • 9% Energy • 16% Liveness
94% Instrumentalness • 9% Positiveness
7% Popularity • 35% Danceability • 9% Energy • 16% Liveness
94% Instrumentalness • 9% Positiveness
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Rebecca Dale
There Will Come
70 bpm • D# Maj • 05:38 • -20.95db
19% Popularity • 15% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
19% Popularity • 15% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Nikolai Rimsky-Korsakov
Flight of The Bumble Bee
76 bpm • A min • 01:42 • -25.85db
16% Popularity • 40% Danceability • 13% Energy • 35% Liveness
93% Instrumentalness • 31% Positiveness
16% Popularity • 40% Danceability • 13% Energy • 35% Liveness
93% Instrumentalness • 31% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 1 in D Major, Op. 17:...
70 bpm • D Maj • 12:25 • -19.63db
16% Popularity • 29% Danceability • 20% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
16% Popularity • 29% Danceability • 20% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Igor Stravinsky
Petrushka, K012 (1947 Version), Pt. 2, "...
76 bpm • E min • 04:45 • -24.53db
7% Popularity • 23% Danceability • 3% Energy • 34% Liveness
30% Instrumentalness • 8% Positiveness
7% Popularity • 23% Danceability • 3% Energy • 34% Liveness
30% Instrumentalness • 8% Positiveness
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Richard Wagner
Das Rheingold: Einzug der Götter in Wal...
76 bpm • C# Maj • 08:43 • -20.73db
31% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Philharmonia Orchestra
Les contes d'Hoffmann: "Barcarole"
76 bpm • D Maj • 04:05 • -31db
19% Popularity • 15% Danceability • 2% Energy • 25% Liveness
39% Instrumentalness • 7% Positiveness
19% Popularity • 15% Danceability • 2% Energy • 25% Liveness
39% Instrumentalness • 7% Positiveness
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Georges Bizet
Bizet / Arr. Guiraud: Carmen Suite No. 1...
70 bpm • D# Maj • 02:31 • -30.26db
46% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
46% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov : Rhapsody on a Theme of Pag...
76 bpm • F Maj • 03:02 • -28.02db
12% Popularity • 38% Danceability • 7% Energy • 36% Liveness
80% Instrumentalness • 37% Positiveness
12% Popularity • 38% Danceability • 7% Energy • 36% Liveness
80% Instrumentalness • 37% Positiveness
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St. Mark's Philharmonic Orchestra
The Cuckoo In The Depths Of The Woods
70 bpm • E Maj • 02:34 • -38.56db
4% Popularity • 57% Danceability • 0% Energy • 13% Liveness
93% Instrumentalness • 3% Positiveness
4% Popularity • 57% Danceability • 0% Energy • 13% Liveness
93% Instrumentalness • 3% Positiveness
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Jacques Offenbach
Overture Orpheus in the Underworld
76 bpm • D Maj • 09:18 • -19.21db
24% Popularity • 18% Danceability • 14% Energy • 15% Liveness
78% Instrumentalness • 13% Positiveness
24% Popularity • 18% Danceability • 14% Energy • 15% Liveness
78% Instrumentalness • 13% Positiveness
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Bonn Classical Philharmonic
Shimmering Fancy
76 bpm • D min • 02:19 • -35.65db
1% Popularity • 32% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
1% Popularity • 32% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
► Preview
Benjamin Britten
Matinées musicales, Op. 24: 2. Nocturne
77 bpm • G# Maj • 03:00 • -27.75db
31% Popularity • 11% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
77 bpm • F Maj • 04:16 • -22db
16% Popularity • 7% Danceability • 6% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
16% Popularity • 7% Danceability • 6% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
70 bpm • C# Maj • 03:06 • -19db
34% Popularity • 27% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 27% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Slovak Philharmonic
Symphony No. 9 In E Minor, Op. 95, B. 17...
77 bpm • C# Maj • 04:58 • -35.18db
18% Popularity • 7% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
77 bpm • E min • 02:39 • -20.72db
15% Popularity • 11% Danceability • 14% Energy • 16% Liveness
91% Instrumentalness • 14% Positiveness
15% Popularity • 11% Danceability • 14% Energy • 16% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Sylvia Capova
Klaviersolo in A Major, WoO 10: Barcarol...
77 bpm • F# min • 03:37 • -28db
30% Popularity • 29% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
30% Popularity • 29% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Benjamin Britten
The Young Person's Guide to the Orchestr...
77 bpm • A# Maj • 02:04 • -17db
29% Popularity • 42% Danceability • 22% Energy • 46% Liveness
94% Instrumentalness • 53% Positiveness
29% Popularity • 42% Danceability • 22% Energy • 46% Liveness
94% Instrumentalness • 53% Positiveness
► Preview
Trio Adagio
Rhapsody On A Theme
77 bpm • C# Maj • 03:29 • -20.83db
2% Popularity • 28% Danceability • 7% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
2% Popularity • 28% Danceability • 7% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Handel: Water Music, Suite No. 1 in F Ma...
77 bpm • F Maj • 03:53 • -21.63db
16% Popularity • 18% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 29% Positiveness
16% Popularity • 18% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 29% Positiveness
► Preview
Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
77 bpm • D Maj • 03:27 • -17.72db
16% Popularity • 33% Danceability • 16% Energy • 3% Liveness
73% Instrumentalness • 32% Positiveness
16% Popularity • 33% Danceability • 16% Energy • 3% Liveness
73% Instrumentalness • 32% Positiveness
► Preview
Frédéric Chopin
12 Etudes, Op. 10: No. 3 in E Major
69 bpm • E Maj • 04:01 • -26.72db
10% Popularity • 30% Danceability • 4% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 4% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: III. Anit...
78 bpm • D min • 02:15 • -37.77db
17% Popularity • 42% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 42% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
69 bpm • G Maj • 02:41 • -30.68db
12% Popularity • 11% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
12% Popularity • 11% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
► Preview
Edward Elgar
Chanson de Matin, Op. 15, No. 2
78 bpm • G Maj • 03:04 • -24.91db
14% Popularity • 19% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Morning (All...
68 bpm • E Maj • 04:19 • -23.72db
37% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Verdi: La forza del destino: Overture
78 bpm • E min • 07:11 • -19db
28% Popularity • 15% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 9% Positiveness
28% Popularity • 15% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 9% Positiveness
► Preview
Carl Davis
Pride and Prejudice Suite: II. Canon Col...
68 bpm • C min • 05:06 • -18.81db
24% Popularity • 24% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
24% Popularity • 24% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Gustav Holst
Holst: The Planets, Op. 32: IV. Jupiter,...
68 bpm • D# Maj • 01:52 • -17.64db
24% Popularity • 19% Danceability • 17% Energy • 20% Liveness
81% Instrumentalness • 14% Positiveness
24% Popularity • 19% Danceability • 17% Energy • 20% Liveness
81% Instrumentalness • 14% Positiveness
► Preview
Robert Schumann
Kinderscenen, Op. 15: I. Von fremden Lan...
68 bpm • G Maj • 01:31 • -38.08db
27% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 34% Positiveness
27% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 34% Positiveness
► Preview
Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
78 bpm • B Maj • 04:42 • -38.56db
32% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
78 bpm • C min • 04:35 • -30.86db
34% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
34% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
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Béla Bartók
Music for String Instruments, Percussion...
79 bpm • F# min • 06:59 • -24db
4% Popularity • 18% Danceability • 5% Energy • 25% Liveness
60% Instrumentalness • 4% Positiveness
4% Popularity • 18% Danceability • 5% Energy • 25% Liveness
60% Instrumentalness • 4% Positiveness
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Philharmonia Orchestra
Octopussy (Arr. C. Egan)
79 bpm • G# Maj • 03:52 • -17.65db
23% Popularity • 8% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
23% Popularity • 8% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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William Walton
Walton: Henry V: Passacaglia "Death of F...
79 bpm • E min • 02:55 • -27.29db
20% Popularity • 18% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Piano Concerto No. 1 in B-F...
79 bpm • C# Maj • 07:19 • -33.65db
4% Popularity • 18% Danceability • 3% Energy • 9% Liveness
72% Instrumentalness • 7% Positiveness
4% Popularity • 18% Danceability • 3% Energy • 9% Liveness
72% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Pines of Rome, P. 141: 3. The Pines of t...
79 bpm • C# min • 07:30 • -33.6db
10% Popularity • 8% Danceability • 2% Energy • 10% Liveness
55% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 2% Energy • 10% Liveness
55% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Fantasia on 'Greensleeves'
79 bpm • C min • 04:15 • -30.44db
8% Popularity • 8% Danceability • 3% Energy • 7% Liveness
45% Instrumentalness • 17% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 7% Liveness
45% Instrumentalness • 17% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
79 bpm • F Maj • 10:23 • -24db
20% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
20% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Slovak Philharmonic
Serenade for Strings in C Major, Op. 48:...
79 bpm • D Maj • 06:38 • -8db
15% Popularity • 14% Danceability • 41% Energy • 80% Liveness
44% Instrumentalness • 9% Positiveness
15% Popularity • 14% Danceability • 41% Energy • 80% Liveness
44% Instrumentalness • 9% Positiveness
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Gustav Holst
Holst: The Planets, Op. 32: II. Venus, t...
80 bpm • F min • 08:58 • -36db
10% Popularity • 7% Danceability • 1% Energy • 9% Liveness
25% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 1% Energy • 9% Liveness
25% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Romeo and Juliet, Fantasy O...
79 bpm • B min • 05:04 • -18.9db
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Pastorale
80 bpm • A Maj • 06:16 • -22db
24% Popularity • 16% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia On "Greensleeves"
79 bpm • C min • 04:11 • -26db
11% Popularity • 11% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 16% Positiveness
11% Popularity • 11% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 16% Positiveness
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Felix Mendelssohn
Lieder Ohne Worte No. 6 in A Major, Op. ...
67 bpm • A Maj • 02:54 • -29.86db
8% Popularity • 22% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
8% Popularity • 22% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
28% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
28% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Claude Debussy
Suite bergamasque: III. Clair de lune (A...
67 bpm • C# Maj • 04:15 • -30.36db
28% Popularity • 6% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 6% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Frederick Delius
On hearing the first Cuckoo in Spring
80 bpm • G Maj • 05:46 • -27.28db
13% Popularity • 10% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Lima Musica
Clarinet Concerto in K
80 bpm • D Maj • 04:41 • -26.59db
19% Popularity • 8% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Philharmonia Orchestra
Tritsch-Tratsch-Polka, Op. 214: "Tritsch...
80 bpm • A Maj • 02:43 • -15db
14% Popularity • 64% Danceability • 40% Energy • 17% Liveness
5% Instrumentalness • 86% Positiveness
14% Popularity • 64% Danceability • 40% Energy • 17% Liveness
5% Instrumentalness • 86% Positiveness
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Academy of St. Martin in the Fields
Holberg Suite, opus 40:Air (Andante reli...
67 bpm • G min • 05:51 • -20.77db
8% Popularity • 7% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
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Claude Debussy
La mer: De l'aube a midi sur la mer
80 bpm • G# min • 09:20 • -24.45db
0% Popularity • 9% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
0% Popularity • 9% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Phaéton, Op. 39
80 bpm • D# Maj • 09:06 • -23db
29% Popularity • 14% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness