Songs like Carrot Cake by Peter Bernstein
Based on a tempo of (+/- 10%) and a similar genre
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Jan Harbeck Quartet
Balanced
86 bpm • F# Maj • 08:32 • -17.33db
36% Popularity • 64% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 43% Positiveness
36% Popularity • 64% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 43% Positiveness
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Peter Bernstein Trio
Carrot Cake
86 bpm • F Maj • 07:46 • -13.29db
22% Popularity • 61% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 71% Positiveness
22% Popularity • 61% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 71% Positiveness
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Julian & Roman Wasserfuhr
Tinderly
86 bpm • C min • 07:25 • -9.26db
11% Popularity • 39% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
11% Popularity • 39% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
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Nicholas Payton
Relaxin' with Nick
85 bpm • C min • 07:39 • -9.43db
34% Popularity • 59% Danceability • 50% Energy • 72% Liveness
28% Instrumentalness • 52% Positiveness
34% Popularity • 59% Danceability • 50% Energy • 72% Liveness
28% Instrumentalness • 52% Positiveness
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Larry Goldings
Perpetual Pendulum
87 bpm • C# Maj • 06:05 • -10.82db
8% Popularity • 33% Danceability • 46% Energy • 12% Liveness
80% Instrumentalness • 41% Positiveness
8% Popularity • 33% Danceability • 46% Energy • 12% Liveness
80% Instrumentalness • 41% Positiveness
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Baptiste Herbin
Gemeos
85 bpm • G# min • 06:24 • -6.27db
17% Popularity • 52% Danceability • 68% Energy • 11% Liveness
65% Instrumentalness • 43% Positiveness
17% Popularity • 52% Danceability • 68% Energy • 11% Liveness
65% Instrumentalness • 43% Positiveness
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Peter Bernstein
Blue Gardenia
85 bpm • C min • 06:53 • -17.8db
4% Popularity • 33% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
4% Popularity • 33% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
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Jesse Van Ruller
Silent Blue Hour
87 bpm • F Maj • 07:13 • -19.12db
8% Popularity • 37% Danceability • 8% Energy • 9% Liveness
56% Instrumentalness • 10% Positiveness
8% Popularity • 37% Danceability • 8% Energy • 9% Liveness
56% Instrumentalness • 10% Positiveness
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Pasquale Grasso
All the Things You Are
85 bpm • G# Maj • 05:06 • -22.41db
12% Popularity • 43% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
12% Popularity • 43% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
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Sasha Dobson
Girl Talk
85 bpm • D Maj • 04:22 • -9.84db
5% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
5% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Kenny Barron Trio
Don't Explain
88 bpm • C# Maj • 06:33 • -10.74db
12% Popularity • 65% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 65% Positiveness
12% Popularity • 65% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 65% Positiveness
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Barry Harris Trio
Sro
84 bpm • G min • 03:52 • -14.88db
33% Popularity • 62% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
33% Popularity • 62% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
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Peter Bernstein
Stella By Starlight
88 bpm • G min • 06:11 • -23.6db
26% Popularity • 50% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
26% Popularity • 50% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Dr. Lonnie Smith
My Little Suede Shoes
84 bpm • F min • 07:24 • -17.31db
11% Popularity • 68% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 72% Positiveness
11% Popularity • 68% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 72% Positiveness
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Randy Brecker
Morning Song
84 bpm • D Maj • 04:09 • -15.9db
41% Popularity • 50% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 54% Positiveness
41% Popularity • 50% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 54% Positiveness
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Cannonball Adderley Sextet
Easy To Love
84 bpm • G# Maj • 03:46 • -13.65db
26% Popularity • 50% Danceability • 58% Energy • 94% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 50% Danceability • 58% Energy • 94% Liveness
0% Instrumentalness • 77% Positiveness
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The Cannonball Adderley Quintet
You're A Weaver Of Dreams
88 bpm • C min • 05:34 • -14db
36% Popularity • 54% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
36% Popularity • 54% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Barry Harris Trio
Passport
88 bpm • G min • 03:44 • -13db
29% Popularity • 67% Danceability • 36% Energy • 8% Liveness
81% Instrumentalness • 62% Positiveness
29% Popularity • 67% Danceability • 36% Energy • 8% Liveness
81% Instrumentalness • 62% Positiveness
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Peter Bernstein
Dance in Your Blood
84 bpm • G Maj • 05:34 • -12.58db
5% Popularity • 43% Danceability • 54% Energy • 13% Liveness
71% Instrumentalness • 53% Positiveness
5% Popularity • 43% Danceability • 54% Energy • 13% Liveness
71% Instrumentalness • 53% Positiveness
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McCoy Tyner Trio
Reaching Fourth
84 bpm • E Maj • 04:22 • -13.22db
37% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
37% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
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Thad Jones
I've Got A Crush On You
83 bpm • A# Maj • 07:36 • -10.91db
26% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
26% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Ron Miles
Queen Of The South
83 bpm • F# Maj • 04:20 • -11.58db
29% Popularity • 63% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
29% Popularity • 63% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Howard Roberts
When The Sun Comes Out
89 bpm • C min • 04:15 • -15.06db
32% Popularity • 60% Danceability • 20% Energy • 16% Liveness
66% Instrumentalness • 40% Positiveness
32% Popularity • 60% Danceability • 20% Energy • 16% Liveness
66% Instrumentalness • 40% Positiveness
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Bobby Watson
I'm Glad There Is You
89 bpm • F Maj • 07:15 • -14.16db
36% Popularity • 42% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
36% Popularity • 42% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
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Aaron Parks
Find The Way
83 bpm • C min • 05:58 • -24.6db
15% Popularity • 29% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 15% Positiveness
15% Popularity • 29% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 15% Positiveness
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Tina Brooks
Star Eyes
89 bpm • F min • 08:15 • -11db
35% Popularity • 53% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 53% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Larry Goldings Trio
You're Looking At Me
83 bpm • C# Maj • 06:14 • -17db
9% Popularity • 58% Danceability • 27% Energy • 11% Liveness
83% Instrumentalness • 49% Positiveness
9% Popularity • 58% Danceability • 27% Energy • 11% Liveness
83% Instrumentalness • 49% Positiveness
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Melvin Rhyne
King David 1.
83 bpm • C min • 03:40 • -10.73db
3% Popularity • 60% Danceability • 48% Energy • 13% Liveness
13% Instrumentalness • 64% Positiveness
3% Popularity • 60% Danceability • 48% Energy • 13% Liveness
13% Instrumentalness • 64% Positiveness
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Ingrid Jensen
Higher Grounds
90 bpm • F min • 05:46 • -19db
23% Popularity • 39% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
23% Popularity • 39% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Alan Broadbent Trio
Clifford Notes
90 bpm • C min • 08:46 • -13.26db
34% Popularity • 62% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 62% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Peter Bernstein
How Deep Is The Ocean
82 bpm • D# Maj • 06:11 • -22.05db
7% Popularity • 50% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
7% Popularity • 50% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
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Brad Mehldau Trio
De-Dah
82 bpm • A# min • 08:42 • -15.32db
19% Popularity • 59% Danceability • 36% Energy • 8% Liveness
79% Instrumentalness • 59% Positiveness
19% Popularity • 59% Danceability • 36% Energy • 8% Liveness
79% Instrumentalness • 59% Positiveness
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Charles Lloyd
Haghia Sophia
90 bpm • A# min • 07:29 • -25.65db
4% Popularity • 27% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
4% Popularity • 27% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Melvin Rhyne
All blues
83 bpm • D min • 05:43 • -12.61db
2% Popularity • 43% Danceability • 37% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
2% Popularity • 43% Danceability • 37% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
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John Coltrane Quartet
Bessie's Blues
91 bpm • F min • 03:35 • -10db
41% Popularity • 59% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 59% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Cyrus Chestnut
Son binocle
91 bpm • C Maj • 04:04 • -23.71db
37% Popularity • 44% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
37% Popularity • 44% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Peter Bernstein
Stranger In Paradise
90 bpm • A# min • 06:51 • -10.62db
4% Popularity • 32% Danceability • 47% Energy • 9% Liveness
74% Instrumentalness • 40% Positiveness
4% Popularity • 32% Danceability • 47% Energy • 9% Liveness
74% Instrumentalness • 40% Positiveness
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Alistair Martin
Twisted Fiction
81 bpm • B Maj • 04:30 • -12.03db
1% Popularity • 46% Danceability • 58% Energy • 11% Liveness
83% Instrumentalness • 23% Positiveness
1% Popularity • 46% Danceability • 58% Energy • 11% Liveness
83% Instrumentalness • 23% Positiveness
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Sasha Dobson
Perhaps Perhaps Perhaps
81 bpm • B min • 03:35 • -15.1db
3% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
3% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Hank Mobley
Three Coins In The Fountain - Remastered...
81 bpm • C min • 05:26 • -10.84db
20% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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M.T.B.
From This Moment On
91 bpm • C# Maj • 06:07 • -12.25db
11% Popularity • 51% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 51% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Woody Shaw
Solid
91 bpm • C min • 04:41 • -15db
13% Popularity • 56% Danceability • 38% Energy • 33% Liveness
16% Instrumentalness • 71% Positiveness
13% Popularity • 56% Danceability • 38% Energy • 33% Liveness
16% Instrumentalness • 71% Positiveness
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Peter Bernstein
Let Loose
90 bpm • G# Maj • 06:46 • -15.02db
4% Popularity • 31% Danceability • 39% Energy • 20% Liveness
86% Instrumentalness • 54% Positiveness
4% Popularity • 31% Danceability • 39% Energy • 20% Liveness
86% Instrumentalness • 54% Positiveness
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Paolo Fresu
Palfium
91 bpm • F min • 03:15 • -16db
35% Popularity • 65% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 76% Positiveness
35% Popularity • 65% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 76% Positiveness
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Kevin Hays
All Things Are
92 bpm • C Maj • 09:35 • -14db
12% Popularity • 38% Danceability • 34% Energy • 7% Liveness
26% Instrumentalness • 42% Positiveness
12% Popularity • 38% Danceability • 34% Energy • 7% Liveness
26% Instrumentalness • 42% Positiveness
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Gathering in Jazz
The Shape of Blue
81 bpm • A# min • 03:17 • -10.35db
44% Popularity • 61% Danceability • 36% Energy • 11% Liveness
45% Instrumentalness • 71% Positiveness
44% Popularity • 61% Danceability • 36% Energy • 11% Liveness
45% Instrumentalness • 71% Positiveness
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Emily Remler
In Your Own Sweet Way
92 bpm • F min • 04:54 • -23.88db
13% Popularity • 51% Danceability • 12% Energy • 9% Liveness
79% Instrumentalness • 32% Positiveness
13% Popularity • 51% Danceability • 12% Energy • 9% Liveness
79% Instrumentalness • 32% Positiveness
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Christian McBride Trio
Cherokee
92 bpm • C# Maj • 05:39 • -20.52db
18% Popularity • 59% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
18% Popularity • 59% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
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Joshua Redman Quartet
Mischief
81 bpm • G min • 05:50 • -16db
19% Popularity • 63% Danceability • 19% Energy • 9% Liveness
5% Instrumentalness • 44% Positiveness
19% Popularity • 63% Danceability • 19% Energy • 9% Liveness
5% Instrumentalness • 44% Positiveness
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Julian Lage
Castle Park
92 bpm • G min • 03:57 • -12.23db
39% Popularity • 51% Danceability • 37% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
39% Popularity • 51% Danceability • 37% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
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Förnuft och Känsla
Händelse
92 bpm • F Maj • 04:39 • -16.12db
20% Popularity • 64% Danceability • 34% Energy • 10% Liveness
78% Instrumentalness • 85% Positiveness
20% Popularity • 64% Danceability • 34% Energy • 10% Liveness
78% Instrumentalness • 85% Positiveness
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Gerry Mulligan
Inside Impromptu
92 bpm • G min • 05:32 • -14.84db
32% Popularity • 66% Danceability • 20% Energy • 10% Liveness
67% Instrumentalness • 54% Positiveness
32% Popularity • 66% Danceability • 20% Energy • 10% Liveness
67% Instrumentalness • 54% Positiveness
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Noé Huchard
You Should Feel It Now
80 bpm • F min • 04:18 • -23.78db
21% Popularity • 54% Danceability • 16% Energy • 12% Liveness
36% Instrumentalness • 45% Positiveness
21% Popularity • 54% Danceability • 16% Energy • 12% Liveness
36% Instrumentalness • 45% Positiveness
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
46% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Barry Harris Trio
Allen's Alley
80 bpm • G# Maj • 02:56 • -14.89db
27% Popularity • 59% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 79% Positiveness
27% Popularity • 59% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 79% Positiveness
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Ornette Coleman
When Will The Blues Leave?
92 bpm • A min • 05:00 • -14.76db
32% Popularity • 63% Danceability • 28% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
32% Popularity • 63% Danceability • 28% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
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Peter Bernstein
What Comes Next
80 bpm • C# Maj • 05:59 • -13.94db
8% Popularity • 35% Danceability • 35% Energy • 28% Liveness
58% Instrumentalness • 33% Positiveness
8% Popularity • 35% Danceability • 35% Energy • 28% Liveness
58% Instrumentalness • 33% Positiveness
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Melvin Rhyne Trio
Hi-Heel Sneakers
93 bpm • C Maj • 07:16 • -11.48db
4% Popularity • 68% Danceability • 41% Energy • 11% Liveness
82% Instrumentalness • 77% Positiveness
4% Popularity • 68% Danceability • 41% Energy • 11% Liveness
82% Instrumentalness • 77% Positiveness
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Musicmusicmusic
Iron Square Serenade
80 bpm • B min • 03:42 • -8.57db
33% Popularity • 32% Danceability • 60% Energy • 15% Liveness
83% Instrumentalness • 52% Positiveness
33% Popularity • 32% Danceability • 60% Energy • 15% Liveness
83% Instrumentalness • 52% Positiveness
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Melvin Rhyne
Jordu
80 bpm • F min • 05:06 • -11.15db
3% Popularity • 50% Danceability • 41% Energy • 12% Liveness
25% Instrumentalness • 36% Positiveness
3% Popularity • 50% Danceability • 41% Energy • 12% Liveness
25% Instrumentalness • 36% Positiveness
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Larry Young
The Moontrane - Rudy Van Gelder 24Bit Ma...
93 bpm • A# Maj • 07:21 • -7.84db
41% Popularity • 41% Danceability • 75% Energy • 30% Liveness
8% Instrumentalness • 59% Positiveness
41% Popularity • 41% Danceability • 75% Energy • 30% Liveness
8% Instrumentalness • 59% Positiveness
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Thad Jones
Mean What You Say
79 bpm • C Maj • 04:34 • -19db
29% Popularity • 44% Danceability • 21% Energy • 15% Liveness
57% Instrumentalness • 33% Positiveness
29% Popularity • 44% Danceability • 21% Energy • 15% Liveness
57% Instrumentalness • 33% Positiveness
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Peter Bernstein
Song 4 2
93 bpm • D# Maj • 05:56 • -23.45db
4% Popularity • 47% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
4% Popularity • 47% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Barry Harris Trio
All The Things You Are
93 bpm • G# Maj • 05:04 • -13.69db
27% Popularity • 44% Danceability • 25% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
27% Popularity • 44% Danceability • 25% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
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Brad Mehldau Trio
Seymour Reads the Constitution
93 bpm • F# min • 08:03 • -15db
36% Popularity • 59% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
36% Popularity • 59% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
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Branford Marsalis Quartet
Conversation Among the Ruins
79 bpm • G min • 08:46 • -11.66db
22% Popularity • 42% Danceability • 33% Energy • 9% Liveness
57% Instrumentalness • 10% Positiveness
22% Popularity • 42% Danceability • 33% Energy • 9% Liveness
57% Instrumentalness • 10% Positiveness
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Horace Silver
Peace
93 bpm • D# min • 06:02 • -14.47db
32% Popularity • 54% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
32% Popularity • 54% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
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Melvin Rhyne
When lights are low
93 bpm • G min • 05:54 • -12.64db
2% Popularity • 59% Danceability • 38% Energy • 12% Liveness
38% Instrumentalness • 49% Positiveness
2% Popularity • 59% Danceability • 38% Energy • 12% Liveness
38% Instrumentalness • 49% Positiveness
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Peter Bernstein
Come Rain Or Come Shine
94 bpm • D min • 06:34 • -15.82db
2% Popularity • 53% Danceability • 36% Energy • 75% Liveness
17% Instrumentalness • 55% Positiveness
2% Popularity • 53% Danceability • 36% Energy • 75% Liveness
17% Instrumentalness • 55% Positiveness
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Nick Hempton
Born to Be Blue
94 bpm • D# min • 05:58 • -15.81db
3% Popularity • 46% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 23% Positiveness
3% Popularity • 46% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 23% Positiveness
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Russell Malone
Look Who's Here
79 bpm • F min • 06:01 • -16db
11% Popularity • 62% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 65% Positiveness
11% Popularity • 62% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 65% Positiveness
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Bud Powell Trio
Off Minor - 1990 Remaster
94 bpm • D# Maj • 02:23 • -17db
42% Popularity • 53% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
42% Popularity • 53% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
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Michael Feinberg
Eye of the Hurricane
79 bpm • F# Maj • 04:57 • -10.19db
31% Popularity • 46% Danceability • 46% Energy • 16% Liveness
8% Instrumentalness • 52% Positiveness
31% Popularity • 46% Danceability • 46% Energy • 16% Liveness
8% Instrumentalness • 52% Positiveness
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Dave Holland Sextet
Pass It On
94 bpm • F min • 07:56 • -12.67db
9% Popularity • 60% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 74% Positiveness
9% Popularity • 60% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 74% Positiveness
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Joshua Redman Quartet
Sweet Sorrow
79 bpm • G min • 08:43 • -16.33db
35% Popularity • 53% Danceability • 7% Energy • 12% Liveness
70% Instrumentalness • 29% Positiveness
35% Popularity • 53% Danceability • 7% Energy • 12% Liveness
70% Instrumentalness • 29% Positiveness
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Sean Mason
Lullaby
78 bpm • C# min • 03:39 • -16.74db
20% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
20% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
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Kenny Barron, Dave Holland & Daniel Humair
Quiet Times
94 bpm • G# Maj • 05:32 • -29.76db
12% Popularity • 38% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
12% Popularity • 38% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Tom Harrell
Tom' S Soul
78 bpm • C# Maj • 07:25 • -14.74db
17% Popularity • 42% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
17% Popularity • 42% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Melvin Rhyne
King David 2.
78 bpm • A# Maj • 03:53 • -11.82db
2% Popularity • 61% Danceability • 48% Energy • 17% Liveness
47% Instrumentalness • 56% Positiveness
2% Popularity • 61% Danceability • 48% Energy • 17% Liveness
47% Instrumentalness • 56% Positiveness
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Kenny Barron Trio
I've Never Been In Love Before
95 bpm • G# Maj • 06:51 • -9.13db
13% Popularity • 62% Danceability • 57% Energy • 10% Liveness
5% Instrumentalness • 38% Positiveness
13% Popularity • 62% Danceability • 57% Energy • 10% Liveness
5% Instrumentalness • 38% Positiveness
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Hank Mobley
Uh Huh - Remastered 2005
78 bpm • F min • 10:47 • -10.2db
34% Popularity • 60% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 60% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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The Alan Broadbent Trio
Chris Craft
78 bpm • C Maj • 06:38 • -16.18db
22% Popularity • 32% Danceability • 43% Energy • 12% Liveness
90% Instrumentalness • 71% Positiveness
22% Popularity • 32% Danceability • 43% Energy • 12% Liveness
90% Instrumentalness • 71% Positiveness
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Peter Bernstein Quartet
The Things We Did Last Summer
95 bpm • G Maj • 06:46 • -22.89db
9% Popularity • 45% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 24% Positiveness
9% Popularity • 45% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 24% Positiveness
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Peter Bernstein
Luiza
95 bpm • C min • 06:24 • -9.8db
4% Popularity • 37% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
4% Popularity • 37% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
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Cyrus Chestnut
Gymnopédie No. 3
95 bpm • A min • 04:06 • -19.97db
15% Popularity • 36% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
15% Popularity • 36% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Joshua Redman Quartet
The Oneness of Two - In Three
95 bpm • G min • 05:12 • -15.14db
16% Popularity • 56% Danceability • 32% Energy • 10% Liveness
45% Instrumentalness • 38% Positiveness
16% Popularity • 56% Danceability • 32% Energy • 10% Liveness
45% Instrumentalness • 38% Positiveness
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Lou Donaldson
Play Ray
78 bpm • D# Maj • 05:31 • -17.34db
42% Popularity • 70% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 70% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Elvin Jones
Anthropology
95 bpm • G# Maj • 04:11 • -20.19db
29% Popularity • 67% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 67% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Martin Sasse Trio
Search for Love
96 bpm • A# min • 07:22 • -18.03db
17% Popularity • 37% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 14% Positiveness
17% Popularity • 37% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 14% Positiveness
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Peter Bernstein
Newark News
96 bpm • G Maj • 05:08 • -11.77db
32% Popularity • 49% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 74% Positiveness
32% Popularity • 49% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 74% Positiveness
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Judith O'Higgins
Los Bandidos Bogarolles
96 bpm • D# Maj • 06:55 • -13db
36% Popularity • 64% Danceability • 38% Energy • 7% Liveness
5% Instrumentalness • 48% Positiveness
36% Popularity • 64% Danceability • 38% Energy • 7% Liveness
5% Instrumentalness • 48% Positiveness
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Gene Ammons
Here's That Rainy Day
96 bpm • F Maj • 06:07 • -15db
42% Popularity • 39% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
42% Popularity • 39% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
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Roy Hargrove Quintet
My Shining Hour
96 bpm • D# Maj • 06:15 • -13.26db
18% Popularity • 56% Danceability • 34% Energy • 81% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 56% Danceability • 34% Energy • 81% Liveness
0% Instrumentalness • 66% Positiveness
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Yoko Miwa Trio
Largo Desolato
96 bpm • F Maj • 06:42 • -12db
9% Popularity • 48% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 57% Positiveness
9% Popularity • 48% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 57% Positiveness
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Phil Woods
New Lands - Take 2
96 bpm • C Maj • 06:07 • -13db
15% Popularity • 42% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 42% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Larry Goldings
Don't Ever Call Me Again
96 bpm • D Maj • 06:10 • -20.65db
16% Popularity • 50% Danceability • 25% Energy • 11% Liveness
72% Instrumentalness • 62% Positiveness
16% Popularity • 50% Danceability • 25% Energy • 11% Liveness
72% Instrumentalness • 62% Positiveness
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Sasha Dobson
These Boots Are Made For Walkin’
77 bpm • A Maj • 04:41 • -11.38db
4% Popularity • 53% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 53% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Blue Mitchell
When I Fall In Love
96 bpm • F Maj • 05:40 • -21db
26% Popularity • 41% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
26% Popularity • 41% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
