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Catching Feelings
Songs like
Catching Feelings (feat. SIX60)
by
Drax Project
Based on a tempo of (+/- 10%) and a similar genre
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SIX60
Please Don't Go
176 bpm • E min • 02:39 • -6.43db
42% Popularity • 70% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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John Mayer
Waiting On the World to Change
177 bpm • D Maj • 03:21 • -5.82db
74% Popularity • 58% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Ella Mai
Naked - Bonus Track
175 bpm • A Maj • 03:17 • -8.53db
65% Popularity • 36% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Niko Walters
Close My Eyes
178 bpm • G Maj • 03:35 • -11.76db
13% Popularity • 27% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Guy Sebastian
Believer
178 bpm • A Maj • 03:45 • -5.53db
46% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Thomas Rhett
On Me
178 bpm • G# Maj • 02:44 • -4.47db
49% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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LANY
cowboy in LA
178 bpm • G# Maj • 03:33 • -8.92db
62% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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TEEKS
Never Be Apart
180 bpm • F# Maj • 03:18 • -10.34db
55% Popularity • 49% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Ariana Grande
Stuck with U
179 bpm • G# Maj • 03:48 • -6.66db
79% Popularity • 60% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Spawnbreezie
If Its You
180 bpm • C Maj • 03:47 • -8.91db
55% Popularity • 74% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Quinn XCII
Stay Next To Me
180 bpm • D Maj • 03:26 • -4.93db
57% Popularity • 58% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Drax Project
Love In The Morning
172 bpm • F Maj • 03:22 • -6.06db
17% Popularity • 67% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Niko Walters
Closely
180 bpm • F Maj • 03:35 • -9.76db
17% Popularity • 57% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Lukas Graham
Love Someone
172 bpm • A min • 03:25 • -6.58db
70% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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MisterWives
SUPERBLOOM
170 bpm • G# Maj • 03:33 • -3.95db
58% Popularity • 56% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Sam Smith
To Die For
172 bpm • C Maj • 03:13 • -7.87db
58% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Wafia
Pick Me
170 bpm • F Maj • 02:58 • -6.49db
34% Popularity • 74% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Stan Walker
Choose
170 bpm • B min • 03:49 • -6.94db
40% Popularity • 60% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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LANY
good guys
170 bpm • C Maj • 03:44 • -7.45db
50% Popularity • 46% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Masaya
Shake the Sun
170 bpm • B Maj • 03:55 • -10db
33% Popularity • 72% Danceability • 51% Energy • 5% Liveness
3% Instrumentalness • 51% Positiveness
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Mitch James
Move On
184 bpm • F# min • 03:00 • -7.34db
25% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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COTERIE
West Coast Drive
168 bpm • A min • 03:45 • -7.4db
36% Popularity • 31% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Sons of Zion
Is That Enough
186 bpm • C Maj • 04:02 • -8.36db
35% Popularity • 53% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Zedd
Good Thing
186 bpm • C# min • 03:30 • -3.86db
63% Popularity • 69% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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House of Shem
Anything You Ask For
166 bpm • G Maj • 04:35 • -5.59db
45% Popularity • 56% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Train
Mai Tais
164 bpm • B Maj • 03:44 • -6.04db
45% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Why Don't We
What Am I
164 bpm • C min • 03:04 • -4.68db
59% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Aloe Blacc
All Love Everything
160 bpm • E Maj • 02:27 • -8.23db
40% Popularity • 73% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Mitch James
Be Somebody
162 bpm • C# min • 03:04 • -5db
30% Popularity • 37% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Teddy Swims
Bed on Fire
160 bpm • C min • 03:48 • -7.25db
64% Popularity • 58% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Harry Styles
Sunflower, Vol. 6
160 bpm • G min • 03:41 • -6.9db
68% Popularity • 57% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Dermot Kennedy
Giants
158 bpm • G# min • 02:57 • -5.29db
59% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Drax Project
Luxury
159 bpm • C Maj • 03:17 • -5.75db
46% Popularity • 68% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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KYLE
Playinwitme
157 bpm • C# min • 03:11 • -5.77db
60% Popularity • 69% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Tomorrow People
Just A Little Bit
156 bpm • A Maj • 03:58 • -6.24db
35% Popularity • 78% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Nick Jonas
Spaceman
156 bpm • F min • 03:16 • -7.37db
50% Popularity • 55% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Alessia Cara
Rooting For You
156 bpm • F# Maj • 02:56 • -6.78db
46% Popularity • 76% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Dermot Kennedy
Outnumbered
157 bpm • C Maj • 04:05 • -5.79db
61% Popularity • 61% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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NIKI
I Like U
200 bpm • F Maj • 04:27 • -7.1db
66% Popularity • 48% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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1814
Picture On The Wall
154 bpm • E Maj • 04:41 • -5.12db
46% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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James Arthur
Treehouse
154 bpm • F# Maj • 03:39 • -5.02db
41% Popularity • 70% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Bebe Rexha
Meant to Be
154 bpm • A# Maj • 02:44 • -6.61db
72% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Sons of Zion
He Aroha Hinemoa / Love on the Run
152 bpm • F min • 02:57 • -8.7db
34% Popularity • 76% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Mat Kearney
Wanted Man
204 bpm • D# Maj • 03:55 • -8.98db
49% Popularity • 51% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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John Splithoff
Sing to You
152 bpm • C# min • 03:27 • -6.38db
49% Popularity • 73% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Dominic Fike
3 Nights
152 bpm • G min • 02:57 • -6.59db
75% Popularity • 82% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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TEEKS
If Only
204 bpm • C# min • 03:24 • -10.37db
53% Popularity • 48% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Drax Project
The Judge - Bonus Track
206 bpm • G Maj • 02:56 • -7.18db
17% Popularity • 55% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Sons of Zion
Love on the Run
152 bpm • F min • 02:57 • -9.33db
41% Popularity • 78% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Foley
Cola
206 bpm • C min • 02:59 • -4.14db
23% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Nesian Mystik
Dance Floor
206 bpm • C Maj • 03:09 • -4db
42% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Catching Feelings