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Catharine and Huskisson
Songs like
Catharine and Huskisson
by
Bill Ryder-Jones
Based on a tempo of (+/- 10%) and a similar genre
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Bill Ryder-Jones
Catharine and Huskisson
91 bpm • F Maj • 04:01 • -6.79db
20% Popularity • 47% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Steve Mason
Water Bored
91 bpm • A Maj • 03:47 • -6.6db
14% Popularity • 46% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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Amen Dunes
White Child
91 bpm • D Maj • 05:14 • -7.12db
23% Popularity • 22% Danceability • 61% Energy • 9% Liveness
46% Instrumentalness • 23% Positiveness
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Peter Doherty
She Is Far
90 bpm • C Maj • 03:15 • -12.35db
17% Popularity • 53% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Kagoule
Made of Concrete
90 bpm • G Maj • 02:36 • -7.02db
19% Popularity • 43% Danceability • 58% Energy • 31% Liveness
75% Instrumentalness • 44% Positiveness
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Rozi Plain
Actually
92 bpm • D Maj • 03:04 • -9.68db
24% Popularity • 53% Danceability • 53% Energy • 8% Liveness
16% Instrumentalness • 64% Positiveness
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Bill Ryder-Jones
By Morning I
92 bpm • E Maj • 03:35 • -15.86db
20% Popularity • 52% Danceability • 22% Energy • 13% Liveness
8% Instrumentalness • 19% Positiveness
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Kurt Vile
Life Like This
92 bpm • C Maj • 04:04 • -9.32db
37% Popularity • 62% Danceability • 61% Energy • 12% Liveness
86% Instrumentalness • 53% Positiveness
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Amen Dunes
Skipping School
90 bpm • D Maj • 05:28 • -8.01db
11% Popularity • 42% Danceability • 66% Energy • 9% Liveness
40% Instrumentalness • 6% Positiveness
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Belle and Sebastian
Dog On Wheels
89 bpm • C# Maj • 03:11 • -8db
37% Popularity • 53% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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A. Savage
Indian Style
89 bpm • G Maj • 04:11 • -11.47db
33% Popularity • 62% Danceability • 37% Energy • 10% Liveness
6% Instrumentalness • 18% Positiveness
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Twerps
Don't Be Surprised
93 bpm • E min • 03:06 • -3.47db
12% Popularity • 17% Danceability • 70% Energy • 26% Liveness
36% Instrumentalness • 51% Positiveness
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Bill Ryder-Jones
You Can't Hide A Light With The Dark
90 bpm • F Maj • 03:38 • -9.08db
31% Popularity • 47% Danceability • 49% Energy • 12% Liveness
89% Instrumentalness • 88% Positiveness
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Tashaki Miyaki
Girls On T.V.
93 bpm • G Maj • 04:00 • -6.51db
10% Popularity • 22% Danceability • 53% Energy • 12% Liveness
9% Instrumentalness • 23% Positiveness
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Foxygen
Coulda Been My Love
93 bpm • A min • 03:04 • -10db
30% Popularity • 34% Danceability • 40% Energy • 44% Liveness
1% Instrumentalness • 39% Positiveness
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Shack
As Long as I've Got You
94 bpm • D Maj • 02:11 • -12db
28% Popularity • 53% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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The Coral
Wrapped in Blue
94 bpm • C# min • 03:08 • -11.82db
28% Popularity • 59% Danceability • 61% Energy • 13% Liveness
3% Instrumentalness • 58% Positiveness
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Amen Dunes
Lonely Richard
94 bpm • A Maj • 05:18 • -8.38db
36% Popularity • 50% Danceability • 63% Energy • 12% Liveness
85% Instrumentalness • 52% Positiveness
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Bill Ryder-Jones
Tell Me You Don't Love Me Watching
90 bpm • A# Maj • 02:26 • -11.09db
31% Popularity • 69% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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BC Camplight
When I Think of My Dog
94 bpm • B Maj • 04:12 • -11db
10% Popularity • 52% Danceability • 21% Energy • 10% Liveness
9% Instrumentalness • 13% Positiveness
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I Am Kloot
To You - Remastered
87 bpm • A Maj • 03:15 • -9.03db
35% Popularity • 55% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Kurt Vile
Was All Talk
95 bpm • G Maj • 07:41 • -7.84db
29% Popularity • 50% Danceability • 89% Energy • 15% Liveness
35% Instrumentalness • 50% Positiveness
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Gruff Rhys
Lost Tribes
95 bpm • A min • 03:00 • -7db
9% Popularity • 70% Danceability • 62% Energy • 9% Liveness
85% Instrumentalness • 77% Positiveness
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The Clientele
The Neighbour
95 bpm • G Maj • 05:10 • -6db
10% Popularity • 46% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
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Bill Ryder-Jones
Let's Get Away From Here
93 bpm • A Maj • 04:21 • -10.35db
20% Popularity • 72% Danceability • 25% Energy • 8% Liveness
59% Instrumentalness • 34% Positiveness
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Matthew Wilcock
Go To Them - Bill Ryder-Jones Rework
87 bpm • G Maj • 03:31 • -13.47db
18% Popularity • 62% Danceability • 25% Energy • 10% Liveness
69% Instrumentalness • 13% Positiveness
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Parquet Courts
Dear Ramona
96 bpm • G Maj • 02:34 • -8.91db
27% Popularity • 77% Danceability • 50% Energy • 22% Liveness
4% Instrumentalness • 56% Positiveness
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She Drew The Gun
Where I End You Begin
96 bpm • D# Maj • 02:59 • -9db
15% Popularity • 66% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
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Steve Gunn
Park Bench Smile
96 bpm • D Maj • 03:24 • -7.25db
15% Popularity • 43% Danceability • 93% Energy • 26% Liveness
71% Instrumentalness • 82% Positiveness
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The War On Drugs
A Pile of Tires
96 bpm • A# Maj • 03:51 • -8.12db
36% Popularity • 34% Danceability • 42% Energy • 17% Liveness
95% Instrumentalness • 11% Positiveness
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Bill Ryder-Jones
Daniel
94 bpm • B Maj • 04:20 • -7.26db
25% Popularity • 60% Danceability • 59% Energy • 8% Liveness
72% Instrumentalness • 78% Positiveness
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MONEY
You Look Like a Sad Painting on Both Sid...
86 bpm • C Maj • 03:37 • -8db
9% Popularity • 21% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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TOY
My Heart Skips a Beat
97 bpm • E Maj • 04:23 • -5.69db
14% Popularity • 38% Danceability • 75% Energy • 31% Liveness
46% Instrumentalness • 64% Positiveness
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The Go-Betweens
Apology Accepted - Remaster 2004
98 bpm • C Maj • 04:23 • -7.83db
14% Popularity • 60% Danceability • 69% Energy • 9% Liveness
5% Instrumentalness • 68% Positiveness
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Happyness
Monkey in the City
98 bpm • E Maj • 02:15 • -9.2db
9% Popularity • 67% Danceability • 57% Energy • 15% Liveness
84% Instrumentalness • 9% Positiveness
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The War On Drugs
Taking The Farm
98 bpm • C Maj • 04:00 • -6.94db
35% Popularity • 41% Danceability • 98% Energy • 14% Liveness
24% Instrumentalness • 42% Positiveness
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Kurt Vile
Girl Called Alex
85 bpm • G min • 06:19 • -10db
33% Popularity • 17% Danceability • 75% Energy • 14% Liveness
82% Instrumentalness • 27% Positiveness
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The Proper Ornaments
Waiting for the Summer
98 bpm • D Maj • 02:13 • -4.86db
25% Popularity • 66% Danceability • 66% Energy • 9% Liveness
84% Instrumentalness • 94% Positiveness
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Allah-Las
Famous Phone Figure
85 bpm • G Maj • 02:25 • -8.9db
17% Popularity • 50% Danceability • 49% Energy • 10% Liveness
12% Instrumentalness • 44% Positiveness
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The Walkmen
Another One Goes By
98 bpm • A# Maj • 03:56 • -4.55db
34% Popularity • 47% Danceability • 79% Energy • 60% Liveness
0% Instrumentalness • 69% Positiveness
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Fontaines D.C.
Starburster
98 bpm • A# Maj • 03:41 • -5.68db
60% Popularity • 51% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Foxygen
Trauma
84 bpm • D# Maj • 04:44 • -8.63db
17% Popularity • 26% Danceability • 70% Energy • 29% Liveness
6% Instrumentalness • 42% Positiveness
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U.N.P.O.C.
Here On My Own
100 bpm • A Maj • 03:27 • -4.84db
21% Popularity • 28% Danceability • 75% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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Kurt Vile
Wild Imagination
100 bpm • C# Maj • 05:50 • -9.4db
36% Popularity • 71% Danceability • 72% Energy • 8% Liveness
38% Instrumentalness • 96% Positiveness
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Bill Ryder-Jones
Christina That's the Saddest Thing
100 bpm • F Maj • 04:03 • -10.49db
20% Popularity • 46% Danceability • 35% Energy • 8% Liveness
34% Instrumentalness • 24% Positiveness
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EL VY
Sleepin' Light
100 bpm • G min • 03:43 • -7.45db
23% Popularity • 71% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Dick Diver
Blue & That
100 bpm • E Maj • 02:00 • -16.73db
13% Popularity • 66% Danceability • 12% Energy • 15% Liveness
7% Instrumentalness • 17% Positiveness
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H. Hawkline
Last Thing on Your Mind
101 bpm • G Maj • 06:14 • -7.93db
14% Popularity • 80% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Cate Le Bon
The Man I Wanted
82 bpm • D Maj • 03:08 • -6.83db
15% Popularity • 45% Danceability • 58% Energy • 15% Liveness
37% Instrumentalness • 39% Positiveness
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Hamilton Leithauser
The Smallest Splinter
101 bpm • B min • 04:22 • -5.13db
17% Popularity • 52% Danceability • 85% Energy • 10% Liveness
60% Instrumentalness • 10% Positiveness
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Bill Ryder-Jones
Wild Roses
100 bpm • D Maj • 03:38 • -7.54db
25% Popularity • 61% Danceability • 65% Energy • 14% Liveness
38% Instrumentalness • 49% Positiveness
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Parquet Courts
Steady on My Mind
101 bpm • G Maj • 03:38 • -14.34db
25% Popularity • 53% Danceability • 33% Energy • 18% Liveness
64% Instrumentalness • 28% Positiveness
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Michael Price
In Spite of the Weather (Bill Ryder-Jone...
82 bpm • F Maj • 05:56 • -17.33db
11% Popularity • 18% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Low
Spanish Translation
102 bpm • A Maj • 04:17 • -8.33db
23% Popularity • 25% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Primal Scream
Private Wars
81 bpm • A min • 02:30 • -8.09db
1% Popularity • 31% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Hooton Tennis Club
P.O.W.E.R.F.U.L. P.I.E.R.R.E
102 bpm • B Maj • 02:41 • -4db
8% Popularity • 43% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Bill Ryder-Jones
We Don’t Need Them
100 bpm • F# Maj • 04:55 • -9.21db
37% Popularity • 44% Danceability • 37% Energy • 35% Liveness
62% Instrumentalness • 27% Positiveness
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Julia Holter
Everytime Boots
102 bpm • C Maj • 03:28 • -9db
30% Popularity • 55% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Eleanor Friedberger
He Didn't Mention His Mother
81 bpm • G Maj • 04:00 • -7db
15% Popularity • 58% Danceability • 62% Energy • 16% Liveness
57% Instrumentalness • 42% Positiveness
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Kurt Vile
Runner Ups
102 bpm • D# min • 04:00 • -6.86db
35% Popularity • 36% Danceability • 71% Energy • 12% Liveness
96% Instrumentalness • 53% Positiveness
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A. Savage
Wild, Wild, Wild Horses
102 bpm • C Maj • 04:36 • -13.42db
30% Popularity • 44% Danceability • 29% Energy • 11% Liveness
42% Instrumentalness • 6% Positiveness
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Steve Mason
Another Day
81 bpm • A Maj • 03:46 • -4.73db
11% Popularity • 50% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Bill Ryder-Jones
Recover
82 bpm • A# Maj • 03:35 • -14db
19% Popularity • 37% Danceability • 33% Energy • 7% Liveness
16% Instrumentalness • 5% Positiveness
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Low
No End
103 bpm • C Maj • 02:49 • -4.62db
20% Popularity • 40% Danceability • 73% Energy • 38% Liveness
9% Instrumentalness • 44% Positiveness
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Will Butler
Son of God
80 bpm • D Maj • 02:53 • -6.51db
12% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Kurt Vile
Kidding Around
103 bpm • D# min • 04:27 • -10.26db
29% Popularity • 55% Danceability • 57% Energy • 11% Liveness
80% Instrumentalness • 69% Positiveness
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Fat White Family
Hits Hits Hits
80 bpm • F min • 03:40 • -8db
23% Popularity • 66% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 55% Positiveness
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Steve Mason
Run Away
80 bpm • F Maj • 03:49 • -11.09db
9% Popularity • 48% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Bill Ryder-Jones
Seabirds
80 bpm • D Maj • 04:24 • -14.83db
21% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Shack
Undecided
104 bpm • E min • 03:50 • -7.53db
18% Popularity • 24% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
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Jen Cloher
Forgot Myself
105 bpm • C Maj • 04:23 • -10db
14% Popularity • 62% Danceability • 58% Energy • 11% Liveness
64% Instrumentalness • 57% Positiveness
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Kurt Vile
On Tour
103 bpm • C Maj • 05:26 • -9db
26% Popularity • 58% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
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Cate Le Bon
Duke
105 bpm • B Maj • 03:49 • -7db
29% Popularity • 71% Danceability • 55% Energy • 20% Liveness
63% Instrumentalness • 47% Positiveness
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Sparklehorse
Shade And Honey
105 bpm • C Maj • 04:08 • -11db
38% Popularity • 72% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 54% Positiveness
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Bill Ryder-Jones
The Lemon Trees #3
103 bpm • E Maj • 04:17 • -9.3db
18% Popularity • 49% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Jeffrey Lewis
Back to Manhattan
105 bpm • A min • 08:21 • -11.99db
12% Popularity • 79% Danceability • 67% Energy • 11% Liveness
64% Instrumentalness • 84% Positiveness
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The Goon Sax
Home Haircuts
105 bpm • D Maj • 03:42 • -6.8db
10% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Kurt Vile
Stand Inside
105 bpm • F# Maj • 05:12 • -15.63db
30% Popularity • 28% Danceability • 33% Energy • 13% Liveness
80% Instrumentalness • 48% Positiveness
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Super Furry Animals
The Piccolo Snare
105 bpm • C Maj • 06:46 • -8.45db
11% Popularity • 56% Danceability • 72% Energy • 8% Liveness
27% Instrumentalness • 47% Positiveness
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The Clientele
Losing Haringey
106 bpm • F Maj • 04:01 • -9db
28% Popularity • 35% Danceability • 72% Energy • 37% Liveness
92% Instrumentalness • 80% Positiveness
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Bill Ryder-Jones
John
80 bpm • G# Maj • 04:38 • -12.06db
16% Popularity • 16% Danceability • 39% Energy • 18% Liveness
50% Instrumentalness • 8% Positiveness
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Grandaddy
I'm On Standby
105 bpm • C Maj • 03:12 • -8.46db
31% Popularity • 57% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Clap Your Hands Say Yeah
The Pilot
107 bpm • E Maj • 03:11 • -7.78db
27% Popularity • 33% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Kurt Vile
Too Hard
107 bpm • G Maj • 08:03 • -7.46db
26% Popularity • 26% Danceability • 48% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
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Jack Ladder
Dumb Love
107 bpm • C Maj • 05:14 • -9db
12% Popularity • 58% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 59% Positiveness
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Mark Eitzel
An Answer
78 bpm • G min • 04:38 • -10.23db
9% Popularity • 46% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Bill Ryder-Jones
Put It Down Before You Break It
104 bpm • D Maj • 03:53 • -12.52db
18% Popularity • 41% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Gun Outfit
Gotta Wanna
78 bpm • E Maj • 03:31 • -12.34db
9% Popularity • 51% Danceability • 53% Energy • 11% Liveness
30% Instrumentalness • 32% Positiveness
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Sun Kil Moon
This Is My First Day And I'm Indian And ...
107 bpm • G# Maj • 10:09 • -14.06db
9% Popularity • 74% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Chills
Warm Waveform
107 bpm • C Maj • 04:10 • -6.24db
11% Popularity • 63% Danceability • 76% Energy • 33% Liveness
5% Instrumentalness • 59% Positiveness
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Kurt Vile
Pure Pain
107 bpm • A# Maj • 05:08 • -7.16db
28% Popularity • 36% Danceability • 75% Energy • 42% Liveness
6% Instrumentalness • 51% Positiveness
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The Bats
Free All The Monsters
107 bpm • F Maj • 02:57 • -6.44db
3% Popularity • 40% Danceability • 69% Energy • 10% Liveness
4% Instrumentalness • 51% Positiveness
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The Charlatans
Spinning Out
77 bpm • F Maj • 04:35 • -7.46db
15% Popularity • 41% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Gently Tender
2 Chords Good
77 bpm • D Maj • 04:39 • -5.54db
9% Popularity • 32% Danceability • 74% Energy • 14% Liveness
4% Instrumentalness • 37% Positiveness
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The Goon Sax
Target
108 bpm • B Maj • 02:51 • -7.44db
8% Popularity • 66% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Damien Jurado
Sincere Replies
108 bpm • D Maj • 03:18 • -8.5db
26% Popularity • 57% Danceability • 59% Energy • 13% Liveness
93% Instrumentalness • 47% Positiveness
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Bill Ryder-Jones
Two To Birkenhead
108 bpm • A Maj • 04:22 • -5.57db
29% Popularity • 44% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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BODEGA
Jack In Titanic
108 bpm • A# min • 03:04 • -5.96db
25% Popularity • 69% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Kurt Vile
The Ghost of Freddie Roach
109 bpm • D Maj • 06:22 • -4.38db
16% Popularity • 53% Danceability • 88% Energy • 14% Liveness
93% Instrumentalness • 68% Positiveness
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The Clientele
Lunar Days
109 bpm • A Maj • 04:13 • -7db
16% Popularity • 61% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Catharine and Huskisson