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Caught in the Middle
Songs like
Caught in the Middle
by
Alex the Astronaut
Based on a tempo of (+/- 10%) and a similar genre
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Ruby Fields
P Plates
158 bpm • C# Maj • 03:27 • -5db
44% Popularity • 50% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Alex Lahey
You Don’t Think You Like People Like M...
158 bpm • G Maj • 03:47 • -2.85db
29% Popularity • 58% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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The Buoys
Monster Mash - live on triple j
158 bpm • C Maj • 03:12 • -9.24db
13% Popularity • 33% Danceability • 74% Energy • 75% Liveness
0% Instrumentalness • 69% Positiveness
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Mia Dyson
When The Moment Comes
157 bpm • A Maj • 03:20 • -4.74db
30% Popularity • 40% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Polish Club
Breakapart
160 bpm • A Maj • 03:22 • -5db
32% Popularity • 41% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Tuka
Dickheads
160 bpm • C Maj • 03:36 • -4.57db
16% Popularity • 75% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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The Preatures
Girlhood
160 bpm • G Maj • 02:34 • -4.81db
27% Popularity • 44% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Holy Holy
Faces
160 bpm • C Maj • 03:28 • -5.13db
29% Popularity • 51% Danceability • 87% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
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Alex the Astronaut
Haircut
160 bpm • C Maj • 04:08 • -5.45db
13% Popularity • 29% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Olympia
Star City
156 bpm • A Maj • 03:25 • -2.43db
11% Popularity • 29% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Bec Sandridge
EYES WIDE
160 bpm • D Maj • 03:58 • -4.89db
17% Popularity • 48% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Bec Stevens
10 Minute Drive
160 bpm • A# Maj • 04:58 • -6.79db
15% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Didirri
Bird Sounds
156 bpm • D min • 03:26 • -11.45db
34% Popularity • 43% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Camp Cope
Lost (Season One)
156 bpm • A Maj • 03:52 • -3.07db
29% Popularity • 30% Danceability • 86% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
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Holy Holy
Amateurs
155 bpm • E Maj • 03:14 • -5.5db
25% Popularity • 42% Danceability • 81% Energy • 16% Liveness
18% Instrumentalness • 21% Positiveness
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Meg Washington
Clementine
155 bpm • F Maj • 03:05 • -8.05db
22% Popularity • 56% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Noah Dillon
That's Just How I Feel
155 bpm • F min • 03:39 • -6.06db
28% Popularity • 50% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Ruby Fields
Dinosaurs
154 bpm • A# Maj • 03:52 • -9db
47% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ali Barter
Cigarette
154 bpm • G Maj • 03:09 • -5.76db
21% Popularity • 49% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Camp Cope
Done
155 bpm • E Maj • 04:47 • -4.61db
25% Popularity • 29% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Alex Lahey
Wes Anderson
154 bpm • E Maj • 04:10 • -2.7db
27% Popularity • 47% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Thelma Plum
Father Said
162 bpm • B min • 01:48 • -13db
34% Popularity • 45% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 40% Positiveness
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Montaigne
Pontius of the Past
154 bpm • G# Maj • 03:49 • -6.81db
12% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Didirri
I Can't Get Last Night Out Of My Head
154 bpm • C Maj • 03:15 • -12.28db
35% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Ali Barter
Girlie Bits
153 bpm • E Maj • 03:11 • -6.5db
29% Popularity • 47% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Greta Stanley
When January Comes
153 bpm • A Maj • 04:37 • -11.68db
20% Popularity • 24% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Amy Shark
Weekends
153 bpm • B Maj • 03:10 • -6db
41% Popularity • 28% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Tired Lion
Dumb Days
164 bpm • B Maj • 03:31 • -4.98db
28% Popularity • 42% Danceability • 90% Energy • 25% Liveness
96% Instrumentalness • 71% Positiveness
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Holy Holy
Sandra
164 bpm • B min • 03:55 • -5.39db
26% Popularity • 45% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Gretta Ray
The Deepest Sighs, the Frankest Shadows ...
152 bpm • C# Maj • 05:14 • -10.65db
30% Popularity • 49% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Ali Barter
Backseat
164 bpm • E Maj • 03:13 • -3.83db
17% Popularity • 29% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Tyne-James Organ
I’ll Get By
152 bpm • D# min • 03:01 • -5.61db
16% Popularity • 60% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Ruby Fields
Dodgy Neighbours (& Tax Evaders)
152 bpm • D Maj • 02:28 • -4.57db
30% Popularity • 58% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Paul Dempsey
Ramona Was A Waitress
165 bpm • E Maj • 03:36 • -6.41db
38% Popularity • 55% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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E^ST
FRESH OUT OF LOVE
151 bpm • A min • 02:50 • -8.92db
22% Popularity • 55% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Meg Washington
Sunday Best
165 bpm • A# Maj • 03:19 • -7.04db
27% Popularity • 58% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Philadelphia Grand Jury
The Good News
151 bpm • A# Maj • 02:59 • -3.86db
25% Popularity • 69% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Thelma Plum
Nick Cave
166 bpm • B Maj • 02:45 • -9db
33% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Slowly Slowly
Skinny Love - triple j Like a Version
150 bpm • B Maj • 03:47 • -10db
34% Popularity • 22% Danceability • 64% Energy • 65% Liveness
0% Instrumentalness • 15% Positiveness
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Carla Geneve
2001
150 bpm • D Maj • 03:49 • -7.83db
22% Popularity • 56% Danceability • 41% Energy • 43% Liveness
0% Instrumentalness • 12% Positiveness
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Bad//Dreems
Black Fella/Whitefella - triple j Like A...
150 bpm • F Maj • 04:25 • -7.97db
32% Popularity • 50% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Ali Barter
Hypercolour
150 bpm • A min • 03:25 • -7.75db
29% Popularity • 65% Danceability • 82% Energy • 6% Liveness
4% Instrumentalness • 91% Positiveness
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Alex Lahey
Don’t Be So Hard On Yourself
149 bpm • C Maj • 04:18 • -5.34db
24% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Thelma Plum
Dollar
150 bpm • D Maj • 02:58 • -6.23db
26% Popularity • 75% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Tired Lion
Drama Club
149 bpm • F Maj • 02:59 • -3.39db
18% Popularity • 40% Danceability • 94% Energy • 41% Liveness
1% Instrumentalness • 35% Positiveness
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Angie McMahon
Standout
149 bpm • A min • 04:37 • -11.91db
34% Popularity • 54% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Kingswood
Say You Remember
168 bpm • G Maj • 04:13 • -5.22db
19% Popularity • 45% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Alex the Astronaut
Mr. Blue Sky - triple j Like A Version
168 bpm • C Maj • 05:05 • -6.67db
29% Popularity • 32% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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LANKS
Numb - triple j Like a Version
148 bpm • D min • 04:12 • -13.89db
27% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Buoys
Arm Wrestle
168 bpm • C# Maj • 03:38 • -3.52db
22% Popularity • 40% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Thelma Plum
Better in Blak
148 bpm • C# Maj • 03:12 • -5.24db
51% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Ainslie Wills
Fear Of Missing Out
148 bpm • D Maj • 03:43 • -9.89db
15% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Methyl Ethel
Cry Me a River - triple j Like A Version
148 bpm • G# min • 05:07 • -7.24db
37% Popularity • 59% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Ali Barter
Live With You
148 bpm • D Maj • 03:27 • -6db
16% Popularity • 40% Danceability • 79% Energy • 13% Liveness
3% Instrumentalness • 10% Positiveness
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The Temper Trap
Dancing in the Dark - triple j Like A Ve...
147 bpm • B Maj • 03:14 • -6db
39% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Alex the Astronaut
Happy Song - Shed Mix
170 bpm • C Maj • 04:13 • -5.32db
8% Popularity • 55% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Holy Holy
Teach Me About Dying
170 bpm • C Maj • 03:25 • -5.38db
43% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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E^ST
WALKING HOME IN THE RAIN
170 bpm • G Maj • 02:43 • -7.93db
31% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Kingswood
Big City
170 bpm • G min • 03:47 • -9.37db
37% Popularity • 57% Danceability • 47% Energy • 26% Liveness
1% Instrumentalness • 47% Positiveness
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Camp Cope
How to Socialise & Make Friends
146 bpm • B Maj • 03:14 • -6.39db
24% Popularity • 47% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Ceres
Viv in the Front Seat
146 bpm • C Maj • 03:21 • -4.99db
28% Popularity • 43% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Alex the Astronaut
Octopus
171 bpm • E Maj • 04:20 • -6.19db
13% Popularity • 60% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Tired Lion
Waterbed
171 bpm • C Maj • 03:18 • -6db
27% Popularity • 34% Danceability • 82% Energy • 34% Liveness
9% Instrumentalness • 35% Positiveness
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The Preatures
Magick
146 bpm • C# Maj • 04:14 • -7.05db
21% Popularity • 56% Danceability • 65% Energy • 38% Liveness
1% Instrumentalness • 49% Positiveness
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Sloan Peterson
105
145 bpm • C# Maj • 02:38 • -4.06db
26% Popularity • 60% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Camp Cope
Jet Fuel Can't Melt Steel Beams
172 bpm • E Maj • 04:05 • -6db
26% Popularity • 29% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Montaigne
The Dying Song
172 bpm • C Maj • 03:24 • -3.38db
28% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Polish Club
We Don't Care
172 bpm • F Maj • 04:19 • -4.02db
24% Popularity • 43% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Meg Washington
Underground
145 bpm • A Maj • 03:46 • -10.22db
19% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Didirri
Loose Belt Drive
172 bpm • A Maj • 03:49 • -9.89db
8% Popularity • 53% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Ruby Fields
Redneck Lullaby
145 bpm • G# Maj • 03:23 • -11db
28% Popularity • 30% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Maddy Jane
Drown It Out
145 bpm • E Maj • 03:36 • -5db
11% Popularity • 48% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Alexander Biggs
Figure It Out
144 bpm • D Maj • 02:52 • -9.54db
17% Popularity • 66% Danceability • 58% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Hope D
Happy Hangover
144 bpm • B Maj • 03:38 • -5.45db
26% Popularity • 67% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Montaigne
Love Might Be Found (Volcano)
174 bpm • D Maj • 03:43 • -4.02db
22% Popularity • 46% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Thelma Plum
The Brown Snake
143 bpm • C# Maj • 03:15 • -8db
35% Popularity • 70% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Ruby Fields
Climate
143 bpm • D Maj • 03:09 • -4.88db
33% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Alex Lahey
I Love You Like A Brother
175 bpm • A Maj • 02:50 • -4.73db
19% Popularity • 44% Danceability • 90% Energy • 18% Liveness
4% Instrumentalness • 77% Positiveness
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Tyne-James Organ
Graceful
142 bpm • F Maj • 03:46 • -7db
29% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Buoys
Gold
175 bpm • A Maj • 02:56 • -3db
22% Popularity • 18% Danceability • 89% Energy • 57% Liveness
76% Instrumentalness • 63% Positiveness
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Montaigne
I'm a Fantastic Wreck
144 bpm • B Maj • 03:14 • -5.67db
26% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Thelma Plum
Not Angry Anymore
175 bpm • B Maj • 03:23 • -6db
41% Popularity • 65% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Gretta Ray
Don't Let Her Love Hold You Down
176 bpm • G Maj • 04:45 • -8.93db
16% Popularity • 42% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Rowena Wise
F**ked Up Over You
142 bpm • F Maj • 03:22 • -5.68db
14% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Preatures
Lip Balm
142 bpm • D Maj • 02:17 • -3.62db
13% Popularity • 52% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Adam Newling
Sweetness
176 bpm • C Maj • 04:30 • -6db
32% Popularity • 29% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Tired Lion
Where Were You?
176 bpm • A Maj • 02:30 • -5.06db
24% Popularity • 46% Danceability • 76% Energy • 14% Liveness
65% Instrumentalness • 39% Positiveness
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Hockey Dad
I Try - triple j Like a Version
177 bpm • C# Maj • 03:47 • -10db
40% Popularity • 22% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Jezabels
The Others
141 bpm • C# min • 04:21 • -8.07db
31% Popularity • 54% Danceability • 90% Energy • 15% Liveness
8% Instrumentalness • 47% Positiveness
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CLEWS
Museum
141 bpm • C Maj • 02:37 • -5.88db
20% Popularity • 36% Danceability • 90% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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The Preatures
Somebody's Talking
176 bpm • F Maj • 03:27 • -7db
39% Popularity • 50% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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E^ST
MAYBE IT'S ME
177 bpm • B min • 02:45 • -5.33db
17% Popularity • 60% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Meg Mac
Grace Gold
178 bpm • C# min • 03:48 • -6db
29% Popularity • 48% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Angie McMahon
Pasta
140 bpm • C Maj • 04:38 • -7.7db
41% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Polish Club
Just Talking
140 bpm • A Maj • 03:02 • -5db
19% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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The Grates
Sweet Dreams
140 bpm • E Maj • 04:03 • -4.79db
16% Popularity • 46% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Tired Lion
Lie To Me
140 bpm • G Maj • 02:07 • -4.23db
24% Popularity • 42% Danceability • 90% Energy • 15% Liveness
1% Instrumentalness • 55% Positiveness
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Tyne-James Organ
Not Ready For Love
140 bpm • C# min • 03:16 • -3db
32% Popularity • 49% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
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Seeker Lover Keeper
Light All My Lights
140 bpm • F Maj • 03:22 • -12db
28% Popularity • 69% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Panics
Don't Fight It
179 bpm • E Maj • 05:01 • -7db
44% Popularity • 40% Danceability • 46% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
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Caught in the Middle