Songs like Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" by Pietro Mascagni
Based on a tempo of (+/- 10%) and a similar genre
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Nino Rota
Rota / Arr. Capelletti & Lenaerts: Romeo...
125 bpm • D# Maj • 03:37 • -26.79db
18% Popularity • 30% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
18% Popularity • 30% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Il cavallo scalpi...
125 bpm • B Maj • 02:58 • -16db
11% Popularity • 49% Danceability • 36% Energy • 63% Liveness
7% Instrumentalness • 40% Positiveness
11% Popularity • 49% Danceability • 36% Energy • 63% Liveness
7% Instrumentalness • 40% Positiveness
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Andrea Morricone
Cinema Paradiso
125 bpm • A# Maj • 03:29 • -15.4db
31% Popularity • 21% Danceability • 23% Energy • 9% Liveness
22% Instrumentalness • 6% Positiveness
31% Popularity • 21% Danceability • 23% Energy • 9% Liveness
22% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Bagatelle in A Minor, WoO 59 ʻFür Elis...
122 bpm • A min • 03:23 • -37.11db
37% Popularity • 30% Danceability • 1% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
37% Popularity • 30% Danceability • 1% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
49% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
49% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
30% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Pietro Mascagni
L'amico Fritz, Act I: Orsù, vieni tra n...
127 bpm • D Maj • 02:05 • -22.81db
0% Popularity • 36% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 36% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Giacomo Puccini
Gianni Schicchi: O mio babbino caro (Arr...
121 bpm • C# Maj • 03:24 • -18.04db
25% Popularity • 23% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
25% Popularity • 23% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Sonata No. 8 in C Minor...
126 bpm • G# Maj • 05:33 • -30.66db
38% Popularity • 38% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 38% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
58% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
58% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
39% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Alfio’s Entry "I...
128 bpm • F Maj • 02:52 • -13.81db
2% Popularity • 49% Danceability • 37% Energy • 65% Liveness
6% Instrumentalness • 34% Positiveness
2% Popularity • 49% Danceability • 37% Energy • 65% Liveness
6% Instrumentalness • 34% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
41% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
41% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
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Arcangelo Corelli
Concerto grosso in G Minor, Op. 6 No. 8,...
129 bpm • D# Maj • 01:55 • -24.66db
46% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
46% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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Ennio Morricone
Love Theme From "Cinema Paradiso" (Arr. ...
129 bpm • A# Maj • 04:21 • -17.17db
24% Popularity • 20% Danceability • 25% Energy • 13% Liveness
47% Instrumentalness • 5% Positiveness
24% Popularity • 20% Danceability • 25% Energy • 13% Liveness
47% Instrumentalness • 5% Positiveness
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George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Aram Khachaturian
Spartacus: Adagio of Spartacus and Phryg...
129 bpm • G# Maj • 09:09 • -22.37db
29% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Il cavallo scalpi...
128 bpm • F# Maj • 02:29 • -15db
24% Popularity • 49% Danceability • 34% Energy • 71% Liveness
2% Instrumentalness • 39% Positiveness
24% Popularity • 49% Danceability • 34% Energy • 71% Liveness
2% Instrumentalness • 39% Positiveness
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Johann Sebastian Bach
Harpsichord Concerto No. 5 in F Minor, B...
119 bpm • F min • 03:02 • -32.47db
33% Popularity • 50% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
33% Popularity • 50% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
59% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
59% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Fela Sowande
African Suite: V. Akinla: Allegro non tr...
130 bpm • C Maj • 03:14 • -38db
37% Popularity • 50% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
37% Popularity • 50% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Franz Schubert
Schubert: Schwanengesang, D. 957: No. 4,...
131 bpm • C min • 04:27 • -28.93db
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Regina coeli laeta...
128 bpm • G Maj • 02:37 • -26.03db
5% Popularity • 17% Danceability • 8% Energy • 9% Liveness
15% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 8% Energy • 9% Liveness
15% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: The Lark Ascending: Op...
132 bpm • B min • 06:25 • -25.38db
32% Popularity • 16% Danceability • 8% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 8% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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François Dompierre
Les Beautés Du Diable
132 bpm • E min • 03:15 • -22.52db
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
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Pietro Mascagni
L'amico Fritz, Act I: Son gli orfanelli ...
128 bpm • F Maj • 02:34 • -21.46db
0% Popularity • 34% Danceability • 27% Energy • 73% Liveness
41% Instrumentalness • 48% Positiveness
0% Popularity • 34% Danceability • 27% Energy • 73% Liveness
41% Instrumentalness • 48% Positiveness
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Frederick Delius
Florida Suite: By the River
133 bpm • D# Maj • 07:09 • -27.38db
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: No. 8 Romance
133 bpm • C# Maj • 06:28 • -20.3db
24% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62: Sinfonia
115 bpm • A Maj • 00:59 • -37db
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
135 bpm • D Maj • 06:40 • -23.12db
46% Popularity • 16% Danceability • 3% Energy • 12% Liveness
48% Instrumentalness • 7% Positiveness
46% Popularity • 16% Danceability • 3% Energy • 12% Liveness
48% Instrumentalness • 7% Positiveness
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Eric Coates
By the Sleepy Lagoon
135 bpm • C Maj • 03:57 • -29.36db
19% Popularity • 15% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Il cavallo scalpi...
129 bpm • F# Maj • 02:18 • -17.35db
4% Popularity • 50% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 55% Positiveness
4% Popularity • 50% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 55% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Carl Nielsen
Aladdin, Op. 34, FS 89, CNW 17, Act IV: ...
135 bpm • D min • 02:57 • -25.08db
17% Popularity • 18% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 14% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 14% Positiveness
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John Williams
Main Theme
135 bpm • D min • 03:48 • -16.88db
34% Popularity • 22% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 7% Positiveness
34% Popularity • 22% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: Romance
135 bpm • C# Maj • 04:16 • -15db
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
47% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: Preludio...
129 bpm • F Maj • 03:27 • -15.37db
0% Popularity • 17% Danceability • 20% Energy • 20% Liveness
95% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 20% Energy • 20% Liveness
95% Instrumentalness • 4% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
30% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
30% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Orchestre Symphonique de Montréal
Rhapsodie Sur Un Thème De Paganini: Var...
136 bpm • C# Maj • 03:16 • -23.05db
20% Popularity • 32% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
20% Popularity • 32% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Scena, Santuzza e ...
130 bpm • F# Maj • 07:55 • -21.95db
7% Popularity • 38% Danceability • 12% Energy • 65% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 38% Danceability • 12% Energy • 65% Liveness
0% Instrumentalness • 10% Positiveness
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Giacomo Puccini
Manon Lescaut: Intermezzo
136 bpm • A Maj • 05:35 • -20db
13% Popularity • 15% Danceability • 16% Energy • 93% Liveness
78% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 16% Energy • 93% Liveness
78% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: I. Pezzo in...
112 bpm • C Maj • 09:30 • -19db
31% Popularity • 32% Danceability • 27% Energy • 37% Liveness
82% Instrumentalness • 16% Positiveness
31% Popularity • 32% Danceability • 27% Energy • 37% Liveness
82% Instrumentalness • 16% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114: Song to the Moon
137 bpm • F# Maj • 05:25 • -19db
33% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Franz Schmidt
Notre Dame: Intermezzo
112 bpm • C# Maj • 04:40 • -15db
7% Popularity • 17% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Ave Maria
131 bpm • A# Maj • 03:45 • -19.95db
2% Popularity • 42% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 9% Positiveness
2% Popularity • 42% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 9% Positiveness
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Maria Theresia von Paradis
Sicilienne (Arr. by Söllscher)
112 bpm • F Maj • 03:08 • -27.69db
45% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
45% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
49% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Giacomo Puccini
Madama Butterfly, Act 2: Humming Chorus
139 bpm • A# Maj • 03:17 • -31.99db
25% Popularity • 17% Danceability • 2% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 2% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt, Act I: Mariettas Lied
139 bpm • A# Maj • 05:29 • -14.95db
18% Popularity • 16% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Cavalleria Rusticana: Finale. Turiddu "M...
132 bpm • D# Maj • 05:33 • -14.2db
1% Popularity • 30% Danceability • 42% Energy • 97% Liveness
1% Instrumentalness • 17% Positiveness
1% Popularity • 30% Danceability • 42% Energy • 97% Liveness
1% Instrumentalness • 17% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
51% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Adolphus Hailstork
3 Spirituals for Orchestra: No. 2. Kum B...
140 bpm • D min • 02:50 • -37.57db
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Frédéric Chopin
Chopin: Piano Concerto No. 1 in E Minor,...
109 bpm • B Maj • 04:07 • -26db
16% Popularity • 28% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
16% Popularity • 28% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: "Il cava...
117 bpm • G min • 02:38 • -12.07db
0% Popularity • 51% Danceability • 50% Energy • 66% Liveness
5% Instrumentalness • 31% Positiveness
0% Popularity • 51% Danceability • 50% Energy • 66% Liveness
5% Instrumentalness • 31% Positiveness
► Preview
Samuel Coleridge-Taylor
Petite Suite de Concert, Op. 77: III. Un...
140 bpm • A Maj • 03:40 • -28.62db
19% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Paul Lewis
Rosa Mundi
141 bpm • C min • 03:37 • -20db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Death of Aas...
109 bpm • G Maj • 04:09 • -25db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
► Preview
Lavinia Meijer
Suite bergamasque, L. 75: III. Clair de ...
141 bpm • C# Maj • 04:38 • -26db
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
142 bpm • D# Maj • 03:45 • -23db
19% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Il cavallo scalpit...
134 bpm • F# Maj • 02:18 • -14.15db
4% Popularity • 39% Danceability • 39% Energy • 64% Liveness
2% Instrumentalness • 31% Positiveness
4% Popularity • 39% Danceability • 39% Energy • 64% Liveness
2% Instrumentalness • 31% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
108 bpm • F# min • 05:33 • -28db
41% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
41% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
AntonÃn Dvořák
Dvořák: 4 Romantic Pieces, Op. 75, B. ...
107 bpm • A# Maj • 03:17 • -26db
30% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, Cantata...
144 bpm • D# Maj • 05:56 • -19.9db
53% Popularity • 15% Danceability • 16% Energy • 13% Liveness
48% Instrumentalness • 16% Positiveness
53% Popularity • 15% Danceability • 16% Energy • 13% Liveness
48% Instrumentalness • 16% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Ah! lo vedi, che ...
133 bpm • F min • 06:46 • -13db
10% Popularity • 26% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 26% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Serenade No. 13 in G Major, K. 525, "Ein...
143 bpm • C Maj • 06:03 • -22.3db
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
149 bpm • G# Maj • 09:53 • -24.78db
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
![Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] cover art](https://i.scdn.co/image/ab67616d00001e022927579fb3cae403dc6d1f75)
Bedřich Smetana
Má Vlast, JB 1:112: The Moldau (Vltava)...
105 bpm • C Maj • 03:42 • -15db
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
151 bpm • D Maj • 02:19 • -20.77db
32% Popularity • 28% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
32% Popularity • 28% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
► Preview
Pietro Mascagni
Cavalleria Rusticana: Turiddu’s Brindi...
135 bpm • G Maj • 02:51 • -13.17db
2% Popularity • 40% Danceability • 52% Energy • 74% Liveness
5% Instrumentalness • 63% Positiveness
2% Popularity • 40% Danceability • 52% Energy • 74% Liveness
5% Instrumentalness • 63% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
152 bpm • B Maj • 01:03 • -18.33db
51% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
51% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Elgar: Variations on an Original Theme, ...
167 bpm • D# Maj • 03:30 • -18.28db
10% Popularity • 9% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
10% Popularity • 9% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
George Frideric Handel
Largo from 'Xerxes'
170 bpm • G Maj • 04:11 • -18db
34% Popularity • 12% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
34% Popularity • 12% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Jacques Offenbach
Barcarolle
171 bpm • D Maj • 03:43 • -23db
37% Popularity • 16% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
► Preview
Pietro Mascagni
Ballata
135 bpm • F min • 04:18 • -15.74db
2% Popularity • 34% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 14% Positiveness
2% Popularity • 34% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 14% Positiveness
► Preview
Niccolò Paganini
Cantabile, MS 109/Op. 17 (Arr. for Cello...
172 bpm • D Maj • 03:25 • -11.12db
39% Popularity • 16% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
39% Popularity • 16% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
► Preview
José van Dam
Poco Adagio (4e Symphonie, 3e Movement)
173 bpm • G Maj • 04:26 • -27.08db
9% Popularity • 8% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
9% Popularity • 8% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Valentin Silvestrov
Silent Music: II. Evening Serenade
173 bpm • A# Maj • 03:46 • -31.79db
7% Popularity • 8% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: The Lark Ascending (Ex...
174 bpm • E min • 06:04 • -31.29db
17% Popularity • 9% Danceability • 4% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 4% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
