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Ce Sourire Est Pour Moi
Songs like
Ce Sourire Est Pour Moi
by
Tarmac
Based on a tempo of (+/- 10%) and a similar genre
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Les Wriggles
Tant pis !
130 bpm • D Maj • 02:14 • -7db
4% Popularity • 78% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Boulevard des Airs
Cielo Ciego
130 bpm • D min • 03:07 • -5db
39% Popularity • 72% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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La Belle Bleue
Morceau de papier
130 bpm • C min • 02:16 • -6.84db
41% Popularity • 87% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Zebda
En groupe en ligue en procession
130 bpm • F Maj • 03:20 • -6.03db
20% Popularity • 65% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Ridan
Alerte à la bombe
130 bpm • C min • 03:41 • -8.25db
24% Popularity • 84% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Tarmac
Ce Sourire Est Pour Moi
130 bpm • G min • 03:54 • -6.55db
31% Popularity • 68% Danceability • 85% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
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Les Wriggles
Petit bonhomme
130 bpm • E min • 03:23 • -15.5db
19% Popularity • 83% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Oldelaf et Monsieur D.
Rue de Nantes
129 bpm • G Maj • 04:10 • -8.47db
32% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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ÉTÉ 67
Les pilules
131 bpm • C# Maj • 04:26 • -7db
16% Popularity • 36% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Karpatt
En pleine mer
129 bpm • G Maj • 03:15 • -5.64db
33% Popularity • 68% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Ridan
L'agriculteur
131 bpm • B min • 05:10 • -9.04db
44% Popularity • 78% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Balbino Medellin
Gitan de Paname
131 bpm • F min • 04:03 • -4.96db
14% Popularity • 69% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Tarmac
Cher Oubli
131 bpm • D min • 04:32 • -9db
16% Popularity • 46% Danceability • 40% Energy • 10% Liveness
8% Instrumentalness • 38% Positiveness
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As De Trêfle
Jessica
131 bpm • G Maj • 02:44 • -10.44db
44% Popularity • 46% Danceability • 70% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
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ÉTÉ 67
Tu n'es pas lÃ
128 bpm • E min • 03:31 • -5.49db
18% Popularity • 39% Danceability • 78% Energy • 72% Liveness
0% Instrumentalness • 65% Positiveness
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Pigalle
Sens Comme Le Temps Il Est Lourd
132 bpm • C Maj • 02:40 • -9db
27% Popularity • 67% Danceability • 62% Energy • 53% Liveness
2% Instrumentalness • 87% Positiveness
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Ridan
Rentre chez toi
131 bpm • G# Maj • 04:35 • -4.54db
28% Popularity • 64% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Thomas Fersen
C'est tout ce qu'il me reste
128 bpm • C min • 03:08 • -8db
36% Popularity • 77% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Les Wriggles
Papillons
128 bpm • E min • 03:26 • -9.77db
9% Popularity • 75% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Tété
Fils de Cham
132 bpm • E min • 04:03 • -5db
35% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Soan
Next Time
128 bpm • G Maj • 02:43 • -7.92db
28% Popularity • 74% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 85% Positiveness
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Merzhin
A la chaleur des missiles
128 bpm • A# Maj • 03:21 • -4db
20% Popularity • 52% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Yves Jamait
Jean-louis (Ou Le Monologue Du Client)
132 bpm • D Maj • 03:52 • -5.31db
22% Popularity • 73% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Saez
Je suis
132 bpm • D min • 04:54 • -9.7db
42% Popularity • 63% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Ridan
Le quotidien
128 bpm • A# min • 03:57 • -8.07db
24% Popularity • 94% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Luke
Hasta Siempre
132 bpm • E Maj • 02:37 • -2.71db
27% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Mon Cote Punk
C'est peut-être Mozart
132 bpm • F# min • 03:24 • -4.97db
12% Popularity • 52% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Matmatah
Nous y sommes
128 bpm • E min • 04:17 • -6db
41% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Yves Jamait
Le temps emporte tout
132 bpm • G min • 04:33 • -6.53db
19% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Monsieur Roux
P'tite Pouff
132 bpm • G Maj • 02:44 • -10.58db
25% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Mes Souliers Sont Rouges
Sainte-Cécile
132 bpm • D min • 05:05 • -8.12db
29% Popularity • 49% Danceability • 84% Energy • 94% Liveness
0% Instrumentalness • 74% Positiveness
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Eiffel
Minouche
132 bpm • B Maj • 03:59 • -8db
21% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Merzhin
Bandit
133 bpm • G min • 03:38 • -5.88db
30% Popularity • 53% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Soan
A tire-d'aile
133 bpm • G Maj • 02:53 • -5.32db
16% Popularity • 48% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Les Wriggles
Des laisses
127 bpm • G Maj • 02:48 • -9.6db
3% Popularity • 79% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Oldelaf et Monsieur D.
Raoul mon pitbull
127 bpm • E min • 03:33 • -6.33db
34% Popularity • 83% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Yves Jamait
Et Je Bois
127 bpm • D min • 03:00 • -6.11db
38% Popularity • 77% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Hubert-Félix Thiéfaine
113ème cigarette sans dormir - 2018 Rem...
127 bpm • A min • 04:40 • -7.91db
34% Popularity • 70% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Deportivo
La Brise
133 bpm • A Maj • 03:42 • -3db
25% Popularity • 33% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Olivia Ruiz
Non-dits
127 bpm • A# min • 04:01 • -6.61db
33% Popularity • 57% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Les Wriggles
La petite olive
127 bpm • A Maj • 02:53 • -9.43db
34% Popularity • 61% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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La Tordue
Cap'tain Naimo
127 bpm • F Maj • 03:32 • -8.47db
13% Popularity • 90% Danceability • 72% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
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Les Négresses Vertes
Famille heureuse
126 bpm • A min • 03:57 • -5db
30% Popularity • 64% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Yves Jamait
Dimanche (Caresse-moi)
134 bpm • B min • 05:36 • -6.16db
36% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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La Chanson Du Dimanche
Comme Un Lundi
134 bpm • E Maj • 02:55 • -3.71db
28% Popularity • 90% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Merzhin
Conscience
126 bpm • E min • 03:44 • -4db
23% Popularity • 63% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Karpatt
Les mains douces
126 bpm • D Maj • 04:07 • -5.2db
16% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Thomas Fersen
Le chat botté
126 bpm • E min • 03:38 • -8.59db
42% Popularity • 69% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Pigalle
Madame Louise, Elle Est Exquise
126 bpm • A min • 03:23 • -10db
30% Popularity • 73% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Les Innocents
Je vais à Bang-Bang
126 bpm • D Maj • 03:49 • -5.95db
24% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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La Tordue
La rose et le réséda
126 bpm • D Maj • 03:33 • -19.44db
15% Popularity • 59% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Merzhin
Et toi et moi
125 bpm • C min • 03:27 • -7db
33% Popularity • 54% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
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Karpatt
Le monsieur du canal
126 bpm • D Maj • 03:18 • -4.64db
19% Popularity • 79% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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La Belle Bleue
Un pied dans l'plat
135 bpm • C# min • 04:09 • -6db
34% Popularity • 82% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Pigalle
Ne Reviens
135 bpm • A min • 04:00 • -9.31db
16% Popularity • 55% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Mademoiselle K
Reste lÃ
125 bpm • C# min • 02:01 • -8.23db
43% Popularity • 88% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 98% Positiveness
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Elista
Debout
125 bpm • C Maj • 03:17 • -5.73db
22% Popularity • 60% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Matmatah
Marée haute
125 bpm • C min • 04:08 • -6.2db
38% Popularity • 57% Danceability • 79% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
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Karpatt
Un jeu
125 bpm • A min • 04:08 • -6.5db
25% Popularity • 73% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Eiffel
Le cœur Australie
125 bpm • G min • 03:27 • -3.82db
18% Popularity • 50% Danceability • 98% Energy • 9% Liveness
3% Instrumentalness • 42% Positiveness
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Deportivo
Parmi Eux
125 bpm • C Maj • 02:16 • -2.36db
45% Popularity • 53% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Merzhin
Les nains de jardin
136 bpm • D min • 03:28 • -3.41db
41% Popularity • 60% Danceability • 95% Energy • 35% Liveness
19% Instrumentalness • 77% Positiveness
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Soan
En chemin
136 bpm • E min • 03:09 • -9.46db
21% Popularity • 74% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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As De Trêfle
Dans les bibliothèques
124 bpm • C# min • 04:57 • -8db
29% Popularity • 66% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Mademoiselle K
Jalouse
136 bpm • G Maj • 03:46 • -7.38db
45% Popularity • 65% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Thomas Fersen
Diane de Poitiers
136 bpm • G min • 03:06 • -9db
37% Popularity • 70% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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Hubert-Félix Thiéfaine
Les dingues et les paumés - 2018 Remast...
124 bpm • C min • 04:45 • -10.89db
40% Popularity • 67% Danceability • 32% Energy • 5% Liveness
59% Instrumentalness • 22% Positiveness
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Merzhin
Conscience
125 bpm • E min • 04:38 • -3.97db
20% Popularity • 66% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Ridan
Le syndrome du petit beur - Original ver...
124 bpm • C# Maj • 03:13 • -10.24db
19% Popularity • 92% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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As De Trêfle
Levons Nos Verres
137 bpm • A min • 04:25 • -5.5db
27% Popularity • 45% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Tarmac
Tordu Tour Du Monde
137 bpm • G Maj • 02:23 • -21.22db
29% Popularity • 43% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Pigalle
Le Chaland
138 bpm • A min • 02:02 • -13.16db
25% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Hubert-Félix Thiéfaine
La cancoillotte - Remastered
137 bpm • D min • 02:02 • -4.7db
35% Popularity • 62% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Les Blérots de R.A.V.E.L.
Le sol
138 bpm • G min • 03:07 • -8.73db
31% Popularity • 90% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Merzhin
Nains de jardins
136 bpm • D min • 03:43 • -3db
36% Popularity • 62% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Yves Jamait
Ok, Tu T'en Vas
138 bpm • G Maj • 03:04 • -7db
35% Popularity • 82% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Detroit
Sa Majesté
138 bpm • G Maj • 04:23 • -11.97db
19% Popularity • 74% Danceability • 50% Energy • 12% Liveness
20% Instrumentalness • 83% Positiveness
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Blankass
Anna
138 bpm • E min • 04:05 • -4.96db
14% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Hubert-Félix Thiéfaine
La vierge au Dodge 51 - Remastered
123 bpm • A min • 02:54 • -6.84db
34% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Giedre
Pisser debout
122 bpm • A# min • 03:47 • -11.66db
34% Popularity • 60% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jeanne Cherhal
Un couple normal
138 bpm • D Maj • 04:45 • -9.03db
27% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Saez
Peuple manifestant
138 bpm • A min • 09:14 • -8.47db
38% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Melissmell
Sens Ma Fatigue
122 bpm • F# min • 03:27 • -10.98db
12% Popularity • 67% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Merzhin
L'hacienda
122 bpm • D# Maj • 03:49 • -4.53db
36% Popularity • 60% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Hubert-Félix Thiéfaine
Lorelei sébasto cha - 2018 Remastered V...
122 bpm • E min • 04:06 • -10db
40% Popularity • 82% Danceability • 65% Energy • 36% Liveness
1% Instrumentalness • 77% Positiveness
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Yves Jamait
Vivre avec toi
122 bpm • D min • 04:15 • -6.81db
28% Popularity • 79% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Jean-Louis Murat
L'au-delÃ
122 bpm • A min • 04:22 • -7db
22% Popularity • 71% Danceability • 59% Energy • 6% Liveness
5% Instrumentalness • 38% Positiveness
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Les Innocents
Un monde parfait
139 bpm • A Maj • 03:50 • -7db
28% Popularity • 57% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Frédéric Fromet
Je suis bobo
139 bpm • A# Maj • 03:10 • -9.5db
36% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Ridan
Madame la république - Original version
121 bpm • F min • 03:22 • -8.99db
28% Popularity • 76% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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La Tordue
Le vent t'invite
139 bpm • A# min • 03:30 • -10.31db
20% Popularity • 58% Danceability • 43% Energy • 98% Liveness
0% Instrumentalness • 62% Positiveness
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La Chanson Du Dimanche
Super Pouvoir D'Achat
140 bpm • F Maj • 03:35 • -4.2db
34% Popularity • 71% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Oldelaf
Vendredi
121 bpm • A min • 03:20 • -9.47db
22% Popularity • 66% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Batlik
Ma môme
121 bpm • F Maj • 03:42 • -7.88db
26% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Alister
Qu'est-ce qu'on va faire de toi
140 bpm • E min • 04:02 • -3.84db
38% Popularity • 56% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Merzhin
Les heures vagabondes
140 bpm • D Maj • 03:59 • -7.97db
24% Popularity • 58% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Hubert-Félix Thiéfaine
Fièvre resurrectionnelle
140 bpm • A# min • 03:32 • -7db
35% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Yves Jamait
Prendre la route
140 bpm • F# min • 04:09 • -5.36db
25% Popularity • 74% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Matmatah
Derrière ton dos
140 bpm • F# min • 04:01 • -4.27db
40% Popularity • 51% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Mademoiselle K
Ça me vexe
140 bpm • B min • 03:27 • -4.96db
48% Popularity • 59% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Ce Sourire Est Pour Moi