Songs like Cello Concerto in C Major, WK 60: IIIb. Rondeau. Tempo di minuetto by Carl Friedrich Abel
Based on a tempo of (+/- 10%) and a similar genre
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Pietro Locatelli
Concerto Grosso in F Major, Op. 1, No. 1...
123 bpm • F Maj • 01:34 • -18.1db
38% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Monsieur de Sainte-Colombe
Les Couplets
123 bpm • C# min • 09:44 • -33.11db
11% Popularity • 26% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
11% Popularity • 26% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Isabella Leonarda
Violin Sonata in D Minor, Op. 16 No. 12:...
123 bpm • F# min • 09:38 • -26db
10% Popularity • 31% Danceability • 3% Energy • 14% Liveness
6% Instrumentalness • 13% Positiveness
10% Popularity • 31% Danceability • 3% Energy • 14% Liveness
6% Instrumentalness • 13% Positiveness
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Carlos Seixas
Harpsichord Concerto in A Major: I. Alle...
123 bpm • G# Maj • 01:52 • -21db
8% Popularity • 34% Danceability • 20% Energy • 16% Liveness
24% Instrumentalness • 95% Positiveness
8% Popularity • 34% Danceability • 20% Energy • 16% Liveness
24% Instrumentalness • 95% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
123 bpm • C# min • 02:47 • -20db
21% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Élisabeth Jacquet de La Guerre
Les Pièces de clavecin, Premier livre, ...
123 bpm • G# Maj • 02:07 • -32.25db
9% Popularity • 27% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 46% Positiveness
9% Popularity • 27% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 46% Positiveness
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Johann David Heinichen
Concerto in G Minor - Oboe, Strings & B....
124 bpm • F# min • 04:32 • -18.62db
23% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
23% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
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Monsieur de Sainte-Colombe
Suite No. 4 in E Minor: Prelude X.XVII
123 bpm • D# min • 03:20 • -18.34db
13% Popularity • 25% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
13% Popularity • 25% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
32% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
32% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Rinaldo Alessandrini
Déraisonnable beauté: Chaconne
124 bpm • B Maj • 02:47 • -25.87db
23% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
23% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
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Cologne Chamber Orchestra
Brandenburg Concerto No. 2 In F Major, B...
124 bpm • D min • 03:12 • -22db
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
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Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Robert de Visée
De Visée: Pièces de théorbe et de lut...
125 bpm • C# min • 02:22 • -26.78db
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
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![The Drexel Manuscript: [Vivace] cover art](https://i.scdn.co/image/ab67616d00001e024d26ef33e2c2347f4d5f2397)
Carl Friedrich Abel
The Drexel Manuscript: [Vivace]
122 bpm • C# Maj • 02:25 • -18.33db
4% Popularity • 40% Danceability • 17% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
4% Popularity • 40% Danceability • 17% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
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William Boyce
Symphony No. 3 in C Major, Op. 2, "The C...
121 bpm • G# min • 01:49 • -27db
45% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
45% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
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Louis-Nicolas Clérambault
Simphonia V: Chaconne in D Major
121 bpm • C# Maj • 05:39 • -23db
17% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Suisses
121 bpm • A Maj • 01:11 • -34.79db
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
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François Couperin
Couperin, F: Troisième Livre de pièces...
121 bpm • G# Maj • 06:09 • -31db
13% Popularity • 32% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
13% Popularity • 32% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
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Johann Pachelbel
Partie 5 en si bémol majeur: Gavotte - ...
125 bpm • A Maj • 02:25 • -15db
14% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: IV. Pre...
121 bpm • F# min • 01:22 • -16.4db
25% Popularity • 49% Danceability • 24% Energy • 17% Liveness
93% Instrumentalness • 57% Positiveness
25% Popularity • 49% Danceability • 24% Energy • 17% Liveness
93% Instrumentalness • 57% Positiveness
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Diego Ortiz
Recercada tercera sobre tenores Italiano...
126 bpm • E Maj • 02:13 • -33db
16% Popularity • 40% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 58% Positiveness
16% Popularity • 40% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 58% Positiveness
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Henry Eccles
Sonata Quinta in E Minor: III. Largo
120 bpm • D# min • 05:31 • -24.63db
9% Popularity • 26% Danceability • 4% Energy • 29% Liveness
30% Instrumentalness • 9% Positiveness
9% Popularity • 26% Danceability • 4% Energy • 29% Liveness
30% Instrumentalness • 9% Positiveness
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Jean-Baptiste Lully
Le triomphe de l'amour, LWV 59: Air d'Ap...
125 bpm • F min • 02:40 • -19db
14% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
14% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
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Antonio Bertali
Ciacona in C Major
120 bpm • B Maj • 09:04 • -20db
11% Popularity • 42% Danceability • 16% Energy • 12% Liveness
62% Instrumentalness • 31% Positiveness
11% Popularity • 42% Danceability • 16% Energy • 12% Liveness
62% Instrumentalness • 31% Positiveness
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Tomaso Albinoni
Sinfonie a cinque per due violini, alto,...
126 bpm • B Maj • 03:31 • -17db
9% Popularity • 19% Danceability • 16% Energy • 14% Liveness
42% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 16% Energy • 14% Liveness
42% Instrumentalness • 6% Positiveness
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Antoine Forqueray
Forqueray, A: Pièces de viole, Suite No...
126 bpm • C# min • 03:46 • -25db
11% Popularity • 31% Danceability • 20% Energy • 23% Liveness
92% Instrumentalness • 40% Positiveness
11% Popularity • 31% Danceability • 20% Energy • 23% Liveness
92% Instrumentalness • 40% Positiveness
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Johann Gottlieb Graun
Concerto a violono e viola da gamba in C...
120 bpm • B min • 07:53 • -18.2db
21% Popularity • 50% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
21% Popularity • 50% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
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Girolamo Frescobaldi
Balletto (Arr. for Harp and Baroque Guit...
120 bpm • B Maj • 01:08 • -25db
22% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
22% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Frederick the Great
Flute Sonata in E Minor: II. Allegro ass...
120 bpm • D# min • 02:49 • -25db
31% Popularity • 53% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 51% Positiveness
31% Popularity • 53% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 51% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Concerto in D Minor, Op. 3 No. 11, RV 56...
127 bpm • C# min • 03:47 • -18db
11% Popularity • 44% Danceability • 27% Energy • 12% Liveness
73% Instrumentalness • 31% Positiveness
11% Popularity • 44% Danceability • 27% Energy • 12% Liveness
73% Instrumentalness • 31% Positiveness
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Carl Friedrich Abel
27 Pieces (Excerpts): No. 2 in D Major, ...
127 bpm • C# Maj • 04:38 • -28.49db
1% Popularity • 20% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 17% Positiveness
1% Popularity • 20% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 17% Positiveness
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Giovanni Battista Fontana
18 Sonatas in 1, 2, 3 Parts: Sonata No. ...
127 bpm • C# Maj • 06:58 • -22db
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Girolamo Frescobaldi
Canzona ottava a basso solo "detta l’a...
127 bpm • G min • 03:07 • -22.14db
13% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
13% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
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Johann Sebastian Bach
Weinen, Klagen, Sorgen, Zagen, BWV 12: S...
119 bpm • E min • 02:30 • -23db
45% Popularity • 19% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
45% Popularity • 19% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
127 bpm • C min • 02:48 • -20.03db
18% Popularity • 33% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
18% Popularity • 33% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigals, Book 8: Ballo, SV...
127 bpm • A min • 03:06 • -18.62db
22% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
22% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
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Charles Avison
Concerto in D Minor, Op. 6 No. 3: I. Lar...
119 bpm • C# min • 01:27 • -16.79db
24% Popularity • 35% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 35% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In C Major, TWV 55: C6:...
119 bpm • C Maj • 01:40 • -15db
49% Popularity • 57% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 75% Positiveness
49% Popularity • 57% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 75% Positiveness
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Henry Purcell
King Arthur, Z. 628, Act I: No. 1, Overt...
119 bpm • C# min • 02:05 • -17.65db
11% Popularity • 41% Danceability • 18% Energy • 23% Liveness
18% Instrumentalness • 34% Positiveness
11% Popularity • 41% Danceability • 18% Energy • 23% Liveness
18% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Violin Sonata No. 2 in A Minor, BWV 1003...
127 bpm • C Maj • 05:24 • -23.13db
23% Popularity • 27% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
23% Popularity • 27% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
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Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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John Eccles
The Mad Lover Suite: Ground. Aire III
127 bpm • E Maj • 02:01 • -29.06db
17% Popularity • 36% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 36% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Monsieur de Sainte-Colombe
Concert XLI: Le Retour
119 bpm • C Maj • 06:32 • -23.63db
13% Popularity • 24% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
13% Popularity • 24% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Carl Friedrich Abel
Viola da gamba Sonata in G Major, A2:72:...
128 bpm • F# Maj • 04:23 • -19.16db
2% Popularity • 30% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 34% Positiveness
2% Popularity • 30% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 34% Positiveness
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Georg Philipp Telemann
Sey tausenmahl willkommen, TWV 13: 9a
119 bpm • G Maj • 03:07 • -21.7db
30% Popularity • 40% Danceability • 18% Energy • 21% Liveness
19% Instrumentalness • 49% Positiveness
30% Popularity • 40% Danceability • 18% Energy • 21% Liveness
19% Instrumentalness • 49% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: I. Mag...
128 bpm • F# min • 01:17 • -19db
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Daniel Purcell
Sonata sesta for violino solo: I. Adagio
128 bpm • E min • 01:57 • -22.24db
18% Popularity • 29% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 29% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jean-Philippe Rameau
Rameau: Les Fêtes d'Hébé, Act I: "Je ...
128 bpm • F# Maj • 02:50 • -24.77db
10% Popularity • 23% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Flute Sonata in E Minor, Op. 5, No. 8: I...
128 bpm • D min • 01:52 • -19db
39% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
39% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
118 bpm • C# min • 03:26 • -24db
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
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Thomas Baltzar
The Division Violin: No. 13, Prelude in ...
118 bpm • F# Maj • 01:54 • -20db
9% Popularity • 42% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
9% Popularity • 42% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
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Johann Sebastian Bach
Suite in C Minor, BWV 997 (Arr. for Lute...
128 bpm • B min • 06:35 • -22.11db
10% Popularity • 47% Danceability • 5% Energy • 15% Liveness
81% Instrumentalness • 74% Positiveness
10% Popularity • 47% Danceability • 5% Energy • 15% Liveness
81% Instrumentalness • 74% Positiveness
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Andrea Falconieri
Falconieri / Orch Tufvesson: Il primo li...
118 bpm • F# min • 02:13 • -14db
24% Popularity • 65% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
24% Popularity • 65% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
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Carl Friedrich Abel
The Drexel Manuscript: [Andante]
118 bpm • C# Maj • 02:05 • -23.54db
4% Popularity • 28% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
4% Popularity • 28% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Luigi Boccherini
Guitar Quintet No. 7 in E Minor, G. 451:...
118 bpm • D# min • 07:29 • -19.81db
22% Popularity • 40% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
22% Popularity • 40% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
► Preview
George Frideric Handel
Suite in G minor: VII. Rigaudon (Arr. A....
118 bpm • C min • 01:36 • -22db
48% Popularity • 60% Danceability • 9% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
48% Popularity • 60% Danceability • 9% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
► Preview
Louis Couperin
Suite in A Minor: VI. Menuet de Poitou e...
118 bpm • G# min • 02:18 • -21db
22% Popularity • 26% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
22% Popularity • 26% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
► Preview
Johann Rosenmüller
Sonata Decima à 5 en fa majeur
129 bpm • E Maj • 05:33 • -18.3db
9% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
9% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
► Preview
Georg Philipp Telemann
Concerto pour violon "Les Rainettes", en...
117 bpm • G# Maj • 05:29 • -22db
22% Popularity • 50% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 41% Positiveness
22% Popularity • 50% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 41% Positiveness
► Preview
Jean-Baptiste Quentin
3e Livre de Sonates à violon seul avec ...
117 bpm • G# Maj • 02:38 • -20.04db
14% Popularity • 27% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 27% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Benedetto Marcello
Concerto in E Minor: II. Vivace
117 bpm • D# min • 01:41 • -18.41db
44% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
44% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
► Preview
Carl Friedrich Abel
Allegretto in A Major
129 bpm • G# Maj • 04:43 • -28.4db
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
73% Instrumentalness • 38% Positiveness
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
73% Instrumentalness • 38% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 9 (T...
117 bpm • C# Maj • 00:58 • -22.65db
20% Popularity • 21% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
20% Popularity • 21% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: I. Fantas...
129 bpm • C# min • 01:33 • -29db
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: Vi...
129 bpm • F# Maj • 02:25 • -19db
18% Popularity • 50% Danceability • 25% Energy • 8% Liveness
59% Instrumentalness • 85% Positiveness
18% Popularity • 50% Danceability • 25% Energy • 8% Liveness
59% Instrumentalness • 85% Positiveness
► Preview
Matthew Locke
The Tempest: Galliard
117 bpm • F# min • 01:18 • -15.35db
28% Popularity • 48% Danceability • 20% Energy • 18% Liveness
43% Instrumentalness • 63% Positiveness
28% Popularity • 48% Danceability • 20% Energy • 18% Liveness
43% Instrumentalness • 63% Positiveness
► Preview
Giulio Caccini
Amarilli, mia bella (1601)
129 bpm • C# Maj • 05:47 • -22.43db
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
► Preview
Francesco Geminiani
Oboe Sonata No. 3: I. Adagio
129 bpm • D# min • 01:10 • -19.59db
26% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
26% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
► Preview
Jean-Philippe Rameau
Rameau: Nouvelles Suites de Pièces de C...
117 bpm • F Maj • 03:49 • -16.6db
15% Popularity • 32% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 32% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Carl Friedrich Abel
27 Pieces for Viola da Gamba, WKO 186-21...
130 bpm • C# min • 05:16 • -24.24db
4% Popularity • 34% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
4% Popularity • 34% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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George Frideric Handel
Concerto grosso No. 2 in B-Flat Major, O...
130 bpm • F# min • 02:34 • -24.77db
9% Popularity • 17% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Michel Blavet
Concerto in A Minor for Flute and String...
116 bpm • G# min • 05:38 • -19db
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
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Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
116 bpm • G Maj • 01:06 • -19db
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Maurizio Cazzati
Balletto Quarto: Adaggio
130 bpm • F# min • 04:00 • -24db
11% Popularity • 26% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 8% Positiveness
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Jean-Féry Rebel
La Terpsichore: IV. Gay
116 bpm • C# Maj • 00:55 • -17db
15% Popularity • 31% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 31% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Christoph Graupner
Trio in E-Flat Major for Viola d’amore...
116 bpm • E Maj • 02:27 • -22.59db
8% Popularity • 17% Danceability • 2% Energy • 11% Liveness
66% Instrumentalness • 7% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 11% Liveness
66% Instrumentalness • 7% Positiveness
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Giuseppe Torelli
Concerto for 2 Violins in D Minor, Op. 6...
116 bpm • E Maj • 01:55 • -28.22db
11% Popularity • 19% Danceability • 1% Energy • 11% Liveness
71% Instrumentalness • 7% Positiveness
11% Popularity • 19% Danceability • 1% Energy • 11% Liveness
71% Instrumentalness • 7% Positiveness
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Louis Couperin
Suite in A Minor: III. Courante La Migno...
131 bpm • G# min • 01:34 • -20db
28% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
28% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Giovanni Bononcini
Sinfonia per violoncello in G Minor: II....
116 bpm • F# min • 01:07 • -22db
25% Popularity • 38% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
25% Popularity • 38% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Johann Sebastian Bach
Savior of the Nations, Come, BWV 659 (Ar...
131 bpm • G min • 04:39 • -23db
44% Popularity • 19% Danceability • 8% Energy • 13% Liveness
73% Instrumentalness • 5% Positiveness
44% Popularity • 19% Danceability • 8% Energy • 13% Liveness
73% Instrumentalness • 5% Positiveness
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Christoph Graupner
Bassoon Concerto in C Minor: II. Vivace
116 bpm • B min • 06:44 • -20db
22% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
22% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
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Giovanni Girolamo Kapsberger
Toccata arpeggiata
115 bpm • F Maj • 02:39 • -39.9db
15% Popularity • 20% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 9% Positiveness
15% Popularity • 20% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 9% Positiveness
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Michele Mascitti
8 Violin Sonatas and 4 Concertos, Op. 7,...
115 bpm • D# min • 01:57 • -18db
29% Popularity • 61% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 61% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Carl Friedrich Abel
Adagio and Allegro in D minor
115 bpm • C# min • 06:55 • -26.24db
22% Popularity • 31% Danceability • 2% Energy • 11% Liveness
73% Instrumentalness • 24% Positiveness
22% Popularity • 31% Danceability • 2% Energy • 11% Liveness
73% Instrumentalness • 24% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
132 bpm • D# min • 01:29 • -22db
43% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
43% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
132 bpm • C# min • 01:47 • -19db
20% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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George Frideric Handel
Concerto grosso No. 1 in B-Flat Major, O...
115 bpm • F# min • 03:53 • -20.05db
29% Popularity • 21% Danceability • 6% Energy • 11% Liveness
36% Instrumentalness • 5% Positiveness
29% Popularity • 21% Danceability • 6% Energy • 11% Liveness
36% Instrumentalness • 5% Positiveness
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Thomas Adès
Adès: Les baricades mistérieuses
132 bpm • A# Maj • 02:42 • -40.82db
28% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
28% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Giovanni Battista Vitali
Chiacona per la lettera B
114 bpm • B Maj • 02:10 • -28db
10% Popularity • 55% Danceability • 11% Energy • 8% Liveness
42% Instrumentalness • 47% Positiveness
10% Popularity • 55% Danceability • 11% Energy • 8% Liveness
42% Instrumentalness • 47% Positiveness
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Carl Friedrich Abel
The Drexel Manuscript: Tempo di Minuet
132 bpm • C# Maj • 01:12 • -20.27db
5% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 51% Positiveness
5% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 51% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
114 bpm • C# Maj • 03:34 • -29.58db
13% Popularity • 29% Danceability • 10% Energy • 16% Liveness
94% Instrumentalness • 37% Positiveness
13% Popularity • 29% Danceability • 10% Energy • 16% Liveness
94% Instrumentalness • 37% Positiveness
