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CENTURY OF THE MOUSE
Songs like
CENTURY OF THE MOUSE
by
Cirez D
Based on a tempo of (+/- 10%) and a similar genre
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Cirez D
Drums In The Deep
126 bpm • G Maj • 06:09 • -6db
13% Popularity • 77% Danceability • 94% Energy • 15% Liveness
87% Instrumentalness • 10% Positiveness
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Misstress Barbara
Don't Tease Me
126 bpm • B min • 07:17 • -9.31db
20% Popularity • 79% Danceability • 41% Energy • 11% Liveness
77% Instrumentalness • 12% Positiveness
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Adam Beyer
Valium & LFOs
126 bpm • D Maj • 07:42 • -5.51db
6% Popularity • 80% Danceability • 87% Energy • 12% Liveness
76% Instrumentalness • 77% Positiveness
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Eric Prydz
Trubble
126 bpm • G Maj • 07:48 • -8db
28% Popularity • 70% Danceability • 89% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Bart Skils
Bells of the Revolution
126 bpm • F# min • 06:53 • -6db
16% Popularity • 79% Danceability • 89% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Pryda
The End Is Just The Beginning
126 bpm • F Maj • 09:51 • -7.26db
24% Popularity • 72% Danceability • 94% Energy • 30% Liveness
84% Instrumentalness • 6% Positiveness
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Cirez D
THE GLITCH
126 bpm • A# min • 09:24 • -8.64db
16% Popularity • 69% Danceability • 66% Energy • 5% Liveness
89% Instrumentalness • 13% Positiveness
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Nicole Moudaber
One Day Later
126 bpm • C# Maj • 09:55 • -9.39db
12% Popularity • 80% Danceability • 71% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Kink
Neutrino
126 bpm • A# min • 07:07 • -11.69db
15% Popularity • 71% Danceability • 68% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
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Adam Beyer
Darlek
126 bpm • F min • 08:12 • -9.86db
19% Popularity • 80% Danceability • 65% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Bart Skils
Fifth Gear
126 bpm • E Maj • 07:22 • -11db
14% Popularity • 69% Danceability • 93% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
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Pryda
Lillo
126 bpm • D# Maj • 08:38 • -7.89db
32% Popularity • 59% Danceability • 64% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Cirez D
Raptor
126 bpm • A# min • 08:49 • -7.12db
14% Popularity • 72% Danceability • 72% Energy • 63% Liveness
88% Instrumentalness • 19% Positiveness
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Andrew Meller
Insomnia - Original Mix
126 bpm • G Maj • 06:43 • -7.03db
25% Popularity • 86% Danceability • 89% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Sian
Shame Cube - Oliver Huntemann Remix
126 bpm • F min • 07:29 • -8.16db
14% Popularity • 80% Danceability • 77% Energy • 9% Liveness
72% Instrumentalness • 17% Positiveness
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Cari Lekebusch
Xylopeggiator
126 bpm • B min • 06:09 • -9db
13% Popularity • 76% Danceability • 81% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Joseph Capriati
Easy Come Easy Go
126 bpm • G Maj • 08:54 • -11db
18% Popularity • 81% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Whyt Noyz
Shift
126 bpm • B min • 06:41 • -9db
12% Popularity • 81% Danceability • 64% Energy • 19% Liveness
62% Instrumentalness • 56% Positiveness
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Cirez D
RISE
126 bpm • G Maj • 06:01 • -7db
8% Popularity • 82% Danceability • 48% Energy • 8% Liveness
89% Instrumentalness • 17% Positiveness
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Pryda
Rebel XX
126 bpm • G Maj • 08:39 • -10db
32% Popularity • 60% Danceability • 88% Energy • 9% Liveness
86% Instrumentalness • 33% Positiveness
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Jel Ford
Overcast
126 bpm • G Maj • 06:57 • -5.92db
11% Popularity • 70% Danceability • 92% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Skober
Satisbeat
126 bpm • C# Maj • 07:07 • -8db
16% Popularity • 77% Danceability • 69% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Joseph Capriati
Always and Forever
126 bpm • C Maj • 08:30 • -9db
16% Popularity • 70% Danceability • 65% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
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Noir
Bataille - Original Mix
126 bpm • C# min • 07:37 • -10db
10% Popularity • 80% Danceability • 89% Energy • 8% Liveness
93% Instrumentalness • 32% Positiveness
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Cirez D
DARE U
126 bpm • G Maj • 09:19 • -10.17db
23% Popularity • 77% Danceability • 75% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Pryda
The End
126 bpm • A Maj • 09:00 • -10.26db
29% Popularity • 78% Danceability • 75% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
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Jel Ford
Grand Union
126 bpm • A# min • 07:09 • -5.79db
8% Popularity • 75% Danceability • 96% Energy • 10% Liveness
90% Instrumentalness • 42% Positiveness
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Luigi Madonna
Wendy
126 bpm • A Maj • 05:54 • -7.94db
21% Popularity • 74% Danceability • 59% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
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Joseph Capriati
This Then That - Coyu Remix
126 bpm • C# Maj • 06:45 • -9.95db
14% Popularity • 80% Danceability • 85% Energy • 6% Liveness
93% Instrumentalness • 37% Positiveness
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Deas
Goldfinger - Extended Mix
126 bpm • F# min • 07:16 • -5db
12% Popularity • 80% Danceability • 79% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Joris Voorn
Esquape
126 bpm • D min • 07:12 • -10.25db
17% Popularity • 71% Danceability • 47% Energy • 13% Liveness
86% Instrumentalness • 33% Positiveness
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Pryda
Glimma
126 bpm • G Maj • 07:17 • -8.04db
25% Popularity • 68% Danceability • 77% Energy • 16% Liveness
85% Instrumentalness • 8% Positiveness
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Tiger Stripes
Destroyer
126 bpm • G# min • 06:05 • -7db
7% Popularity • 78% Danceability • 95% Energy • 8% Liveness
64% Instrumentalness • 23% Positiveness
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Cirez D
The Tunnel
126 bpm • A# min • 08:28 • -9.97db
8% Popularity • 80% Danceability • 92% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Tonja Holma
Trippleton
126 bpm • F Maj • 08:39 • -8.4db
13% Popularity • 80% Danceability • 86% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Roberto Capuano
Wilford
126 bpm • G# Maj • 07:48 • -8.44db
16% Popularity • 70% Danceability • 60% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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Bart Skils
Lost Boys
126 bpm • D# min • 07:53 • -10.21db
14% Popularity • 70% Danceability • 74% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Pryda
Rotonda
126 bpm • D min • 07:38 • -7.18db
24% Popularity • 71% Danceability • 79% Energy • 10% Liveness
75% Instrumentalness • 41% Positiveness
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Jel Ford
Ode to Basement
126 bpm • G# min • 06:53 • -4.46db
11% Popularity • 82% Danceability • 92% Energy • 6% Liveness
92% Instrumentalness • 90% Positiveness
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Cirez D
Sirtos Madness
126 bpm • A Maj • 07:18 • -6.63db
9% Popularity • 77% Danceability • 92% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Reinier Zonneveld
Sharp Bust
126 bpm • B min • 06:21 • -5.52db
23% Popularity • 76% Danceability • 79% Energy • 7% Liveness
90% Instrumentalness • 32% Positiveness
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Agents Of Time
Magma
126 bpm • D Maj • 08:40 • -7.82db
8% Popularity • 79% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Bart Skils
For Your Eyes
126 bpm • B Maj • 07:45 • -9.18db
14% Popularity • 86% Danceability • 72% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Recondite
Cleric
126 bpm • G Maj • 08:16 • -13.78db
26% Popularity • 65% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Pryda
The Future
126 bpm • E min • 07:12 • -7.28db
16% Popularity • 67% Danceability • 86% Energy • 37% Liveness
89% Instrumentalness • 35% Positiveness
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Cirez D
On Off - Sébastien Léger Remix
126 bpm • F# min • 08:30 • -7.55db
16% Popularity • 80% Danceability • 82% Energy • 11% Liveness
89% Instrumentalness • 50% Positiveness
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Reinier Zonneveld
Sharp Bust 2.2
126 bpm • C# min • 06:37 • -6.7db
11% Popularity • 70% Danceability • 76% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Nicole Moudaber
I Know Where Ive Been
126 bpm • C# min • 11:14 • -7.81db
14% Popularity • 81% Danceability • 81% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
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Mark Reeve
Exposure
126 bpm • G Maj • 07:22 • -7.1db
10% Popularity • 80% Danceability • 96% Energy • 12% Liveness
88% Instrumentalness • 61% Positiveness
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Bart Skils
The Sweep
126 bpm • F# min • 08:23 • -8.06db
19% Popularity • 78% Danceability • 90% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Joran Van Pol
Exist
126 bpm • A# min • 06:44 • -9.08db
12% Popularity • 80% Danceability • 63% Energy • 24% Liveness
70% Instrumentalness • 12% Positiveness
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Will Easton
Technic - Extended Mix
126 bpm • A# min • 06:37 • -6.64db
16% Popularity • 78% Danceability • 100% Energy • 3% Liveness
93% Instrumentalness • 26% Positiveness
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Pryda
Elements
126 bpm • D Maj • 08:08 • -10db
35% Popularity • 70% Danceability • 88% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Gregor Tresher
Goliath
126 bpm • B min • 07:26 • -9.54db
32% Popularity • 74% Danceability • 67% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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Roberto Capuano
Obsessed
126 bpm • G# Maj • 05:39 • -9.14db
19% Popularity • 61% Danceability • 85% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
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Adam Beyer
That Would Be the Sun
126 bpm • B Maj • 07:08 • -6db
20% Popularity • 64% Danceability • 92% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Bart Skils
Voodoo Child
126 bpm • A Maj • 08:47 • -8.42db
9% Popularity • 78% Danceability • 94% Energy • 13% Liveness
84% Instrumentalness • 5% Positiveness
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Recondite
DRGN 2
126 bpm • D Maj • 07:10 • -12.32db
12% Popularity • 80% Danceability • 69% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Pryda
Obsessive Progressive
126 bpm • F# min • 08:34 • -8.54db
23% Popularity • 77% Danceability • 85% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
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Cirez D
BLACK HOLE
126 bpm • G Maj • 06:54 • -10.05db
18% Popularity • 79% Danceability • 67% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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ANNA
The Dansant
126 bpm • G# min • 06:39 • -9.97db
34% Popularity • 79% Danceability • 74% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Adam Beyer
Spaceman
126 bpm • B min • 07:27 • -4.41db
19% Popularity • 80% Danceability • 96% Energy • 4% Liveness
92% Instrumentalness • 56% Positiveness
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Florian Meindl
Mental Atmosphere
126 bpm • C Maj • 07:11 • -9.72db
13% Popularity • 73% Danceability • 89% Energy • 35% Liveness
81% Instrumentalness • 34% Positiveness
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Bart Skils
My Part of Town
126 bpm • A# min • 07:45 • -9.94db
9% Popularity • 81% Danceability • 88% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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Vinicius Honorio
Walking Shadow
126 bpm • B min • 08:46 • -6.94db
9% Popularity • 70% Danceability • 81% Energy • 34% Liveness
92% Instrumentalness • 29% Positiveness
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Pryda
Clapham
126 bpm • E min • 10:30 • -9.33db
15% Popularity • 74% Danceability • 81% Energy • 14% Liveness
84% Instrumentalness • 14% Positiveness
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Jeremy Olander
Riots
126 bpm • G# min • 08:10 • -8.75db
9% Popularity • 74% Danceability • 64% Energy • 10% Liveness
77% Instrumentalness • 26% Positiveness
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Pleasurekraft
Main Sequence
126 bpm • F# Maj • 07:12 • -9.68db
16% Popularity • 74% Danceability • 85% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Mark Reeve
New Path
126 bpm • F# min • 07:09 • -5.79db
7% Popularity • 81% Danceability • 80% Energy • 7% Liveness
86% Instrumentalness • 35% Positiveness
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Hollen
Bitty - Original Mix
126 bpm • B min • 07:19 • -7.78db
22% Popularity • 80% Danceability • 90% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Moby
Go - Bart Skils Remix
126 bpm • B min • 09:11 • -8.62db
20% Popularity • 64% Danceability • 81% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Cirez D
ON TOP BABY
126 bpm • G Maj • 07:42 • -8.75db
13% Popularity • 80% Danceability • 78% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Pryda
Choo
126 bpm • A# min • 08:57 • -7.51db
25% Popularity • 80% Danceability • 73% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
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Jack Master
Bang the Box - Slam Remix
126 bpm • B min • 07:09 • -10.11db
20% Popularity • 73% Danceability • 81% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Boris
Can You Hear Me - Remix
126 bpm • F# Maj • 06:28 • -7db
30% Popularity • 75% Danceability • 75% Energy • 11% Liveness
85% Instrumentalness • 15% Positiveness
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Roberto Capuano
The Space
126 bpm • E Maj • 07:38 • -6.36db
21% Popularity • 64% Danceability • 88% Energy • 11% Liveness
88% Instrumentalness • 66% Positiveness
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Veerus
Heavy
126 bpm • D# Maj • 06:52 • -9db
24% Popularity • 78% Danceability • 77% Energy • 19% Liveness
88% Instrumentalness • 13% Positiveness
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Adam Beyer
Nine of You
126 bpm • B Maj • 06:38 • -6.63db
24% Popularity • 80% Danceability • 88% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Sidney Charles
Justice
126 bpm • A# min • 09:51 • -8.67db
2% Popularity • 69% Danceability • 86% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Transcode
Simulation
126 bpm • D Maj • 06:09 • -10.21db
11% Popularity • 73% Danceability • 79% Energy • 21% Liveness
84% Instrumentalness • 8% Positiveness
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Nicole Moudaber
Lumière tamisée
126 bpm • B min • 08:56 • -10.65db
17% Popularity • 66% Danceability • 80% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Luigi Madonna
Trust Me
126 bpm • D Maj • 07:44 • -7.28db
8% Popularity • 89% Danceability • 68% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Cirez D
THE ACCUSER
126 bpm • G Maj • 07:29 • -7.49db
20% Popularity • 81% Danceability • 80% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
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Adam Beyer
Teach Me
126 bpm • G# min • 09:54 • -7.31db
25% Popularity • 67% Danceability • 93% Energy • 41% Liveness
89% Instrumentalness • 3% Positiveness
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Bart Skils
Shadowprint
126 bpm • C# min • 08:00 • -10.19db
23% Popularity • 77% Danceability • 89% Energy • 12% Liveness
95% Instrumentalness • 10% Positiveness
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Dusky
Bowed
126 bpm • C# min • 06:07 • -8.83db
12% Popularity • 68% Danceability • 80% Energy • 13% Liveness
90% Instrumentalness • 36% Positiveness
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The Reactivitz
Techno Home - Original Mix
126 bpm • B min • 07:12 • -6db
16% Popularity • 70% Danceability • 99% Energy • 6% Liveness
93% Instrumentalness • 36% Positiveness
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Hidden Empire
Black Beauty
126 bpm • F# min • 07:08 • -9.2db
25% Popularity • 80% Danceability • 83% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Timmo
Canvas
126 bpm • A Maj • 06:40 • -8.2db
20% Popularity • 71% Danceability • 90% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Nicole Moudaber
Take Hold
126 bpm • B min • 09:46 • -7.16db
10% Popularity • 85% Danceability • 86% Energy • 14% Liveness
10% Instrumentalness • 66% Positiveness
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Cirez D
Mokba
126 bpm • G# Maj • 06:15 • -9db
31% Popularity • 74% Danceability • 95% Energy • 5% Liveness
85% Instrumentalness • 92% Positiveness
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Raffaele Rizzi
Total Black
126 bpm • F# Maj • 05:39 • -12.05db
15% Popularity • 76% Danceability • 46% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Bart Skils
Starfighter
126 bpm • F# min • 08:54 • -11.61db
10% Popularity • 71% Danceability • 53% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Syap
Versatile
126 bpm • A# Maj • 08:15 • -7.36db
10% Popularity • 73% Danceability • 66% Energy • 15% Liveness
70% Instrumentalness • 22% Positiveness
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Timmo
The Maze
126 bpm • C# Maj • 07:10 • -7.76db
14% Popularity • 67% Danceability • 96% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
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Pryda
Power Drive
126 bpm • F Maj • 08:53 • -7db
18% Popularity • 61% Danceability • 72% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Cirez D
BACKLASH
126 bpm • F# min • 08:49 • -7.64db
18% Popularity • 71% Danceability • 92% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Koen Groeneveld
Jaaah
126 bpm • F min • 03:23 • -7.47db
18% Popularity • 75% Danceability • 87% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
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Bart Skils
West of the Moon
126 bpm • F# min • 07:07 • -6.41db
18% Popularity • 76% Danceability • 85% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Gregor Tresher
The Kraken
126 bpm • C Maj • 06:22 • -8db
21% Popularity • 72% Danceability • 91% Energy • 8% Liveness
90% Instrumentalness • 69% Positiveness
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CENTURY OF THE MOUSE