Songs like C'est un pays by Soldat Louis
Based on a tempo of (+/- 10%) and a similar genre
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Saez
Je suis
132 bpm • D min • 04:54 • -9.7db
41% Popularity • 63% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 63% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Giedre
Ferme ta gueule et apporte-moi une bièr...
132 bpm • G Maj • 03:36 • -14.97db
22% Popularity • 76% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 76% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Louise Attaque
Fatigante
132 bpm • D Maj • 02:51 • -5.6db
51% Popularity • 38% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 38% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Mes Souliers Sont Rouges
Sainte-Cécile
132 bpm • D min • 05:05 • -8.12db
27% Popularity • 49% Danceability • 84% Energy • 94% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 49% Danceability • 84% Energy • 94% Liveness
0% Instrumentalness • 74% Positiveness
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Le carnaval Dunkerquois
Qu'est ce qu'on chante en arrivant / La ...
132 bpm • F# Maj • 05:13 • -12db
19% Popularity • 66% Danceability • 45% Energy • 89% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 66% Danceability • 45% Energy • 89% Liveness
0% Instrumentalness • 58% Positiveness
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Les Naufragés
L'harmonica
132 bpm • B min • 03:55 • -5db
12% Popularity • 55% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 55% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 72% Positiveness
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Noir Désir
Comme elle vient
132 bpm • C Maj • 02:25 • -8db
50% Popularity • 26% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 26% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Giedre
Toutes des putes
132 bpm • C Maj • 02:08 • -7db
32% Popularity • 85% Danceability • 67% Energy • 5% Liveness
2% Instrumentalness • 77% Positiveness
32% Popularity • 85% Danceability • 67% Energy • 5% Liveness
2% Instrumentalness • 77% Positiveness
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Jean-Pax Méfret
Le pays qui n'existe plus
131 bpm • D Maj • 03:25 • -9.39db
22% Popularity • 52% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 52% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Mes Souliers Sont Rouges
Faut se mêler
131 bpm • C# Maj • 03:58 • -11.3db
31% Popularity • 73% Danceability • 65% Energy • 76% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 73% Danceability • 65% Energy • 76% Liveness
0% Instrumentalness • 58% Positiveness
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As De Trêfle
Jessica
131 bpm • G Maj • 02:44 • -10.44db
42% Popularity • 46% Danceability • 70% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 46% Danceability • 70% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
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Sinsémilia
La mauvaise réputation
131 bpm • B min • 02:37 • -6db
46% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Ridan
Rentre chez toi
131 bpm • G# Maj • 04:35 • -4.54db
27% Popularity • 64% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 64% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Zebda
Tomber la chemise
133 bpm • A# min • 04:23 • -5.46db
54% Popularity • 91% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
54% Popularity • 91% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Jean-Pax Méfret
Les oies sauvages
131 bpm • A Maj • 03:56 • -6db
27% Popularity • 58% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 58% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Jean-Jacques Goldman
Je marche seul
133 bpm • D Maj • 04:03 • -2.12db
52% Popularity • 66% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
52% Popularity • 66% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
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Les Quatre Barbus
Chevaliers de la table ronde
131 bpm • F Maj • 02:25 • -5db
25% Popularity • 73% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 73% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Thierry Hazard
Le Jerk
133 bpm • A# Maj • 03:55 • -9.92db
54% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Jean-Pierre Mader
Macumba
131 bpm • E min • 03:39 • -8.14db
56% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
56% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Patrick Bruel
Place des grands hommes
131 bpm • A Maj • 04:28 • -7.39db
57% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Louise Attaque
Tu dis rien
134 bpm • D min • 02:21 • -5.86db
47% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
47% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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La Chanson Du Dimanche
Comme Un Lundi
134 bpm • E Maj • 02:55 • -3.71db
26% Popularity • 90% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
26% Popularity • 90% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Soldat Louis
Du rhum des femmes
130 bpm • G Maj • 03:04 • -14.5db
48% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Sans Prétention
Sportifs du dimanche
134 bpm • C Maj • 03:26 • -4.19db
23% Popularity • 73% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 73% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 64% Positiveness
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Ridan
Ulysse
134 bpm • D min • 03:39 • -7.36db
54% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
54% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Pierre Perret
Lily
130 bpm • C Maj • 03:00 • -10.49db
47% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Chaplain
Le môme
130 bpm • E min • 03:21 • -5.76db
22% Popularity • 57% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 57% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Camping Orchestra
Les chansons de Q (medley)
130 bpm • D# Maj • 05:54 • -7.52db
14% Popularity • 72% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 72% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Soldat Louis
Pavillon noir
130 bpm • E Maj • 04:55 • -12db
25% Popularity • 65% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 65% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Grégoire
Toi + Moi
130 bpm • C Maj • 03:02 • -7.45db
60% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
60% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Wazoo
Ici c'est Montferrand
130 bpm • D min • 03:18 • -5.29db
27% Popularity • 53% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 53% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Jean-Jacques Goldman
Tournent les violons
130 bpm • C# min • 04:38 • -7db
41% Popularity • 34% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 34% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Les Binuchards
Viens voir ma région de France
134 bpm • C Maj • 05:46 • -8.48db
15% Popularity • 60% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 60% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Cali
Elle m'a dit
134 bpm • E min • 03:33 • -3.75db
47% Popularity • 57% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 57% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Les Amis D'ta Femme
Hoch-cul.
134 bpm • G Maj • 04:46 • -6db
18% Popularity • 85% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 85% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Le carnaval Dunkerquois
On est heureux
130 bpm • C Maj • 01:17 • -10db
32% Popularity • 68% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 68% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Le trottoir
Les bons vivants
134 bpm • C Maj • 03:58 • -7.96db
35% Popularity • 38% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 38% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Jean-Jacques Goldman
Tournent les violons
130 bpm • D Maj • 06:51 • -8db
43% Popularity • 50% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 50% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Michel Tonnerre
Quinze marins
134 bpm • A Maj • 03:34 • -7.73db
14% Popularity • 58% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 58% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Les Binuchards
Cananbis
134 bpm • G Maj • 02:52 • -6.08db
18% Popularity • 66% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 66% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Francis Cabrel
La dame de Haute-Savoie - Remastered
135 bpm • D Maj • 03:00 • -8.27db
44% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
44% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Pierre Bachelet
Les corons
129 bpm • F# min • 04:14 • -12db
20% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Les Goguettes (en trio mais à quatre)
Merci Macron
129 bpm • D Maj • 02:32 • -5.4db
20% Popularity • 55% Danceability • 81% Energy • 93% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 55% Danceability • 81% Energy • 93% Liveness
0% Instrumentalness • 91% Positiveness
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Breizh
Blanche Hermime
129 bpm • A min • 03:02 • -3db
9% Popularity • 66% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 66% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Oldelaf et Monsieur D.
Rue de Nantes
129 bpm • G Maj • 04:10 • -8.47db
30% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Camping Orchestra
Il est des nôtres
135 bpm • C Maj • 03:31 • -9.6db
19% Popularity • 72% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 72% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Sans Prétention
Sans prétention
135 bpm • B min • 03:22 • -6db
32% Popularity • 68% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 68% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Les Musclés
Merguez partie
135 bpm • D Maj • 04:12 • -7.42db
27% Popularity • 64% Danceability • 95% Energy • 74% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 64% Danceability • 95% Energy • 74% Liveness
0% Instrumentalness • 96% Positiveness
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Louise Attaque
L'imposture
135 bpm • B min • 02:23 • -5.78db
44% Popularity • 48% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 48% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Saez
Planche à roulettes
129 bpm • G Maj • 04:40 • -7.1db
38% Popularity • 70% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 70% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Hervé Cristiani
Il Est Libre Max
135 bpm • A# min • 03:14 • -13db
46% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Daniel Balavoine
Je ne suis pas un héros
129 bpm • D# Maj • 05:13 • -9.99db
52% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Marc Lavoine
Le parking des anges
129 bpm • G Maj • 03:56 • -11.33db
49% Popularity • 74% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
49% Popularity • 74% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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La Bande à Basile
La chenille
129 bpm • B Maj • 03:35 • -4db
42% Popularity • 78% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 78% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Merzhin
Les nains de jardin
136 bpm • D min • 03:28 • -3.41db
39% Popularity • 60% Danceability • 95% Energy • 35% Liveness
19% Instrumentalness • 77% Positiveness
39% Popularity • 60% Danceability • 95% Energy • 35% Liveness
19% Instrumentalness • 77% Positiveness
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Saez
Rue d'la soif
136 bpm • G Maj • 04:19 • -6.23db
46% Popularity • 37% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 37% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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Jean-Jacques Goldman
Encore un matin
128 bpm • B min • 04:11 • -3.54db
49% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Les Binuchards
J'aime la Bretagne
136 bpm • D min • 04:30 • -7.53db
18% Popularity • 66% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 66% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Carlos
Tout nu et tout bronzé
128 bpm • G# Maj • 02:45 • -8.77db
29% Popularity • 79% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 79% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Cré Tonnerre
Le prestige
128 bpm • D Maj • 03:15 • -6db
30% Popularity • 69% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 69% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Merzhin
Nains de jardins
136 bpm • D min • 03:43 • -3db
35% Popularity • 62% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 62% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Saez
Manu dans l'cul
128 bpm • D Maj • 07:10 • -9.48db
38% Popularity • 69% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 69% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Louise Attaque
Les nuits parisiennes
128 bpm • B min • 02:31 • -6.74db
59% Popularity • 41% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 41% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Matmatah
Nous y sommes
128 bpm • E min • 04:17 • -6db
40% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Jean-Jacques Goldman
Elle attend
128 bpm • F# min • 03:17 • -5.51db
44% Popularity • 60% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 60% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Cré Tonnerre
Les filles de madame Julie
128 bpm • D Maj • 02:45 • -7db
21% Popularity • 82% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 82% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Pierre Perret
Estelle
128 bpm • E min • 02:23 • -7.36db
37% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Les Naufragés
L Harmonica
128 bpm • E min • 03:10 • -7db
30% Popularity • 76% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 76% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Giedre
Grand-mère
128 bpm • F# Maj • 02:21 • -10db
23% Popularity • 89% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 89% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Les Binuchards
La Route à 3 Grammes
136 bpm • E min • 03:47 • -3.77db
40% Popularity • 66% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
40% Popularity • 66% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Jean-Jacques Goldman
Quand la musique est bonne
128 bpm • G min • 03:52 • -5.97db
60% Popularity • 73% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
60% Popularity • 73% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Cré Tonnerre
Sans souliers
128 bpm • D Maj • 02:17 • -4db
28% Popularity • 65% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 65% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Les Musclés
La fête au village
137 bpm • D Maj • 04:02 • -6.52db
26% Popularity • 64% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 64% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Hubert-Félix Thiéfaine
La cancoillotte - Remastered
137 bpm • D min • 02:02 • -4.7db
32% Popularity • 62% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 62% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Pierre Perret
Le cul de lucette
127 bpm • D min • 03:14 • -6.67db
31% Popularity • 76% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 76% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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As De Trêfle
Haut Les Mains
137 bpm • C Maj • 09:50 • -8db
22% Popularity • 37% Danceability • 96% Energy • 97% Liveness
1% Instrumentalness • 16% Positiveness
22% Popularity • 37% Danceability • 96% Energy • 97% Liveness
1% Instrumentalness • 16% Positiveness
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Gold
Capitaine abandonné
127 bpm • A Maj • 03:55 • -7.87db
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Oldelaf et Monsieur D.
Raoul mon pitbull
127 bpm • E min • 03:33 • -6.33db
32% Popularity • 83% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 83% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Les Wriggles
La petite olive
127 bpm • A Maj • 02:53 • -9.43db
32% Popularity • 61% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 61% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Wazoo
Cantal +
127 bpm • G min • 04:37 • -6.12db
15% Popularity • 55% Danceability • 90% Energy • 11% Liveness
1% Instrumentalness • 67% Positiveness
15% Popularity • 55% Danceability • 90% Energy • 11% Liveness
1% Instrumentalness • 67% Positiveness
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Pierre Perret
Tonton cristobal
127 bpm • A Maj • 03:37 • -7db
28% Popularity • 73% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 73% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Jean-Jacques Goldman
Les choses
127 bpm • G min • 05:25 • -5.11db
39% Popularity • 57% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 57% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Pierre Bachelet
Vingt ans
137 bpm • C Maj • 04:22 • -10.49db
14% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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As De Trêfle
Levons Nos Verres
137 bpm • A min • 04:25 • -5.5db
26% Popularity • 45% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 45% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Indochine
Trois nuits par semaine
137 bpm • A min • 05:12 • -13.73db
58% Popularity • 74% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
58% Popularity • 74% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Cré Tonnerre
Les gabiers du Ton - en bonus
127 bpm • D Maj • 02:56 • -7db
34% Popularity • 67% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 98% Positiveness
34% Popularity • 67% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 98% Positiveness
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Hubert-Félix Thiéfaine
113ème cigarette sans dormir - 2018 Rem...
127 bpm • A min • 04:40 • -7.91db
33% Popularity • 70% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 70% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Jean-Jacques Goldman
Au bout de mes rêves
127 bpm • E Maj • 03:54 • -6.48db
56% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Les Naufragés
Le corsaire le grand coureur
138 bpm • A Maj • 02:48 • -6.12db
15% Popularity • 49% Danceability • 86% Energy • 72% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 49% Danceability • 86% Energy • 72% Liveness
0% Instrumentalness • 92% Positiveness
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Nadau
Rondèus de Baren
126 bpm • A min • 03:17 • -8.77db
19% Popularity • 64% Danceability • 63% Energy • 77% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 64% Danceability • 63% Energy • 77% Liveness
0% Instrumentalness • 78% Positiveness
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Indochine
Trois nuits par semaine
138 bpm • A min • 04:49 • -10.77db
50% Popularity • 68% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 68% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Coco Rapido
La 4l De Jacky
138 bpm • C Maj • 03:30 • -8db
40% Popularity • 75% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 75% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Yves Jamait
Ok, Tu T'en Vas
138 bpm • G Maj • 03:04 • -7db
33% Popularity • 82% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 82% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Michel Polnareff
On ira tous au paradis
126 bpm • G Maj • 04:33 • -7db
46% Popularity • 46% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 46% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Francis Cabrel
Gardien de nuit - Extrait du "Soldat Ros...
138 bpm • G min • 02:59 • -11db
51% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
51% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Les Binuchards
Ma Vigne
126 bpm • D min • 04:31 • -7.23db
23% Popularity • 71% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 71% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Merzhin
Conscience
126 bpm • E min • 03:44 • -4db
24% Popularity • 63% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 63% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Camping Orchestra
Un curé de campagne
126 bpm • F# Maj • 03:12 • -6.99db
18% Popularity • 79% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 79% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 97% Positiveness
