Songs like Cha Cha Cha Loco by Machito Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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La Playa Sextet
Café Y Pan
135 bpm • F min • 02:55 • -6.45db
31% Popularity • 80% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 80% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Machito Orchestra
Nuague
135 bpm • F min • 03:14 • -10.59db
0% Popularity • 39% Danceability • 87% Energy • 47% Liveness
69% Instrumentalness • 72% Positiveness
0% Popularity • 39% Danceability • 87% Energy • 47% Liveness
69% Instrumentalness • 72% Positiveness
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Afro-Cuban All Stars
Tributo al Niño Rivera (Medley)
135 bpm • D min • 05:56 • -9.35db
22% Popularity • 59% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 59% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Compay Segundo y su grupo
Juramento
136 bpm • D# Maj • 03:35 • -8db
37% Popularity • 71% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 71% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmy Bosch
Cha Cha Gabriel
136 bpm • D Maj • 05:38 • -6db
16% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Bobby Capo
Me Lo Dijo Adela
136 bpm • D# min • 02:28 • -12db
33% Popularity • 85% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 85% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Manuel Guajiro Mirabal
Me Boté de Guaño
136 bpm • G# Maj • 04:27 • -9.66db
25% Popularity • 74% Danceability • 55% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
25% Popularity • 74% Danceability • 55% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
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Machito Orchestra
Cha Cha Cha Loco
135 bpm • C min • 03:07 • -7.25db
12% Popularity • 62% Danceability • 59% Energy • 28% Liveness
42% Instrumentalness • 65% Positiveness
12% Popularity • 62% Danceability • 59% Energy • 28% Liveness
42% Instrumentalness • 65% Positiveness
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Cuban old music
La Culebra
134 bpm • C Maj • 02:59 • -9.83db
19% Popularity • 75% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 75% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Cuba L.A.
Whisper Not
134 bpm • D min • 04:43 • -16.36db
27% Popularity • 55% Danceability • 39% Energy • 9% Liveness
91% Instrumentalness • 42% Positiveness
27% Popularity • 55% Danceability • 39% Energy • 9% Liveness
91% Instrumentalness • 42% Positiveness
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Jane Bunnett
Yo Siempre Oddara
134 bpm • G Maj • 05:58 • -13.93db
6% Popularity • 69% Danceability • 43% Energy • 12% Liveness
66% Instrumentalness • 93% Positiveness
6% Popularity • 69% Danceability • 43% Energy • 12% Liveness
66% Instrumentalness • 93% Positiveness
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Noro Morales
Sway
134 bpm • C Maj • 02:11 • -6.4db
27% Popularity • 81% Danceability • 67% Energy • 7% Liveness
80% Instrumentalness • 96% Positiveness
27% Popularity • 81% Danceability • 67% Energy • 7% Liveness
80% Instrumentalness • 96% Positiveness
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Tito Puente & His Orchestra
Mi Chiquita Quiere Bembé
136 bpm • A Maj • 03:56 • -8.1db
18% Popularity • 65% Danceability • 71% Energy • 8% Liveness
5% Instrumentalness • 89% Positiveness
18% Popularity • 65% Danceability • 71% Energy • 8% Liveness
5% Instrumentalness • 89% Positiveness
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Machito Orchestra
Cocktails For Two
136 bpm • C Maj • 02:28 • -7.08db
24% Popularity • 62% Danceability • 68% Energy • 11% Liveness
19% Instrumentalness • 97% Positiveness
24% Popularity • 62% Danceability • 68% Energy • 11% Liveness
19% Instrumentalness • 97% Positiveness
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Orlando "CachaÃto" López
Paloma Sin Nido
136 bpm • B Maj • 01:22 • -12db
38% Popularity • 76% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 76% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Jack Costanzo And His Afro Cuban Band
Melado De Cana
136 bpm • A min • 03:47 • -8.59db
10% Popularity • 70% Danceability • 80% Energy • 10% Liveness
36% Instrumentalness • 84% Positiveness
10% Popularity • 70% Danceability • 80% Energy • 10% Liveness
36% Instrumentalness • 84% Positiveness
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Candido
Candi Bar
133 bpm • C Maj • 04:10 • -10.66db
13% Popularity • 63% Danceability • 44% Energy • 20% Liveness
66% Instrumentalness • 61% Positiveness
13% Popularity • 63% Danceability • 44% Energy • 20% Liveness
66% Instrumentalness • 61% Positiveness
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Francisco Aguabella
Noche Azul
133 bpm • A Maj • 05:13 • -7db
13% Popularity • 74% Danceability • 53% Energy • 6% Liveness
55% Instrumentalness • 81% Positiveness
13% Popularity • 74% Danceability • 53% Energy • 6% Liveness
55% Instrumentalness • 81% Positiveness
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Bobby Capo
Lo Que Quiera Lola
133 bpm • C Maj • 02:46 • -12db
36% Popularity • 78% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 78% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Machito Orchestra
Soy Salsero (I Sing Salsa)
136 bpm • A# Maj • 07:12 • -11.17db
4% Popularity • 73% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
4% Popularity • 73% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Jorge Anibal Mendoza
Frenesi
133 bpm • D Maj • 02:22 • -8.11db
46% Popularity • 78% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 78% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Mongo Santamaria
Linda Guajira
133 bpm • G Maj • 03:03 • -14.13db
48% Popularity • 76% Danceability • 57% Energy • 3% Liveness
72% Instrumentalness • 97% Positiveness
48% Popularity • 76% Danceability • 57% Energy • 3% Liveness
72% Instrumentalness • 97% Positiveness
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Patato
San Francisco Tiene Su Propio Son
137 bpm • C Maj • 09:38 • -12db
19% Popularity • 69% Danceability • 49% Energy • 4% Liveness
7% Instrumentalness • 88% Positiveness
19% Popularity • 69% Danceability • 49% Energy • 4% Liveness
7% Instrumentalness • 88% Positiveness
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Orquesta Riverside
Ritmando Cha Cha Cha
133 bpm • C Maj • 03:10 • -7db
23% Popularity • 74% Danceability • 70% Energy • 27% Liveness
44% Instrumentalness • 97% Positiveness
23% Popularity • 74% Danceability • 70% Energy • 27% Liveness
44% Instrumentalness • 97% Positiveness
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Sexteto Habanero
Coralia
133 bpm • F Maj • 03:08 • -8db
23% Popularity • 74% Danceability • 66% Energy • 11% Liveness
90% Instrumentalness • 84% Positiveness
23% Popularity • 74% Danceability • 66% Energy • 11% Liveness
90% Instrumentalness • 84% Positiveness
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Machito Orchestra
Rico Vacilon
133 bpm • F# min • 02:44 • -6db
33% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Rubalcaba
Piano Y Violin
137 bpm • F Maj • 07:03 • -8.56db
13% Popularity • 63% Danceability • 66% Energy • 15% Liveness
30% Instrumentalness • 95% Positiveness
13% Popularity • 63% Danceability • 66% Energy • 15% Liveness
30% Instrumentalness • 95% Positiveness
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Francisco Aguabella
Guajira Para los Pollos
133 bpm • A Maj • 04:55 • -8.4db
16% Popularity • 82% Danceability • 58% Energy • 9% Liveness
19% Instrumentalness • 85% Positiveness
16% Popularity • 82% Danceability • 58% Energy • 9% Liveness
19% Instrumentalness • 85% Positiveness
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Tito Rodriguez & His Orchestra
The Magnificent Seven
133 bpm • A# Maj • 01:59 • -10.12db
19% Popularity • 80% Danceability • 56% Energy • 6% Liveness
9% Instrumentalness • 97% Positiveness
19% Popularity • 80% Danceability • 56% Energy • 6% Liveness
9% Instrumentalness • 97% Positiveness
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Orquesta Riverside
Ritmo El Cha Cha Cha
133 bpm • C Maj • 03:10 • -10.93db
14% Popularity • 76% Danceability • 54% Energy • 10% Liveness
7% Instrumentalness • 96% Positiveness
14% Popularity • 76% Danceability • 54% Energy • 10% Liveness
7% Instrumentalness • 96% Positiveness
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Hilton Ruiz
Steppin' with T.P.
133 bpm • C Maj • 04:47 • -4.01db
21% Popularity • 63% Danceability • 77% Energy • 5% Liveness
65% Instrumentalness • 94% Positiveness
21% Popularity • 63% Danceability • 77% Energy • 5% Liveness
65% Instrumentalness • 94% Positiveness
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Machito Orchestra
Patricia
137 bpm • C Maj • 02:26 • -7db
29% Popularity • 70% Danceability • 75% Energy • 25% Liveness
48% Instrumentalness • 92% Positiveness
29% Popularity • 70% Danceability • 75% Energy • 25% Liveness
48% Instrumentalness • 92% Positiveness
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Bebo Valdés TrÃo
Adiós Panamá - para Vigo Me Voy
138 bpm • F Maj • 01:46 • -22.19db
23% Popularity • 60% Danceability • 12% Energy • 13% Liveness
87% Instrumentalness • 61% Positiveness
23% Popularity • 60% Danceability • 12% Energy • 13% Liveness
87% Instrumentalness • 61% Positiveness
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The Brian Lynch/ Eddie Palmieri Project
Guajira Dubois
132 bpm • G# Maj • 08:51 • -8.92db
23% Popularity • 63% Danceability • 68% Energy • 8% Liveness
87% Instrumentalness • 87% Positiveness
23% Popularity • 63% Danceability • 68% Energy • 8% Liveness
87% Instrumentalness • 87% Positiveness
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Pablo Beltran Ruiz
Moliendo café
132 bpm • G# min • 01:49 • -9.1db
34% Popularity • 64% Danceability • 61% Energy • 8% Liveness
75% Instrumentalness • 96% Positiveness
34% Popularity • 64% Danceability • 61% Energy • 8% Liveness
75% Instrumentalness • 96% Positiveness
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Tito Rodriguez & His Orchestra
The Magnificant Seven
132 bpm • A# Maj • 02:00 • -13db
42% Popularity • 84% Danceability • 49% Energy • 7% Liveness
47% Instrumentalness • 96% Positiveness
42% Popularity • 84% Danceability • 49% Energy • 7% Liveness
47% Instrumentalness • 96% Positiveness
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Tito Puente & His Latin Ensemble
China
132 bpm • A min • 04:55 • -12.39db
11% Popularity • 64% Danceability • 41% Energy • 20% Liveness
84% Instrumentalness • 69% Positiveness
11% Popularity • 64% Danceability • 41% Energy • 20% Liveness
84% Instrumentalness • 69% Positiveness
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Cuba L.A.
Almendra
138 bpm • G Maj • 05:42 • -10.63db
30% Popularity • 68% Danceability • 60% Energy • 11% Liveness
82% Instrumentalness • 95% Positiveness
30% Popularity • 68% Danceability • 60% Energy • 11% Liveness
82% Instrumentalness • 95% Positiveness
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Spanglish Fly
Brooklyn Boogaloo
132 bpm • C min • 06:29 • -5db
31% Popularity • 81% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 81% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Machito Orchestra
Despierta Boricua
138 bpm • A min • 03:36 • -11.35db
0% Popularity • 70% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
0% Popularity • 70% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
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Cuban old music
Quién Será?
132 bpm • G min • 03:34 • -10db
22% Popularity • 62% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 62% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Peruchin
Guajira melódica
132 bpm • F Maj • 02:49 • -9.32db
19% Popularity • 83% Danceability • 52% Energy • 11% Liveness
90% Instrumentalness • 96% Positiveness
19% Popularity • 83% Danceability • 52% Energy • 11% Liveness
90% Instrumentalness • 96% Positiveness
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Chocolate Armenteros
Mi Guajira Inspiración
131 bpm • C Maj • 04:10 • -5.65db
14% Popularity • 71% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 71% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Francisco Aguabella
Long, Long Summer
131 bpm • F min • 06:46 • -7.61db
19% Popularity • 69% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 84% Positiveness
19% Popularity • 69% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 84% Positiveness
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Tito Rodriguez & His Orchestra
Dónde Estabas Tú
139 bpm • E Maj • 03:05 • -6.73db
35% Popularity • 73% Danceability • 76% Energy • 8% Liveness
19% Instrumentalness • 96% Positiveness
35% Popularity • 73% Danceability • 76% Energy • 8% Liveness
19% Instrumentalness • 96% Positiveness
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Machito Orchestra
The Continental
132 bpm • A# Maj • 03:05 • -7.71db
15% Popularity • 61% Danceability • 69% Energy • 58% Liveness
75% Instrumentalness • 90% Positiveness
15% Popularity • 61% Danceability • 69% Energy • 58% Liveness
75% Instrumentalness • 90% Positiveness
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Cuban Jazz Legends
Mamey Colorado
139 bpm • G# Maj • 05:22 • -9.16db
10% Popularity • 69% Danceability • 61% Energy • 7% Liveness
86% Instrumentalness • 77% Positiveness
10% Popularity • 69% Danceability • 61% Energy • 7% Liveness
86% Instrumentalness • 77% Positiveness
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¡Cubanismo!
Mother in Law
131 bpm • F Maj • 05:16 • -6.47db
20% Popularity • 79% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 79% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Asere
Junio Groove
139 bpm • D min • 04:13 • -9.57db
39% Popularity • 78% Danceability • 53% Energy • 9% Liveness
94% Instrumentalness • 71% Positiveness
39% Popularity • 78% Danceability • 53% Energy • 9% Liveness
94% Instrumentalness • 71% Positiveness
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Patato
Desde El Fondo Del Rio
131 bpm • F min • 07:16 • -11.89db
21% Popularity • 51% Danceability • 68% Energy • 9% Liveness
91% Instrumentalness • 75% Positiveness
21% Popularity • 51% Danceability • 68% Energy • 9% Liveness
91% Instrumentalness • 75% Positiveness
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Orlando "CachaÃto" López
Mis Dos Pequeñas - with Angá DÃaz, Am...
131 bpm • C Maj • 04:06 • -11.71db
47% Popularity • 73% Danceability • 60% Energy • 11% Liveness
95% Instrumentalness • 97% Positiveness
47% Popularity • 73% Danceability • 60% Energy • 11% Liveness
95% Instrumentalness • 97% Positiveness
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Machito Orchestra
Soy Salsero
138 bpm • A# Maj • 07:02 • -13.08db
0% Popularity • 72% Danceability • 48% Energy • 21% Liveness
1% Instrumentalness • 91% Positiveness
0% Popularity • 72% Danceability • 48% Energy • 21% Liveness
1% Instrumentalness • 91% Positiveness
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Spanish Harlem Orchestra
Regalo De Dios
130 bpm • C Maj • 05:28 • -8db
21% Popularity • 80% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 80% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Manuel Guajiro Mirabal
Para Bailar el Montuno
130 bpm • G Maj • 04:18 • -8.87db
21% Popularity • 65% Danceability • 66% Energy • 15% Liveness
2% Instrumentalness • 94% Positiveness
21% Popularity • 65% Danceability • 66% Energy • 15% Liveness
2% Instrumentalness • 94% Positiveness
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Mario Bauzá
Imitations
130 bpm • F min • 04:48 • -1.85db
19% Popularity • 60% Danceability • 94% Energy • 23% Liveness
24% Instrumentalness • 94% Positiveness
19% Popularity • 60% Danceability • 94% Energy • 23% Liveness
24% Instrumentalness • 94% Positiveness
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Johnny Colon
You Gotta Love Me
130 bpm • C Maj • 06:10 • -6db
27% Popularity • 54% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 54% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Patato
MacorÃs
130 bpm • G min • 04:00 • -6.6db
9% Popularity • 49% Danceability • 87% Energy • 4% Liveness
86% Instrumentalness • 73% Positiveness
9% Popularity • 49% Danceability • 87% Energy • 4% Liveness
86% Instrumentalness • 73% Positiveness
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Machito Orchestra
Soy Salsero
139 bpm • A# Maj • 05:32 • -11.13db
0% Popularity • 72% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 72% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Los Gatos
Tu Crees Que?
130 bpm • G# Maj • 03:51 • -7.92db
20% Popularity • 47% Danceability • 90% Energy • 68% Liveness
72% Instrumentalness • 97% Positiveness
20% Popularity • 47% Danceability • 90% Energy • 68% Liveness
72% Instrumentalness • 97% Positiveness
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Afro-Cuban All Stars
Ven a Bailar el Cha Cha Chá
130 bpm • A# Maj • 04:05 • -6db
19% Popularity • 67% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 67% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Gran Afro Cuban Orchestra de Generoso Jimenez
Las Trompetas Se Divierten
130 bpm • D# Maj • 03:40 • -10.31db
16% Popularity • 65% Danceability • 49% Energy • 8% Liveness
85% Instrumentalness • 90% Positiveness
16% Popularity • 65% Danceability • 49% Energy • 8% Liveness
85% Instrumentalness • 90% Positiveness
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Tito Puente & His Latin Ensemble
On Broadway
130 bpm • F Maj • 08:05 • -13.82db
8% Popularity • 62% Danceability • 52% Energy • 15% Liveness
78% Instrumentalness • 95% Positiveness
8% Popularity • 62% Danceability • 52% Energy • 15% Liveness
78% Instrumentalness • 95% Positiveness
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Patato
Kora-Son
140 bpm • C Maj • 06:31 • -9db
9% Popularity • 85% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
9% Popularity • 85% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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Mario Bauzá
El Mareito
140 bpm • D min • 05:20 • -0.77db
24% Popularity • 70% Danceability • 77% Energy • 18% Liveness
65% Instrumentalness • 72% Positiveness
24% Popularity • 70% Danceability • 77% Energy • 18% Liveness
65% Instrumentalness • 72% Positiveness
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Machito Orchestra
Macho
130 bpm • G min • 13:39 • -13.52db
3% Popularity • 42% Danceability • 56% Energy • 6% Liveness
12% Instrumentalness • 49% Positiveness
3% Popularity • 42% Danceability • 56% Energy • 6% Liveness
12% Instrumentalness • 49% Positiveness
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Rene Grand
Space Walk
141 bpm • B Maj • 02:29 • -12.84db
8% Popularity • 62% Danceability • 65% Energy • 28% Liveness
1% Instrumentalness • 74% Positiveness
8% Popularity • 62% Danceability • 65% Energy • 28% Liveness
1% Instrumentalness • 74% Positiveness
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La Playa Sextet
No Me Dejes
141 bpm • F min • 02:29 • -9.15db
44% Popularity • 85% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
44% Popularity • 85% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Eugene Arango
Ingrato Corazon
141 bpm • G Maj • 03:51 • -8.17db
8% Popularity • 48% Danceability • 85% Energy • 54% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 48% Danceability • 85% Energy • 54% Liveness
0% Instrumentalness • 69% Positiveness
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New Swing Sextet
Think Drink
141 bpm • A# Maj • 02:21 • -13.48db
30% Popularity • 66% Danceability • 41% Energy • 13% Liveness
58% Instrumentalness • 72% Positiveness
30% Popularity • 66% Danceability • 41% Energy • 13% Liveness
58% Instrumentalness • 72% Positiveness
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Ramon Marquez
Corazón De Melón
129 bpm • C Maj • 02:57 • -8.06db
38% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Machito Orchestra
Macho
130 bpm • G min • 13:33 • -13.65db
4% Popularity • 43% Danceability • 55% Energy • 8% Liveness
12% Instrumentalness • 44% Positiveness
4% Popularity • 43% Danceability • 55% Energy • 8% Liveness
12% Instrumentalness • 44% Positiveness
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Miguelito Valdés
Babalú - Remastered
141 bpm • F min • 02:57 • -8db
8% Popularity • 56% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 56% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Patato
Guajira
129 bpm • F min • 05:20 • -8db
15% Popularity • 54% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 73% Positiveness
15% Popularity • 54% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 73% Positiveness
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Afro-Cuban All Stars
Habana del Este
129 bpm • C min • 06:39 • -12.81db
39% Popularity • 59% Danceability • 36% Energy • 17% Liveness
31% Instrumentalness • 83% Positiveness
39% Popularity • 59% Danceability • 36% Energy • 17% Liveness
31% Instrumentalness • 83% Positiveness
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Orquesta Riverside
Vereda Tropical - Remasterizado
129 bpm • D# Maj • 02:52 • -4.5db
25% Popularity • 74% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 74% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Bobby Matos and his Afro-Cuban Jazz Ensemble
Philadelphia
142 bpm • C Maj • 07:09 • -8.83db
18% Popularity • 68% Danceability • 56% Energy • 16% Liveness
8% Instrumentalness • 91% Positiveness
18% Popularity • 68% Danceability • 56% Energy • 16% Liveness
8% Instrumentalness • 91% Positiveness
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Machito Orchestra
Guaglione
141 bpm • F Maj • 02:26 • -6db
31% Popularity • 65% Danceability • 74% Energy • 29% Liveness
60% Instrumentalness • 96% Positiveness
31% Popularity • 65% Danceability • 74% Energy • 29% Liveness
60% Instrumentalness • 96% Positiveness
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Noro Morales
Oye, Negra
142 bpm • G min • 02:28 • -10.24db
29% Popularity • 65% Danceability • 64% Energy • 19% Liveness
95% Instrumentalness • 88% Positiveness
29% Popularity • 65% Danceability • 64% Energy • 19% Liveness
95% Instrumentalness • 88% Positiveness
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Don Swan
El Cumbanchero (Guaracha-Fast Rhumba) - ...
142 bpm • F min • 02:02 • -14db
29% Popularity • 45% Danceability • 35% Energy • 29% Liveness
13% Instrumentalness • 64% Positiveness
29% Popularity • 45% Danceability • 35% Energy • 29% Liveness
13% Instrumentalness • 64% Positiveness
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Tómas R. Einarsson
Hægt en bÃtandi
128 bpm • D Maj • 02:50 • -10.16db
23% Popularity • 80% Danceability • 42% Energy • 24% Liveness
75% Instrumentalness • 85% Positiveness
23% Popularity • 80% Danceability • 42% Energy • 24% Liveness
75% Instrumentalness • 85% Positiveness
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Cubanisimo
Guajira Guantanamera
142 bpm • F Maj • 04:54 • -5.2db
19% Popularity • 82% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
19% Popularity • 82% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Orquesta Riverside
Cuban Blues
143 bpm • C min • 02:29 • -9.95db
22% Popularity • 71% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
22% Popularity • 71% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
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Machito Orchestra
Despierta Boricua
142 bpm • F Maj • 03:29 • -8.23db
0% Popularity • 60% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 60% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Juan Pablo Torres
Moonlight Serenade
128 bpm • D min • 07:36 • -8db
16% Popularity • 79% Danceability • 63% Energy • 13% Liveness
91% Instrumentalness • 88% Positiveness
16% Popularity • 79% Danceability • 63% Energy • 13% Liveness
91% Instrumentalness • 88% Positiveness
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¡Cubanismo!
Aprovecha
128 bpm • G Maj • 04:50 • -7.18db
21% Popularity • 76% Danceability • 73% Energy • 6% Liveness
77% Instrumentalness • 95% Positiveness
21% Popularity • 76% Danceability • 73% Energy • 6% Liveness
77% Instrumentalness • 95% Positiveness
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Tito Puente
El Cayuco (Son Montuno) - Outtake
128 bpm • G Maj • 02:34 • -7.6db
38% Popularity • 74% Danceability • 66% Energy • 6% Liveness
9% Instrumentalness • 90% Positiveness
38% Popularity • 74% Danceability • 66% Energy • 6% Liveness
9% Instrumentalness • 90% Positiveness
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Patato
Yo Tengo Ritmo
128 bpm • G min • 03:08 • -10.52db
14% Popularity • 57% Danceability • 64% Energy • 7% Liveness
88% Instrumentalness • 88% Positiveness
14% Popularity • 57% Danceability • 64% Energy • 7% Liveness
88% Instrumentalness • 88% Positiveness
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Mario Bauzá
Son Cubano - Yo Soy El Son Cubano
143 bpm • A min • 05:32 • -7.38db
25% Popularity • 55% Danceability • 78% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
25% Popularity • 55% Danceability • 78% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
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Machito Orchestra
Torero
128 bpm • G Maj • 03:04 • -7.01db
26% Popularity • 61% Danceability • 67% Energy • 12% Liveness
61% Instrumentalness • 75% Positiveness
26% Popularity • 61% Danceability • 67% Energy • 12% Liveness
61% Instrumentalness • 75% Positiveness
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Afro-Cuban All Stars
Tumba Pala Cocuyé
128 bpm • C Maj • 06:51 • -8.49db
43% Popularity • 76% Danceability • 62% Energy • 12% Liveness
16% Instrumentalness • 83% Positiveness
43% Popularity • 76% Danceability • 62% Energy • 12% Liveness
16% Instrumentalness • 83% Positiveness
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Septeto Nacional de Ignacio Piñeiro
Suavecito
143 bpm • D# Maj • 04:06 • -5.43db
19% Popularity • 63% Danceability • 70% Energy • 15% Liveness
1% Instrumentalness • 89% Positiveness
19% Popularity • 63% Danceability • 70% Energy • 15% Liveness
1% Instrumentalness • 89% Positiveness
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Peruchin
Out of Nowhere
143 bpm • G Maj • 02:11 • -9.71db
10% Popularity • 66% Danceability • 59% Energy • 5% Liveness
89% Instrumentalness • 74% Positiveness
10% Popularity • 66% Danceability • 59% Energy • 5% Liveness
89% Instrumentalness • 74% Positiveness
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Havana Social Club
Dulce Habanera
127 bpm • G min • 03:38 • -4.42db
35% Popularity • 57% Danceability • 74% Energy • 3% Liveness
7% Instrumentalness • 84% Positiveness
35% Popularity • 57% Danceability • 74% Energy • 3% Liveness
7% Instrumentalness • 84% Positiveness
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Noro Morales
La Isla del Encanto
127 bpm • D# Maj • 02:46 • -8.25db
21% Popularity • 78% Danceability • 56% Energy • 4% Liveness
89% Instrumentalness • 97% Positiveness
21% Popularity • 78% Danceability • 56% Energy • 4% Liveness
89% Instrumentalness • 97% Positiveness
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Machito Orchestra
Me Lo Dijo Adela (Sweet And Gentle)
127 bpm • F Maj • 02:36 • -6db
33% Popularity • 66% Danceability • 64% Energy • 29% Liveness
4% Instrumentalness • 70% Positiveness
33% Popularity • 66% Danceability • 64% Energy • 29% Liveness
4% Instrumentalness • 70% Positiveness
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Afro-Cuban All Stars
Elube Changó
127 bpm • F Maj • 04:03 • -11.69db
24% Popularity • 62% Danceability • 68% Energy • 16% Liveness
5% Instrumentalness • 85% Positiveness
24% Popularity • 62% Danceability • 68% Energy • 16% Liveness
5% Instrumentalness • 85% Positiveness
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Bebo & Cachao
Cactus mambo
143 bpm • G# Maj • 02:27 • -12.08db
15% Popularity • 59% Danceability • 46% Energy • 25% Liveness
45% Instrumentalness • 91% Positiveness
15% Popularity • 59% Danceability • 46% Energy • 25% Liveness
45% Instrumentalness • 91% Positiveness
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George Guzman
Camarón
127 bpm • G min • 02:04 • -11.29db
33% Popularity • 55% Danceability • 52% Energy • 35% Liveness
12% Instrumentalness • 81% Positiveness
33% Popularity • 55% Danceability • 52% Energy • 35% Liveness
12% Instrumentalness • 81% Positiveness
