Songs like Chain Reaction by Diana Ross
Based on a tempo of (+/- 10%) and a similar genre
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The Trammps
Disco Inferno
128 bpm • F Maj • 03:38 • -6.34db
61% Popularity • 80% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
61% Popularity • 80% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Lionel Richie
Say You, Say Me
128 bpm • G# Maj • 04:01 • -11.11db
72% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
72% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Four Tops
I Can't Help Myself (Sugar Pie, Honey Bu...
128 bpm • C Maj • 02:40 • -9db
78% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
78% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Tavares
Don't Take Away The Music
128 bpm • B Maj • 06:17 • -11.7db
37% Popularity • 71% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 71% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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George Michael
Praying for Time - Remastered
128 bpm • A# Maj • 04:40 • -14.37db
52% Popularity • 58% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
52% Popularity • 58% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Depeche Mode
Just Can't Get Enough
128 bpm • C Maj • 03:40 • -9.36db
73% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
73% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
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Diana Ross
Chain Reaction
128 bpm • B Maj • 03:50 • -12.99db
57% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Olivia Newton-John
Xanadu
128 bpm • F# Maj • 03:28 • -9.11db
61% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Paul Simon
You Can Call Me Al
128 bpm • F Maj • 04:40 • -8.12db
75% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
75% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Steve Miller Band
Abracadabra
127 bpm • A min • 05:08 • -13.26db
68% Popularity • 79% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 79% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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George Michael
Amazing
128 bpm • A# min • 04:25 • -6.83db
59% Popularity • 80% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
59% Popularity • 80% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Trammps
Disco Inferno
129 bpm • A# Maj • 10:59 • -12.36db
57% Popularity • 80% Danceability • 63% Energy • 10% Liveness
36% Instrumentalness • 97% Positiveness
57% Popularity • 80% Danceability • 63% Energy • 10% Liveness
36% Instrumentalness • 97% Positiveness
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Patsy Gallant
From New York to L.A.
127 bpm • D Maj • 04:51 • -8.25db
31% Popularity • 56% Danceability • 75% Energy • 75% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 56% Danceability • 75% Energy • 75% Liveness
0% Instrumentalness • 75% Positiveness
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Odyssey
Use It Up and Wear It Out - Radio Versio...
127 bpm • G Maj • 03:04 • -14db
41% Popularity • 81% Danceability • 61% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
41% Popularity • 81% Danceability • 61% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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Village People
In the Navy - Original Version 1979
127 bpm • A min • 05:39 • -6.99db
57% Popularity • 72% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 72% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Diana Ross
Eaten Alive
129 bpm • G# Maj • 03:55 • -12.03db
25% Popularity • 77% Danceability • 84% Energy • 90% Liveness
1% Instrumentalness • 96% Positiveness
25% Popularity • 77% Danceability • 84% Energy • 90% Liveness
1% Instrumentalness • 96% Positiveness
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Philip Bailey
Easy Lover
129 bpm • C# Maj • 05:05 • -5.08db
71% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
71% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Leif Garrett
I Was Made for Dancin'
127 bpm • B min • 03:16 • -13.96db
45% Popularity • 69% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 69% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Leo Sayer
Thunder in My Heart
129 bpm • A min • 03:37 • -5.23db
29% Popularity • 70% Danceability • 85% Energy • 9% Liveness
22% Instrumentalness • 51% Positiveness
29% Popularity • 70% Danceability • 85% Energy • 9% Liveness
22% Instrumentalness • 51% Positiveness
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Lisa Stansfield
Someday (I'm Coming Back)
129 bpm • E min • 04:56 • -8.63db
36% Popularity • 76% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 76% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Take That
Could It Be Magic - Rapino Radio Mix
127 bpm • C Maj • 03:30 • -9db
46% Popularity • 65% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
46% Popularity • 65% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Diana Ross
Eaten Alive - Extended Remix
129 bpm • C# Maj • 05:52 • -12.1db
13% Popularity • 68% Danceability • 82% Energy • 84% Liveness
26% Instrumentalness • 97% Positiveness
13% Popularity • 68% Danceability • 82% Energy • 84% Liveness
26% Instrumentalness • 97% Positiveness
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Dan Hartman
Instant Replay
129 bpm • A min • 05:20 • -7.55db
39% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
39% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Cher
Walking in Memphis
129 bpm • D Maj • 03:55 • -7.36db
57% Popularity • 70% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 70% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Leo Sayer
Orchard Road
127 bpm • C Maj • 04:29 • -13db
26% Popularity • 66% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 66% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 35% Positiveness
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Duran Duran
The Reflex - Single Version; 2010 Remast...
127 bpm • C Maj • 04:27 • -6.66db
58% Popularity • 55% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 55% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Fine Young Cannibals
Suspicious Minds
129 bpm • G Maj • 03:57 • -4.74db
52% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
52% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Diana Ross
Not Over You Yet - Metro Radio Edit
127 bpm • F min • 04:02 • -7.82db
25% Popularity • 71% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 71% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Billy Ocean
Suddenly
129 bpm • A# min • 03:54 • -9.51db
60% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Captain & Tennille
Love Will Keep Us Together
130 bpm • E Maj • 03:25 • -4.33db
63% Popularity • 62% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
63% Popularity • 62% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Culture Club
Victims - Remastered 2002
126 bpm • G# Maj • 04:56 • -10.01db
43% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Eurythmics
Here Comes the Rain Again - Remastered V...
126 bpm • C Maj • 04:54 • -7.9db
66% Popularity • 65% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
66% Popularity • 65% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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a-ha
The Sun Always Shines on T.V.
126 bpm • A min • 05:02 • -8.79db
64% Popularity • 49% Danceability • 84% Energy • 25% Liveness
7% Instrumentalness • 22% Positiveness
64% Popularity • 49% Danceability • 84% Energy • 25% Liveness
7% Instrumentalness • 22% Positiveness
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Diana Ross
It's Never Too Late
129 bpm • D Maj • 03:20 • -13.55db
8% Popularity • 78% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 78% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Talk Talk
It's My Life - 1997 Remaster
126 bpm • C Maj • 03:52 • -8db
70% Popularity • 63% Danceability • 80% Energy • 40% Liveness
78% Instrumentalness • 87% Positiveness
70% Popularity • 63% Danceability • 80% Energy • 40% Liveness
78% Instrumentalness • 87% Positiveness
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ABC
When Smokey Sings
126 bpm • F Maj • 04:19 • -8.75db
50% Popularity • 73% Danceability • 76% Energy • 17% Liveness
8% Instrumentalness • 88% Positiveness
50% Popularity • 73% Danceability • 76% Energy • 17% Liveness
8% Instrumentalness • 88% Positiveness
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Phil Oakey
Together In Electric Dreams - Remastered...
130 bpm • D# Maj • 03:52 • -14.05db
63% Popularity • 70% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
63% Popularity • 70% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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The Real Thing
Can You Feel the Force
130 bpm • E min • 04:06 • -7.74db
40% Popularity • 67% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 67% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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ABBA
The Winner Takes It All
126 bpm • F# Maj • 04:54 • -6.75db
75% Popularity • 45% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
75% Popularity • 45% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Diana Ross
Gettin' Ready For Love
130 bpm • G min • 02:44 • -12.5db
19% Popularity • 59% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 59% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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King
Love & Pride
126 bpm • A min • 03:21 • -10db
48% Popularity • 71% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 71% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Earth, Wind & Fire
September
126 bpm • A Maj • 03:36 • -7.89db
83% Popularity • 67% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
83% Popularity • 67% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Queen
A Kind Of Magic - Remastered 2011
130 bpm • A Maj • 04:24 • -5.87db
72% Popularity • 67% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
72% Popularity • 67% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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ABC
Poison Arrow
126 bpm • B min • 03:24 • -6db
54% Popularity • 74% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 80% Positiveness
54% Popularity • 74% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 80% Positiveness
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Liquid Gold
Dance Yourself Dizzy
130 bpm • G# Maj • 04:12 • -14.22db
39% Popularity • 71% Danceability • 64% Energy • 6% Liveness
5% Instrumentalness • 92% Positiveness
39% Popularity • 71% Danceability • 64% Energy • 6% Liveness
5% Instrumentalness • 92% Positiveness
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Barry White
You're The First, The Last, My Everythin...
130 bpm • F Maj • 04:36 • -9.51db
60% Popularity • 68% Danceability • 57% Energy • 18% Liveness
9% Instrumentalness • 76% Positiveness
60% Popularity • 68% Danceability • 57% Energy • 18% Liveness
9% Instrumentalness • 76% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Irene Cara
Fame
131 bpm • C min • 05:16 • -8.76db
67% Popularity • 70% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 70% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Tiffany
I Think We're Alone Now
131 bpm • G Maj • 03:48 • -12.13db
70% Popularity • 75% Danceability • 72% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
70% Popularity • 75% Danceability • 72% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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Duran Duran
A View to a Kill
125 bpm • C# Maj • 03:37 • -5.41db
62% Popularity • 71% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
62% Popularity • 71% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Go West
We Close Our Eyes
131 bpm • B Maj • 03:41 • -6.72db
57% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
57% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Barry White
You're The First, The Last, My Everythin...
130 bpm • F Maj • 03:26 • -12.32db
70% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
70% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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The Jacksons
Can You Feel It - 7" Version
125 bpm • B min • 03:50 • -5.72db
49% Popularity • 83% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 83% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Womack & Womack
Celebrate The World
131 bpm • C# Maj • 04:14 • -14db
35% Popularity • 83% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 83% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Culture Club
Church Of The Poison Mind - Remastered 2...
131 bpm • G min • 03:32 • -4.25db
45% Popularity • 60% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 60% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
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Sylvester
You Make Me Feel (Mighty Real)
131 bpm • F min • 06:40 • -11.18db
61% Popularity • 63% Danceability • 85% Energy • 9% Liveness
30% Instrumentalness • 96% Positiveness
61% Popularity • 63% Danceability • 85% Energy • 9% Liveness
30% Instrumentalness • 96% Positiveness
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Take That
Could It Be Magic
125 bpm • C Maj • 04:24 • -13.57db
42% Popularity • 62% Danceability • 71% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
42% Popularity • 62% Danceability • 71% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
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Paul Young
Come Back and Stay - 2008 Remastered
131 bpm • F# min • 04:24 • -7.99db
56% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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The Jacksons
Can You Feel It
125 bpm • B Maj • 05:59 • -8.27db
56% Popularity • 89% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
56% Popularity • 89% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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David Bowie
Dancing in the Street - 2002 Remaster
131 bpm • E Maj • 03:24 • -13.64db
61% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
61% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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M People
Moving on Up
125 bpm • C min • 03:35 • -6.13db
60% Popularity • 90% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 96% Positiveness
60% Popularity • 90% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 96% Positiveness
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Genesis
Invisible Touch - 2007 Remaster
131 bpm • C Maj • 03:28 • -6.85db
71% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
71% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Diana Ross
Rescue Me
125 bpm • D Maj • 02:42 • -12.59db
11% Popularity • 85% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 85% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Cyndi Lauper
I Drove All Night
131 bpm • G# Maj • 04:11 • -10.64db
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Annie Lennox
Little Bird
125 bpm • A Maj • 04:52 • -9.15db
51% Popularity • 77% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 77% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Natalie Cole
Pink Cadillac
125 bpm • F min • 04:28 • -10.31db
40% Popularity • 90% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 90% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Chaka Khan
I Feel for You
125 bpm • B Maj • 05:43 • -8.99db
60% Popularity • 70% Danceability • 91% Energy • 28% Liveness
2% Instrumentalness • 80% Positiveness
60% Popularity • 70% Danceability • 91% Energy • 28% Liveness
2% Instrumentalness • 80% Positiveness
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The Buggles
Video Killed The Radio Star
131 bpm • C# Maj • 04:12 • -11.55db
71% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
71% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
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KC & The Sunshine Band
Give It Up
125 bpm • D# Maj • 04:14 • -11.63db
70% Popularity • 86% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
70% Popularity • 86% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Pet Shop Boys
Always on My Mind
125 bpm • G Maj • 03:54 • -10.61db
72% Popularity • 53% Danceability • 78% Energy • 19% Liveness
6% Instrumentalness • 73% Positiveness
72% Popularity • 53% Danceability • 78% Energy • 19% Liveness
6% Instrumentalness • 73% Positiveness
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Cher
Strong Enough
125 bpm • C Maj • 03:44 • -6.19db
66% Popularity • 59% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
66% Popularity • 59% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Natalie Cole
Miss You Like Crazy
131 bpm • D Maj • 03:54 • -6.25db
63% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Level 42
Running In The Family - 7" Version
125 bpm • D Maj • 03:58 • -5.57db
55% Popularity • 82% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
55% Popularity • 82% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Diana Ross
The Boss - 12" Remix
125 bpm • C Maj • 07:18 • -7.18db
33% Popularity • 73% Danceability • 68% Energy • 4% Liveness
1% Instrumentalness • 94% Positiveness
33% Popularity • 73% Danceability • 68% Energy • 4% Liveness
1% Instrumentalness • 94% Positiveness
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Four Tops
Don't Walk Away
125 bpm • A# Maj • 04:13 • -8.11db
36% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Mari Wilson
Just What I Always Wanted
131 bpm • F Maj • 03:26 • -6.34db
25% Popularity • 56% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 56% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Gilbert O'Sullivan
Get Down
125 bpm • C# Maj • 02:39 • -6.56db
41% Popularity • 77% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 77% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Patrick Hernandez
Born to Be Alive - The Original
131 bpm • D Maj • 03:08 • -5.81db
73% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
73% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Yazz
The Only Way Is Up
125 bpm • B Maj • 04:28 • -7.43db
55% Popularity • 63% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
55% Popularity • 63% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Diana Ross
Have Fun (Again)
125 bpm • A min • 05:57 • -10db
29% Popularity • 91% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 91% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Boney M.
Daddy Cool
124 bpm • F min • 03:28 • -6.93db
74% Popularity • 76% Danceability • 78% Energy • 13% Liveness
79% Instrumentalness • 93% Positiveness
74% Popularity • 76% Danceability • 78% Energy • 13% Liveness
79% Instrumentalness • 93% Positiveness
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The Three Degrees
Year Of Decision
124 bpm • A# Maj • 02:41 • -7db
36% Popularity • 74% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 74% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Earth, Wind & Fire
Boogie Wonderland
132 bpm • D min • 04:48 • -10.79db
76% Popularity • 80% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
76% Popularity • 80% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Christopher Cross
Ride Like the Wind
124 bpm • C min • 04:35 • -13.66db
62% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
62% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Hot Chocolate
Girl Crazy - 2011 Remaster
124 bpm • A Maj • 03:20 • -6db
29% Popularity • 81% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 81% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Bros
I Owe You Nothing
124 bpm • F# min • 03:40 • -6db
39% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Wham!
I'm Your Man
132 bpm • D Maj • 04:06 • -5.63db
49% Popularity • 77% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 77% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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The Three Degrees
Givin' Up Givin' In
132 bpm • C min • 03:54 • -9.69db
32% Popularity • 61% Danceability • 79% Energy • 51% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 61% Danceability • 79% Energy • 51% Liveness
0% Instrumentalness • 78% Positiveness
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Earth, Wind & Fire
Boogie Wonderland - 12" Version
132 bpm • D min • 08:15 • -8.65db
44% Popularity • 77% Danceability • 86% Energy • 3% Liveness
37% Instrumentalness • 97% Positiveness
44% Popularity • 77% Danceability • 86% Energy • 3% Liveness
37% Instrumentalness • 97% Positiveness
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Roxy Music
Angel Eyes
132 bpm • F Maj • 02:51 • -6.76db
46% Popularity • 68% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 68% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Culture Club
Move Away
132 bpm • F Maj • 04:21 • -12db
35% Popularity • 67% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 67% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Olivia Newton-John
Physical
124 bpm • E min • 03:40 • -8.23db
45% Popularity • 83% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 83% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Diana Ross
The Boss
124 bpm • E min • 04:01 • -4.22db
57% Popularity • 64% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 64% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Whitney Houston
All at Once
133 bpm • C min • 04:28 • -16.16db
58% Popularity • 58% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 58% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Wham!
Freedom
133 bpm • C Maj • 05:02 • -12.88db
59% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
59% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Bros
When Will I Be Famous?
123 bpm • C Maj • 04:00 • -6.73db
45% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Four Tops
Loco in Acapulco
123 bpm • E Maj • 04:34 • -9.61db
58% Popularity • 82% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
58% Popularity • 82% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Christopher Cross
All Right
133 bpm • F# min • 04:13 • -5.23db
58% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
