Songs like Champagne Night - From Songland by Lady A
Based on a tempo of (+/- 10%) and a similar genre
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Dierks Bentley
Gone
150 bpm • F# Maj • 03:25 • -6db
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
80% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
80% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Priscilla Block
Just About Over You - Radio Edit
150 bpm • E Maj • 03:08 • -4db
37% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Lady A
Champagne Night
150 bpm • E Maj • 03:05 • -2.8db
51% Popularity • 52% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
51% Popularity • 52% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
51% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Luke Bryan
Most People Are Good
150 bpm • G# Maj • 03:41 • -6.17db
64% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
64% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Brett Young
Don’t Wanna Write This Song
150 bpm • D Maj • 03:48 • -8db
47% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Young
Who I Am With You
150 bpm • C Maj • 03:11 • -4.31db
57% Popularity • 47% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 47% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Priscilla Block
Just About Over You
150 bpm • E Maj • 02:59 • -6db
57% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Luke Combs
She Got the Best of Me
151 bpm • B Maj • 03:03 • -3.79db
80% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
80% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Lady A
Summer State Of Mind
151 bpm • F Maj • 02:58 • -4.33db
36% Popularity • 61% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
36% Popularity • 61% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Dan + Shay
From the Ground Up
152 bpm • A Maj • 04:13 • -5.97db
66% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jon Pardi
Ain't Always The Cowboy
152 bpm • A Maj • 03:40 • -3db
68% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
68% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
67% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
67% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
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Darius Rucker
Wagon Wheel
148 bpm • A Maj • 04:58 • -7.17db
79% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
79% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Young
Raised on Country
148 bpm • D Maj • 02:57 • -3.28db
47% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
64% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
64% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Luke Combs
Forever After All
152 bpm • C Maj • 03:52 • -5.2db
76% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
76% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Hailey Whitters
Fillin' My Cup
148 bpm • B Maj • 03:11 • -6.44db
47% Popularity • 56% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
47% Popularity • 56% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Brett Young
You Ain't Here To Kiss Me
148 bpm • C Maj • 03:37 • -7db
50% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Jake Owen
Anywhere With You
152 bpm • F Maj • 03:29 • -2.55db
57% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Rascal Flatts
How They Remember You
152 bpm • D Maj • 03:31 • -5db
47% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
53% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Kenny Chesney
Here And Now
148 bpm • A Maj • 02:51 • -3.58db
52% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Kip Moore
Last Shot
148 bpm • E Maj • 03:48 • -4.4db
52% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lady A
You Look Good
152 bpm • C Maj • 03:01 • -4.65db
53% Popularity • 66% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 66% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Thomas Rhett
Country Again
148 bpm • D Maj • 03:41 • -7db
55% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sara Evans
A Little Bit Stronger
148 bpm • D Maj • 05:01 • -5.6db
60% Popularity • 54% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
60% Popularity • 54% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Shenandoah
Every Time I Look at You
153 bpm • F# Maj • 03:19 • -6.06db
19% Popularity • 66% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 66% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Niko Moon
NO SAD SONGS
147 bpm • B Maj • 02:52 • -6db
50% Popularity • 75% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
50% Popularity • 75% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Lady A
Love You Back
148 bpm • D# Maj • 03:22 • -3.68db
47% Popularity • 44% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 44% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Lane
Fill Them Boots
146 bpm • C# Maj • 02:42 • -5.12db
41% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Kane Brown
Good as You
154 bpm • G# Maj • 03:12 • -6.05db
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Ashley McBryde
A Little Dive Bar in Dahlonega
146 bpm • C# Maj • 03:29 • -6.19db
52% Popularity • 64% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
52% Popularity • 64% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Lauren Alaina
Getting Over Him
154 bpm • G# Maj • 02:46 • -4.73db
48% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Elvie Shane
My Boy
146 bpm • A Maj • 03:23 • -5.33db
59% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
69% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
69% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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RaeLynn
Lonely Call
146 bpm • F# Maj • 03:44 • -5db
52% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
60% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Niko Moon
PARADISE TO ME
155 bpm • B min • 03:36 • -6.83db
55% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Brett Young
Change Your Name
145 bpm • D Maj • 03:33 • -7.98db
54% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jimmie Allen
This Is Us
145 bpm • A Maj • 03:25 • -4.62db
46% Popularity • 56% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 56% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Dean Brody
Boys
156 bpm • D Maj • 03:15 • -4.72db
35% Popularity • 42% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 42% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Priscilla Block
Wish You Were The Whiskey
156 bpm • C# min • 03:08 • -2.92db
45% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Luke Combs
Six Feet Apart
156 bpm • F# Maj • 03:19 • -5.89db
55% Popularity • 56% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 56% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Runaway June
Buy My Own Drinks
156 bpm • F Maj • 03:22 • -4.36db
48% Popularity • 69% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
48% Popularity • 69% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Josh Turner
Hometown Girl
156 bpm • D# min • 03:35 • -5.47db
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
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Thomas Rhett
Slow Down Summer
156 bpm • B Maj • 03:37 • -5.64db
51% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Young
Hangin' On
156 bpm • G# Maj • 03:05 • -4.77db
53% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Scotty McCreery
Five More Minutes
156 bpm • G Maj • 04:01 • -4.93db
68% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
68% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
59% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Jimmie Allen
Best Shot
156 bpm • E Maj • 03:15 • -8.72db
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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RaeLynn
God Made Girls
156 bpm • D# Maj • 03:35 • -2.94db
51% Popularity • 49% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 49% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Jake Owen
Best Thing Since Backroads
156 bpm • G Maj • 03:07 • -3.8db
58% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Lindsay Ell
wAnt me back
156 bpm • E Maj • 03:13 • -4.16db
43% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Brett Eldredge
Wanna Be That Song
144 bpm • A Maj • 03:56 • -4.91db
58% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jason Aldean
Girl Like You
144 bpm • D# min • 03:13 • -4.2db
61% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
61% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Dierks Bentley
Somewhere On A Beach
144 bpm • G Maj • 03:17 • -6.56db
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Combs
Cold As You
144 bpm • F# Maj • 03:06 • -4.96db
68% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
68% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
57% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
60% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
60% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Maddie & Tae
Strangers
144 bpm • D# Maj • 03:32 • -5.77db
49% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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MacKenzie Porter
About You
144 bpm • C# Maj • 02:57 • -3.22db
26% Popularity • 56% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 56% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Tyler Rich
Better Than You’re Used To
144 bpm • A# Maj • 03:18 • -5db
49% Popularity • 59% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 59% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Little Big Town
Better Man
144 bpm • F Maj • 04:23 • -3.66db
62% Popularity • 51% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 51% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Maren Morris
GIRL
144 bpm • F# Maj • 04:10 • -3.95db
55% Popularity • 44% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 44% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Michael Ray
Her World or Mine
144 bpm • E Maj • 03:28 • -7db
53% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Dustin Lynch
Tequila On A Boat
157 bpm • A# Maj • 03:07 • -3.36db
51% Popularity • 59% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
51% Popularity • 59% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Lady A
The Stars
143 bpm • C# Maj • 03:22 • -4.59db
29% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Miranda Lambert
Over You
158 bpm • F# Maj • 04:13 • -6.97db
54% Popularity • 57% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
54% Popularity • 57% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Darius Rucker
For The First Time
142 bpm • F# Maj • 03:17 • -5db
56% Popularity • 55% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 55% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Combs
Nothing Like You
142 bpm • F Maj • 03:16 • -8db
58% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
62% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Tenille Townes
Jersey on the Wall - I'm Just Asking
142 bpm • C Maj • 04:05 • -7db
47% Popularity • 65% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
47% Popularity • 65% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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Lady A
Just A Kiss
143 bpm • C# Maj • 03:38 • -5.83db
63% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
63% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Brett Young
Not Over You - Recorded at Sound Stage S...
142 bpm • G Maj • 03:35 • -6.88db
46% Popularity • 60% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 60% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Combs
Without You
142 bpm • F# Maj • 03:44 • -6.02db
60% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jason Aldean
Got What I Got
160 bpm • D# min • 02:58 • -6.66db
65% Popularity • 51% Danceability • 58% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
65% Popularity • 51% Danceability • 58% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
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Dan + Shay
How Not To
160 bpm • B min • 03:12 • -3.59db
60% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Lady A
Worship What I Hate
142 bpm • F Maj • 04:20 • -7db
24% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Chris Janson
Waitin' on 5
160 bpm • C# Maj • 02:54 • -2.97db
43% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Chris Lane
Take Back Home Girl
160 bpm • B Maj • 03:32 • -4db
58% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
58% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Michael Ray
One That Got Away
160 bpm • A# Maj • 03:38 • -4db
49% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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James Barker Band
Summer Time
160 bpm • A Maj • 03:06 • -3.92db
38% Popularity • 51% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 51% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Luke Bryan
What Makes You Country
160 bpm • C Maj • 03:55 • -1.72db
56% Popularity • 52% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
56% Popularity • 52% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Lady A
Dancin' Away With My Heart
140 bpm • E Maj • 03:52 • -5.42db
50% Popularity • 57% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 57% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
60% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
60% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
