Songs like Changes In Boogie Woogie by Albert Ammons
Based on a tempo of (+/- 10%) and a similar genre
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Albert Ammons
Changes In Boogie Woogie
152 bpm • C Maj • 04:08 • -15.5db
2% Popularity • 52% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
2% Popularity • 52% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
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Hamp Garnett
Hey Ray
152 bpm • C Maj • 03:50 • -12.91db
9% Popularity • 62% Danceability • 31% Energy • 10% Liveness
75% Instrumentalness • 63% Positiveness
9% Popularity • 62% Danceability • 31% Energy • 10% Liveness
75% Instrumentalness • 63% Positiveness
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Helen Humes
They Raided The Joint
152 bpm • G# Maj • 03:19 • -9db
27% Popularity • 65% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 65% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Axel Zwingenberger
Pinetop's Blues
151 bpm • F Maj • 03:50 • -20.65db
23% Popularity • 67% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 96% Positiveness
23% Popularity • 67% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 96% Positiveness
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Martin Pyrker
Nothing But Boogie
153 bpm • G Maj • 02:39 • -16.9db
9% Popularity • 56% Danceability • 47% Energy • 67% Liveness
85% Instrumentalness • 97% Positiveness
9% Popularity • 56% Danceability • 47% Energy • 67% Liveness
85% Instrumentalness • 97% Positiveness
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Wilbur De Paris
Frankie & Johnny
153 bpm • C# Maj • 03:47 • -13db
16% Popularity • 43% Danceability • 63% Energy • 35% Liveness
47% Instrumentalness • 68% Positiveness
16% Popularity • 43% Danceability • 63% Energy • 35% Liveness
47% Instrumentalness • 68% Positiveness
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Johnny Maddox
Bluin' the Blues
151 bpm • A# Maj • 02:09 • -10db
13% Popularity • 56% Danceability • 47% Energy • 22% Liveness
93% Instrumentalness • 85% Positiveness
13% Popularity • 56% Danceability • 47% Energy • 22% Liveness
93% Instrumentalness • 85% Positiveness
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Christian Bleiming
Stompin' At the 'subway'
154 bpm • F Maj • 02:20 • -13.34db
33% Popularity • 58% Danceability • 59% Energy • 20% Liveness
87% Instrumentalness • 97% Positiveness
33% Popularity • 58% Danceability • 59% Energy • 20% Liveness
87% Instrumentalness • 97% Positiveness
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Big Joe Turner
Morning Glories
154 bpm • G Maj • 02:12 • -11.39db
12% Popularity • 67% Danceability • 39% Energy • 77% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 67% Danceability • 39% Energy • 77% Liveness
0% Instrumentalness • 79% Positiveness
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Helen Humes
He May Be Your Man
154 bpm • F min • 02:58 • -9db
22% Popularity • 61% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 61% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Hodges & His Orchestra
Good Queen Bess
155 bpm • F min • 03:03 • -12.3db
30% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
30% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
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Eddie "Cleanhead" Vinson
Old Maid Boogie
155 bpm • F min • 03:48 • -11db
19% Popularity • 57% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 57% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Sammy Price
Salute To Basie
149 bpm • A# Maj • 02:27 • -17db
31% Popularity • 68% Danceability • 19% Energy • 6% Liveness
85% Instrumentalness • 65% Positiveness
31% Popularity • 68% Danceability • 19% Energy • 6% Liveness
85% Instrumentalness • 65% Positiveness
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Professor Longhair
Boogie Woogie
149 bpm • F Maj • 02:41 • -10.44db
7% Popularity • 35% Danceability • 64% Energy • 26% Liveness
66% Instrumentalness • 89% Positiveness
7% Popularity • 35% Danceability • 64% Energy • 26% Liveness
66% Instrumentalness • 89% Positiveness
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Julia Lee And Her Boyfriends
King Size Papa
149 bpm • G# Maj • 02:40 • -12db
32% Popularity • 78% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 73% Positiveness
32% Popularity • 78% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 73% Positiveness
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Kid Ory
Savoy Blues
148 bpm • F# Maj • 02:57 • -12.01db
20% Popularity • 71% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 78% Positiveness
20% Popularity • 71% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 78% Positiveness
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Johnny Hodges & His Orchestra
Going Out The Back Way
154 bpm • A# min • 02:44 • -11db
25% Popularity • 69% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
25% Popularity • 69% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
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Eddie "Cleanhead" Vinson
Wait a Minute Baby
156 bpm • F min • 03:15 • -13db
26% Popularity • 52% Danceability • 36% Energy • 35% Liveness
1% Instrumentalness • 77% Positiveness
26% Popularity • 52% Danceability • 36% Energy • 35% Liveness
1% Instrumentalness • 77% Positiveness
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Sammy Price
Claudia In The Crowd
148 bpm • F Maj • 02:54 • -16db
28% Popularity • 62% Danceability • 35% Energy • 16% Liveness
80% Instrumentalness • 89% Positiveness
28% Popularity • 62% Danceability • 35% Energy • 16% Liveness
80% Instrumentalness • 89% Positiveness
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Caroline Dahl
Pinetop's Boogie Woogie
156 bpm • F Maj • 04:18 • -10.8db
12% Popularity • 33% Danceability • 49% Energy • 18% Liveness
84% Instrumentalness • 92% Positiveness
12% Popularity • 33% Danceability • 49% Energy • 18% Liveness
84% Instrumentalness • 92% Positiveness
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Les Brown
Bizet Has His Day
148 bpm • C min • 03:15 • -10db
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
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Ladyva
Honky Tonk Train Blues
156 bpm • G Maj • 03:01 • -10.78db
17% Popularity • 66% Danceability • 66% Energy • 12% Liveness
89% Instrumentalness • 96% Positiveness
17% Popularity • 66% Danceability • 66% Energy • 12% Liveness
89% Instrumentalness • 96% Positiveness
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Pete Johnson
Barrel House Boogie
148 bpm • C Maj • 03:06 • -12.34db
0% Popularity • 62% Danceability • 58% Energy • 12% Liveness
90% Instrumentalness • 94% Positiveness
0% Popularity • 62% Danceability • 58% Energy • 12% Liveness
90% Instrumentalness • 94% Positiveness
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Jay McShann
Kansas City
148 bpm • F Maj • 04:54 • -7.45db
14% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Slim Gaillard
Scotchin' with Soda
157 bpm • G min • 02:47 • -11.51db
16% Popularity • 70% Danceability • 48% Energy • 12% Liveness
33% Instrumentalness • 72% Positiveness
16% Popularity • 70% Danceability • 48% Energy • 12% Liveness
33% Instrumentalness • 72% Positiveness
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Albert Ammons
Barrelhouse Boogie
147 bpm • C Maj • 03:02 • -14db
15% Popularity • 61% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 96% Positiveness
15% Popularity • 61% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 96% Positiveness
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Luca Sestak
The Fives
147 bpm • G Maj • 03:02 • -20.53db
15% Popularity • 59% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 60% Positiveness
15% Popularity • 59% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 60% Positiveness
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Erskine Hawkins & His Orchestra
Tuxedo Junction
147 bpm • A# Maj • 03:17 • -11db
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
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Kid Ory
Joshua Fit the Battle of Jericho - Remas...
158 bpm • F min • 02:58 • -6.74db
23% Popularity • 67% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 85% Positiveness
23% Popularity • 67% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 85% Positiveness
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Wynonie Harris
I Like My Baby's Pudding
147 bpm • G min • 02:45 • -4db
9% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Erroll Garner
Blues Garni
158 bpm • A Maj • 02:37 • -18.59db
18% Popularity • 55% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 66% Positiveness
18% Popularity • 55% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 66% Positiveness
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Jay McShann
Vine Street Boogie
146 bpm • D min • 05:57 • -13.06db
19% Popularity • 60% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 69% Positiveness
19% Popularity • 60% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 69% Positiveness
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Doc Pomus
My Good Pott
146 bpm • F min • 02:42 • -9db
13% Popularity • 70% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 70% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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Kid Ory's Creole Jazz Band
Ballin' The Jack
146 bpm • A# Maj • 03:13 • -14.87db
26% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
26% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
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Bunk Johnson
Careless Love
158 bpm • F Maj • 02:17 • -13db
29% Popularity • 72% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 96% Positiveness
29% Popularity • 72% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 96% Positiveness
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Wynonie Harris
Fishtail Blues
146 bpm • D# Maj • 02:38 • -10db
28% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It the First Time (Alterna...
159 bpm • D# Maj • 02:57 • -10.11db
20% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Big Joe Turner
You're Driving Me Crazy
159 bpm • G# Maj • 04:13 • -6.57db
18% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Kid Ory
The Bucket's Got a Hole in It
145 bpm • F Maj • 02:30 • -8.52db
28% Popularity • 65% Danceability • 59% Energy • 31% Liveness
36% Instrumentalness • 91% Positiveness
28% Popularity • 65% Danceability • 59% Energy • 31% Liveness
36% Instrumentalness • 91% Positiveness
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Albert Ammons
The Breaks
144 bpm • F Maj • 03:07 • -10.02db
1% Popularity • 56% Danceability • 50% Energy • 12% Liveness
29% Instrumentalness • 71% Positiveness
1% Popularity • 56% Danceability • 50% Energy • 12% Liveness
29% Instrumentalness • 71% Positiveness
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Sammy Price
Two Piano Boogie
144 bpm • G Maj • 04:12 • -13.34db
10% Popularity • 54% Danceability • 66% Energy • 29% Liveness
31% Instrumentalness • 95% Positiveness
10% Popularity • 54% Danceability • 66% Energy • 29% Liveness
31% Instrumentalness • 95% Positiveness
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Wynonie Harris
Keep On Churnin' (Till The Butter Come)
144 bpm • G# Maj • 02:53 • -8db
28% Popularity • 56% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 56% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Jesse Stone
Cole Slaw (Sorghum Switch)
144 bpm • A# Maj • 03:11 • -9.24db
12% Popularity • 64% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 64% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Jimmy Witherspoon
It Ain't What You're Thinkin'
144 bpm • G Maj • 03:26 • -10.72db
10% Popularity • 67% Danceability • 25% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 67% Danceability • 25% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Silvan Zingg
Honky Tonk Train Blues (M.L.Lewis)
160 bpm • G Maj • 04:27 • -18.95db
12% Popularity • 58% Danceability • 44% Energy • 8% Liveness
9% Instrumentalness • 78% Positiveness
12% Popularity • 58% Danceability • 44% Energy • 8% Liveness
9% Instrumentalness • 78% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It The First Time (The Spi...
161 bpm • D# Maj • 03:01 • -11.99db
26% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Jay McShann
My Chile
161 bpm • G# Maj • 04:17 • -11db
11% Popularity • 56% Danceability • 52% Energy • 12% Liveness
79% Instrumentalness • 92% Positiveness
11% Popularity • 56% Danceability • 52% Energy • 12% Liveness
79% Instrumentalness • 92% Positiveness
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Sammy Price and His Orchestra
Clarinet Creole
162 bpm • C min • 03:42 • -7.25db
13% Popularity • 35% Danceability • 96% Energy • 21% Liveness
77% Instrumentalness • 21% Positiveness
13% Popularity • 35% Danceability • 96% Energy • 21% Liveness
77% Instrumentalness • 21% Positiveness
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Jimmy Witherspoon
Good Rocking Tonight
144 bpm • G# Maj • 02:14 • -9.23db
27% Popularity • 48% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 48% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Big Joe Turner
Switching in the Kitchen
162 bpm • F# Maj • 03:40 • -12.11db
21% Popularity • 52% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 52% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Montana Taylor
Detroit Rocks
142 bpm • C Maj • 03:25 • -15.29db
6% Popularity • 65% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 66% Positiveness
6% Popularity • 65% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 66% Positiveness
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Andreas Sobczyk Quartett
Basement Boogie
142 bpm • G Maj • 03:17 • -10.38db
13% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Slim Gaillard
Jump Session
163 bpm • F min • 02:36 • -17db
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
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Lucky Millinder
Apollo Jump
141 bpm • F# Maj • 03:26 • -8db
37% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
37% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
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Sil Austin
Wildwood
163 bpm • A# Maj • 02:34 • -6.87db
31% Popularity • 46% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 79% Positiveness
31% Popularity • 46% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 79% Positiveness
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Big Maceo
Chicago Breakdown
165 bpm • G Maj • 03:01 • -19db
19% Popularity • 43% Danceability • 54% Energy • 21% Liveness
84% Instrumentalness • 95% Positiveness
19% Popularity • 43% Danceability • 54% Energy • 21% Liveness
84% Instrumentalness • 95% Positiveness
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Oran 'Hot Lips' Page
Jammin' the Boogie
165 bpm • C Maj • 04:06 • -9.94db
0% Popularity • 40% Danceability • 59% Energy • 30% Liveness
31% Instrumentalness • 63% Positiveness
0% Popularity • 40% Danceability • 59% Energy • 30% Liveness
31% Instrumentalness • 63% Positiveness
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Christian Bleiming
Honky Tonk Train Blues
165 bpm • G Maj • 03:13 • -11.63db
15% Popularity • 48% Danceability • 58% Energy • 9% Liveness
94% Instrumentalness • 96% Positiveness
15% Popularity • 48% Danceability • 58% Energy • 9% Liveness
94% Instrumentalness • 96% Positiveness
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Slim Gaillard
Thunderbird
165 bpm • C Maj • 02:07 • -16.35db
29% Popularity • 64% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 64% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Sweet Emma Barrett
Jelly Roll Blues
139 bpm • G Maj • 03:40 • -19db
19% Popularity • 73% Danceability • 17% Energy • 50% Liveness
13% Instrumentalness • 81% Positiveness
19% Popularity • 73% Danceability • 17% Energy • 50% Liveness
13% Instrumentalness • 81% Positiveness
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Albert Ammons
Boogie Woogie Prayer, Pt 1
166 bpm • F Maj • 02:20 • -13.99db
8% Popularity • 56% Danceability • 47% Energy • 17% Liveness
90% Instrumentalness • 98% Positiveness
8% Popularity • 56% Danceability • 47% Energy • 17% Liveness
90% Instrumentalness • 98% Positiveness
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Julia Lee And Her Boyfriends
Come On Over To My House
139 bpm • E min • 02:53 • -12.49db
11% Popularity • 75% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 75% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Amos Milburn
Chicken Shack Boogie
139 bpm • G Maj • 02:50 • -9.63db
19% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Black Bottom Stompers
Potato Head Blues
167 bpm • F Maj • 03:14 • -16db
22% Popularity • 65% Danceability • 19% Energy • 26% Liveness
93% Instrumentalness • 91% Positiveness
22% Popularity • 65% Danceability • 19% Energy • 26% Liveness
93% Instrumentalness • 91% Positiveness
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Kid Ory
My Bucket's Got A Hole In It
139 bpm • F Maj • 04:55 • -13.1db
15% Popularity • 68% Danceability • 41% Energy • 63% Liveness
23% Instrumentalness • 86% Positiveness
15% Popularity • 68% Danceability • 41% Energy • 63% Liveness
23% Instrumentalness • 86% Positiveness
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Julia Lee
Come on over to My House
139 bpm • E min • 02:48 • -11.51db
16% Popularity • 76% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 76% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Pinetop Smith
Pinetop's Boogie Woogie - Remaster
167 bpm • C Maj • 03:24 • -21db
22% Popularity • 38% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 38% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Professor Longhair
Willie Fugal's Blues - Remastered
138 bpm • F Maj • 02:06 • -13.26db
26% Popularity • 49% Danceability • 55% Energy • 22% Liveness
96% Instrumentalness • 97% Positiveness
26% Popularity • 49% Danceability • 55% Energy • 22% Liveness
96% Instrumentalness • 97% Positiveness
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Lucky Millinder
Who Threw the Whiskey in the Well
167 bpm • A# Maj • 03:00 • -9.43db
20% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
20% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
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Caroline Dahl
A Boogie Woogie Sunday
138 bpm • F Maj • 03:22 • -11.16db
24% Popularity • 36% Danceability • 43% Energy • 21% Liveness
84% Instrumentalness • 89% Positiveness
24% Popularity • 36% Danceability • 43% Energy • 21% Liveness
84% Instrumentalness • 89% Positiveness
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Floyd Dixon
You Know That'll Get It
138 bpm • C min • 02:34 • -5.92db
28% Popularity • 73% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 73% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Slim Gaillard
Tutti Frutti 2
167 bpm • C Maj • 02:39 • -20.38db
24% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
24% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
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Andy Kirk
Wednesday Night Hop
168 bpm • G min • 03:08 • -7.81db
21% Popularity • 70% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 79% Positiveness
21% Popularity • 70% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 79% Positiveness
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Michael Pewny
Chicago Stomp
138 bpm • G Maj • 04:03 • -9.75db
8% Popularity • 67% Danceability • 71% Energy • 8% Liveness
96% Instrumentalness • 89% Positiveness
8% Popularity • 67% Danceability • 71% Energy • 8% Liveness
96% Instrumentalness • 89% Positiveness
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Joe Venuti
Goin' Places
137 bpm • F min • 03:00 • -11.52db
19% Popularity • 74% Danceability • 35% Energy • 6% Liveness
71% Instrumentalness • 90% Positiveness
19% Popularity • 74% Danceability • 35% Energy • 6% Liveness
71% Instrumentalness • 90% Positiveness
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James P. Johnson
Crying For The Carolines
137 bpm • E min • 03:01 • -17.78db
25% Popularity • 59% Danceability • 27% Energy • 32% Liveness
85% Instrumentalness • 71% Positiveness
25% Popularity • 59% Danceability • 27% Energy • 32% Liveness
85% Instrumentalness • 71% Positiveness
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Pinetop Smith
Pinetop's Boogie Woogie
169 bpm • C Maj • 03:09 • -19db
8% Popularity • 41% Danceability • 7% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
8% Popularity • 41% Danceability • 7% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
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Slim Gaillard
The Hogan Song
168 bpm • F Maj • 02:37 • -5.44db
13% Popularity • 57% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 57% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 90% Positiveness
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Hamp Garnett
Yum Yum
169 bpm • C Maj • 02:00 • -15.18db
11% Popularity • 64% Danceability • 36% Energy • 10% Liveness
97% Instrumentalness • 71% Positiveness
11% Popularity • 64% Danceability • 36% Energy • 10% Liveness
97% Instrumentalness • 71% Positiveness
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Professor Longhair
501 Boogie
169 bpm • C Maj • 03:28 • -14db
24% Popularity • 36% Danceability • 55% Energy • 21% Liveness
84% Instrumentalness • 85% Positiveness
24% Popularity • 36% Danceability • 55% Energy • 21% Liveness
84% Instrumentalness • 85% Positiveness
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Jimmie Noone
Four Or Five Times (12-01-37)
169 bpm • F min • 03:08 • -12.33db
18% Popularity • 63% Danceability • 30% Energy • 13% Liveness
17% Instrumentalness • 71% Positiveness
18% Popularity • 63% Danceability • 30% Energy • 13% Liveness
17% Instrumentalness • 71% Positiveness
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Chris Barber's Jazz Band
Shout 'Em Aunt Tillie
169 bpm • D min • 02:18 • -7.79db
28% Popularity • 54% Danceability • 46% Energy • 6% Liveness
65% Instrumentalness • 93% Positiveness
28% Popularity • 54% Danceability • 46% Energy • 6% Liveness
65% Instrumentalness • 93% Positiveness
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Albert Ammons
Nagasaki
137 bpm • C Maj • 05:49 • -15.56db
3% Popularity • 51% Danceability • 35% Energy • 26% Liveness
89% Instrumentalness • 64% Positiveness
3% Popularity • 51% Danceability • 35% Energy • 26% Liveness
89% Instrumentalness • 64% Positiveness
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Slim Gaillard
Tutti Frutti
169 bpm • C Maj • 02:39 • -19.83db
27% Popularity • 75% Danceability • 17% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
27% Popularity • 75% Danceability • 17% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
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James Booker
Pop's Dilemma
136 bpm • F Maj • 03:28 • -20.21db
11% Popularity • 56% Danceability • 29% Energy • 10% Liveness
84% Instrumentalness • 79% Positiveness
11% Popularity • 56% Danceability • 29% Energy • 10% Liveness
84% Instrumentalness • 79% Positiveness
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Wild Bill Moore
We're Gonna Rock, We're Gonna Roll
169 bpm • C Maj • 02:38 • -13db
9% Popularity • 45% Danceability • 33% Energy • 20% Liveness
87% Instrumentalness • 67% Positiveness
9% Popularity • 45% Danceability • 33% Energy • 20% Liveness
87% Instrumentalness • 67% Positiveness
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Big Jay McNeely
Jay Walk (1951)
136 bpm • G# Maj • 02:44 • -5.05db
2% Popularity • 50% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 67% Positiveness
2% Popularity • 50% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 67% Positiveness
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Big Maceo
Chicago Breakdown
169 bpm • A min • 02:55 • -13db
13% Popularity • 41% Danceability • 76% Energy • 18% Liveness
86% Instrumentalness • 97% Positiveness
13% Popularity • 41% Danceability • 76% Energy • 18% Liveness
86% Instrumentalness • 97% Positiveness
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Eddie "Cleanhead" Vinson
Kidney Stew
136 bpm • F min • 03:03 • -10.95db
35% Popularity • 63% Danceability • 46% Energy • 12% Liveness
10% Instrumentalness • 86% Positiveness
35% Popularity • 63% Danceability • 46% Energy • 12% Liveness
10% Instrumentalness • 86% Positiveness
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Little Willie Littlefield
Cours de vincennes
136 bpm • G Maj • 06:13 • -15.57db
12% Popularity • 49% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
12% Popularity • 49% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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James Booker
Blues Rhapsody
136 bpm • D# Maj • 03:16 • -13.68db
8% Popularity • 55% Danceability • 34% Energy • 90% Liveness
83% Instrumentalness • 39% Positiveness
8% Popularity • 55% Danceability • 34% Energy • 90% Liveness
83% Instrumentalness • 39% Positiveness
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Albert Ammons
Boogie Woogie Prayer, Pt 2
170 bpm • F Maj • 02:34 • -14.17db
3% Popularity • 47% Danceability • 48% Energy • 28% Liveness
89% Instrumentalness • 97% Positiveness
3% Popularity • 47% Danceability • 48% Energy • 28% Liveness
89% Instrumentalness • 97% Positiveness
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Meade "Lux" Lewis
Honky Tonk Train Blues
171 bpm • G Maj • 02:58 • -11.34db
25% Popularity • 53% Danceability • 56% Energy • 15% Liveness
88% Instrumentalness • 94% Positiveness
25% Popularity • 53% Danceability • 56% Energy • 15% Liveness
88% Instrumentalness • 94% Positiveness
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Johnny Dodds
Wild Man Blues
171 bpm • F# min • 03:11 • -11.65db
32% Popularity • 66% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 74% Positiveness
32% Popularity • 66% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 74% Positiveness
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Woody Herman & His Orchestra
Yardbird Shuffle
135 bpm • F Maj • 02:40 • -13.09db
20% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
20% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
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Mezz Mezzrow
I Ain't Gonna Give Nobody None O' This J...
135 bpm • F Maj • 03:02 • -11.69db
8% Popularity • 83% Danceability • 48% Energy • 5% Liveness
52% Instrumentalness • 88% Positiveness
8% Popularity • 83% Danceability • 48% Energy • 5% Liveness
52% Instrumentalness • 88% Positiveness
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Blind John Davis
I Wish I Could Shimmy Like My Sister Kat...
135 bpm • G# Maj • 03:26 • -11.36db
9% Popularity • 81% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 81% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
