Songs like Changing Lives (Reprise) by Beth Leavel
Based on a tempo of (+/- 10%) and a similar genre
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Beth Leavel
Family
144 bpm • F Maj • 02:55 • -6.76db
1% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
1% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Gavin Creel
Any Moment
144 bpm • F min • 02:07 • -17.41db
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Meryl Streep
Changing Lives - Reprise
144 bpm • E min • 01:54 • -6.57db
29% Popularity • 48% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 48% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 4: Gimme the Ball
145 bpm • E Maj • 05:37 • -7.33db
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Terrence Mann
Everything's Golden
143 bpm • C# Maj • 03:22 • -7.48db
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Martin Short
Big Titties
145 bpm • A# min • 03:01 • -6.16db
4% Popularity • 71% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
4% Popularity • 71% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Lauren Ward
Pathetic
142 bpm • F# Maj • 01:45 • -13.22db
30% Popularity • 57% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 57% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Sara Ramirez
Knights of the Round Table/The Song That...
142 bpm • C# Maj • 06:01 • -5.15db
32% Popularity • 48% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 48% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 48% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Meryl Streep
Changing Lives
142 bpm • F# Maj • 03:09 • -6db
32% Popularity • 61% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 61% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Patina Miller
Finale
146 bpm • A# Maj • 07:30 • -8.86db
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Linda Hart
(The Legend of) Miss Baltimore Crabs
142 bpm • C# Maj • 02:53 • -8.16db
28% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Andrew Beall
The Big Break
146 bpm • A# Maj • 02:53 • -4.75db
0% Popularity • 51% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 51% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Tim Curry
Run Away! - Original Broadway Cast Recor...
142 bpm • C# Maj • 02:01 • -3.88db
28% Popularity • 43% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 43% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Original Cast of Amélie
The Girl with the Glass
147 bpm • E Maj • 04:14 • -13.02db
19% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
27% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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John Riddle
Hans of the Southern Isles
147 bpm • G Maj • 01:35 • -16.54db
35% Popularity • 38% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 38% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Casey Likes
1973
147 bpm • C Maj • 06:00 • -5.69db
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Erika Henningsen
Fearless
147 bpm • G Maj • 04:11 • -5.17db
48% Popularity • 36% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 36% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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Katlyn Carlson
Do You Wanna Hang?
140 bpm • C# Maj • 01:11 • -8.95db
26% Popularity • 56% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 56% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Diana Original Broadway Cast
The Worst Job In England
148 bpm • F Maj • 03:00 • -6.15db
25% Popularity • 74% Danceability • 70% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 74% Danceability • 70% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
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Brooks Ashmanskas
The World Was Dancing
140 bpm • G Maj • 05:28 • -12.95db
13% Popularity • 43% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 43% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
27% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Jenn Colella
38 Planes (Reprise) / Somewhere In The M...
140 bpm • D Maj • 04:22 • -6.03db
44% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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'Legally Blonde' Ensemble
Blood in the Water
140 bpm • C# Maj • 04:49 • -12.59db
46% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Bob Martin
Bride's Lament
149 bpm • F Maj • 05:12 • -7.35db
27% Popularity • 50% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 50% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
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Gavin Creel
Agony
139 bpm • E Maj • 02:26 • -11db
40% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
31% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Company - Freaky Friday: A New Musical
Just One Day (Reprise)
139 bpm • C Maj • 02:44 • -5.45db
23% Popularity • 52% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 52% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Santino Fontana
Unstoppable
149 bpm • G Maj • 04:00 • -9.15db
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Company
Full Disclosure - Part 2
139 bpm • C min • 01:09 • -7.38db
38% Popularity • 59% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 59% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 96% Positiveness
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Christopher Sieber
Issue In Question
139 bpm • C# min • 02:25 • -12.55db
2% Popularity • 42% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
2% Popularity • 42% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
38% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Stephen Flaherty
It's Possible (McElligot's Pool) - Origi...
150 bpm • D Maj • 02:37 • -10.73db
33% Popularity • 49% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 49% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Matilda Children Cast
Bruce
138 bpm • C min • 04:05 • -10db
35% Popularity • 54% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 54% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
Over the Top
138 bpm • C Maj • 03:02 • -5db
34% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Susan Egan
The Bond That Can't Be Broken
150 bpm • C Maj • 03:16 • -13.09db
1% Popularity • 57% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 57% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Martin Short
Michael's Song
138 bpm • F# Maj • 01:33 • -12.96db
1% Popularity • 62% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
1% Popularity • 62% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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'Come From Away' Company
In The Bar / Heave Away
137 bpm • D Maj • 01:22 • -5db
42% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
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Caroline O'Connor
The Press Conference
137 bpm • C Maj • 02:05 • -9db
38% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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13 Original Broadway Cast
Opportunity - Cut from Original Broadway...
151 bpm • A Maj • 03:51 • -3.16db
23% Popularity • 66% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 66% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Brian D'Arcy James
Finale: Children Will Listen
137 bpm • C Maj • 06:20 • -10.04db
34% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Martin Short
Finale
137 bpm • A# Maj • 02:29 • -4.88db
3% Popularity • 59% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
3% Popularity • 59% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Anna Kendrick
Climbing Uphill
136 bpm • E min • 03:29 • -8db
36% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Christopher Sieber
The Acceptance Song
152 bpm • A# Maj • 03:14 • -5.35db
30% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Jeanine Tesori
Raincoat of Love
135 bpm • B min • 02:01 • -8.89db
29% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Andrew Rannells
The Acceptance Song
153 bpm • A# Maj • 03:22 • -6.86db
28% Popularity • 36% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 36% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Company of The Prom: A New Musical
It's Time to Dance
153 bpm • C# Maj • 05:33 • -4.87db
36% Popularity • 41% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 41% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
David Garrison
No, Ve Vouldn't Gonto Do It
135 bpm • D# Maj • 01:36 • -11.03db
2% Popularity • 50% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 45% Positiveness
2% Popularity • 50% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Jason Gotay
Go
153 bpm • D Maj • 06:19 • -6.58db
26% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Kate Shindle
Legally Blonde - Remix
154 bpm • A Maj • 04:59 • -9.84db
47% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Curt Mega
One More Shot
154 bpm • B min • 03:52 • -12.05db
29% Popularity • 64% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 64% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Victor Garber
One Touch of Alchemy
135 bpm • C Maj • 02:11 • -13.44db
0% Popularity • 46% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 46% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Rob McClure
Ready Set - Reprise
154 bpm • G Maj • 00:58 • -6.87db
46% Popularity • 49% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 49% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
► Preview
Will Swenson
A Kilt Is Not a Dress
134 bpm • E Maj • 03:10 • -4.55db
1% Popularity • 71% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 71% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Spies Are Forever Original Cast
Spy Dance
155 bpm • D Maj • 01:25 • -10.25db
28% Popularity • 58% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 58% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Louis Hobson
You Can Do Better Than Him
134 bpm • A Maj • 03:11 • -12.44db
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Lesli Margherita
Miracle: Pt. 3
155 bpm • G min • 02:40 • -9.13db
32% Popularity • 47% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 47% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Martin Short
Ba-Ba-Ba-Ba Broadway
133 bpm • B Maj • 01:38 • -4.8db
3% Popularity • 87% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 87% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Isabelle McCalla
Alyssa Greene
133 bpm • G# Maj • 02:30 • -10.69db
37% Popularity • 59% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 59% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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‘Into The Woods’ 2022 Broadway Cast
First Midnight
133 bpm • A# min • 01:11 • -7.32db
35% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Spies Are Forever Original Cast
Eyes on the Prize II
156 bpm • F min • 02:08 • -13.25db
27% Popularity • 51% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 51% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Charlotte D'Amboise
The Music and the Mirror
156 bpm • E Maj • 06:50 • -8.02db
29% Popularity • 42% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 42% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Original Broadway Cast Of Matilda The Musical
Miracle: Pt. 1
156 bpm • C# Maj • 04:23 • -13db
36% Popularity • 59% Danceability • 40% Energy • 47% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 59% Danceability • 40% Energy • 47% Liveness
0% Instrumentalness • 69% Positiveness
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Martin Short
Step Brother to Jesus
156 bpm • D min • 02:31 • -5.95db
6% Popularity • 57% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
6% Popularity • 57% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Company of The Prom: A New Musical
Tonight Belongs to You
156 bpm • C Maj • 05:20 • -5db
34% Popularity • 48% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 48% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Michael Wartella
Hugo's First Case - Pt. 1
156 bpm • G Maj • 00:57 • -12.4db
29% Popularity • 74% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 74% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Lost Without You
132 bpm • G Maj • 03:40 • -6db
29% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Alice By Heart Original Cast Recording Company
Do You Think We Think You're Alice?
132 bpm • G# Maj • 01:18 • -10.86db
32% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Alice Ripley
It's Gonna Be Good
157 bpm • C# min • 01:25 • -8.53db
32% Popularity • 71% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 71% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
42% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jeanna de Waal
Prom Climax
157 bpm • C Maj • 02:07 • -6.4db
26% Popularity • 49% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 49% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness