Songs like Channeling, Pt. 2 (feat. Dan Mayo) by Mike Shinoda
Based on a tempo of (+/- 10%) and a similar genre
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Amon Tobin
Anything for Trish
112 bpm • D Maj • 04:16 • -7.6db
9% Popularity • 73% Danceability • 69% Energy • 20% Liveness
86% Instrumentalness • 29% Positiveness
9% Popularity • 73% Danceability • 69% Energy • 20% Liveness
86% Instrumentalness • 29% Positiveness
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Mike Shinoda
Channeling, Pt. 2
112 bpm • G min • 02:30 • -5.77db
13% Popularity • 74% Danceability • 78% Energy • 7% Liveness
77% Instrumentalness • 86% Positiveness
13% Popularity • 74% Danceability • 78% Energy • 7% Liveness
77% Instrumentalness • 86% Positiveness
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The Midnight
The Stranger
112 bpm • F Maj • 01:42 • -13.16db
28% Popularity • 62% Danceability • 55% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
28% Popularity • 62% Danceability • 55% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
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Uppermost
Missing Link
111 bpm • A# Maj • 04:53 • -11.34db
9% Popularity • 66% Danceability • 48% Energy • 4% Liveness
93% Instrumentalness • 24% Positiveness
9% Popularity • 66% Danceability • 48% Energy • 4% Liveness
93% Instrumentalness • 24% Positiveness
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RJD2
We Come Alive - Instrumental
113 bpm • C# Maj • 04:30 • -6.63db
8% Popularity • 79% Danceability • 63% Energy • 8% Liveness
68% Instrumentalness • 60% Positiveness
8% Popularity • 79% Danceability • 63% Energy • 8% Liveness
68% Instrumentalness • 60% Positiveness
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Enter Shikari
Crossing The Rubicon
111 bpm • D Maj • 03:17 • -8.79db
35% Popularity • 61% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 61% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 77% Positiveness
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The Glitch Mob
Starve the Ego, Feed the Soul (Remix) (r...
113 bpm • A# Maj • 04:27 • -19.15db
17% Popularity • 17% Danceability • 22% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 22% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
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Chester Bennington
Mal RX7 - Instrumental
110 bpm • B Maj • 01:10 • -17.72db
16% Popularity • 72% Danceability • 84% Energy • 12% Liveness
94% Instrumentalness • 20% Positiveness
16% Popularity • 72% Danceability • 84% Energy • 12% Liveness
94% Instrumentalness • 20% Positiveness
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Danger
15:23 We Can Always Pretend
114 bpm • A min • 02:51 • -9.24db
23% Popularity • 52% Danceability • 50% Energy • 33% Liveness
91% Instrumentalness • 9% Positiveness
23% Popularity • 52% Danceability • 50% Energy • 33% Liveness
91% Instrumentalness • 9% Positiveness
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Styles Of Beyond
Second to None
110 bpm • E min • 03:05 • -5db
42% Popularity • 73% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 73% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Veritas
1988
114 bpm • E min • 05:05 • -10db
21% Popularity • 68% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 49% Positiveness
21% Popularity • 68% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 49% Positiveness
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Annisokay
Coma Blue - Instrumental
114 bpm • A Maj • 03:23 • -5.17db
16% Popularity • 49% Danceability • 97% Energy • 12% Liveness
84% Instrumentalness • 23% Positiveness
16% Popularity • 49% Danceability • 97% Energy • 12% Liveness
84% Instrumentalness • 23% Positiveness
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Fort Minor
Petrified - Instrumental
110 bpm • E Maj • 03:41 • -4.53db
17% Popularity • 87% Danceability • 95% Energy • 6% Liveness
77% Instrumentalness • 40% Positiveness
17% Popularity • 87% Danceability • 95% Energy • 6% Liveness
77% Instrumentalness • 40% Positiveness
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Ocean Grove
SWAY
110 bpm • D Maj • 01:22 • -8.24db
22% Popularity • 70% Danceability • 82% Energy • 21% Liveness
91% Instrumentalness • 36% Positiveness
22% Popularity • 70% Danceability • 82% Energy • 21% Liveness
91% Instrumentalness • 36% Positiveness
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PYLOT
Brawl
110 bpm • B min • 03:53 • -8.44db
26% Popularity • 72% Danceability • 70% Energy • 6% Liveness
74% Instrumentalness • 43% Positiveness
26% Popularity • 72% Danceability • 70% Energy • 6% Liveness
74% Instrumentalness • 43% Positiveness
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All Elite Wrestling
Hybrid Flow: The Hybrid 2 A.E.W. Theme
110 bpm • C# Maj • 02:28 • -8.16db
14% Popularity • 52% Danceability • 80% Energy • 28% Liveness
38% Instrumentalness • 29% Positiveness
14% Popularity • 52% Danceability • 80% Energy • 28% Liveness
38% Instrumentalness • 29% Positiveness
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Mitch Murder
Artifact
110 bpm • D Maj • 04:20 • -7.3db
23% Popularity • 71% Danceability • 87% Energy • 13% Liveness
87% Instrumentalness • 55% Positiveness
23% Popularity • 71% Danceability • 87% Energy • 13% Liveness
87% Instrumentalness • 55% Positiveness
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Chester Bennington
Dancer - Instrumental
110 bpm • A min • 03:18 • -8.72db
14% Popularity • 61% Danceability • 73% Energy • 14% Liveness
81% Instrumentalness • 60% Positiveness
14% Popularity • 61% Danceability • 73% Energy • 14% Liveness
81% Instrumentalness • 60% Positiveness
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Fury Weekend
Dr. Online
110 bpm • A# min • 04:21 • -4.25db
29% Popularity • 63% Danceability • 93% Energy • 18% Liveness
88% Instrumentalness • 89% Positiveness
29% Popularity • 63% Danceability • 93% Energy • 18% Liveness
88% Instrumentalness • 89% Positiveness
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Voicians
Vault
110 bpm • G# Maj • 03:04 • -3.74db
8% Popularity • 55% Danceability • 94% Energy • 30% Liveness
83% Instrumentalness • 28% Positiveness
8% Popularity • 55% Danceability • 94% Energy • 30% Liveness
83% Instrumentalness • 28% Positiveness
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PYLOT
Fearless
114 bpm • G# Maj • 03:05 • -12.05db
23% Popularity • 70% Danceability • 47% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
23% Popularity • 70% Danceability • 47% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Circle of Dust
Drum Machines of Our Disgrace - Instrume...
110 bpm • A# min • 03:20 • -4.48db
11% Popularity • 55% Danceability • 92% Energy • 3% Liveness
78% Instrumentalness • 62% Positiveness
11% Popularity • 55% Danceability • 92% Energy • 3% Liveness
78% Instrumentalness • 62% Positiveness
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Andromida
The Zenith
110 bpm • C# Maj • 05:38 • -4.09db
11% Popularity • 24% Danceability • 90% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
11% Popularity • 24% Danceability • 90% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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Chester Bennington
Jeff Makes Observations
110 bpm • F Maj • 02:17 • -16.08db
13% Popularity • 71% Danceability • 49% Energy • 12% Liveness
95% Instrumentalness • 42% Positiveness
13% Popularity • 71% Danceability • 49% Energy • 12% Liveness
95% Instrumentalness • 42% Positiveness
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Fort Minor
Petrified
110 bpm • B Maj • 03:40 • -2.73db
39% Popularity • 87% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 87% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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The Algorithm
userspace - Signal Void Remix
110 bpm • E min • 05:01 • -8.28db
12% Popularity • 64% Danceability • 77% Energy • 7% Liveness
48% Instrumentalness • 4% Positiveness
12% Popularity • 64% Danceability • 77% Energy • 7% Liveness
48% Instrumentalness • 4% Positiveness
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Danger
9:20 Intro
110 bpm • D Maj • 02:45 • -9.63db
23% Popularity • 24% Danceability • 76% Energy • 67% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 24% Danceability • 76% Energy • 67% Liveness
90% Instrumentalness • 4% Positiveness
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Yehezkel Raz
inevitable
110 bpm • C Maj • 08:27 • -9.37db
1% Popularity • 31% Danceability • 77% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
1% Popularity • 31% Danceability • 77% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Uppermost
The City 2
115 bpm • D# min • 03:55 • -9.38db
14% Popularity • 72% Danceability • 53% Energy • 13% Liveness
86% Instrumentalness • 28% Positiveness
14% Popularity • 72% Danceability • 53% Energy • 13% Liveness
86% Instrumentalness • 28% Positiveness
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Chester Bennington
The Last Line
110 bpm • D min • 03:41 • -15.61db
30% Popularity • 59% Danceability • 51% Energy • 13% Liveness
81% Instrumentalness • 3% Positiveness
30% Popularity • 59% Danceability • 51% Energy • 13% Liveness
81% Instrumentalness • 3% Positiveness
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Fort Minor
Welcome
115 bpm • D Maj • 03:33 • -5.19db
37% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Bring Me The Horizon
Dead Dolphin Sounds 'aid brain growth in...
115 bpm • G# min • 10:09 • -9.48db
37% Popularity • 62% Danceability • 70% Energy • 39% Liveness
87% Instrumentalness • 24% Positiveness
37% Popularity • 62% Danceability • 70% Energy • 39% Liveness
87% Instrumentalness • 24% Positiveness
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Danger
16:03
115 bpm • G min • 04:18 • -5.96db
21% Popularity • 67% Danceability • 67% Energy • 17% Liveness
63% Instrumentalness • 42% Positiveness
21% Popularity • 67% Danceability • 67% Energy • 17% Liveness
63% Instrumentalness • 42% Positiveness
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Sunset Neon
Never Dance Again (Battle Tapes Remix) -...
115 bpm • D# min • 04:10 • -6.37db
20% Popularity • 67% Danceability • 66% Energy • 5% Liveness
84% Instrumentalness • 69% Positiveness
20% Popularity • 67% Danceability • 66% Energy • 5% Liveness
84% Instrumentalness • 69% Positiveness
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![[]lid cover art](https://i.scdn.co/image/ab67616d00001e0229167c9a3a053face3968b43)
65daysofstatic
[]lid
109 bpm • D# min • 01:00 • -19.92db
15% Popularity • 24% Danceability • 35% Energy • 11% Liveness
77% Instrumentalness • 24% Positiveness
15% Popularity • 24% Danceability • 35% Energy • 11% Liveness
77% Instrumentalness • 24% Positiveness
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Bad Snacks
Sweet Taters
115 bpm • G# Maj • 02:23 • -6.1db
12% Popularity • 36% Danceability • 46% Energy • 21% Liveness
91% Instrumentalness • 52% Positiveness
12% Popularity • 36% Danceability • 46% Energy • 21% Liveness
91% Instrumentalness • 52% Positiveness
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NUTRONIC
Medicine
108 bpm • A# min • 04:49 • -5.38db
22% Popularity • 53% Danceability • 84% Energy • 23% Liveness
26% Instrumentalness • 7% Positiveness
22% Popularity • 53% Danceability • 84% Energy • 23% Liveness
26% Instrumentalness • 7% Positiveness
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Hidden Orchestra
Final Battle
116 bpm • A# min • 05:56 • -10.82db
8% Popularity • 68% Danceability • 75% Energy • 34% Liveness
83% Instrumentalness • 8% Positiveness
8% Popularity • 68% Danceability • 75% Energy • 34% Liveness
83% Instrumentalness • 8% Positiveness
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Danger
22:12 Until the End of Time
109 bpm • A min • 10:00 • -6.2db
24% Popularity • 45% Danceability • 78% Energy • 9% Liveness
67% Instrumentalness • 11% Positiveness
24% Popularity • 45% Danceability • 78% Energy • 9% Liveness
67% Instrumentalness • 11% Positiveness
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Dan Mayo
From Beneath
116 bpm • F# Maj • 03:01 • -6.4db
4% Popularity • 46% Danceability • 94% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
4% Popularity • 46% Danceability • 94% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
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Styles Of Beyond
Hey You
117 bpm • E min • 02:18 • -5.44db
26% Popularity • 92% Danceability • 87% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 92% Danceability • 87% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
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Bad Snacks
Don't Sleep
109 bpm • F# min • 03:17 • -5.99db
9% Popularity • 54% Danceability • 82% Energy • 13% Liveness
16% Instrumentalness • 19% Positiveness
9% Popularity • 54% Danceability • 82% Energy • 13% Liveness
16% Instrumentalness • 19% Positiveness
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Chevelle
Verruckt
117 bpm • C min • 03:30 • -4.76db
38% Popularity • 58% Danceability • 73% Energy • 10% Liveness
78% Instrumentalness • 44% Positiveness
38% Popularity • 58% Danceability • 73% Energy • 10% Liveness
78% Instrumentalness • 44% Positiveness
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deadmau5
torture
117 bpm • C# Maj • 01:38 • -20.94db
20% Popularity • 54% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
20% Popularity • 54% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Enter Shikari
the pressure's on.
117 bpm • G Maj • 02:58 • -8.24db
39% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Smashing Pumpkins
Confessions Of A Dopamine Addict
107 bpm • F# min • 03:13 • -8.34db
27% Popularity • 70% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 70% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Funk Fiction
Elysia
107 bpm • C Maj • 04:07 • -12.93db
17% Popularity • 54% Danceability • 37% Energy • 13% Liveness
93% Instrumentalness • 5% Positiveness
17% Popularity • 54% Danceability • 37% Energy • 13% Liveness
93% Instrumentalness • 5% Positiveness
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Bush
Beware False Prophets
107 bpm • E Maj • 04:40 • -4.01db
14% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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Mike Shinoda
Overcast
107 bpm • C Maj • 02:16 • -7.84db
22% Popularity • 64% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
22% Popularity • 64% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Dead By Sunrise
Inside of Me
107 bpm • D Maj • 02:18 • -3.24db
49% Popularity • 47% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 47% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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The Midnight
Neon Medusa - Instrumental
118 bpm • C min • 05:05 • -8db
23% Popularity • 62% Danceability • 81% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
23% Popularity • 62% Danceability • 81% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Chevelle
Piistol Star (Gravity Heals)
118 bpm • A min • 04:49 • -2.77db
42% Popularity • 49% Danceability • 96% Energy • 16% Liveness
77% Instrumentalness • 13% Positiveness
42% Popularity • 49% Danceability • 96% Energy • 16% Liveness
77% Instrumentalness • 13% Positiveness
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Omega Sparx
Warpath
118 bpm • A min • 03:55 • -4.19db
8% Popularity • 67% Danceability • 92% Energy • 28% Liveness
15% Instrumentalness • 29% Positiveness
8% Popularity • 67% Danceability • 92% Energy • 28% Liveness
15% Instrumentalness • 29% Positiveness
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Gramatik
Komut
118 bpm • C# min • 03:43 • -20.32db
11% Popularity • 30% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
11% Popularity • 30% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Dan Mayo
Becoming Part Of
106 bpm • B Maj • 03:05 • -6.89db
4% Popularity • 39% Danceability • 72% Energy • 6% Liveness
85% Instrumentalness • 11% Positiveness
4% Popularity • 39% Danceability • 72% Energy • 6% Liveness
85% Instrumentalness • 11% Positiveness
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zebrahead
Chasing the Sun (Instrumental)
106 bpm • G Maj • 03:12 • -3.97db
12% Popularity • 57% Danceability • 93% Energy • 15% Liveness
79% Instrumentalness • 42% Positiveness
12% Popularity • 57% Danceability • 93% Energy • 15% Liveness
79% Instrumentalness • 42% Positiveness
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Mike Shinoda
License to Waltz
106 bpm • D Maj • 02:27 • -6.75db
14% Popularity • 71% Danceability • 75% Energy • 4% Liveness
93% Instrumentalness • 12% Positiveness
14% Popularity • 71% Danceability • 75% Energy • 4% Liveness
93% Instrumentalness • 12% Positiveness
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Lunatic Calm
It Evolves on Its Own
105 bpm • A min • 05:55 • -9.92db
14% Popularity • 77% Danceability • 65% Energy • 77% Liveness
53% Instrumentalness • 81% Positiveness
14% Popularity • 77% Danceability • 65% Energy • 77% Liveness
53% Instrumentalness • 81% Positiveness
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Power Glove
Firebird
105 bpm • F Maj • 03:46 • -6db
30% Popularity • 72% Danceability • 63% Energy • 58% Liveness
55% Instrumentalness • 33% Positiveness
30% Popularity • 72% Danceability • 63% Energy • 58% Liveness
55% Instrumentalness • 33% Positiveness
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Waveshaper
The Disk Hunter
105 bpm • G Maj • 04:35 • -6.9db
15% Popularity • 67% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 67% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Glitch Mob
Take Me with You (Remix) X We Can Make t...
105 bpm • G min • 05:12 • -7.18db
27% Popularity • 72% Danceability • 76% Energy • 62% Liveness
90% Instrumentalness • 19% Positiveness
27% Popularity • 72% Danceability • 76% Energy • 62% Liveness
90% Instrumentalness • 19% Positiveness
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Vasudeva
Stockmar
105 bpm • C# Maj • 04:23 • -5.97db
24% Popularity • 59% Danceability • 88% Energy • 14% Liveness
85% Instrumentalness • 52% Positiveness
24% Popularity • 59% Danceability • 88% Energy • 14% Liveness
85% Instrumentalness • 52% Positiveness
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Mike Shinoda
Duckbot
105 bpm • C# Maj • 02:09 • -6.42db
17% Popularity • 82% Danceability • 38% Energy • 10% Liveness
87% Instrumentalness • 38% Positiveness
17% Popularity • 82% Danceability • 38% Energy • 10% Liveness
87% Instrumentalness • 38% Positiveness
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scntfc
Schoolyard Strangler
105 bpm • F min • 03:15 • -7.72db
12% Popularity • 78% Danceability • 76% Energy • 15% Liveness
49% Instrumentalness • 57% Positiveness
12% Popularity • 78% Danceability • 76% Energy • 15% Liveness
49% Instrumentalness • 57% Positiveness
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Kooma
Scratched
105 bpm • C# Maj • 02:02 • -9.06db
27% Popularity • 68% Danceability • 70% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
27% Popularity • 68% Danceability • 70% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
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Unprocessed
Exeunt
105 bpm • C# Maj • 02:35 • -12.35db
22% Popularity • 53% Danceability • 51% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
22% Popularity • 53% Danceability • 51% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Ben Rosett
Espeon
105 bpm • C# min • 04:16 • -7.1db
13% Popularity • 60% Danceability • 92% Energy • 36% Liveness
51% Instrumentalness • 42% Positiveness
13% Popularity • 60% Danceability • 92% Energy • 36% Liveness
51% Instrumentalness • 42% Positiveness
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Pete Cottrell
Moonshine
105 bpm • C# Maj • 03:29 • -8db
19% Popularity • 56% Danceability • 94% Energy • 67% Liveness
80% Instrumentalness • 78% Positiveness
19% Popularity • 56% Danceability • 94% Energy • 67% Liveness
80% Instrumentalness • 78% Positiveness
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X-Ecutioners
It's Goin' Down
105 bpm • G# min • 04:08 • -3.94db
51% Popularity • 68% Danceability • 89% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
51% Popularity • 68% Danceability • 89% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
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Eden Ladin
The Mischievous Artium
120 bpm • G Maj • 03:03 • -8.42db
2% Popularity • 58% Danceability • 44% Energy • 13% Liveness
87% Instrumentalness • 15% Positiveness
2% Popularity • 58% Danceability • 44% Energy • 13% Liveness
87% Instrumentalness • 15% Positiveness
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Hybrid
Voices In The Static
120 bpm • C# Maj • 04:47 • -13.04db
12% Popularity • 30% Danceability • 54% Energy • 35% Liveness
91% Instrumentalness • 3% Positiveness
12% Popularity • 30% Danceability • 54% Energy • 35% Liveness
91% Instrumentalness • 3% Positiveness
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Celph Titled
S.C.O.M.
105 bpm • C# min • 03:53 • -7db
40% Popularity • 38% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 38% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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IAMONE
Of Life: Awakening - Instrumental
120 bpm • G# min • 05:23 • -8.51db
25% Popularity • 49% Danceability • 92% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
25% Popularity • 49% Danceability • 92% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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Highly Suspect
Tetsuo's Bike
120 bpm • F# min • 01:20 • -8.58db
25% Popularity • 77% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 73% Positiveness
25% Popularity • 77% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 73% Positiveness
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Plini
Perfume - Ariza Remix
120 bpm • G# min • 03:54 • -14.25db
19% Popularity • 62% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 15% Positiveness
19% Popularity • 62% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 15% Positiveness
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System
Manarola
120 bpm • D# min • 04:56 • -7.27db
22% Popularity • 58% Danceability • 76% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
22% Popularity • 58% Danceability • 76% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
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Breaking Benjamin
Tourniquet - Aurora Version
120 bpm • C min • 04:21 • -3.22db
36% Popularity • 56% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 56% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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All Elite Wrestling
Joey Janela (Bad Boy)
120 bpm • A Maj • 03:15 • -4.61db
11% Popularity • 43% Danceability • 98% Energy • 35% Liveness
74% Instrumentalness • 38% Positiveness
11% Popularity • 43% Danceability • 98% Energy • 35% Liveness
74% Instrumentalness • 38% Positiveness
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Tides Of Man
New Futures
120 bpm • C# Maj • 04:05 • -7.87db
25% Popularity • 20% Danceability • 89% Energy • 11% Liveness
87% Instrumentalness • 47% Positiveness
25% Popularity • 20% Danceability • 89% Energy • 11% Liveness
87% Instrumentalness • 47% Positiveness
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Dj Cutman
Raindrops
120 bpm • C Maj • 02:08 • -12.34db
12% Popularity • 80% Danceability • 32% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
12% Popularity • 80% Danceability • 32% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Mike Shinoda
Babble Bobble
120 bpm • F min • 01:54 • -9.78db
22% Popularity • 78% Danceability • 64% Energy • 8% Liveness
79% Instrumentalness • 22% Positiveness
22% Popularity • 78% Danceability • 64% Energy • 8% Liveness
79% Instrumentalness • 22% Positiveness
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Tycho
Ghost of Kodoku (Tycho Remix)
120 bpm • A# Maj • 05:29 • -8.23db
19% Popularity • 70% Danceability • 61% Energy • 12% Liveness
93% Instrumentalness • 40% Positiveness
19% Popularity • 70% Danceability • 61% Energy • 12% Liveness
93% Instrumentalness • 40% Positiveness
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Danger
21:01 Sweet Insomnia
120 bpm • A min • 04:55 • -7.05db
22% Popularity • 69% Danceability • 68% Energy • 10% Liveness
94% Instrumentalness • 46% Positiveness
22% Popularity • 69% Danceability • 68% Energy • 10% Liveness
94% Instrumentalness • 46% Positiveness
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Fort Minor
The Hard Way
120 bpm • F# min • 03:52 • -2.98db
32% Popularity • 64% Danceability • 99% Energy • 5% Liveness
75% Instrumentalness • 35% Positiveness
32% Popularity • 64% Danceability • 99% Energy • 5% Liveness
75% Instrumentalness • 35% Positiveness
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Jake Bowen
Omnitopia
120 bpm • G min • 05:06 • -15.1db
2% Popularity • 68% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 14% Positiveness
2% Popularity • 68% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 14% Positiveness
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Enter Shikari
Elegy For Extinction
120 bpm • D# Maj • 03:49 • -13.59db
29% Popularity • 53% Danceability • 34% Energy • 18% Liveness
97% Instrumentalness • 9% Positiveness
29% Popularity • 53% Danceability • 34% Energy • 18% Liveness
97% Instrumentalness • 9% Positiveness
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Aesop Rock
Sharks and Minnows
120 bpm • G min • 03:05 • -10.25db
9% Popularity • 71% Danceability • 72% Energy • 14% Liveness
82% Instrumentalness • 10% Positiveness
9% Popularity • 71% Danceability • 72% Energy • 14% Liveness
82% Instrumentalness • 10% Positiveness
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FaRe 'N' HiTe
Temple of Okinawa (BUMP) - Original
120 bpm • A Maj • 02:56 • -3.23db
11% Popularity • 94% Danceability • 93% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
11% Popularity • 94% Danceability • 93% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
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Danger
00:21 Nothing but Rust
120 bpm • C# min • 05:22 • -4.8db
23% Popularity • 53% Danceability • 94% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
23% Popularity • 53% Danceability • 94% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Fort Minor
Red to Black
120 bpm • D# min • 03:11 • -4.45db
44% Popularity • 84% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
44% Popularity • 84% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Lena Raine
Momodani
120 bpm • C Maj • 03:50 • -8.93db
16% Popularity • 74% Danceability • 32% Energy • 10% Liveness
37% Instrumentalness • 3% Positiveness
16% Popularity • 74% Danceability • 32% Energy • 10% Liveness
37% Instrumentalness • 3% Positiveness
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Run The Jewels
holy calamafuck (Instrumental)
120 bpm • G Maj • 03:58 • -9.96db
16% Popularity • 62% Danceability • 61% Energy • 51% Liveness
51% Instrumentalness • 8% Positiveness
16% Popularity • 62% Danceability • 61% Energy • 51% Liveness
51% Instrumentalness • 8% Positiveness
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RJD2
High Street Will Never Die
120 bpm • A Maj • 04:57 • -10.43db
9% Popularity • 70% Danceability • 62% Energy • 11% Liveness
73% Instrumentalness • 24% Positiveness
9% Popularity • 70% Danceability • 62% Energy • 11% Liveness
73% Instrumentalness • 24% Positiveness
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PYLOT
Enigma
120 bpm • C Maj • 03:18 • -15db
32% Popularity • 59% Danceability • 46% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
32% Popularity • 59% Danceability • 46% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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deadmau5
wilhelm
120 bpm • A# min • 01:20 • -13.99db
22% Popularity • 59% Danceability • 36% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
22% Popularity • 59% Danceability • 36% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Mike Shinoda
Vibe Train
120 bpm • F Maj • 02:19 • -6.48db
21% Popularity • 57% Danceability • 57% Energy • 59% Liveness
17% Instrumentalness • 6% Positiveness
21% Popularity • 57% Danceability • 57% Energy • 59% Liveness
17% Instrumentalness • 6% Positiveness
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Veritas
Prepare for Escape
120 bpm • D min • 03:47 • -11.52db
21% Popularity • 19% Danceability • 36% Energy • 8% Liveness
80% Instrumentalness • 13% Positiveness
21% Popularity • 19% Danceability • 36% Energy • 8% Liveness
80% Instrumentalness • 13% Positiveness
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Hidden Orchestra
Jumper
120 bpm • D min • 05:53 • -21.81db
8% Popularity • 49% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 27% Positiveness
8% Popularity • 49% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 27% Positiveness