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Charlie Orange
Songs like
Charlie Orange
by
Robbie Miller
Based on a tempo of (+/- 10%) and a similar genre
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Robbie Miller
Charlie Orange
100 bpm • B min • 02:55 • -10.61db
3% Popularity • 60% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Ngaiire
Shiver
100 bpm • C Maj • 04:10 • -7.43db
19% Popularity • 71% Danceability • 71% Energy • 8% Liveness
23% Instrumentalness • 82% Positiveness
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The Jezabels
If You Go - triple j Like A Version
100 bpm • F Maj • 04:05 • -7.57db
27% Popularity • 61% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Big Scary
Come as You Are - triple j Like A Versio...
100 bpm • F min • 05:18 • -11.35db
32% Popularity • 77% Danceability • 28% Energy • 8% Liveness
3% Instrumentalness • 72% Positiveness
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Hein Cooper
Like That
100 bpm • C Maj • 03:26 • -7.14db
23% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Azure Ryder
Don't Start Now - triple j Like A Versio...
100 bpm • A min • 03:08 • -8.27db
29% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Thelma Plum
Body Do The Talking
100 bpm • G Maj • 02:26 • -8.84db
35% Popularity • 83% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Miiesha
Neon Moon
100 bpm • B Maj • 03:20 • -11.3db
35% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Alice Skye
For Every Year
100 bpm • G Maj • 04:49 • -16.97db
10% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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LAUREL
Same Mistakes
100 bpm • C Maj • 04:25 • -4.46db
40% Popularity • 57% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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George Alice
Circles - Acoustic
100 bpm • C# min • 03:27 • -9.18db
27% Popularity • 48% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Boy & Bear
3 Moons
100 bpm • G Maj • 04:10 • -14.77db
22% Popularity • 33% Danceability • 32% Energy • 7% Liveness
12% Instrumentalness • 16% Positiveness
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Tay Oskee
That Place
100 bpm • D Maj • 04:38 • -10.81db
30% Popularity • 51% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Michael Dunstan
Smiling at Strangers
100 bpm • A# Maj • 03:52 • -8.72db
19% Popularity • 51% Danceability • 55% Energy • 8% Liveness
6% Instrumentalness • 32% Positiveness
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Nick Cunningham
Dark Blue Sweater
101 bpm • F# min • 04:19 • -20db
36% Popularity • 65% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
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Angie McMahon
Missing Me
99 bpm • E min • 03:19 • -8.41db
43% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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LAUREL
Happy Man - triple j Like a Version
102 bpm • A# min • 03:23 • -10.01db
42% Popularity • 70% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Boy & Bear
Telescope - Acoustic
99 bpm • D Maj • 03:07 • -9.36db
33% Popularity • 61% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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James Abberley
Into the Sun
102 bpm • C Maj • 03:40 • -9db
22% Popularity • 71% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Vlossom
Fast Car - triple j Like A Version
98 bpm • A Maj • 04:12 • -12.12db
32% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Ok Moon
Loved You Right
98 bpm • G# Maj • 03:41 • -9.59db
18% Popularity • 66% Danceability • 44% Energy • 14% Liveness
6% Instrumentalness • 32% Positiveness
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Angie McMahon
Soon
98 bpm • E Maj • 03:43 • -12.23db
40% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Hein Cooper
Turbulent Heart
98 bpm • A min • 03:25 • -6.69db
10% Popularity • 61% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Ainslie Wills
Running Second - Single Version
98 bpm • G# Maj • 03:54 • -12db
20% Popularity • 78% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Alexander Biggs
Postal Address
98 bpm • E min • 03:42 • -9.99db
12% Popularity • 54% Danceability • 51% Energy • 9% Liveness
32% Instrumentalness • 24% Positiveness
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Jimblah
What's Going On - triple j Like A Versio...
102 bpm • D Maj • 04:24 • -11.11db
25% Popularity • 66% Danceability • 37% Energy • 90% Liveness
0% Instrumentalness • 40% Positiveness
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The Dreggs
Head Above The Water
98 bpm • E Maj • 03:35 • -8.63db
37% Popularity • 53% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 21% Positiveness
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Xavier Dunn
Good Time
102 bpm • C Maj • 03:27 • -6.79db
21% Popularity • 59% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Mimi Gilbert
Taught to Build Walls
98 bpm • G Maj • 03:41 • -8.39db
30% Popularity • 60% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
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Ainslie Wills
Running Second
98 bpm • G# Maj • 04:29 • -13db
11% Popularity • 76% Danceability • 26% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
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Art of Sleeping
If Only You Could Ease My Mind
98 bpm • D min • 03:36 • -6.97db
46% Popularity • 55% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Boy & Bear
Suck On Light - Edit
103 bpm • C Maj • 04:00 • -5.06db
19% Popularity • 54% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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The Dreggs
Call Me Home
98 bpm • A Maj • 03:21 • -8.13db
50% Popularity • 67% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
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Didirri
Blue Mood Rising
103 bpm • E Maj • 02:53 • -10db
35% Popularity • 58% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 81% Positiveness
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Israel Cannan
Out to Sea
103 bpm • C min • 02:00 • -9db
47% Popularity • 69% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Ainslie Wills
Two Strong Hearts
97 bpm • D Maj • 03:06 • -11.2db
44% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Make The Moon
The Race
97 bpm • D Maj • 03:25 • -7.61db
29% Popularity • 67% Danceability • 65% Energy • 61% Liveness
0% Instrumentalness • 42% Positiveness
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Boy & Bear
Suck On Light
103 bpm • C Maj • 04:38 • -5.38db
28% Popularity • 51% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Tyne-James Organ
Something New
97 bpm • B min • 03:30 • -5db
24% Popularity • 55% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Alice Skye
Everything Is Great
96 bpm • G Maj • 02:52 • -8.24db
19% Popularity • 56% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Dreggs
You and Me
103 bpm • C Maj • 03:19 • -10.13db
51% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Sycco
Solid Gold
104 bpm • C# Maj • 03:21 • -7.19db
26% Popularity • 66% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Riley Pearce
Electricity
104 bpm • D min • 03:42 • -9.8db
42% Popularity • 71% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Rossa Murray & the blowin' winds
Melancholy
96 bpm • B min • 04:01 • -13.13db
8% Popularity • 45% Danceability • 30% Energy • 13% Liveness
22% Instrumentalness • 46% Positiveness
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Robbie Miller
So Long
104 bpm • G Maj • 02:48 • -9.78db
0% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Thelma Plum
Homecoming Queen Strings
96 bpm • B Maj • 04:22 • -9.57db
24% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ok Moon
Back to You
96 bpm • G min • 05:03 • -9.58db
7% Popularity • 26% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Azure Ryder
Wolves
96 bpm • D Maj • 02:43 • -9db
52% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Asha Jefferies
Bad Kisser
96 bpm • G Maj • 03:14 • -8.96db
15% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Nick Cunningham
California
96 bpm • D# min • 03:48 • -10.06db
44% Popularity • 77% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Angie McMahon
Knowing Me, Knowing You - triple j Like ...
96 bpm • A Maj • 04:02 • -13.17db
44% Popularity • 64% Danceability • 29% Energy • 12% Liveness
51% Instrumentalness • 50% Positiveness
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Benny Walker
We're Home
105 bpm • A Maj • 03:38 • -9.76db
15% Popularity • 55% Danceability • 61% Energy • 44% Liveness
7% Instrumentalness • 20% Positiveness
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The Dreggs
Let You Go
105 bpm • D Maj • 03:44 • -8.41db
38% Popularity • 66% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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George Alice
Circles
105 bpm • C# min • 03:04 • -8.32db
39% Popularity • 53% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Dunstan
Smoulder or Ignite
105 bpm • D# Maj • 03:21 • -9.63db
23% Popularity • 64% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
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Pat Devlin
Outrunning Rivers
105 bpm • G Maj • 03:50 • -8.03db
15% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Tay Oskee
Like Waves
95 bpm • B min • 03:49 • -7db
26% Popularity • 24% Danceability • 68% Energy • 22% Liveness
1% Instrumentalness • 39% Positiveness
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#1 Dads
Twice a Fool
95 bpm • C Maj • 04:43 • -8.66db
29% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Jack the Fox
Exit Plan
105 bpm • C# Maj • 03:38 • -7.41db
9% Popularity • 66% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Jack Davies and The Bush Chooks
Half Frozen Beer
95 bpm • F Maj • 04:35 • -7.97db
23% Popularity • 43% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Josh Pyke
You're My Colour
95 bpm • D Maj • 04:20 • -6.17db
27% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Pat Devlin
To Stay
105 bpm • A Maj • 03:25 • -10.79db
18% Popularity • 73% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Gretta Ray
Drive
106 bpm • A Maj • 05:02 • -9db
43% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Banjo Lucia
That's Not Loving
94 bpm • D Maj • 03:34 • -9.92db
18% Popularity • 41% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Robbie Miller
Sunday
94 bpm • C Maj • 03:39 • -11.49db
10% Popularity • 54% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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George Alice
Teenager
94 bpm • G# Maj • 03:06 • -7.1db
26% Popularity • 66% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Sycco
Dribble
94 bpm • B min • 04:00 • -5.92db
49% Popularity • 58% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Didirri
Tea Stains
94 bpm • A Maj • 02:46 • -12.16db
25% Popularity • 69% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Xavier Dunn
You Lately
94 bpm • A Maj • 03:07 • -6.35db
29% Popularity • 77% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Don Fontenot
La vieille berceuse (The Old Rocker)
94 bpm • D Maj • 03:23 • -5.39db
0% Popularity • 19% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Caravãna Sun
Come Back
94 bpm • D min • 03:53 • -7.67db
17% Popularity • 26% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 27% Positiveness
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Ruby Gill
Your Mum
93 bpm • F Maj • 03:21 • -10.7db
22% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Robbie Miller
Show Your Skin - Inspired Insomniac Remi...
93 bpm • E min • 03:58 • -9.59db
0% Popularity • 54% Danceability • 62% Energy • 38% Liveness
7% Instrumentalness • 14% Positiveness
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Boy & Bear
Telescope
93 bpm • C# Maj • 03:23 • -5.29db
28% Popularity • 53% Danceability • 92% Energy • 10% Liveness
12% Instrumentalness • 62% Positiveness
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Azure Ryder
Some Kind Of Love
108 bpm • A min • 03:48 • -7db
31% Popularity • 55% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Lawson Hull
Bad Habit
108 bpm • D Maj • 03:21 • -8.34db
18% Popularity • 66% Danceability • 63% Energy • 20% Liveness
15% Instrumentalness • 61% Positiveness
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No Mono
Keep On
108 bpm • E min • 04:55 • -8.35db
30% Popularity • 80% Danceability • 49% Energy • 12% Liveness
14% Instrumentalness • 38% Positiveness
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Emily Wurramara
Hey Love
108 bpm • C# min • 03:36 • -9.01db
23% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Robbie Miller
Show Your Skin
93 bpm • E min • 03:17 • -10db
20% Popularity • 61% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Tay Oskee
Better Like This
93 bpm • F# Maj • 03:34 • -9db
38% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jess Day
New Shoes
92 bpm • E Maj • 02:58 • -6.56db
10% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Sycco
Embrace - triple j Like A Version
109 bpm • D Maj • 04:50 • -11.26db
27% Popularity • 54% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Thelma Plum
Love and War
92 bpm • A Maj • 03:28 • -10db
28% Popularity • 69% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Michael Dunstan
Endless Skies
92 bpm • F Maj • 02:29 • -10db
33% Popularity • 69% Danceability • 57% Energy • 10% Liveness
17% Instrumentalness • 67% Positiveness
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Paul Dempsey
Edge Of Town - triple j Like A Version
109 bpm • G# Maj • 03:37 • -6.9db
34% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Don Fontenot
You and Me Makes We
109 bpm • C# min • 03:42 • -3.82db
0% Popularity • 59% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Joel Leggett
Summer
109 bpm • G# Maj • 03:40 • -7.67db
24% Popularity • 77% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Maddy Jane
Crazy Jane Talks to the Bishop
92 bpm • E Maj • 04:04 • -8.71db
8% Popularity • 55% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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APRE
All Yours - Mahogany Sessions
109 bpm • B min • 02:40 • -9.63db
35% Popularity • 67% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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Israel Cannan
Ageless
91 bpm • F Maj • 03:09 • -10db
38% Popularity • 60% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Alice Skye
Poetry By Text
110 bpm • E Maj • 04:31 • -16db
16% Popularity • 61% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Meg Mac
Bridges - triple j Like A Version
91 bpm • C min • 03:36 • -7.3db
32% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Cousin Tony's Brand New Firebird
Head Home
110 bpm • B Maj • 04:32 • -12db
30% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Gordi
Unready
110 bpm • F Maj • 03:42 • -7db
19% Popularity • 45% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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#1 Dads
Another Day
110 bpm • C Maj • 03:38 • -8db
29% Popularity • 79% Danceability • 55% Energy • 12% Liveness
3% Instrumentalness • 97% Positiveness
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Robbie Miller
The Pain
110 bpm • A# min • 02:58 • -6.53db
8% Popularity • 53% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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Matt Corby
Letters
91 bpm • G Maj • 03:25 • -8.51db
24% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Jack Botts
Northern Rivers
110 bpm • F Maj • 04:16 • -11db
28% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Azure Ryder
Stir The Dust
110 bpm • C Maj • 03:15 • -7.71db
29% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Miiesha
Hold Strong
110 bpm • C# min • 02:54 • -7.73db
26% Popularity • 80% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Charlie Orange