Songs like Chateau - Holmsey Remix by Angus & Julia Stone
Based on a tempo of (+/- 10%) and a similar genre
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Angus & Julia Stone
Bella
101 bpm • A# Maj • 04:08 • -16.97db
38% Popularity • 47% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
38% Popularity • 47% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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The Barr Brothers
Even the Darkness Has Arms
101 bpm • B Maj • 03:50 • -13.1db
61% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
61% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
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Novo Amor
From Gold
100 bpm • F Maj • 03:34 • -13.31db
66% Popularity • 39% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
66% Popularity • 39% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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LAUREL
Life Worth Living
102 bpm • F min • 04:04 • -5.1db
52% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Hollow Coves
Coastline
100 bpm • D Maj • 03:53 • -11.29db
58% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
58% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Nick Mulvey
Begin Again
102 bpm • G Maj • 04:35 • -9db
48% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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DOPE LEMON
Rose Pink Cadillac
100 bpm • C# Maj • 04:21 • -6.83db
69% Popularity • 75% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
69% Popularity • 75% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Aaron Espe
Making All Things New
100 bpm • C Maj • 02:39 • -11db
65% Popularity • 79% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
65% Popularity • 79% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Lykke Li
I Know Places
102 bpm • G min • 06:26 • -14.04db
47% Popularity • 37% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
47% Popularity • 37% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Angus & Julia Stone
And The Boys
100 bpm • F min • 04:09 • -9db
40% Popularity • 79% Danceability • 42% Energy • 13% Liveness
2% Instrumentalness • 51% Positiveness
40% Popularity • 79% Danceability • 42% Energy • 13% Liveness
2% Instrumentalness • 51% Positiveness
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Hollow Coves
We Will Run
100 bpm • B Maj • 04:15 • -9.59db
39% Popularity • 64% Danceability • 63% Energy • 16% Liveness
5% Instrumentalness • 50% Positiveness
39% Popularity • 64% Danceability • 63% Energy • 16% Liveness
5% Instrumentalness • 50% Positiveness
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Angus Stone
Be What You Be
99 bpm • E Maj • 04:52 • -11db
25% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Dustin Tebbutt
The Breach
103 bpm • C# Maj • 04:13 • -7.48db
47% Popularity • 63% Danceability • 62% Energy • 12% Liveness
10% Instrumentalness • 52% Positiveness
47% Popularity • 63% Danceability • 62% Energy • 12% Liveness
10% Instrumentalness • 52% Positiveness
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Ocie Elliott
Thinking About You
99 bpm • A Maj • 02:57 • -13.66db
65% Popularity • 64% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 15% Positiveness
65% Popularity • 64% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 15% Positiveness
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James Vincent McMorrow
Follow You Down To The Red Oak Tree
103 bpm • E min • 03:27 • -13.45db
17% Popularity • 48% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 48% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Angus & Julia Stone
Sleep Alone
102 bpm • C Maj • 04:29 • -8.89db
33% Popularity • 57% Danceability • 66% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
33% Popularity • 57% Danceability • 66% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
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Mat McHugh
A Pocketful Of Shells
99 bpm • C# min • 03:48 • -11.38db
50% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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flora cash
You're Somebody Else
103 bpm • C# Maj • 03:39 • -9.06db
71% Popularity • 71% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
71% Popularity • 71% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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SYML
Where's My Love
104 bpm • C min • 03:22 • -10.11db
82% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
82% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Angie McMahon
Soon
98 bpm • E Maj • 03:43 • -12.23db
40% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Harrison Storm
Feeling You
104 bpm • C# min • 03:21 • -9.37db
66% Popularity • 64% Danceability • 50% Energy • 12% Liveness
16% Instrumentalness • 16% Positiveness
66% Popularity • 64% Danceability • 50% Energy • 12% Liveness
16% Instrumentalness • 16% Positiveness
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Maggie Rogers
Alaska
104 bpm • A min • 03:08 • -11db
73% Popularity • 85% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
73% Popularity • 85% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Fleet Foxes
If You Need To, Keep Time on Me
104 bpm • A Maj • 03:30 • -10.2db
58% Popularity • 52% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
58% Popularity • 52% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Angus & Julia Stone
Paper Aeroplane
104 bpm • B Maj • 03:41 • -12db
49% Popularity • 80% Danceability • 48% Energy • 9% Liveness
20% Instrumentalness • 43% Positiveness
49% Popularity • 80% Danceability • 48% Energy • 9% Liveness
20% Instrumentalness • 43% Positiveness
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SYML
Where's My Love - Acoustic
104 bpm • D# Maj • 03:59 • -11.32db
75% Popularity • 55% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
75% Popularity • 55% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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Nick Mulvey
Moment Of Surrender
104 bpm • D Maj • 04:59 • -9.18db
47% Popularity • 61% Danceability • 66% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
47% Popularity • 61% Danceability • 66% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
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Fink
Yesterday Was Hard On All Of Us
98 bpm • A min • 04:55 • -9.52db
46% Popularity • 59% Danceability • 62% Energy • 15% Liveness
3% Instrumentalness • 23% Positiveness
46% Popularity • 59% Danceability • 62% Energy • 15% Liveness
3% Instrumentalness • 23% Positiveness
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Villagers
Courage
105 bpm • C Maj • 04:47 • -11.83db
47% Popularity • 74% Danceability • 30% Energy • 23% Liveness
14% Instrumentalness • 30% Positiveness
47% Popularity • 74% Danceability • 30% Energy • 23% Liveness
14% Instrumentalness • 30% Positiveness
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Kygo
For What It's Worth
105 bpm • A min • 03:03 • -11db
53% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
53% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Jack Johnson
Sitting, Waiting, Wishing
105 bpm • C Maj • 03:03 • -7.25db
71% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
71% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Rhye
The Fall
105 bpm • F Maj • 03:44 • -13db
65% Popularity • 66% Danceability • 62% Energy • 18% Liveness
70% Instrumentalness • 78% Positiveness
65% Popularity • 66% Danceability • 62% Energy • 18% Liveness
70% Instrumentalness • 78% Positiveness
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Nick Mulvey
We Are Never Apart
104 bpm • F# Maj • 04:34 • -8db
52% Popularity • 71% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
52% Popularity • 71% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
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The National
About Today - 2021 Remaster
105 bpm • A min • 04:10 • -13.7db
59% Popularity • 55% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 42% Positiveness
59% Popularity • 55% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 42% Positiveness
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Fionn Regan
The Meetings of the Waters
105 bpm • B Maj • 05:00 • -16db
45% Popularity • 64% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
45% Popularity • 64% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Tall Heights
Horse to Water
97 bpm • F# min • 04:04 • -9.14db
51% Popularity • 52% Danceability • 62% Energy • 50% Liveness
7% Instrumentalness • 51% Positiveness
51% Popularity • 52% Danceability • 62% Energy • 50% Liveness
7% Instrumentalness • 51% Positiveness
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Patrick Watson
The Great Escape
105 bpm • F# Maj • 03:07 • -16.83db
63% Popularity • 46% Danceability • 7% Energy • 11% Liveness
10% Instrumentalness • 23% Positiveness
63% Popularity • 46% Danceability • 7% Energy • 11% Liveness
10% Instrumentalness • 23% Positiveness
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Cigarettes After Sex
Nothing's Gonna Hurt You Baby
97 bpm • E Maj • 04:46 • -14.07db
76% Popularity • 51% Danceability • 33% Energy • 11% Liveness
15% Instrumentalness • 10% Positiveness
76% Popularity • 51% Danceability • 33% Energy • 11% Liveness
15% Instrumentalness • 10% Positiveness
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Nick Mulvey
Cucurucu
97 bpm • F# min • 04:27 • -7.93db
56% Popularity • 56% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 56% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Passenger
Shape of Love
106 bpm • C# min • 03:08 • -9db
59% Popularity • 62% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 62% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Angus & Julia Stone
Snow
106 bpm • D Maj • 04:12 • -7.54db
42% Popularity • 74% Danceability • 57% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
42% Popularity • 74% Danceability • 57% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
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Sons Of The East
Miramare
106 bpm • G# min • 03:48 • -10db
56% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Blanco White
El Búho
106 bpm • D# min • 03:51 • -12.32db
56% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Yoke Lore
Truly Madly Deeply - Recorded at Spotify...
106 bpm • C min • 03:10 • -14.07db
63% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
63% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Nick Mulvey
Unconditional
97 bpm • F# min • 03:44 • -7.04db
49% Popularity • 59% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 59% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Ocie Elliott
Be Around
96 bpm • B Maj • 03:15 • -14.9db
62% Popularity • 86% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
62% Popularity • 86% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
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Nick Cunningham
California
96 bpm • D# min • 03:48 • -10.06db
45% Popularity • 77% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 77% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Palace
Live Well
96 bpm • D Maj • 04:09 • -5.39db
69% Popularity • 50% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
69% Popularity • 50% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Hollow Coves
The Woods
106 bpm • A Maj • 04:02 • -11.83db
47% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
69% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Nick Mulvey
Meet Me There
97 bpm • E Maj • 03:26 • -7.49db
57% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
57% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Blind Pilot
The Story I Heard
96 bpm • C# Maj • 04:33 • -13db
54% Popularity • 74% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 74% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Blanco White
Samara
106 bpm • C min • 04:12 • -10.02db
55% Popularity • 40% Danceability • 59% Energy • 9% Liveness
68% Instrumentalness • 12% Positiveness
55% Popularity • 40% Danceability • 59% Energy • 9% Liveness
68% Instrumentalness • 12% Positiveness
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Bombay Bicycle Club
You Already Know
95 bpm • D Maj • 04:22 • -16db
44% Popularity • 66% Danceability • 21% Energy • 10% Liveness
7% Instrumentalness • 50% Positiveness
44% Popularity • 66% Danceability • 21% Energy • 10% Liveness
7% Instrumentalness • 50% Positiveness
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Fink
Trouble’s What You’re In
107 bpm • F min • 04:26 • -11db
45% Popularity • 62% Danceability • 42% Energy • 11% Liveness
5% Instrumentalness • 37% Positiveness
45% Popularity • 62% Danceability • 42% Energy • 11% Liveness
5% Instrumentalness • 37% Positiveness
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The Head And The Heart
Lost in My Mind
95 bpm • D Maj • 04:19 • -9db
61% Popularity • 37% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 37% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Nick Mulvey
In Your Hands - Single Version
106 bpm • D# Maj • 03:50 • -9db
55% Popularity • 60% Danceability • 60% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
55% Popularity • 60% Danceability • 60% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
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Ocie Elliott
Down by the Water
95 bpm • E Maj • 02:58 • -12db
75% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
75% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Angus Stone
Clouds Above
95 bpm • F# Maj • 02:51 • -12.73db
24% Popularity • 50% Danceability • 34% Energy • 11% Liveness
17% Instrumentalness • 6% Positiveness
24% Popularity • 50% Danceability • 34% Energy • 11% Liveness
17% Instrumentalness • 6% Positiveness
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Bright Eyes
First Day of My Life
95 bpm • C# min • 03:08 • -14.37db
69% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Cat Power
The Greatest
107 bpm • C Maj • 03:22 • -9.68db
60% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Angie McMahon
Slow Mover
95 bpm • D# Maj • 03:10 • -7.1db
52% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Nick Mulvey
Fever To The Form
106 bpm • C min • 04:12 • -8.93db
68% Popularity • 36% Danceability • 55% Energy • 11% Liveness
6% Instrumentalness • 26% Positiveness
68% Popularity • 36% Danceability • 55% Energy • 11% Liveness
6% Instrumentalness • 26% Positiveness
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Villagers
Dawning On Me
95 bpm • G Maj • 03:19 • -14.32db
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Michael Kiwanuka
One More Night
108 bpm • F# min • 03:53 • -5.34db
64% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
64% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Haux
Calico
108 bpm • C Maj • 03:51 • -16.26db
57% Popularity • 36% Danceability • 24% Energy • 7% Liveness
56% Instrumentalness • 30% Positiveness
57% Popularity • 36% Danceability • 24% Energy • 7% Liveness
56% Instrumentalness • 30% Positiveness
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James Vincent McMorrow
If I Had A Boat
108 bpm • G Maj • 04:08 • -10db
26% Popularity • 46% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
26% Popularity • 46% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Fink
We Watch The Stars - Berlin Session
94 bpm • A Maj • 03:45 • -15.78db
57% Popularity • 58% Danceability • 19% Energy • 11% Liveness
5% Instrumentalness • 31% Positiveness
57% Popularity • 58% Danceability • 19% Energy • 11% Liveness
5% Instrumentalness • 31% Positiveness
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Nick Mulvey
Hold On, We're Going Home - BBC Live Ver...
108 bpm • G# Maj • 03:16 • -13.44db
50% Popularity • 60% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 60% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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George Ezra
Barcelona
94 bpm • F Maj • 03:08 • -9.33db
67% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
67% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Henry Green
Electric Feel
94 bpm • D# min • 03:19 • -16.44db
56% Popularity • 40% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 40% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Ziggy Alberts
Love Me Now
109 bpm • C Maj • 04:03 • -9.19db
52% Popularity • 73% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 73% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Angus & Julia Stone
Sylvester Stallone
109 bpm • C Maj • 03:22 • -10.18db
27% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Angus Stone
Wooden Chair
109 bpm • B Maj • 03:25 • -10db
37% Popularity • 78% Danceability • 62% Energy • 12% Liveness
62% Instrumentalness • 96% Positiveness
37% Popularity • 78% Danceability • 62% Energy • 12% Liveness
62% Instrumentalness • 96% Positiveness
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The xx
VCR
109 bpm • C Maj • 02:57 • -12.73db
60% Popularity • 76% Danceability • 48% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
60% Popularity • 76% Danceability • 48% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
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Novo Amor
Carry You
93 bpm • G Maj • 04:33 • -7.99db
68% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
68% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
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Ocie Elliott
Take Me Home
110 bpm • F# Maj • 03:01 • -11db
65% Popularity • 74% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
65% Popularity • 74% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Florence + The Machine
You've Got The Love
110 bpm • F# Maj • 02:48 • -4.7db
77% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
77% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Angus & Julia Stone
Black Crow
93 bpm • C Maj • 03:50 • -10.45db
33% Popularity • 88% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 88% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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SYML
Girl - Acoustic
110 bpm • C# Maj • 03:31 • -12db
59% Popularity • 41% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
59% Popularity • 41% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
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Angus Stone
The Wolf and The Butler
109 bpm • C# Maj • 04:10 • -11.6db
29% Popularity • 71% Danceability • 28% Energy • 9% Liveness
14% Instrumentalness • 26% Positiveness
29% Popularity • 71% Danceability • 28% Energy • 9% Liveness
14% Instrumentalness • 26% Positiveness
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Feist
1234
110 bpm • D Maj • 03:03 • -7.42db
63% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Sons Of The East
Into The Sun - EP Version
110 bpm • B Maj • 05:00 • -10.27db
61% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
61% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ziggy Alberts
Runaway
110 bpm • F Maj • 04:32 • -11.94db
62% Popularity • 75% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 75% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Angus & Julia Stone
Big Jet Plane
110 bpm • A# min • 03:42 • -9db
32% Popularity • 71% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
32% Popularity • 71% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
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Nick Mulvey
Mountain To Move
110 bpm • G Maj • 03:56 • -6.41db
58% Popularity • 66% Danceability • 95% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
58% Popularity • 66% Danceability • 95% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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Villagers
Everything I Am Is Yours
110 bpm • E min • 03:30 • -11.15db
61% Popularity • 87% Danceability • 50% Energy • 14% Liveness
27% Instrumentalness • 69% Positiveness
61% Popularity • 87% Danceability • 50% Energy • 14% Liveness
27% Instrumentalness • 69% Positiveness
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Gregory Alan Isakov
Big Black Car
110 bpm • D# Maj • 03:37 • -15.93db
77% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
77% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Palace
Veins
110 bpm • C Maj • 04:29 • -9.72db
47% Popularity • 43% Danceability • 27% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
47% Popularity • 43% Danceability • 27% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Ziggy Alberts
Laps Around The Sun
110 bpm • E min • 03:26 • -8.99db
57% Popularity • 77% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
57% Popularity • 77% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Angus & Julia Stone
Passionfruit - triple j Like a Version
110 bpm • G# min • 04:28 • -12db
47% Popularity • 53% Danceability • 42% Energy • 11% Liveness
10% Instrumentalness • 41% Positiveness
47% Popularity • 53% Danceability • 42% Energy • 11% Liveness
10% Instrumentalness • 41% Positiveness
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Jack Johnson
Better Together
110 bpm • F Maj • 03:27 • -9.48db
76% Popularity • 87% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
76% Popularity • 87% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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DOPE LEMON
Marinade
110 bpm • D Maj • 03:57 • -6.53db
69% Popularity • 68% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
69% Popularity • 68% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
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Old Sea Brigade
Tidal Wave
93 bpm • C Maj • 03:17 • -10.24db
56% Popularity • 77% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 28% Positiveness
56% Popularity • 77% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 28% Positiveness
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Michael Kiwanuka
Cold Little Heart - Radio Edit
110 bpm • G min • 03:30 • -6.21db
76% Popularity • 63% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
76% Popularity • 63% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
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Boy & Bear
Wicked Game - Acoustic
110 bpm • A Maj • 04:12 • -9.93db
45% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Angus & Julia Stone
Big Jet Plane
110 bpm • A# min • 03:59 • -8.62db
62% Popularity • 77% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
62% Popularity • 77% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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The Beautiful Girls
La Mar (The Ocean)
92 bpm • G# Maj • 03:57 • -9.64db
52% Popularity • 84% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
52% Popularity • 84% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
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Bon Iver
For Emma
111 bpm • E min • 03:40 • -11.12db
68% Popularity • 67% Danceability • 61% Energy • 13% Liveness
18% Instrumentalness • 57% Positiveness
68% Popularity • 67% Danceability • 61% Energy • 13% Liveness
18% Instrumentalness • 57% Positiveness
