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Chatterbox - (First Set 28 Sept 78) [Live]
Songs like
Chatterbox - (First Set 28 Sept 78) [Live]
by
Sid Vicious
Based on a tempo of (+/- 10%) and a similar genre
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Sid Vicious
Never Again
73 bpm • F# Maj • 02:40 • -17.31db
4% Popularity • 59% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
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The Clash
Dirty Punk
76 bpm • C Maj • 03:09 • -12.13db
22% Popularity • 36% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Tales Of Terror
Hound Dog
77 bpm • E Maj • 02:09 • -7.53db
10% Popularity • 18% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Chelsea
Urban Kids
77 bpm • D Maj • 02:56 • -8.05db
11% Popularity • 45% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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The Toy Dolls
Blue Suede Shoes
78 bpm • A Maj • 02:16 • -6.07db
25% Popularity • 58% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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John Lydon
It's Just a Load of Rubbish
79 bpm • G Maj • 07:24 • -22db
1% Popularity • 56% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Sid Vicious
No Lip
72 bpm • E Maj • 02:52 • -7.59db
8% Popularity • 26% Danceability • 65% Energy • 90% Liveness
86% Instrumentalness • 30% Positiveness
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The Undertones
Hypnotised
80 bpm • G Maj • 02:31 • -8.56db
30% Popularity • 56% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Exploited
Punk's Not Dead
79 bpm • C# min • 01:51 • -2db
36% Popularity • 42% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Germs
Forming
81 bpm • E Maj • 01:37 • -8.06db
28% Popularity • 32% Danceability • 89% Energy • 37% Liveness
8% Instrumentalness • 26% Positiveness
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The Toy Dolls
Cheerio and Toodle Pip
82 bpm • G# Maj • 03:45 • -6.18db
17% Popularity • 42% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 49% Positiveness
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John Lydon
Let's Go Round His House and Nick His Te...
81 bpm • G Maj • 03:47 • -22db
3% Popularity • 55% Danceability • 29% Energy • 19% Liveness
1% Instrumentalness • 55% Positiveness
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Sid Vicious
No lip
81 bpm • B min • 01:15 • -8.56db
16% Popularity • 32% Danceability • 86% Energy • 95% Liveness
10% Instrumentalness • 28% Positiveness
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The Undertones
Dig Yourself Deep
81 bpm • D Maj • 01:51 • -4.44db
24% Popularity • 36% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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The Exploited
Punk's Not Dead - Short Intro
81 bpm • A Maj • 01:40 • -12db
33% Popularity • 34% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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The Dictators
California Sun
85 bpm • G Maj • 03:03 • -7db
18% Popularity • 40% Danceability • 92% Energy • 51% Liveness
0% Instrumentalness • 22% Positiveness
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The Saints
I'm Stranded
85 bpm • F# Maj • 03:32 • -12db
37% Popularity • 35% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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John Lydon
I'm The Best Singer in the World
62 bpm • G Maj • 03:22 • -24.17db
2% Popularity • 65% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Sid Vicious
I'm Not Stupid - It's the Way I Operate
62 bpm • D Maj • 02:07 • -19.4db
4% Popularity • 66% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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Misfits
Attitude
87 bpm • D Maj • 01:31 • -7db
58% Popularity • 38% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Anti-Nowhere League
I Hate People
87 bpm • G Maj • 02:34 • -6.18db
27% Popularity • 48% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Cockney Rejects
War on the Terraces (For the Firm)
88 bpm • E Maj • 02:36 • -6.31db
22% Popularity • 29% Danceability • 95% Energy • 48% Liveness
0% Instrumentalness • 54% Positiveness
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The Adverts
On the Roof
88 bpm • A Maj • 03:01 • -6.71db
16% Popularity • 33% Danceability • 66% Energy • 8% Liveness
4% Instrumentalness • 42% Positiveness
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The Alley Cats
Nothing Means Nothing Anymore
89 bpm • C Maj • 03:15 • -9db
15% Popularity • 43% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Sid Vicious
Chatter Box
73 bpm • A Maj • 01:58 • -9.7db
1% Popularity • 24% Danceability • 75% Energy • 29% Liveness
80% Instrumentalness • 33% Positiveness
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Misfits
Horror Business
91 bpm • F Maj • 02:45 • -8.45db
46% Popularity • 32% Danceability • 94% Energy • 23% Liveness
1% Instrumentalness • 6% Positiveness
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The Toy Dolls
She Goes to Finos
91 bpm • D Maj • 03:37 • -4.88db
31% Popularity • 63% Danceability • 94% Energy • 58% Liveness
0% Instrumentalness • 79% Positiveness
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Menace
Screwed Up
91 bpm • C# Maj • 03:01 • -5db
16% Popularity • 32% Danceability • 98% Energy • 9% Liveness
75% Instrumentalness • 48% Positiveness
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The Adverts
Bombsite Boy
89 bpm • A Maj • 03:27 • -8.07db
15% Popularity • 26% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
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The Members
The Sound Of The Suburbs
91 bpm • G Maj • 03:53 • -5.8db
36% Popularity • 56% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Sid Vicious
Something else
70 bpm • E Maj • 03:11 • -8.48db
5% Popularity • 36% Danceability • 66% Energy • 91% Liveness
83% Instrumentalness • 21% Positiveness
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Misfits
We Are 138
91 bpm • E min • 01:41 • -5.83db
54% Popularity • 41% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Lords Of The New Church
New Church
91 bpm • A Maj • 03:32 • -5.47db
24% Popularity • 41% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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The Undertones
There Goes Norman
92 bpm • B Maj • 02:27 • -9.53db
22% Popularity • 50% Danceability • 82% Energy • 37% Liveness
12% Instrumentalness • 91% Positiveness
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Johnny Moped
Incendiary Device
92 bpm • B min • 02:11 • -13.86db
21% Popularity • 45% Danceability • 63% Energy • 71% Liveness
0% Instrumentalness • 87% Positiveness
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Dead Kennedys
Back in the USSR
92 bpm • A Maj • 02:31 • -3.85db
29% Popularity • 45% Danceability • 93% Energy • 70% Liveness
0% Instrumentalness • 61% Positiveness
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Sid Vicious
Chatterbox
73 bpm • A Maj • 01:56 • -8db
14% Popularity • 29% Danceability • 79% Energy • 66% Liveness
59% Instrumentalness • 24% Positiveness
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The Rezillos
Getting Me Down
92 bpm • F Maj • 02:07 • -11.47db
23% Popularity • 55% Danceability • 73% Energy • 26% Liveness
36% Instrumentalness • 98% Positiveness
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The Controllers
(The Original) Neutron Bomb
92 bpm • B min • 02:05 • -4.68db
21% Popularity • 42% Danceability • 94% Energy • 10% Liveness
87% Instrumentalness • 61% Positiveness
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The Business
Suburban Rebels
92 bpm • G Maj • 02:17 • -6.32db
31% Popularity • 35% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Peter and the Test Tube Babies
I'm the Leader of the Gang
92 bpm • D Maj • 04:08 • -12.76db
8% Popularity • 31% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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The Violators
Summer of '81
93 bpm • A min • 03:24 • -4db
12% Popularity • 28% Danceability • 94% Energy • 7% Liveness
8% Instrumentalness • 13% Positiveness
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Sid Vicious
Foreplay
74 bpm • C Maj • 01:22 • -25db
3% Popularity • 42% Danceability • 31% Energy • 46% Liveness
97% Instrumentalness • 4% Positiveness
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Anti-Nowhere League
So What
93 bpm • D Maj • 03:11 • -5db
24% Popularity • 46% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Joneses
Pill Box
93 bpm • D Maj • 02:16 • -3.77db
19% Popularity • 33% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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The Business
Harry May
92 bpm • A Maj • 02:13 • -6.19db
25% Popularity • 42% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Cockney Rejects
Flares 'N' Slippers
93 bpm • A Maj • 01:40 • -15db
23% Popularity • 35% Danceability • 64% Energy • 38% Liveness
90% Instrumentalness • 65% Positiveness
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The Violators
Summer Of '81
93 bpm • A min • 03:26 • -11db
17% Popularity • 36% Danceability • 86% Energy • 7% Liveness
17% Instrumentalness • 23% Positiveness
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The Rezillos
Mystery Action
94 bpm • D Maj • 02:51 • -10.61db
15% Popularity • 49% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Sid Vicious
Take a Chance with Me
76 bpm • E Maj • 02:47 • -8db
17% Popularity • 27% Danceability • 87% Energy • 54% Liveness
87% Instrumentalness • 28% Positiveness
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The Adverts
Back from the Dead
94 bpm • B min • 01:41 • -4.11db
23% Popularity • 50% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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New York Dolls
Seven Day Weekend
93 bpm • C Maj • 03:25 • -7.27db
27% Popularity • 54% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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The Dictators
Faster and Louder
94 bpm • C# min • 02:48 • -5.99db
18% Popularity • 47% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Slaughter & The Dogs
Cranked Up Really High
94 bpm • B min • 04:03 • -14.42db
15% Popularity • 42% Danceability • 68% Energy • 88% Liveness
0% Instrumentalness • 12% Positiveness
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T.S.O.L.
Nothin' for You
94 bpm • A min • 02:30 • -15.34db
29% Popularity • 42% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Sid Vicious
Stepping stone
77 bpm • D Maj • 02:12 • -8.45db
7% Popularity • 42% Danceability • 85% Energy • 99% Liveness
0% Instrumentalness • 64% Positiveness
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John Lydon
Somewhere Where There's Lots of Things T...
94 bpm • C Maj • 00:50 • -26.06db
3% Popularity • 58% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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U.K. Subs
Endangered Species - Endangered Species
95 bpm • A min • 03:29 • -8.65db
8% Popularity • 24% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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The Dictators
Search & Destroy
95 bpm • F Maj • 03:26 • -12.33db
13% Popularity • 30% Danceability • 96% Energy • 65% Liveness
0% Instrumentalness • 17% Positiveness
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Fear
I Don't Care About You
95 bpm • A Maj • 01:50 • -9.7db
27% Popularity • 46% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Circle Jerks
Wild in the Streets (2018 Remaster)
95 bpm • A Maj • 01:35 • -4.14db
12% Popularity • 45% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Sid Vicious
Belsen
77 bpm • F# Maj • 02:56 • -15.81db
0% Popularity • 30% Danceability • 63% Energy • 94% Liveness
89% Instrumentalness • 16% Positiveness
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Blitz
Someone's Gonna Die
95 bpm • D Maj • 02:35 • -11db
34% Popularity • 40% Danceability • 79% Energy • 9% Liveness
80% Instrumentalness • 62% Positiveness
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U.K. Subs
Party in Paris
95 bpm • F Maj • 02:53 • -6.12db
21% Popularity • 48% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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The Rezillos
(My Baby Does) Good Sculptures
96 bpm • A Maj • 03:10 • -11.1db
26% Popularity • 55% Danceability • 82% Energy • 8% Liveness
25% Instrumentalness • 95% Positiveness
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GBH
Generals
97 bpm • G# Maj • 03:21 • -11.28db
28% Popularity • 13% Danceability • 94% Energy • 21% Liveness
1% Instrumentalness • 33% Positiveness
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Anti-Nowhere League
We're the League
97 bpm • D Maj • 02:44 • -9db
24% Popularity • 39% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Sid Vicious
Belsen Was a Gas
77 bpm • G# min • 02:34 • -8.84db
11% Popularity • 28% Danceability • 87% Energy • 32% Liveness
80% Instrumentalness • 56% Positiveness
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The Killjoys
Johnny Won't Get To Heaven
97 bpm • A Maj • 02:40 • -9.84db
13% Popularity • 23% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny & The Self Abusers
Saints and Sinners
98 bpm • B min • 01:51 • -10db
15% Popularity • 48% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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The Rezillos
Destination Venus
96 bpm • A Maj • 03:35 • -10.8db
24% Popularity • 36% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Naked Raygun
Surf Combat
98 bpm • B Maj • 01:16 • -14db
25% Popularity • 50% Danceability • 63% Energy • 8% Liveness
32% Instrumentalness • 66% Positiveness
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John Lydon
We Dont Ponce Around
98 bpm • G Maj • 03:44 • -22.03db
2% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Sid Vicious
My way
78 bpm • G# min • 02:36 • -10.07db
5% Popularity • 32% Danceability • 85% Energy • 37% Liveness
6% Instrumentalness • 53% Positiveness
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The Jam
Art School
98 bpm • D Maj • 02:01 • -9.67db
40% Popularity • 46% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Cockney Rejects
Where the Hell Is Babylon
99 bpm • D Maj • 02:27 • -5.93db
5% Popularity • 51% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Rezillos
No
96 bpm • G Maj • 02:22 • -11.81db
24% Popularity • 52% Danceability • 88% Energy • 10% Liveness
57% Instrumentalness • 90% Positiveness
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Slaughter & The Dogs
Where Have All The Bootboys Gone?
99 bpm • D min • 05:19 • -6.22db
27% Popularity • 16% Danceability • 97% Energy • 71% Liveness
5% Instrumentalness • 14% Positiveness
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Dead Kennedys
California Uber Alles
99 bpm • G# Maj • 03:03 • -5db
35% Popularity • 33% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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X
Johnny Hit and Run Paulene
99 bpm • A min • 02:49 • -6db
31% Popularity • 47% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Social Distortion
Mainliner
99 bpm • F Maj • 02:30 • -6.42db
30% Popularity • 42% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 36% Positiveness
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Sham 69
I Don't Wanna
99 bpm • A Maj • 01:45 • -5.22db
16% Popularity • 45% Danceability • 96% Energy • 26% Liveness
58% Instrumentalness • 67% Positiveness
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The Snivelling Shits
Et Moi, Et Moi, Et Moi
100 bpm • A# min • 02:28 • -11.1db
10% Popularity • 43% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Peter and the Test Tube Babies
Spirit of Keith Moon
101 bpm • D min • 05:18 • -6.31db
18% Popularity • 20% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 6% Positiveness
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Dead Kennedys
California Uber Alles - 2022 Mix
100 bpm • G# Maj • 03:02 • -3.67db
17% Popularity • 36% Danceability • 97% Energy • 4% Liveness
17% Instrumentalness • 44% Positiveness
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X
Soul Kitchen
101 bpm • B Maj • 02:26 • -4.38db
30% Popularity • 51% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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The Radiators From Space
Television Screen - Single Version
102 bpm • A Maj • 01:51 • -7.24db
15% Popularity • 53% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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GG Allin
Bite It You Scum
102 bpm • B min • 03:31 • -5.55db
39% Popularity • 29% Danceability • 94% Energy • 27% Liveness
44% Instrumentalness • 5% Positiveness
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U.K. Subs
She's Not There
102 bpm • B min • 01:37 • -4.43db
25% Popularity • 44% Danceability • 96% Energy • 57% Liveness
0% Instrumentalness • 73% Positiveness
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Redd Kross
Linda Blair
102 bpm • E min • 02:03 • -8.8db
32% Popularity • 31% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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The Exploited
Troops of Tomorrow
102 bpm • G# Maj • 04:54 • -5.93db
28% Popularity • 64% Danceability • 81% Energy • 12% Liveness
2% Instrumentalness • 62% Positiveness
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The Nips
Private Eye
102 bpm • A min • 01:47 • -6.47db
14% Popularity • 33% Danceability • 95% Energy • 4% Liveness
20% Instrumentalness • 65% Positiveness
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The Cortinas
Television Families
103 bpm • C# min • 02:22 • -4.87db
7% Popularity • 49% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Germs
Richie Dagger's Crime
103 bpm • G Maj • 01:56 • -8.3db
33% Popularity • 38% Danceability • 91% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
► Preview
Blondie
Detroit 442 - Remastered
103 bpm • G Maj • 02:28 • -7.16db
32% Popularity • 42% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Dead Kennedys
Too Drunk to Fuck
103 bpm • E min • 02:41 • -4.82db
47% Popularity • 43% Danceability • 97% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Circle Jerks
Wild in the Streets
104 bpm • E Maj • 02:31 • -2.5db
49% Popularity • 45% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
The Toy Dolls
Glenda and the Test Tube Baby
104 bpm • E min • 03:15 • -6.46db
27% Popularity • 51% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Menace
G.L.C.
104 bpm • E Maj • 02:23 • -10.23db
18% Popularity • 44% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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The Clash
Janie Jones - Remastered
104 bpm • F# min • 02:08 • -7.83db
54% Popularity • 59% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Chatterbox - (First Set 28 Sept 78) [Live]