Songs like Cheer Up by Portugal. The Man
Based on a tempo of (+/- 10%) and a similar genre
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The Kooks
Junk Of The Heart (Happy)
145 bpm • D Maj • 03:07 • -5db
63% Popularity • 60% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
63% Popularity • 60% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Portugal. The Man
Sleep Forever
145 bpm • G Maj • 06:20 • -8.31db
45% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Mt. Joy
Silver Lining
144 bpm • C Maj • 03:18 • -6.53db
77% Popularity • 54% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
77% Popularity • 54% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Spoon
The Underdog
145 bpm • G Maj • 03:42 • -6.48db
39% Popularity • 68% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 68% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
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Phoenix
1901
144 bpm • C Maj • 03:13 • -5.65db
74% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
74% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Supergrass
Alright
146 bpm • E min • 03:00 • -4.81db
75% Popularity • 47% Danceability • 96% Energy • 30% Liveness
20% Instrumentalness • 70% Positiveness
75% Popularity • 47% Danceability • 96% Energy • 30% Liveness
20% Instrumentalness • 70% Positiveness
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Sjowgren
Seventeen
146 bpm • G Maj • 03:45 • -5.6db
64% Popularity • 61% Danceability • 72% Energy • 5% Liveness
8% Instrumentalness • 33% Positiveness
64% Popularity • 61% Danceability • 72% Energy • 5% Liveness
8% Instrumentalness • 33% Positiveness
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Portugal. The Man
Cheer Up
145 bpm • G Maj • 02:46 • -3.3db
18% Popularity • 52% Danceability • 91% Energy • 9% Liveness
3% Instrumentalness • 57% Positiveness
18% Popularity • 52% Danceability • 91% Energy • 9% Liveness
3% Instrumentalness • 57% Positiveness
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Broken Bells
October
144 bpm • F# min • 03:38 • -5.09db
52% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Tash Sultana
Jungle
146 bpm • C# min • 05:15 • -6db
69% Popularity • 59% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
69% Popularity • 59% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Macklemore & Ryan Lewis
Can't Hold Us
146 bpm • D Maj • 04:18 • -4.47db
85% Popularity • 63% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
85% Popularity • 63% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Lewis Del Mar
14 Faces
143 bpm • F min • 03:37 • -5.5db
39% Popularity • 43% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 43% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
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Foals
What Went Down
147 bpm • D min • 05:00 • -6db
53% Popularity • 23% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 23% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Cold War Kids
Miracle Mile
143 bpm • D Maj • 03:00 • -3.14db
61% Popularity • 36% Danceability • 87% Energy • 32% Liveness
55% Instrumentalness • 30% Positiveness
61% Popularity • 36% Danceability • 87% Energy • 32% Liveness
55% Instrumentalness • 30% Positiveness
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Local Natives
When Am I Gonna Lose You
142 bpm • B Maj • 04:24 • -4.66db
59% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Glass Animals
Season 2 Episode 3
148 bpm • F min • 04:03 • -7.83db
58% Popularity • 74% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 74% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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The Killers
Mr. Brightside
148 bpm • C# Maj • 03:42 • -5.23db
87% Popularity • 35% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
87% Popularity • 35% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Florence + The Machine
Ship To Wreck
142 bpm • A min • 03:54 • -3.84db
64% Popularity • 56% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
64% Popularity • 56% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Quinton Brock
Wannabe
149 bpm • E min • 03:03 • -5.49db
5% Popularity • 46% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 46% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Portugal. The Man
So American
142 bpm • C Maj • 03:35 • -5.85db
46% Popularity • 54% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 54% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Tame Impala
Feels Like We Only Go Backwards
150 bpm • D min • 03:12 • -2.35db
77% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
77% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
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Tom Morello
Every Step That I Take
140 bpm • C Maj • 03:42 • -6.16db
15% Popularity • 52% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 52% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 53% Positiveness
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Lewis Del Mar
Loud(y)
140 bpm • A min • 04:09 • -6.51db
43% Popularity • 72% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 72% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Florence + The Machine
Dog Days Are Over
150 bpm • G Maj • 04:12 • -5.26db
81% Popularity • 50% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
81% Popularity • 50% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Chet Faker
Talk Is Cheap
140 bpm • C min • 03:38 • -7.89db
53% Popularity • 66% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 66% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Portugal. The Man
Evil Friends
150 bpm • C min • 03:37 • -4.6db
44% Popularity • 30% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 30% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Coast Modern
Guru
140 bpm • D# Maj • 03:24 • -6.43db
60% Popularity • 76% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
60% Popularity • 76% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Atlas Genius
Trojans
140 bpm • G Maj • 03:37 • -4.84db
58% Popularity • 72% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 72% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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TV On The Radio
Happy Idiot
140 bpm • B min • 03:03 • -4.24db
63% Popularity • 62% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
63% Popularity • 62% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Macklemore
Glorious
140 bpm • C min • 03:40 • -5.13db
78% Popularity • 73% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
78% Popularity • 73% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Chet Faker
Gold
140 bpm • C# Maj • 04:41 • -9.44db
46% Popularity • 67% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 67% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Portugal. The Man
Keep On
140 bpm • C Maj • 03:23 • -7.24db
42% Popularity • 67% Danceability • 68% Energy • 6% Liveness
5% Instrumentalness • 78% Positiveness
42% Popularity • 67% Danceability • 68% Energy • 6% Liveness
5% Instrumentalness • 78% Positiveness
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Fitz and The Tantrums
HandClap
140 bpm • G# Maj • 03:13 • -3db
66% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
66% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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BØRNS
10,000 Emerald Pools
140 bpm • F# Maj • 02:54 • -5.59db
65% Popularity • 57% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
65% Popularity • 57% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Miley Cyrus
Malibu
140 bpm • G# Maj • 03:51 • -6.41db
74% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
74% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Black Keys
Weight of Love
151 bpm • D Maj • 06:50 • -8.62db
60% Popularity • 28% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
60% Popularity • 28% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Fleetwood Mac
The Chain - 2004 Remaster
152 bpm • A Maj • 04:30 • -8.81db
82% Popularity • 55% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
82% Popularity • 55% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Portugal. The Man
Once Was One
140 bpm • G Maj • 04:22 • -6.75db
30% Popularity • 43% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 43% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Gorillaz
Feel Good Inc.
139 bpm • F# Maj • 03:42 • -6.68db
85% Popularity • 82% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 77% Positiveness
85% Popularity • 82% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 77% Positiveness
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Dominic Fike
3 Nights
152 bpm • G min • 02:57 • -6.59db
77% Popularity • 82% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
77% Popularity • 82% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Max Frost
Withdrawal
152 bpm • A# min • 03:00 • -3.81db
49% Popularity • 61% Danceability • 86% Energy • 12% Liveness
89% Instrumentalness • 73% Positiveness
49% Popularity • 61% Danceability • 86% Energy • 12% Liveness
89% Instrumentalness • 73% Positiveness
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Santigold
Disparate Youth
152 bpm • C# Maj • 04:44 • -4.14db
61% Popularity • 64% Danceability • 93% Energy • 22% Liveness
82% Instrumentalness • 55% Positiveness
61% Popularity • 64% Danceability • 93% Energy • 22% Liveness
82% Instrumentalness • 55% Positiveness
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Peter Bjorn and John
Young Folks
138 bpm • C Maj • 04:36 • -6.01db
77% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
77% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Portugal. The Man
What, Me Worry?
140 bpm • D# min • 02:57 • -2.56db
55% Popularity • 72% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 72% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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The Killers
Somebody Told Me
138 bpm • A# min • 03:17 • -4.85db
83% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
83% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Jonas Brothers
Sucker
138 bpm • C# min • 03:01 • -5.07db
81% Popularity • 84% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
81% Popularity • 84% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Dan Auerbach
Shine on Me
153 bpm • D Maj • 03:17 • -4.66db
44% Popularity • 43% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 43% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Saint Motel
For Elise
153 bpm • A# Maj • 03:23 • -6.32db
58% Popularity • 49% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
58% Popularity • 49% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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The Kooks
She Moves In Her Own Way
153 bpm • G Maj • 02:49 • -5.36db
72% Popularity • 41% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
72% Popularity • 41% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Portugal. The Man
Waves
140 bpm • E min • 04:51 • -7db
37% Popularity • 44% Danceability • 56% Energy • 17% Liveness
68% Instrumentalness • 7% Positiveness
37% Popularity • 44% Danceability • 56% Energy • 17% Liveness
68% Instrumentalness • 7% Positiveness
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Kings of Leon
Sex on Fire
153 bpm • A Maj • 03:23 • -5.65db
85% Popularity • 54% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
85% Popularity • 54% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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Imagine Dragons
Radioactive
136 bpm • A Maj • 03:06 • -3.69db
82% Popularity • 45% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 24% Positiveness
82% Popularity • 45% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 24% Positiveness
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Neon Trees
Everybody Talks
155 bpm • G# Maj • 02:57 • -3.91db
80% Popularity • 47% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
80% Popularity • 47% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Houndmouth
Sedona
135 bpm • D# Maj • 03:59 • -8.24db
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Billie Eilish
bad guy
135 bpm • G Maj • 03:14 • -10.97db
82% Popularity • 70% Danceability • 42% Energy • 10% Liveness
13% Instrumentalness • 56% Positiveness
82% Popularity • 70% Danceability • 42% Energy • 10% Liveness
13% Instrumentalness • 56% Positiveness
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Portugal. The Man
Got It All (This Can't Be Living Now)
151 bpm • A Maj • 03:45 • -4.12db
40% Popularity • 43% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 43% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Blackbird
Backup
135 bpm • D Maj • 03:41 • -8.48db
3% Popularity • 45% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 45% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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BØRNS
American Money
135 bpm • F# min • 04:20 • -5.26db
66% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
66% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Imagine Dragons
Whatever It Takes
135 bpm • A# min • 03:21 • -5.02db
84% Popularity • 67% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
84% Popularity • 67% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Santigold
Can't Get Enough of Myself
156 bpm • D min • 03:57 • -6.31db
35% Popularity • 69% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 69% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Allan Rayman
13
156 bpm • C Maj • 04:02 • -9.08db
45% Popularity • 62% Danceability • 53% Energy • 34% Liveness
7% Instrumentalness • 63% Positiveness
45% Popularity • 62% Danceability • 53% Energy • 34% Liveness
7% Instrumentalness • 63% Positiveness
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Portugal. The Man
Atomic Man
138 bpm • A# min • 03:47 • -7db
49% Popularity • 63% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 63% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Caesars
Jerk It Out
134 bpm • G# min • 03:15 • -2.6db
69% Popularity • 58% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
69% Popularity • 58% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Queen
Don't Stop Me Now - Remastered 2011
156 bpm • F Maj • 03:29 • -5.28db
84% Popularity • 56% Danceability • 87% Energy • 78% Liveness
0% Instrumentalness • 61% Positiveness
84% Popularity • 56% Danceability • 87% Energy • 78% Liveness
0% Instrumentalness • 61% Positiveness
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Electric Guest
Back For Me
133 bpm • E min • 03:21 • -4.73db
16% Popularity • 72% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 72% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Tash Sultana
Mystik
133 bpm • D min • 04:09 • -7.15db
48% Popularity • 55% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 55% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Peter Bjorn and John
Second Chance
133 bpm • G Maj • 04:12 • -1.55db
52% Popularity • 60% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 60% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Portugal. The Man
Feel It Still - Lido Remix
158 bpm • F# min • 03:06 • -7.75db
30% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Of Monsters and Men
Crystals
132 bpm • C Maj • 04:03 • -7.21db
62% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Yeah Yeah Yeahs
Heads Will Roll
132 bpm • G# min • 03:41 • -4.46db
68% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
68% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
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Pharrell Williams
Happy
160 bpm • F min • 03:52 • -4.66db
82% Popularity • 65% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
82% Popularity • 65% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Grizzly Bear
Two Weeks
160 bpm • F Maj • 04:06 • -6db
71% Popularity • 53% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
71% Popularity • 53% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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Mumford & Sons
I Will Wait
131 bpm • C# Maj • 04:36 • -5.14db
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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Portugal. The Man
Feel It Still - Recorded at Spotify Stud...
158 bpm • F# min • 02:49 • -8.75db
39% Popularity • 75% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 75% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Gorillaz
Humility
160 bpm • C Maj • 03:17 • -5.89db
62% Popularity • 63% Danceability • 81% Energy • 12% Liveness
2% Instrumentalness • 78% Positiveness
62% Popularity • 63% Danceability • 81% Energy • 12% Liveness
2% Instrumentalness • 78% Positiveness
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The Black Keys
Gold on the Ceiling
130 bpm • C Maj • 03:44 • -4.63db
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Delooze
Deathstar - Portugal. The Man Remix
130 bpm • C Maj • 03:16 • -7.68db
4% Popularity • 45% Danceability • 57% Energy • 29% Liveness
21% Instrumentalness • 28% Positiveness
4% Popularity • 45% Danceability • 57% Energy • 29% Liveness
21% Instrumentalness • 28% Positiveness
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Echosmith
Cool Kids
130 bpm • G# Maj • 03:57 • -6.28db
73% Popularity • 72% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
73% Popularity • 72% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Two Door Cinema Club
Changing of the Seasons
130 bpm • D Maj • 03:42 • -4db
53% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Portugal. The Man
Feel It Still - Medasin Remix
158 bpm • E Maj • 03:14 • -10.62db
50% Popularity • 54% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 54% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Young the Giant
My Body - 2020 Remaster
130 bpm • A# Maj • 04:04 • -6.48db
59% Popularity • 49% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 49% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 53% Positiveness
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K.Flay
Blood In The Cut
130 bpm • D Maj • 03:08 • -5.37db
61% Popularity • 77% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 64% Positiveness
61% Popularity • 77% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 64% Positiveness
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Bleachers
Rollercoaster
162 bpm • A# Maj • 03:08 • -6.23db
66% Popularity • 42% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 42% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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The War On Drugs
Red Eyes
162 bpm • A# Maj • 04:58 • -6.37db
66% Popularity • 46% Danceability • 81% Energy • 16% Liveness
20% Instrumentalness • 47% Positiveness
66% Popularity • 46% Danceability • 81% Energy • 16% Liveness
20% Instrumentalness • 47% Positiveness
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Max Frost
White Lies - EP Version
163 bpm • C# min • 02:57 • -3.43db
52% Popularity • 70% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
52% Popularity • 70% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Portugal. The Man
Head Is a Flame (Cool with It)
133 bpm • E min • 03:32 • -5.17db
34% Popularity • 57% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 57% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Hozier
Take Me To Church
129 bpm • E min • 04:01 • -5.3db
85% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
85% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Young the Giant
Cough Syrup
129 bpm • B min • 04:09 • -7.31db
72% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
72% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Lorde
Green Light
129 bpm • D Maj • 03:54 • -7.81db
73% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
73% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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KALEO
Way down We Go
163 bpm • A# min • 03:33 • -8.02db
85% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
85% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Miike Snow
Paddling Out
128 bpm • A# min • 03:37 • -3.65db
49% Popularity • 60% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 37% Positiveness
49% Popularity • 60% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 37% Positiveness
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Portugal. The Man
Feel It Still - 'Weird Al' Yankovic Remi...
158 bpm • B min • 02:41 • -4.86db
15% Popularity • 57% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 57% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Foals
My Number
128 bpm • F# min • 03:58 • -8.95db
68% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
68% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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WALK THE MOON
Shut Up and Dance
128 bpm • C# Maj • 03:19 • -3.8db
86% Popularity • 58% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
86% Popularity • 58% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Foster The People
Pumped Up Kicks
128 bpm • F min • 03:59 • -5.85db
86% Popularity • 73% Danceability • 71% Energy • 10% Liveness
12% Instrumentalness • 96% Positiveness
86% Popularity • 73% Danceability • 71% Energy • 10% Liveness
12% Instrumentalness • 96% Positiveness
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The Jungle Giants
Used to Be in Love
128 bpm • B min • 03:42 • -5.24db
67% Popularity • 83% Danceability • 63% Energy • 5% Liveness
4% Instrumentalness • 88% Positiveness
67% Popularity • 83% Danceability • 63% Energy • 5% Liveness
4% Instrumentalness • 88% Positiveness
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George Ezra
Budapest
128 bpm • F Maj • 03:20 • -8.3db
83% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
83% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Portugal. The Man
Mr. Lonely
159 bpm • D min • 04:22 • -8.79db
23% Popularity • 53% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 53% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
