Songs like Chelsea Bridge by Gerry Mulligan
Based on a tempo of (+/- 10%) and a similar genre
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Duke Jordan
Social Call
112 bpm • C# Maj • 06:08 • -14.2db
19% Popularity • 68% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
19% Popularity • 68% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
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Thad Jones
April In Paris - 2007 Remaster/Rudy Van ...
112 bpm • C Maj • 06:43 • -11.12db
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
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Red Garland Trio
What Is This Thing Called Love? - Instru...
112 bpm • D min • 04:50 • -14db
36% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
36% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Gerry Mulligan
Chelsea Bridge
112 bpm • C# Maj • 07:22 • -24db
37% Popularity • 51% Danceability • 1% Energy • 11% Liveness
46% Instrumentalness • 11% Positiveness
37% Popularity • 51% Danceability • 1% Energy • 11% Liveness
46% Instrumentalness • 11% Positiveness
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Frank Morgan
My Old Flame
113 bpm • G# Maj • 04:46 • -23.37db
31% Popularity • 51% Danceability • 3% Energy • 13% Liveness
82% Instrumentalness • 22% Positiveness
31% Popularity • 51% Danceability • 3% Energy • 13% Liveness
82% Instrumentalness • 22% Positiveness
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Hampton Hawes Trio
What Is This Thing Called Love
113 bpm • C min • 04:44 • -20.71db
32% Popularity • 54% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
32% Popularity • 54% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
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Miles Davis
'Round Midnight - Live at the Newport J...
111 bpm • A# min • 05:59 • -17db
31% Popularity • 58% Danceability • 10% Energy • 70% Liveness
91% Instrumentalness • 24% Positiveness
31% Popularity • 58% Danceability • 10% Energy • 70% Liveness
91% Instrumentalness • 24% Positiveness
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Betty Carter
I Could Write a Book
113 bpm • G Maj • 02:38 • -12.93db
44% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Red Garland Trio
Stormy Weather
111 bpm • D min • 10:35 • -19db
49% Popularity • 53% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
49% Popularity • 53% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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Gerry Mulligan
Just In Time
113 bpm • G min • 04:10 • -19.53db
28% Popularity • 57% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 48% Positiveness
28% Popularity • 57% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 48% Positiveness
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Paul Desmond
Blight of the Fumble Bee
111 bpm • G# Maj • 06:35 • -15.28db
23% Popularity • 63% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 63% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Mulgrew Miller
It Never Entered My Mind
110 bpm • D# Maj • 06:32 • -17.39db
46% Popularity • 45% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
46% Popularity • 45% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Tommy Flanagan
Angel Eyes - Studio
110 bpm • F Maj • 05:49 • -19db
43% Popularity • 49% Danceability • 14% Energy • 15% Liveness
82% Instrumentalness • 14% Positiveness
43% Popularity • 49% Danceability • 14% Energy • 15% Liveness
82% Instrumentalness • 14% Positiveness
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Betty Carter
There Is No Greater Love
113 bpm • F Maj • 03:48 • -19.34db
28% Popularity • 50% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 50% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Warne Marsh
Smog Eyes
110 bpm • G# Maj • 03:34 • -14.01db
14% Popularity • 59% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 59% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Gerry Mulligan
Tell Me When
111 bpm • A# min • 05:06 • -25.8db
31% Popularity • 44% Danceability • 1% Energy • 12% Liveness
66% Instrumentalness • 13% Positiveness
31% Popularity • 44% Danceability • 1% Energy • 12% Liveness
66% Instrumentalness • 13% Positiveness
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Keith Jarrett
Where Can I Go Without You
110 bpm • F Maj • 09:32 • -24.33db
43% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
43% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Cannonball Adderley Quartet
I've Told Ev'ry Little Star
110 bpm • D min • 03:39 • -7.34db
42% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Cannonball Adderley
Goodbye
114 bpm • C min • 06:13 • -16.96db
38% Popularity • 53% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
38% Popularity • 53% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Betty Carter
This Is Always
114 bpm • E min • 03:11 • -19.69db
51% Popularity • 42% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 42% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Kenny Dorham Septet
Blue Spring - Instrumental
114 bpm • F min • 06:09 • -16.91db
13% Popularity • 59% Danceability • 24% Energy • 13% Liveness
15% Instrumentalness • 49% Positiveness
13% Popularity • 59% Danceability • 24% Energy • 13% Liveness
15% Instrumentalness • 49% Positiveness
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Coleman Hawkins
Rosita
110 bpm • E Maj • 05:02 • -15.81db
43% Popularity • 59% Danceability • 26% Energy • 9% Liveness
53% Instrumentalness • 31% Positiveness
43% Popularity • 59% Danceability • 26% Energy • 9% Liveness
53% Instrumentalness • 31% Positiveness
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Warne Marsh
Jazz Of Two Cities
114 bpm • G min • 04:34 • -14.08db
10% Popularity • 61% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 61% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Sonny Criss
How High The Moon
110 bpm • C Maj • 03:06 • -6.56db
36% Popularity • 60% Danceability • 64% Energy • 9% Liveness
43% Instrumentalness • 91% Positiveness
36% Popularity • 60% Danceability • 64% Energy • 9% Liveness
43% Instrumentalness • 91% Positiveness
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Dexter Gordon
Don't Explain - Remastered
114 bpm • F Maj • 06:06 • -13db
31% Popularity • 49% Danceability • 15% Energy • 10% Liveness
3% Instrumentalness • 15% Positiveness
31% Popularity • 49% Danceability • 15% Energy • 10% Liveness
3% Instrumentalness • 15% Positiveness
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Betty Carter
Gone With the Wind
114 bpm • F Maj • 04:11 • -13.43db
37% Popularity • 39% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 39% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Geri Allen
Feed the Fire
115 bpm • A# Maj • 11:23 • -18.13db
23% Popularity • 47% Danceability • 39% Energy • 11% Liveness
10% Instrumentalness • 52% Positiveness
23% Popularity • 47% Danceability • 39% Energy • 11% Liveness
10% Instrumentalness • 52% Positiveness
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Wes Montgomery Trio
Whisper Not
114 bpm • G min • 04:36 • -26db
37% Popularity • 54% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
37% Popularity • 54% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Red Garland Trio
Summertime
115 bpm • C min • 04:43 • -18.54db
32% Popularity • 51% Danceability • 10% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
32% Popularity • 51% Danceability • 10% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
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Gerry Mulligan
Blues In Time
115 bpm • G min • 09:04 • -15.45db
19% Popularity • 57% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 57% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Gerry Mulligan Sextet
In The Wee Small Hours Of The Morning
115 bpm • G Maj • 05:39 • -24db
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
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Dizzy Reece
I Had The Craziest Dream
109 bpm • A# Maj • 03:05 • -10.94db
37% Popularity • 45% Danceability • 19% Energy • 22% Liveness
57% Instrumentalness • 16% Positiveness
37% Popularity • 45% Danceability • 19% Energy • 22% Liveness
57% Instrumentalness • 16% Positiveness
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Tommy Flanagan Trio
Born To Be Blue
115 bpm • D min • 04:21 • -22db
47% Popularity • 48% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 13% Positiveness
47% Popularity • 48% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 13% Positiveness
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Wes Montgomery Trio
The End Of A Love Affair
115 bpm • C# Maj • 03:13 • -18db
46% Popularity • 48% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
46% Popularity • 48% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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The Montgomery Brothers
Groove Yard
115 bpm • A# min • 03:01 • -19.07db
47% Popularity • 59% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 54% Positiveness
47% Popularity • 59% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 54% Positiveness
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Kenny Barron
Fungii Mama - Remastered
116 bpm • C# Maj • 05:44 • -14.12db
36% Popularity • 47% Danceability • 45% Energy • 9% Liveness
91% Instrumentalness • 73% Positiveness
36% Popularity • 47% Danceability • 45% Energy • 9% Liveness
91% Instrumentalness • 73% Positiveness
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Hank Jones
Bluesette
108 bpm • G Maj • 05:50 • -18.39db
24% Popularity • 48% Danceability • 36% Energy • 12% Liveness
93% Instrumentalness • 79% Positiveness
24% Popularity • 48% Danceability • 36% Energy • 12% Liveness
93% Instrumentalness • 79% Positiveness
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Blue Mitchell
Avars
109 bpm • G# Maj • 04:05 • -16db
27% Popularity • 52% Danceability • 24% Energy • 12% Liveness
57% Instrumentalness • 68% Positiveness
27% Popularity • 52% Danceability • 24% Energy • 12% Liveness
57% Instrumentalness • 68% Positiveness
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Martin Wind
Born To Be Blue
116 bpm • C# min • 08:19 • -22db
32% Popularity • 46% Danceability • 16% Energy • 11% Liveness
80% Instrumentalness • 18% Positiveness
32% Popularity • 46% Danceability • 16% Energy • 11% Liveness
80% Instrumentalness • 18% Positiveness
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Sonny Rollins Quartet
The Most Beautiful Girl In The World
116 bpm • C# Maj • 05:35 • -13.02db
27% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
27% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
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Kenny Drew
Blues for Nica
108 bpm • F Maj • 05:28 • -16.16db
18% Popularity • 74% Danceability • 22% Energy • 29% Liveness
64% Instrumentalness • 39% Positiveness
18% Popularity • 74% Danceability • 22% Energy • 29% Liveness
64% Instrumentalness • 39% Positiveness
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Joe Lovano
I Waited For You
116 bpm • F Maj • 09:28 • -18db
18% Popularity • 46% Danceability • 12% Energy • 12% Liveness
41% Instrumentalness • 14% Positiveness
18% Popularity • 46% Danceability • 12% Energy • 12% Liveness
41% Instrumentalness • 14% Positiveness
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Warne Marsh
Lover Man
116 bpm • C Maj • 04:30 • -17.75db
33% Popularity • 67% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
33% Popularity • 67% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Don Byas
Embraceable You (09-12-45)
108 bpm • E min • 03:04 • -20.86db
22% Popularity • 41% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 38% Positiveness
22% Popularity • 41% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 38% Positiveness
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Benny Golson Sextet
Namely You
116 bpm • G min • 04:46 • -15db
32% Popularity • 42% Danceability • 12% Energy • 8% Liveness
80% Instrumentalness • 27% Positiveness
32% Popularity • 42% Danceability • 12% Energy • 8% Liveness
80% Instrumentalness • 27% Positiveness
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John Coltrane Quartet
Lonnie's Lament
108 bpm • C min • 11:47 • -15.8db
37% Popularity • 50% Danceability • 23% Energy • 14% Liveness
11% Instrumentalness • 19% Positiveness
37% Popularity • 50% Danceability • 23% Energy • 14% Liveness
11% Instrumentalness • 19% Positiveness
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Chet Baker
There Will Never Be Another You - Live
108 bpm • A# min • 06:53 • -15.39db
11% Popularity • 48% Danceability • 42% Energy • 76% Liveness
3% Instrumentalness • 55% Positiveness
11% Popularity • 48% Danceability • 42% Energy • 76% Liveness
3% Instrumentalness • 55% Positiveness
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Sonny Rollins Quartet
When Your Lover Has Gone
108 bpm • F min • 06:09 • -13.39db
30% Popularity • 59% Danceability • 25% Energy • 10% Liveness
7% Instrumentalness • 40% Positiveness
30% Popularity • 59% Danceability • 25% Energy • 10% Liveness
7% Instrumentalness • 40% Positiveness
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Walter Davis
Sweetness - Rudy Van Gelder/Digital Rema...
116 bpm • G# min • 08:14 • -15.17db
12% Popularity • 51% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 10% Positiveness
12% Popularity • 51% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 10% Positiveness
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Don Byas
Night And Day
117 bpm • G# Maj • 02:35 • -13.38db
32% Popularity • 56% Danceability • 10% Energy • 10% Liveness
70% Instrumentalness • 45% Positiveness
32% Popularity • 56% Danceability • 10% Energy • 10% Liveness
70% Instrumentalness • 45% Positiveness
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Johnny Hodges & His Orchestra
Ruint
108 bpm • F# Maj • 02:34 • -15.94db
26% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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John Coltrane Quartet
Nancy (With The Laughing Face)
116 bpm • F Maj • 03:11 • -14db
60% Popularity • 52% Danceability • 14% Energy • 15% Liveness
19% Instrumentalness • 30% Positiveness
60% Popularity • 52% Danceability • 14% Energy • 15% Liveness
19% Instrumentalness • 30% Positiveness
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Horace Silver Quintet
For Heaven's Sake
117 bpm • D# Maj • 05:07 • -14.85db
13% Popularity • 50% Danceability • 17% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
13% Popularity • 50% Danceability • 17% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
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Johnny Hodges
Back Beat
117 bpm • F# Maj • 07:27 • -17.45db
43% Popularity • 85% Danceability • 20% Energy • 20% Liveness
1% Instrumentalness • 44% Positiveness
43% Popularity • 85% Danceability • 20% Energy • 20% Liveness
1% Instrumentalness • 44% Positiveness
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Roy Hargrove
Trust
117 bpm • C# Maj • 05:25 • -14.37db
49% Popularity • 40% Danceability • 32% Energy • 12% Liveness
76% Instrumentalness • 6% Positiveness
49% Popularity • 40% Danceability • 32% Energy • 12% Liveness
76% Instrumentalness • 6% Positiveness
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Oliver Nelson
Stolen Moments
107 bpm • C min • 08:45 • -13.08db
53% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
53% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
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Wayne Shorter
Teru - Rudy Van Gelder Edition/2000 Digi...
107 bpm • G min • 06:12 • -20.73db
36% Popularity • 35% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
36% Popularity • 35% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
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George Shearing Trio
Makin' Whoopee
117 bpm • G# Maj • 04:00 • -20.14db
37% Popularity • 79% Danceability • 24% Energy • 14% Liveness
67% Instrumentalness • 51% Positiveness
37% Popularity • 79% Danceability • 24% Energy • 14% Liveness
67% Instrumentalness • 51% Positiveness
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Curtis Fuller
A Lovely Way To Spend An Evening
117 bpm • F Maj • 06:53 • -16db
41% Popularity • 57% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
41% Popularity • 57% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
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Lee Morgan
All The Way - Rudy Van Gelder Edition / ...
117 bpm • C min • 07:27 • -9.99db
42% Popularity • 51% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
42% Popularity • 51% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
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Thad Jones
If I Love Again - 2007 Digital Remaster/...
117 bpm • C min • 07:27 • -11db
27% Popularity • 49% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 58% Positiveness
27% Popularity • 49% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 58% Positiveness
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Oliver Nelson
Yearnin'
107 bpm • F Maj • 06:23 • -12db
33% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
33% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
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Red Garland Trio
A Foggy Day
107 bpm • C Maj • 04:47 • -16db
38% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
38% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
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Blue Mitchell
I Wish I Knew
107 bpm • G Maj • 04:26 • -14.98db
35% Popularity • 55% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 60% Positiveness
35% Popularity • 55% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 60% Positiveness
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Danny Grissett
Two Sleepy People
117 bpm • D# Maj • 06:36 • -26.92db
49% Popularity • 45% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
49% Popularity • 45% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Gerry Mulligan
Cherry - 1998 Digital Remaster
107 bpm • E min • 02:57 • -13.2db
21% Popularity • 65% Danceability • 15% Energy • 15% Liveness
32% Instrumentalness • 40% Positiveness
21% Popularity • 65% Danceability • 15% Energy • 15% Liveness
32% Instrumentalness • 40% Positiveness
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Kenny Drew
Lion's Den - Rudy Van Gelder Edition/200...
107 bpm • F Maj • 04:53 • -7.8db
36% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Sonny Criss
Black Coffee
118 bpm • F# Maj • 02:44 • -14.37db
44% Popularity • 44% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
44% Popularity • 44% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
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Wayne Shorter
Virgo - Remastered 2004 / Rudy Van Gelde...
107 bpm • D min • 07:06 • -14.4db
47% Popularity • 45% Danceability • 13% Energy • 11% Liveness
44% Instrumentalness • 17% Positiveness
47% Popularity • 45% Danceability • 13% Energy • 11% Liveness
44% Instrumentalness • 17% Positiveness
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Kenny Garrett
Before It's Time to Say Goodbye
118 bpm • C# Maj • 05:17 • -16.55db
37% Popularity • 36% Danceability • 11% Energy • 8% Liveness
64% Instrumentalness • 6% Positiveness
37% Popularity • 36% Danceability • 11% Energy • 8% Liveness
64% Instrumentalness • 6% Positiveness
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Buddy Rich and His Sextet
Late Date
106 bpm • C# Maj • 05:12 • -16.48db
28% Popularity • 72% Danceability • 19% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
28% Popularity • 72% Danceability • 19% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
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Gerry Mulligan
In A Mellotone
118 bpm • G# Maj • 06:57 • -22.49db
10% Popularity • 65% Danceability • 10% Energy • 14% Liveness
29% Instrumentalness • 37% Positiveness
10% Popularity • 65% Danceability • 10% Energy • 14% Liveness
29% Instrumentalness • 37% Positiveness
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Johnny Griffin
63rd Street Theme
118 bpm • C min • 05:34 • -11.28db
19% Popularity • 66% Danceability • 39% Energy • 9% Liveness
53% Instrumentalness • 57% Positiveness
19% Popularity • 66% Danceability • 39% Energy • 9% Liveness
53% Instrumentalness • 57% Positiveness
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Wes Montgomery Trio
'Round Midnight
118 bpm • D# min • 04:53 • -25.45db
49% Popularity • 53% Danceability • 7% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
49% Popularity • 53% Danceability • 7% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
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Warne Marsh
Blues in G Flat
118 bpm • F# Maj • 07:26 • -17.76db
20% Popularity • 52% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 52% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Wayne Shorter
Speak No Evil - Remastered1998/Rudy Van ...
106 bpm • F min • 08:23 • -7.15db
46% Popularity • 46% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 46% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Bud Powell Trio
Lullaby of Birdland
118 bpm • G Maj • 01:49 • -17db
43% Popularity • 56% Danceability • 32% Energy • 28% Liveness
1% Instrumentalness • 78% Positiveness
43% Popularity • 56% Danceability • 32% Energy • 28% Liveness
1% Instrumentalness • 78% Positiveness
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Phil Woods
Blue Ballad
118 bpm • D Maj • 06:34 • -17db
40% Popularity • 47% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 6% Positiveness
40% Popularity • 47% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 6% Positiveness
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Gerry Mulligan
In A Mellow Tone
118 bpm • G# Maj • 07:03 • -20.64db
12% Popularity • 66% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
12% Popularity • 66% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
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Cedar Walton
Without A Song
106 bpm • G# Maj • 04:00 • -21.2db
43% Popularity • 45% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
43% Popularity • 45% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
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The Adderley Brothers
I Married an Angel
118 bpm • D# Maj • 04:33 • -15.85db
17% Popularity • 42% Danceability • 11% Energy • 13% Liveness
84% Instrumentalness • 24% Positiveness
17% Popularity • 42% Danceability • 11% Energy • 13% Liveness
84% Instrumentalness • 24% Positiveness
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Hank Mobley
I Should Care
106 bpm • F min • 07:42 • -12.89db
40% Popularity • 62% Danceability • 14% Energy • 18% Liveness
7% Instrumentalness • 26% Positiveness
40% Popularity • 62% Danceability • 14% Energy • 18% Liveness
7% Instrumentalness • 26% Positiveness
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Tina Brooks
True Blue
119 bpm • F min • 04:57 • -7db
38% Popularity • 63% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
38% Popularity • 63% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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Ben Webster
Time After Time
105 bpm • A# min • 04:34 • -16.9db
42% Popularity • 55% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
42% Popularity • 55% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
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Gerry Mulligan
Who's Got Rhythm
106 bpm • A min • 07:42 • -20.35db
20% Popularity • 54% Danceability • 22% Energy • 12% Liveness
5% Instrumentalness • 64% Positiveness
20% Popularity • 54% Danceability • 22% Energy • 12% Liveness
5% Instrumentalness • 64% Positiveness
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John Coltrane Quartet
I Wish I Knew
105 bpm • G Maj • 04:50 • -15db
47% Popularity • 48% Danceability • 13% Energy • 11% Liveness
20% Instrumentalness • 21% Positiveness
47% Popularity • 48% Danceability • 13% Energy • 11% Liveness
20% Instrumentalness • 21% Positiveness
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Blue Mitchell
I'll Close My Eyes
105 bpm • F Maj • 05:53 • -13.08db
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Johnny Griffin
These Foolish Things - Remastered 2006/R...
105 bpm • D# Maj • 05:09 • -9.39db
33% Popularity • 61% Danceability • 31% Energy • 12% Liveness
24% Instrumentalness • 38% Positiveness
33% Popularity • 61% Danceability • 31% Energy • 12% Liveness
24% Instrumentalness • 38% Positiveness
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Wes Montgomery Trio
Moanin' - Take 10 / Alternate
119 bpm • F min • 05:46 • -23.37db
37% Popularity • 46% Danceability • 19% Energy • 14% Liveness
80% Instrumentalness • 77% Positiveness
37% Popularity • 46% Danceability • 19% Energy • 14% Liveness
80% Instrumentalness • 77% Positiveness
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Thad Jones
Billie-Doo - 2007 Digital Remaster/Rudy ...
105 bpm • D# Maj • 07:30 • -10.17db
22% Popularity • 63% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 63% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Billy Taylor
Blue Moon
119 bpm • C# Maj • 05:05 • -13db
19% Popularity • 71% Danceability • 30% Energy • 21% Liveness
59% Instrumentalness • 37% Positiveness
19% Popularity • 71% Danceability • 30% Energy • 21% Liveness
59% Instrumentalness • 37% Positiveness
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Cannonball Adderley Quartet
I Remember You
119 bpm • G min • 06:55 • -11.56db
15% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Bobby Timmons Trio
I Thought About You
119 bpm • C Maj • 05:01 • -22db
32% Popularity • 70% Danceability • 15% Energy • 12% Liveness
57% Instrumentalness • 32% Positiveness
32% Popularity • 70% Danceability • 15% Energy • 12% Liveness
57% Instrumentalness • 32% Positiveness
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The Art Farmer Quartet
Tonk
105 bpm • C Maj • 04:34 • -23.03db
33% Popularity • 72% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 65% Positiveness
33% Popularity • 72% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 65% Positiveness
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Helen Merrill
Yesterdays
120 bpm • D min • 06:00 • -20.63db
38% Popularity • 44% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 44% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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John Coltrane Quartet
Softly As In A Morning Sunrise - Live At...
105 bpm • C min • 06:37 • -12db
34% Popularity • 45% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 45% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Gerry Mulligan
Lonely Town
120 bpm • A# min • 05:34 • -18.45db
33% Popularity • 56% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 22% Positiveness
33% Popularity • 56% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 22% Positiveness
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Coleman Hawkins Quartet
Don't Love Me
120 bpm • C Maj • 04:39 • -18.08db
42% Popularity • 42% Danceability • 12% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
42% Popularity • 42% Danceability • 12% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
