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Cherry-coloured Funk
Songs like
Cherry-coloured Funk
by
Arctic Lake
Based on a tempo of (+/- 10%) and a similar genre
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Richard Walters
Bring Me Sunshine
90 bpm • F# min • 02:21 • -11.97db
9% Popularity • 30% Danceability • 26% Energy • 7% Liveness
3% Instrumentalness • 32% Positiveness
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Adwaith
Fel i Fod
90 bpm • D min • 04:07 • -11.48db
21% Popularity • 43% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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Arctic Lake
Cherry-coloured Funk
90 bpm • A Maj • 03:21 • -10db
22% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Niamh Regan
Hallelujah Game
90 bpm • A Maj • 04:05 • -14.5db
18% Popularity • 47% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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HEZEN
The Girl You Want
90 bpm • A# min • 03:51 • -9.93db
11% Popularity • 38% Danceability • 43% Energy • 11% Liveness
28% Instrumentalness • 6% Positiveness
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Solomon Grey
Slow Motion Picture
90 bpm • C# Maj • 04:37 • -15.84db
14% Popularity • 33% Danceability • 21% Energy • 10% Liveness
33% Instrumentalness • 6% Positiveness
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Lucy Dacus
In The Air Tonight
91 bpm • D min • 05:28 • -16.18db
30% Popularity • 65% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Peter Sandberg
Unhold Me
89 bpm • C# min • 03:18 • -13.98db
39% Popularity • 29% Danceability • 38% Energy • 10% Liveness
52% Instrumentalness • 6% Positiveness
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Nadia Reid
Richard
89 bpm • A# min • 03:39 • -8.22db
31% Popularity • 52% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 47% Positiveness
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Niamh Regan
Something so Good
89 bpm • C Maj • 03:23 • -15db
24% Popularity • 44% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Zola Jesus
Wiseblood (Johnny Jewel Film Edit)
89 bpm • A# Maj • 03:02 • -9.66db
24% Popularity • 15% Danceability • 31% Energy • 8% Liveness
50% Instrumentalness • 4% Positiveness
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Vagabon
Home Soon
89 bpm • D Maj • 04:50 • -13.02db
27% Popularity • 11% Danceability • 34% Energy • 6% Liveness
66% Instrumentalness • 6% Positiveness
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Kindness
The Warning
91 bpm • F# min • 03:14 • -8.96db
39% Popularity • 66% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Aimee Mann
Avalanche
91 bpm • G# min • 05:13 • -11db
29% Popularity • 39% Danceability • 43% Energy • 11% Liveness
36% Instrumentalness • 19% Positiveness
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Bess Atwell
Grace
89 bpm • C# min • 03:54 • -13db
27% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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jemima price
Under The Ivy
89 bpm • A Maj • 02:16 • -18db
14% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Basia Bulat
No Control
91 bpm • D Maj • 03:58 • -5.89db
19% Popularity • 58% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Moby
The Great Escape - Reprise Version
92 bpm • G Maj • 02:51 • -15.43db
30% Popularity • 39% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Olivia Broadfield
Capsize (Episode 5)
92 bpm • C# Maj • 03:31 • -12.55db
17% Popularity • 54% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Innerspace Orchestra
One Way Glass
92 bpm • G Maj • 03:28 • -7.14db
22% Popularity • 38% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Onono
Blink
92 bpm • G Maj • 05:06 • -7.58db
14% Popularity • 24% Danceability • 61% Energy • 20% Liveness
2% Instrumentalness • 13% Positiveness
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The Sei
Metroma
92 bpm • G min • 03:43 • -15db
42% Popularity • 52% Danceability • 20% Energy • 13% Liveness
44% Instrumentalness • 5% Positiveness
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Saint Sister
You Never Call
88 bpm • C Maj • 03:16 • -9.92db
15% Popularity • 56% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
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annie hamilton
Panic
88 bpm • C Maj • 04:05 • -4.31db
29% Popularity • 40% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Arctic Lake
Cold Hands - Acoustic Version
92 bpm • C Maj • 03:26 • -13.41db
16% Popularity • 58% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Denitia
Skin and Bones
92 bpm • C Maj • 03:41 • -10.85db
11% Popularity • 25% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Widowspeak
Romeo and Juliet
87 bpm • C Maj • 05:32 • -13.72db
34% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Rina Mushonga
Narcisc0
88 bpm • G Maj • 03:33 • -10.58db
40% Popularity • 61% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 45% Positiveness
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Anton Newcombe
Bringing Murder to the Land
93 bpm • F min • 03:31 • -5.71db
32% Popularity • 13% Danceability • 58% Energy • 10% Liveness
12% Instrumentalness • 28% Positiveness
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Sylvan Esso
What If
87 bpm • C Maj • 01:25 • -13.37db
38% Popularity • 67% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Grasscut
Curlews
93 bpm • F# min • 04:39 • -12.37db
16% Popularity • 40% Danceability • 51% Energy • 19% Liveness
96% Instrumentalness • 14% Positiveness
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TYGERMYLK
Be Together
87 bpm • F Maj • 03:19 • -9.97db
11% Popularity • 53% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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BC Camplight
I'm Alright In The World
87 bpm • G# Maj • 04:36 • -9db
24% Popularity • 66% Danceability • 43% Energy • 13% Liveness
1% Instrumentalness • 50% Positiveness
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WILDES
Circles
87 bpm • A Maj • 04:18 • -9db
36% Popularity • 39% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Laura Marling
Only The Strong
93 bpm • G min • 03:20 • -17db
39% Popularity • 66% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Conchúr White
Daisies
87 bpm • A Maj • 03:29 • -7db
9% Popularity • 50% Danceability • 54% Energy • 25% Liveness
2% Instrumentalness • 12% Positiveness
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Blondie
Heart Of Glass - Crabtree Remix
87 bpm • C min • 06:24 • -14.54db
37% Popularity • 18% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Sinéad O'Connor
Trouble Of The World - a cappella
94 bpm • C min • 04:27 • -14.56db
17% Popularity • 19% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Henry Green
The Sweetest Taboo
94 bpm • G min • 02:52 • -19.85db
45% Popularity • 57% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 15% Positiveness
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Laura Mvula
Brighter Dawn
86 bpm • A min • 02:25 • -5.74db
13% Popularity • 46% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Lisa Mitchell
I Believe In Kindness
94 bpm • E Maj • 03:30 • -8.54db
16% Popularity • 46% Danceability • 61% Energy • 14% Liveness
2% Instrumentalness • 45% Positiveness
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Johnny Lloyd
Next Episode Starts in 15 Seconds
94 bpm • D# Maj • 02:16 • -12.11db
16% Popularity • 51% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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David Kitt
Song from Hope St. - Brooklyn, Ny
94 bpm • F Maj • 04:18 • -10db
24% Popularity • 69% Danceability • 56% Energy • 7% Liveness
22% Instrumentalness • 42% Positiveness
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John Martyn
Sweet Little Mystery
86 bpm • F min • 05:25 • -17.09db
32% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Electric Penguins
Highgate Hill
94 bpm • F Maj • 05:35 • -7.27db
7% Popularity • 59% Danceability • 56% Energy • 8% Liveness
56% Instrumentalness • 79% Positiveness
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Kae Tempest
People's Faces
94 bpm • G Maj • 05:17 • -8db
35% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Arctic Lake
Fireflies
94 bpm • C Maj • 02:25 • -11.28db
26% Popularity • 28% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Marli Siu
Ae Fond Kiss (Reprise)
95 bpm • A# Maj • 04:19 • -18.8db
8% Popularity • 28% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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This Is The Kit
Coming to Get You Nowhere
95 bpm • G Maj • 03:20 • -11db
39% Popularity • 69% Danceability • 52% Energy • 13% Liveness
38% Instrumentalness • 86% Positiveness
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Mt. Wolf
Tayrona - Wilsen
86 bpm • A# Maj • 03:19 • -7.08db
28% Popularity • 43% Danceability • 60% Energy • 10% Liveness
5% Instrumentalness • 11% Positiveness
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Lyves
Faded
95 bpm • G Maj • 03:53 • -8.69db
24% Popularity • 68% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Eliza Shaddad
Pure Shores
95 bpm • G Maj • 03:52 • -6.16db
31% Popularity • 44% Danceability • 75% Energy • 20% Liveness
3% Instrumentalness • 30% Positiveness
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Arctic Lake
Cold Hands
95 bpm • C Maj • 03:17 • -9.73db
29% Popularity • 67% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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Eddi Reader
In A Big Country
95 bpm • F Maj • 04:41 • -9.67db
19% Popularity • 36% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Mo’Ju
History
95 bpm • C min • 04:31 • -13.49db
13% Popularity • 35% Danceability • 36% Energy • 10% Liveness
5% Instrumentalness • 29% Positiveness
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Villagers
Did You Know?
95 bpm • D Maj • 03:30 • -11.94db
33% Popularity • 59% Danceability • 49% Energy • 9% Liveness
14% Instrumentalness • 23% Positiveness
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Talos
The Light Upon Us
95 bpm • D# min • 03:49 • -3.48db
30% Popularity • 25% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Solomon Grey
Home
85 bpm • G# Maj • 03:23 • -9.88db
30% Popularity • 20% Danceability • 42% Energy • 10% Liveness
6% Instrumentalness • 18% Positiveness
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Gary Lightbody
A Long Way To Go Back
95 bpm • C Maj • 03:37 • -10.37db
15% Popularity • 36% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Goldwash
Gets Me Like You
85 bpm • B min • 03:15 • -12db
14% Popularity • 51% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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WILDES
Let You Go
85 bpm • D# min • 04:21 • -7db
29% Popularity • 22% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Kate Bush
Moments Of Pleasure
95 bpm • B Maj • 06:31 • -23.94db
21% Popularity • 36% Danceability • 3% Energy • 13% Liveness
17% Instrumentalness • 13% Positiveness
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Samantha Crain
Pastime
96 bpm • G Maj • 03:27 • -5.63db
31% Popularity • 60% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 63% Positiveness
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Laura Jean
Girls on the TV
96 bpm • G Maj • 05:55 • -8.55db
28% Popularity • 68% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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Corrina Repp
Count the Tear Drops
96 bpm • B Maj • 05:38 • -12.61db
16% Popularity • 24% Danceability • 18% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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Genevieve Dawson
Carry It Slowly
96 bpm • G# Maj • 02:18 • -19.47db
16% Popularity • 50% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Lanterns on the Lake
The Realist
84 bpm • B Maj • 04:37 • -11.04db
7% Popularity • 37% Danceability • 47% Energy • 10% Liveness
82% Instrumentalness • 23% Positiveness
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Holly Throsby
We’re Good People But Why Don’t We S...
97 bpm • G Maj • 03:44 • -14db
9% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Future Utopia
Stranger In The Night
97 bpm • C Maj • 02:44 • -10.44db
28% Popularity • 73% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Clare Sands
Carry My Song
84 bpm • G min • 03:48 • -14db
16% Popularity • 34% Danceability • 38% Energy • 38% Liveness
0% Instrumentalness • 11% Positiveness
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Soda Blonde
Holy Roses
97 bpm • B Maj • 03:42 • -9.23db
32% Popularity • 48% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 47% Positiveness
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Peter Sandberg
Pinetrees
98 bpm • D Maj • 03:24 • -20.46db
25% Popularity • 28% Danceability • 18% Energy • 11% Liveness
64% Instrumentalness • 22% Positiveness
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Lanterns on the Lake
Baddies
98 bpm • A min • 02:57 • -10.6db
16% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Bess Atwell
How Do You Leave
98 bpm • D Maj • 04:28 • -12.84db
30% Popularity • 42% Danceability • 52% Energy • 43% Liveness
5% Instrumentalness • 38% Positiveness
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Paul Thomas Saunders
Holding On For Love
98 bpm • F# Maj • 05:20 • -9.65db
13% Popularity • 43% Danceability • 36% Energy • 11% Liveness
14% Instrumentalness • 13% Positiveness
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Pillow Queens
When You're Gone
98 bpm • D# Maj • 04:25 • -6.42db
22% Popularity • 52% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Soda Blonde
In the Heat of the Night
97 bpm • G# min • 03:46 • -9.61db
28% Popularity • 60% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Ainslie Wills
Running Second
98 bpm • G# Maj • 04:29 • -13db
10% Popularity • 76% Danceability • 26% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
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BIG LOVE
Lily
98 bpm • F Maj • 04:10 • -14.21db
14% Popularity • 57% Danceability • 40% Energy • 7% Liveness
32% Instrumentalness • 18% Positiveness
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Sharon Van Etten
(What's So Funny 'Bout) Peace, Love and ...
98 bpm • G Maj • 04:26 • -10.47db
35% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Donna Missal
Nothing's Gonna Hurt You Baby
98 bpm • E Maj • 03:17 • -10.26db
40% Popularity • 60% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Landon Pigg
Young At Heart
82 bpm • F# Maj • 03:33 • -19db
27% Popularity • 54% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Arctic Lake
For Us
82 bpm • G Maj • 02:57 • -8.75db
25% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Kae Tempest
People's Faces - Streatham Version
82 bpm • G Maj • 03:39 • -8.56db
24% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Saint Sister
Oh My God Oh Canada
82 bpm • C Maj • 04:57 • -11.2db
16% Popularity • 44% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Kitt Philippa
Fahrenheit
99 bpm • G min • 02:45 • -11db
16% Popularity • 34% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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LYR
The First Time
99 bpm • A# min • 03:42 • -12.24db
9% Popularity • 45% Danceability • 40% Energy • 10% Liveness
15% Instrumentalness • 35% Positiveness
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Ainslie Wills
Clear Air After the Storm
82 bpm • B Maj • 03:34 • -12.45db
8% Popularity • 39% Danceability • 18% Energy • 36% Liveness
6% Instrumentalness • 8% Positiveness
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Tertia May
Where We Belong
82 bpm • D Maj • 04:16 • -12.75db
21% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Arctic Lake
Love You Like That
99 bpm • G# Maj • 03:36 • -7db
23% Popularity • 69% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Tim Burgess
Yours. To Be
99 bpm • F Maj • 02:44 • -9.11db
10% Popularity • 53% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Aaron May
This Is for My Girl — Closing Song
82 bpm • G min • 02:50 • -17.98db
19% Popularity • 18% Danceability • 15% Energy • 11% Liveness
20% Instrumentalness • 13% Positiveness
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Arthur Sharpe
Oh Tomorrow
81 bpm • D# min • 01:49 • -14db
9% Popularity • 43% Danceability • 33% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Douglas Dare
Wherever You Are
81 bpm • F# Maj • 03:54 • -12.96db
15% Popularity • 42% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
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Gordi
Hate The World
100 bpm • G Maj • 03:44 • -13.84db
10% Popularity • 59% Danceability • 38% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
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Arctic Lake
Hesitate
100 bpm • C Maj • 02:40 • -13.74db
22% Popularity • 41% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Elizabeth Moen
Creature of Habit
100 bpm • G Maj • 04:15 • -14.37db
18% Popularity • 59% Danceability • 22% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
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Charlotte Gainsbourg
Such a Remarkable Day
100 bpm • C Maj • 03:37 • -4db
33% Popularity • 57% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Villagers
A Trick Of The Light - Mahogany Sessions
100 bpm • F# Maj • 04:00 • -12.95db
26% Popularity • 46% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Fireflies
Get out of Town
100 bpm • F min • 03:57 • -9db
23% Popularity • 61% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Cherry-coloured Funk