Songs like Chicago - Live by Crosby, Stills, Nash & Young
Based on a tempo of (+/- 10%) and a similar genre
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James Gang
Dreamin' In The Country
147 bpm • C Maj • 02:59 • -10.98db
31% Popularity • 63% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 63% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Crosby, Stills, Nash & Young
Chicago - Live
147 bpm • A min • 03:10 • -10db
33% Popularity • 56% Danceability • 41% Energy • 87% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 56% Danceability • 41% Energy • 87% Liveness
0% Instrumentalness • 40% Positiveness
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Jefferson Airplane
Common Market Madrigal
147 bpm • C# min • 02:46 • -13.38db
22% Popularity • 52% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 52% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Genesis
The Carpet Crawlers - Platinum Collectio...
147 bpm • D Maj • 05:01 • -8.12db
30% Popularity • 28% Danceability • 52% Energy • 58% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 28% Danceability • 52% Energy • 58% Liveness
0% Instrumentalness • 26% Positiveness
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Harry Chapin
Shooting Star
146 bpm • E min • 04:04 • -11.67db
25% Popularity • 39% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 39% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Pavlov's Dog
Standing Here With You (Megan's Song)
148 bpm • C Maj • 03:50 • -16.29db
21% Popularity • 35% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 35% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Don McLean
Winterwood
148 bpm • A Maj • 03:10 • -16db
43% Popularity • 65% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 65% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Tom Petty
It's Good To Be King
148 bpm • D Maj • 05:10 • -7db
49% Popularity • 52% Danceability • 62% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
49% Popularity • 52% Danceability • 62% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
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Jethro Tull
Up the 'Pool
148 bpm • D Maj • 03:15 • -17.5db
22% Popularity • 57% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 57% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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The Rolling Stones
If You Really Want To Be My Friend - Rem...
149 bpm • G Maj • 06:16 • -5.02db
26% Popularity • 43% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 43% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Warren Zevon
Desperados Under the Eaves
145 bpm • F Maj • 04:47 • -17db
39% Popularity • 34% Danceability • 19% Energy • 6% Liveness
8% Instrumentalness • 25% Positiveness
39% Popularity • 34% Danceability • 19% Energy • 6% Liveness
8% Instrumentalness • 25% Positiveness
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Elton John
No Shoe Strings On Louise
145 bpm • E Maj • 03:29 • -8.22db
27% Popularity • 48% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 48% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Buffalo Springfield
Rock & Roll Woman
145 bpm • A min • 02:45 • -14db
46% Popularity • 41% Danceability • 64% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
46% Popularity • 41% Danceability • 64% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
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Ian Anderson
Only the Giving (Wond'ring Aloud)
145 bpm • A# Maj • 01:58 • -12.29db
31% Popularity • 46% Danceability • 32% Energy • 22% Liveness
1% Instrumentalness • 48% Positiveness
31% Popularity • 46% Danceability • 32% Energy • 22% Liveness
1% Instrumentalness • 48% Positiveness
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Humble Pie
Desperation (Stereo Version)
144 bpm • D Maj • 06:27 • -13.59db
28% Popularity • 30% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 30% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Crosby, Stills, Nash & Young
Seen Enough
144 bpm • D min • 05:14 • -10.06db
19% Popularity • 55% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 55% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Warren Zevon
Accidentally Like a Martyr
144 bpm • F Maj • 03:40 • -16.54db
17% Popularity • 50% Danceability • 27% Energy • 7% Liveness
5% Instrumentalness • 38% Positiveness
17% Popularity • 50% Danceability • 27% Energy • 7% Liveness
5% Instrumentalness • 38% Positiveness
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Joe Jackson
Evil Empire
152 bpm • E Maj • 03:45 • -13.45db
16% Popularity • 58% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 58% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Poco
Too Many Nights Too Long
152 bpm • D Maj • 05:57 • -15.48db
21% Popularity • 50% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 50% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Tim Hardin
Simple Song of Freedom
152 bpm • C Maj • 03:50 • -8.38db
29% Popularity • 54% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 54% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Elton John
Holiday Inn
152 bpm • D Maj • 04:16 • -11.06db
34% Popularity • 52% Danceability • 70% Energy • 17% Liveness
2% Instrumentalness • 67% Positiveness
34% Popularity • 52% Danceability • 70% Energy • 17% Liveness
2% Instrumentalness • 67% Positiveness
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Crosby, Stills, Nash & Young
Down By The River - Live
143 bpm • C min • 05:14 • -20.75db
25% Popularity • 41% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 41% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Warren Zevon
El Amor De Mi Vida
144 bpm • F Maj • 03:33 • -12.69db
21% Popularity • 66% Danceability • 41% Energy • 10% Liveness
27% Instrumentalness • 28% Positiveness
21% Popularity • 66% Danceability • 41% Energy • 10% Liveness
27% Instrumentalness • 28% Positiveness
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Seals and Crofts
East of Ginger Trees
153 bpm • D Maj • 03:28 • -13.33db
30% Popularity • 39% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 39% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Traveling Wilburys
She's My Baby
141 bpm • G Maj • 03:15 • -5db
46% Popularity • 50% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 50% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Yes
Wonderous Stories - 2013 Remaster
141 bpm • E Maj • 03:49 • -9db
41% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Emerson, Lake & Palmer
Nobody Loves You Like I Do
141 bpm • D Maj • 04:00 • -8.58db
22% Popularity • 42% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 42% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Crosby, Stills, Nash & Young
Teach Your Children - Live
152 bpm • D Maj • 03:18 • -11.12db
20% Popularity • 41% Danceability • 54% Energy • 98% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 41% Danceability • 54% Energy • 98% Liveness
0% Instrumentalness • 52% Positiveness
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Little Feat
Easy to Slip
141 bpm • G Maj • 03:21 • -8.01db
40% Popularity • 44% Danceability • 72% Energy • 44% Liveness
1% Instrumentalness • 44% Positiveness
40% Popularity • 44% Danceability • 72% Energy • 44% Liveness
1% Instrumentalness • 44% Positiveness
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Jethro Tull
Slipstream
154 bpm • A# Maj • 01:11 • -17.04db
49% Popularity • 37% Danceability • 20% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 37% Danceability • 20% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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The Animals
Many Rivers to Cross
141 bpm • D# Maj • 04:11 • -7db
36% Popularity • 39% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 39% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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The Moody Blues
Nights In White Satin - Live At Red Rock...
154 bpm • E min • 06:18 • -14.12db
13% Popularity • 16% Danceability • 42% Energy • 94% Liveness
2% Instrumentalness • 20% Positiveness
13% Popularity • 16% Danceability • 42% Energy • 94% Liveness
2% Instrumentalness • 20% Positiveness
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Dan Fogelberg
Old Tennessee
140 bpm • D Maj • 03:06 • -17.79db
30% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Crosby, Stills, Nash & Young
Heartland
142 bpm • E min • 04:28 • -10.31db
23% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Carole King
Home Again
140 bpm • A Maj • 02:29 • -12.56db
50% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Jethro Tull
Wond'ring Aloud, Again - Full Morgan Ver...
154 bpm • A# Maj • 07:07 • -14.85db
19% Popularity • 48% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 48% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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![Lucky Man [2012 Stereo Mix] cover art](https://i.scdn.co/image/ab67616d00001e024d844480eb8a8fc7d761b324)
Emerson, Lake & Palmer
Lucky Man [2012 Stereo Mix]
154 bpm • D Maj • 04:39 • -14.93db
15% Popularity • 35% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 35% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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Warren Zevon
The French Inhaler
140 bpm • D Maj • 03:44 • -9.45db
24% Popularity • 50% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 50% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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The Rolling Stones
Back Street Girl
154 bpm • G Maj • 03:27 • -12.77db
28% Popularity • 42% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 42% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Crosby, Stills, Nash & Young
Soldiers of Peace
142 bpm • A min • 03:47 • -13.76db
17% Popularity • 26% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 26% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Poco
Rose of Cimmaron
155 bpm • F# Maj • 05:34 • -7db
29% Popularity • 20% Danceability • 74% Energy • 93% Liveness
61% Instrumentalness • 41% Positiveness
29% Popularity • 20% Danceability • 74% Energy • 93% Liveness
61% Instrumentalness • 41% Positiveness
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Al Stewart
Clifton in the Rain
155 bpm • D Maj • 02:42 • -16.04db
28% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Emerson, Lake & Palmer
Lucky Man
154 bpm • G Maj • 04:37 • -15.62db
43% Popularity • 35% Danceability • 39% Energy • 5% Liveness
3% Instrumentalness • 48% Positiveness
43% Popularity • 35% Danceability • 39% Energy • 5% Liveness
3% Instrumentalness • 48% Positiveness
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Dan Fogelberg
There's a Place in the World for a Gambl...
139 bpm • C Maj • 05:44 • -17db
31% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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The Moody Blues
Ride My See-Saw
155 bpm • F Maj • 03:39 • -10.4db
48% Popularity • 33% Danceability • 87% Energy • 85% Liveness
30% Instrumentalness • 79% Positiveness
48% Popularity • 33% Danceability • 87% Energy • 85% Liveness
30% Instrumentalness • 79% Positiveness
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Crosby, Stills, Nash & Young
Our House - 2021 Remaster
141 bpm • A Maj • 03:00 • -15db
40% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Traveling Wilburys
Congratulations
139 bpm • C Maj • 03:29 • -7db
44% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Warren Zevon
Hasten Down the Wind
139 bpm • E Maj • 02:32 • -11.5db
45% Popularity • 42% Danceability • 30% Energy • 14% Liveness
41% Instrumentalness • 30% Positiveness
45% Popularity • 42% Danceability • 30% Energy • 14% Liveness
41% Instrumentalness • 30% Positiveness
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Jefferson Starship
Take Your Time
139 bpm • C Maj • 04:11 • -15.48db
17% Popularity • 40% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 40% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Jethro Tull
Wond'ring Again
155 bpm • A# Maj • 04:15 • -17.67db
22% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Stealers Wheel
Steamboat Row
139 bpm • A Maj • 02:53 • -7.52db
26% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Crosby, Stills, Nash & Young
Laughing - Live
153 bpm • D# Maj • 03:36 • -13.52db
23% Popularity • 44% Danceability • 30% Energy • 94% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 44% Danceability • 30% Energy • 94% Liveness
0% Instrumentalness • 20% Positiveness
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James Taylor
Country Road - 2019 Remaster
156 bpm • D Maj • 03:22 • -17db
56% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Emerson, Lake & Palmer
Jerusalem (2014 - Remaster)
139 bpm • D min • 02:45 • -8.12db
35% Popularity • 22% Danceability • 51% Energy • 52% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 22% Danceability • 51% Energy • 52% Liveness
0% Instrumentalness • 36% Positiveness
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Badfinger
Name Of The Game - Remastered 2010
138 bpm • A Maj • 05:21 • -9db
36% Popularity • 32% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 29% Positiveness
36% Popularity • 32% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 29% Positiveness
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The Rolling Stones
Till The Next Goodbye - Remastered
138 bpm • D Maj • 04:36 • -6.87db
29% Popularity • 47% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 47% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Warren Zevon
The Hula Hula Boys - 2007 Remaster
138 bpm • G Maj • 03:02 • -11db
36% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Crosby, Stills, Nash & Young
Find the Cost of Freedom
154 bpm • F Maj • 01:58 • -20.32db
50% Popularity • 39% Danceability • 6% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 39% Danceability • 6% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Elton John
Sixty Years On - UK-Release Mix
138 bpm • B min • 07:22 • -10.43db
20% Popularity • 40% Danceability • 79% Energy • 71% Liveness
6% Instrumentalness • 20% Positiveness
20% Popularity • 40% Danceability • 79% Energy • 71% Liveness
6% Instrumentalness • 20% Positiveness
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Poco
Rose Of Cimarron
157 bpm • F# Maj • 06:42 • -11.75db
39% Popularity • 29% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 41% Positiveness
39% Popularity • 29% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 41% Positiveness
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The Moody Blues
New Horizons
157 bpm • F Maj • 05:10 • -9db
34% Popularity • 19% Danceability • 61% Energy • 22% Liveness
83% Instrumentalness • 45% Positiveness
34% Popularity • 19% Danceability • 61% Energy • 22% Liveness
83% Instrumentalness • 45% Positiveness
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Free
Soon I Will Be Gone
157 bpm • B min • 03:02 • -12.91db
26% Popularity • 38% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 38% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Emerson, Lake & Palmer
Hoedown
137 bpm • G Maj • 03:47 • -11.51db
38% Popularity • 40% Danceability • 80% Energy • 17% Liveness
71% Instrumentalness • 88% Positiveness
38% Popularity • 40% Danceability • 80% Energy • 17% Liveness
71% Instrumentalness • 88% Positiveness
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Crosby, Stills, Nash & Young
Right Between the Eyes - Live
140 bpm • C Maj • 03:36 • -21.53db
27% Popularity • 40% Danceability • 21% Energy • 98% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 40% Danceability • 21% Energy • 98% Liveness
0% Instrumentalness • 44% Positiveness
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Steve Forbert
Complications
137 bpm • A Maj • 03:52 • -14.16db
11% Popularity • 68% Danceability • 55% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 68% Danceability • 55% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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Elton John
Madman Across The Water
136 bpm • A min • 05:57 • -11.55db
43% Popularity • 45% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 45% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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John Lennon
Working Class Hero - Remastered 2010
159 bpm • G Maj • 03:47 • -18.57db
57% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
57% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Free
Child
136 bpm • E min • 05:19 • -15.71db
10% Popularity • 53% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 53% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Cream
I'm So Glad
136 bpm • D Maj • 03:58 • -11.8db
40% Popularity • 36% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Crosby, Stills, Nash & Young
King Midas in Reverse - Live
155 bpm • C# Maj • 03:43 • -13.02db
24% Popularity • 42% Danceability • 55% Energy • 70% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 42% Danceability • 55% Energy • 70% Liveness
0% Instrumentalness • 46% Positiveness
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Loggins & Messina
Angry Eyes
159 bpm • C Maj • 07:40 • -10.2db
42% Popularity • 56% Danceability • 63% Energy • 10% Liveness
11% Instrumentalness • 84% Positiveness
42% Popularity • 56% Danceability • 63% Energy • 10% Liveness
11% Instrumentalness • 84% Positiveness
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Tim Hardin
If I Were A Carpenter
160 bpm • G Maj • 02:41 • -13db
46% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
46% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
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Joe Walsh
Help Me Thru The Night
135 bpm • F Maj • 03:40 • -17db
36% Popularity • 50% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 50% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Gerry Rafferty
The Long Way Round
135 bpm • G Maj • 04:49 • -10.34db
21% Popularity • 41% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 41% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmy Page
Nobody's Fault But Mine
135 bpm • C Maj • 04:06 • -13db
32% Popularity • 58% Danceability • 49% Energy • 8% Liveness
22% Instrumentalness • 30% Positiveness
32% Popularity • 58% Danceability • 49% Energy • 8% Liveness
22% Instrumentalness • 30% Positiveness
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Crosby, Stills, Nash & Young
Deja Vu
137 bpm • B min • 04:12 • -15.92db
47% Popularity • 45% Danceability • 27% Energy • 30% Liveness
22% Instrumentalness • 20% Positiveness
47% Popularity • 45% Danceability • 27% Energy • 30% Liveness
22% Instrumentalness • 20% Positiveness
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Crosby & Nash
Puppeteer
135 bpm • F# Maj • 04:05 • -7.58db
17% Popularity • 49% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
17% Popularity • 49% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Elton John
Madman Across The Water
135 bpm • A min • 08:52 • -8.85db
29% Popularity • 40% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 40% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Peter Frampton
Nassau/Baby I Love Your Way - Medley
135 bpm • G Maj • 05:50 • -10db
38% Popularity • 53% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 53% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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George Harrison
While My Guitar Gently Weeps (Live from ...
134 bpm • G Maj • 04:46 • -6.55db
52% Popularity • 35% Danceability • 84% Energy • 74% Liveness
1% Instrumentalness • 69% Positiveness
52% Popularity • 35% Danceability • 84% Energy • 74% Liveness
1% Instrumentalness • 69% Positiveness
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Jefferson Starship
Play on Love
134 bpm • C Maj • 03:43 • -11.9db
27% Popularity • 63% Danceability • 62% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 63% Danceability • 62% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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Crosby, Stills, Nash & Young
Triad - Live
134 bpm • D Maj • 06:54 • -21.08db
27% Popularity • 43% Danceability • 13% Energy • 75% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 43% Danceability • 13% Energy • 75% Liveness
0% Instrumentalness • 22% Positiveness
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Crosby & Nash
Other Side of Town
134 bpm • C Maj • 03:34 • -11.15db
12% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Al Stewart
Carol
161 bpm • D# min • 04:59 • -5.21db
18% Popularity • 42% Danceability • 86% Energy • 72% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 42% Danceability • 86% Energy • 72% Liveness
0% Instrumentalness • 73% Positiveness
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Arlo Guthrie
Coming into Los Angeles (Taking Woodstoc...
134 bpm • C Maj • 02:12 • -7.2db
31% Popularity • 62% Danceability • 85% Energy • 70% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 62% Danceability • 85% Energy • 70% Liveness
0% Instrumentalness • 73% Positiveness
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Jethro Tull
Really Don't Mind / See There a Son Is B...
162 bpm • A# Maj • 05:00 • -10.4db
41% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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George Harrison
Absolutely Sweet Marie - Live at Madison...
133 bpm • F# Maj • 04:29 • -8.69db
30% Popularity • 56% Danceability • 89% Energy • 99% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 56% Danceability • 89% Energy • 99% Liveness
0% Instrumentalness • 44% Positiveness
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Crosby, Stills, Nash & Young
Shock and Awe - Live
133 bpm • B min • 05:08 • -8.83db
23% Popularity • 42% Danceability • 72% Energy • 99% Liveness
1% Instrumentalness • 36% Positiveness
23% Popularity • 42% Danceability • 72% Energy • 99% Liveness
1% Instrumentalness • 36% Positiveness
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Traveling Wilburys
The Devil's Been Busy
133 bpm • G Maj • 03:18 • -5db
43% Popularity • 55% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 55% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Al Stewart
Last Days of the Century - Constantinopl...
162 bpm • D# min • 07:23 • -8db
17% Popularity • 40% Danceability • 83% Energy • 98% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 40% Danceability • 83% Energy • 98% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Walsh
County Fair
163 bpm • E min • 06:50 • -16.23db
35% Popularity • 37% Danceability • 36% Energy • 26% Liveness
7% Instrumentalness • 17% Positiveness
35% Popularity • 37% Danceability • 36% Energy • 26% Liveness
7% Instrumentalness • 17% Positiveness
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Peter Frampton
Not Forgotten
132 bpm • G min • 02:50 • -9.64db
19% Popularity • 69% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 69% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Genesis
The Lamb Lies Down on Broadway - Live in...
132 bpm • E Maj • 04:59 • -15.72db
32% Popularity • 36% Danceability • 51% Energy • 39% Liveness
1% Instrumentalness • 26% Positiveness
32% Popularity • 36% Danceability • 51% Energy • 39% Liveness
1% Instrumentalness • 26% Positiveness
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John Mayall
Room To Move
132 bpm • C# Maj • 05:02 • -8.53db
36% Popularity • 76% Danceability • 93% Energy • 94% Liveness
43% Instrumentalness • 70% Positiveness
36% Popularity • 76% Danceability • 93% Energy • 94% Liveness
43% Instrumentalness • 70% Positiveness
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Emerson, Lake & Palmer
From the Beginning (New Stereo Mix)
132 bpm • E min • 04:17 • -16.54db
46% Popularity • 60% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 29% Positiveness
46% Popularity • 60% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 29% Positiveness
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James Taylor
Hey Mister, That's Me up on the Jukebox ...
132 bpm • G min • 03:48 • -16.33db
29% Popularity • 53% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 53% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The Zombies
She's Not There (Live at Metropolis Stu...
132 bpm • A Maj • 03:25 • -5.87db
8% Popularity • 40% Danceability • 90% Energy • 74% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 40% Danceability • 90% Energy • 74% Liveness
0% Instrumentalness • 66% Positiveness
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Jefferson Airplane
It's No Secret
132 bpm • D# Maj • 02:37 • -9db
34% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness