Songs like Chocolate & Soda by Okta Logue
Based on a tempo of (+/- 10%) and a similar genre
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Fink
Resurgam
134 bpm • F Maj • 08:33 • -16.41db
22% Popularity • 77% Danceability • 27% Energy • 12% Liveness
61% Instrumentalness • 36% Positiveness
22% Popularity • 77% Danceability • 27% Energy • 12% Liveness
61% Instrumentalness • 36% Positiveness
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Cari Cari
After The Goldrush
134 bpm • G# Maj • 03:52 • -6.26db
32% Popularity • 75% Danceability • 58% Energy • 14% Liveness
3% Instrumentalness • 19% Positiveness
32% Popularity • 75% Danceability • 58% Energy • 14% Liveness
3% Instrumentalness • 19% Positiveness
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Death Machine
Under the Pillow
134 bpm • G Maj • 04:02 • -11.63db
11% Popularity • 70% Danceability • 40% Energy • 11% Liveness
7% Instrumentalness • 54% Positiveness
11% Popularity • 70% Danceability • 40% Energy • 11% Liveness
7% Instrumentalness • 54% Positiveness
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The Slow Show
Ordinary Lives
134 bpm • C Maj • 03:57 • -9.53db
32% Popularity • 51% Danceability • 64% Energy • 14% Liveness
67% Instrumentalness • 51% Positiveness
32% Popularity • 51% Danceability • 64% Energy • 14% Liveness
67% Instrumentalness • 51% Positiveness
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Okta Logue
Chocolate & Soda
134 bpm • C# min • 09:26 • -9.08db
15% Popularity • 53% Danceability • 50% Energy • 12% Liveness
5% Instrumentalness • 40% Positiveness
15% Popularity • 53% Danceability • 50% Energy • 12% Liveness
5% Instrumentalness • 40% Positiveness
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The Vryll Society
Deep Blue Skies
134 bpm • G Maj • 04:59 • -7db
30% Popularity • 32% Danceability • 67% Energy • 9% Liveness
87% Instrumentalness • 39% Positiveness
30% Popularity • 32% Danceability • 67% Energy • 9% Liveness
87% Instrumentalness • 39% Positiveness
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ISLAND
Don't Dream It's Over
133 bpm • C Maj • 04:01 • -8.86db
17% Popularity • 36% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
17% Popularity • 36% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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The Veils
Talk Down the Girl
135 bpm • C min • 04:10 • -10.41db
28% Popularity • 52% Danceability • 46% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
28% Popularity • 52% Danceability • 46% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
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Lea Porcelain
Sink into the Night
135 bpm • C Maj • 03:48 • -10.28db
16% Popularity • 48% Danceability • 50% Energy • 10% Liveness
63% Instrumentalness • 9% Positiveness
16% Popularity • 48% Danceability • 50% Energy • 10% Liveness
63% Instrumentalness • 9% Positiveness
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Talking To Turtles
Gold
133 bpm • F# Maj • 03:02 • -12.92db
30% Popularity • 65% Danceability • 33% Energy • 11% Liveness
50% Instrumentalness • 27% Positiveness
30% Popularity • 65% Danceability • 33% Energy • 11% Liveness
50% Instrumentalness • 27% Positiveness
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Okta Logue
Chocolate and Soda
134 bpm • C# min • 09:26 • -11.19db
9% Popularity • 50% Danceability • 43% Energy • 11% Liveness
11% Instrumentalness • 22% Positiveness
9% Popularity • 50% Danceability • 43% Energy • 11% Liveness
11% Instrumentalness • 22% Positiveness
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Joon Moon
Tiger
133 bpm • F min • 04:45 • -6.71db
19% Popularity • 69% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 69% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Alice Phoebe Lou
Devil's Sweetheart
136 bpm • A min • 04:32 • -9.48db
34% Popularity • 49% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 49% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Syd Arthur
Into Eternity
136 bpm • A min • 05:16 • -7.46db
10% Popularity • 28% Danceability • 53% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
10% Popularity • 28% Danceability • 53% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
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Balthazar
You're So Real
136 bpm • F min • 04:07 • -7.89db
32% Popularity • 69% Danceability • 55% Energy • 18% Liveness
63% Instrumentalness • 50% Positiveness
32% Popularity • 69% Danceability • 55% Energy • 18% Liveness
63% Instrumentalness • 50% Positiveness
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LUI HILL
Ancient Dust
132 bpm • A# min • 03:40 • -8db
28% Popularity • 81% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 81% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Okta Logue
Transit
135 bpm • B Maj • 06:38 • -8.65db
9% Popularity • 45% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 45% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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GOSTO
Tell Me What You're Made Of
136 bpm • A# min • 04:21 • -8.95db
32% Popularity • 63% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
32% Popularity • 63% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Other Lives
Easy Way Out
132 bpm • C Maj • 04:03 • -9.05db
28% Popularity • 59% Danceability • 77% Energy • 12% Liveness
73% Instrumentalness • 59% Positiveness
28% Popularity • 59% Danceability • 77% Energy • 12% Liveness
73% Instrumentalness • 59% Positiveness
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Faces on TV
Time After Time
136 bpm • B min • 04:32 • -6.79db
12% Popularity • 55% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 55% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Balthazar
Blood Like Wine
136 bpm • D Maj • 05:03 • -7.24db
41% Popularity • 77% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 77% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Marlon Williams
Can I Call You
132 bpm • F Maj • 03:48 • -9.81db
22% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Okta Logue
It's Been A While
133 bpm • G min • 05:06 • -8.82db
6% Popularity • 42% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
6% Popularity • 42% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Last Train
Jane
132 bpm • C Maj • 07:58 • -9.08db
20% Popularity • 42% Danceability • 62% Energy • 32% Liveness
1% Instrumentalness • 37% Positiveness
20% Popularity • 42% Danceability • 62% Energy • 32% Liveness
1% Instrumentalness • 37% Positiveness
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Casual Male
Takin' it Easy
132 bpm • C# Maj • 02:46 • -9.29db
15% Popularity • 62% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 48% Positiveness
15% Popularity • 62% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 48% Positiveness
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Nick Mulvey
Juramidam
132 bpm • D Maj • 05:16 • -9db
37% Popularity • 73% Danceability • 70% Energy • 9% Liveness
24% Instrumentalness • 57% Positiveness
37% Popularity • 73% Danceability • 70% Energy • 9% Liveness
24% Instrumentalness • 57% Positiveness
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Balthazar
True Love
136 bpm • D min • 05:25 • -9.79db
29% Popularity • 37% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 37% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Mooneye
Black River - Single Edit
131 bpm • F# min • 04:31 • -6.77db
14% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Okta Logue
Wasted With You
133 bpm • C# Maj • 03:33 • -7.97db
7% Popularity • 32% Danceability • 52% Energy • 22% Liveness
3% Instrumentalness • 8% Positiveness
7% Popularity • 32% Danceability • 52% Energy • 22% Liveness
3% Instrumentalness • 8% Positiveness
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The Veils
Swimming with the Crocodiles - Acoustic ...
137 bpm • A min • 04:19 • -10.9db
23% Popularity • 58% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 58% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sizarr
I May Have Lied to You
137 bpm • G min • 05:04 • -9.47db
34% Popularity • 60% Danceability • 53% Energy • 55% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 60% Danceability • 53% Energy • 55% Liveness
0% Instrumentalness • 37% Positiveness
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Vedett
Get off the Road
131 bpm • A Maj • 05:06 • -7.85db
8% Popularity • 56% Danceability • 47% Energy • 15% Liveness
9% Instrumentalness • 16% Positiveness
8% Popularity • 56% Danceability • 47% Energy • 15% Liveness
9% Instrumentalness • 16% Positiveness
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Diagrams
Gentle Morning Song
131 bpm • D min • 03:53 • -9.88db
8% Popularity • 66% Danceability • 73% Energy • 52% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 66% Danceability • 73% Energy • 52% Liveness
0% Instrumentalness • 60% Positiveness
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Pumarosa
Barefoot
131 bpm • F# min • 04:21 • -7.66db
30% Popularity • 68% Danceability • 57% Energy • 14% Liveness
11% Instrumentalness • 18% Positiveness
30% Popularity • 68% Danceability • 57% Energy • 14% Liveness
11% Instrumentalness • 18% Positiveness
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Okta Logue
One-Way Ticket To Breakdown
136 bpm • F# min • 03:08 • -7.85db
6% Popularity • 49% Danceability • 82% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
6% Popularity • 49% Danceability • 82% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
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Fai Baba
Why Do I Feel so Alone
137 bpm • D Maj • 04:20 • -10db
19% Popularity • 43% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 43% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 6% Positiveness
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Warhaus
Against the Rich
138 bpm • C min • 03:14 • -8.25db
26% Popularity • 63% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 63% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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ViVii
Suckerpunch
130 bpm • F# min • 03:58 • -8.03db
22% Popularity • 50% Danceability • 47% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
22% Popularity • 50% Danceability • 47% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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Mother's Cake
Black Roses
130 bpm • D Maj • 03:45 • -9db
14% Popularity • 35% Danceability • 65% Energy • 13% Liveness
6% Instrumentalness • 16% Positiveness
14% Popularity • 35% Danceability • 65% Energy • 13% Liveness
6% Instrumentalness • 16% Positiveness
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The Boxer Rebellion
What the Fuck - Edit
138 bpm • D Maj • 03:36 • -12.87db
8% Popularity • 55% Danceability • 30% Energy • 11% Liveness
14% Instrumentalness • 15% Positiveness
8% Popularity • 55% Danceability • 30% Energy • 11% Liveness
14% Instrumentalness • 15% Positiveness
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Okta Logue
Summer Days
136 bpm • A# min • 11:48 • -6.65db
5% Popularity • 32% Danceability • 78% Energy • 36% Liveness
1% Instrumentalness • 32% Positiveness
5% Popularity • 32% Danceability • 78% Energy • 36% Liveness
1% Instrumentalness • 32% Positiveness
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ABAY
Paradise Circus
130 bpm • C min • 03:45 • -9.42db
22% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Fink
Day 22
138 bpm • A# min • 05:09 • -13.43db
16% Popularity • 79% Danceability • 21% Energy • 11% Liveness
5% Instrumentalness • 46% Positiveness
16% Popularity • 79% Danceability • 21% Energy • 11% Liveness
5% Instrumentalness • 46% Positiveness
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Warhaus
Dangerous
138 bpm • D Maj • 05:37 • -10db
39% Popularity • 82% Danceability • 51% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
39% Popularity • 82% Danceability • 51% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
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Tuvaband
He Said Me Too
138 bpm • C min • 04:42 • -8.15db
17% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Boxer Rebellion
What the Fuck
138 bpm • B min • 04:23 • -13db
36% Popularity • 56% Danceability • 31% Energy • 9% Liveness
31% Instrumentalness • 16% Positiveness
36% Popularity • 56% Danceability • 31% Energy • 9% Liveness
31% Instrumentalness • 16% Positiveness
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Okta Logue
Out of Gas
130 bpm • C# Maj • 04:15 • -13.05db
7% Popularity • 52% Danceability • 33% Energy • 11% Liveness
42% Instrumentalness • 25% Positiveness
7% Popularity • 52% Danceability • 33% Energy • 11% Liveness
42% Instrumentalness • 25% Positiveness
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Syd Arthur
Coal Mine
130 bpm • F min • 04:28 • -8.3db
21% Popularity • 54% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 54% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Death Machine
Bleak
130 bpm • F min • 03:49 • -8.76db
22% Popularity • 64% Danceability • 56% Energy • 10% Liveness
5% Instrumentalness • 44% Positiveness
22% Popularity • 64% Danceability • 56% Energy • 10% Liveness
5% Instrumentalness • 44% Positiveness
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Hayden Thorpe
Love Crimes
130 bpm • E Maj • 03:55 • -13.57db
31% Popularity • 59% Danceability • 43% Energy • 14% Liveness
18% Instrumentalness • 16% Positiveness
31% Popularity • 59% Danceability • 43% Energy • 14% Liveness
18% Instrumentalness • 16% Positiveness
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Stef Kamil Carlens
Empty World
130 bpm • E min • 03:29 • -8db
26% Popularity • 73% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 73% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Trevor Sensor
High Beams
130 bpm • G min • 03:23 • -7.32db
21% Popularity • 61% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 61% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Okta Logue
Dream On
137 bpm • B Maj • 04:10 • -8.14db
11% Popularity • 46% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 46% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Seewolf
Lonely Eyes
129 bpm • B min • 05:29 • -8.86db
7% Popularity • 26% Danceability • 77% Energy • 10% Liveness
80% Instrumentalness • 28% Positiveness
7% Popularity • 26% Danceability • 77% Energy • 10% Liveness
80% Instrumentalness • 28% Positiveness
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Naxatras
Spring Song
129 bpm • A Maj • 05:31 • -15db
27% Popularity • 64% Danceability • 18% Energy • 11% Liveness
48% Instrumentalness • 21% Positiveness
27% Popularity • 64% Danceability • 18% Energy • 11% Liveness
48% Instrumentalness • 21% Positiveness
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Harvey Rushmore & the Octopus
Radiation
129 bpm • A min • 04:08 • -4.44db
8% Popularity • 41% Danceability • 92% Energy • 14% Liveness
58% Instrumentalness • 64% Positiveness
8% Popularity • 41% Danceability • 92% Energy • 14% Liveness
58% Instrumentalness • 64% Positiveness
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The Howlin'
This Road
139 bpm • C# Maj • 04:01 • -10.59db
12% Popularity • 60% Danceability • 73% Energy • 15% Liveness
16% Instrumentalness • 45% Positiveness
12% Popularity • 60% Danceability • 73% Energy • 15% Liveness
16% Instrumentalness • 45% Positiveness
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Balthazar
Dirty Love
139 bpm • C Maj • 03:43 • -8.61db
26% Popularity • 60% Danceability • 62% Energy • 15% Liveness
56% Instrumentalness • 61% Positiveness
26% Popularity • 60% Danceability • 62% Energy • 15% Liveness
56% Instrumentalness • 61% Positiveness
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Okta Logue
Mr. Busdriver
131 bpm • B Maj • 03:04 • -10.33db
4% Popularity • 51% Danceability • 52% Energy • 30% Liveness
1% Instrumentalness • 61% Positiveness
4% Popularity • 51% Danceability • 52% Energy • 30% Liveness
1% Instrumentalness • 61% Positiveness
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Electric Zoo
Sunshine
129 bpm • C Maj • 04:34 • -8.41db
15% Popularity • 53% Danceability • 54% Energy • 36% Liveness
15% Instrumentalness • 44% Positiveness
15% Popularity • 53% Danceability • 54% Energy • 36% Liveness
15% Instrumentalness • 44% Positiveness
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Jonathan Wilson
Loving You - Summertime Madness Edit
129 bpm • C Maj • 04:15 • -8.79db
11% Popularity • 67% Danceability • 56% Energy • 20% Liveness
7% Instrumentalness • 56% Positiveness
11% Popularity • 67% Danceability • 56% Energy • 20% Liveness
7% Instrumentalness • 56% Positiveness
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BRTHR
Harder Each Day
139 bpm • B Maj • 04:25 • -10.39db
10% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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MY BABY
Mounaiki
140 bpm • A min • 03:33 • -9.18db
20% Popularity • 75% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 75% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Ben Howard
Heave Ho
140 bpm • C Maj • 06:18 • -10db
25% Popularity • 54% Danceability • 48% Energy • 34% Liveness
84% Instrumentalness • 5% Positiveness
25% Popularity • 54% Danceability • 48% Energy • 34% Liveness
84% Instrumentalness • 5% Positiveness
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Okta Logue
Waves
139 bpm • G# min • 04:17 • -6.82db
8% Popularity • 30% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 30% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
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Oi Va Voi
Arrival
140 bpm • B min • 03:37 • -7.31db
16% Popularity • 42% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
16% Popularity • 42% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Jonathan Wilson
Rare Birds
129 bpm • A min • 05:26 • -8.4db
15% Popularity • 55% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 55% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Mani Orrason
Picture I Recall
140 bpm • F# min • 03:39 • -8.58db
22% Popularity • 64% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 64% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Girls In Hawaii
Overrated
140 bpm • A# min • 04:19 • -8.69db
10% Popularity • 51% Danceability • 76% Energy • 7% Liveness
18% Instrumentalness • 67% Positiveness
10% Popularity • 51% Danceability • 76% Energy • 7% Liveness
18% Instrumentalness • 67% Positiveness
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And the Golden Choir
How To Conquer A Land
140 bpm • C min • 03:44 • -5db
10% Popularity • 27% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 27% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Okta Logue
Bright Lights
129 bpm • C# Maj • 03:23 • -9.66db
11% Popularity • 28% Danceability • 58% Energy • 54% Liveness
24% Instrumentalness • 36% Positiveness
11% Popularity • 28% Danceability • 58% Energy • 54% Liveness
24% Instrumentalness • 36% Positiveness
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Catastrophe & Cure
On the Internet
128 bpm • E Maj • 03:45 • -5.86db
10% Popularity • 55% Danceability • 77% Energy • 8% Liveness
42% Instrumentalness • 41% Positiveness
10% Popularity • 55% Danceability • 77% Energy • 8% Liveness
42% Instrumentalness • 41% Positiveness
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Faces on TV
Same Thing
128 bpm • C Maj • 04:28 • -9.93db
14% Popularity • 81% Danceability • 30% Energy • 17% Liveness
28% Instrumentalness • 25% Positiveness
14% Popularity • 81% Danceability • 30% Energy • 17% Liveness
28% Instrumentalness • 25% Positiveness
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Jett Rebel
Green
141 bpm • E Maj • 08:41 • -8db
23% Popularity • 36% Danceability • 39% Energy • 12% Liveness
5% Instrumentalness • 42% Positiveness
23% Popularity • 36% Danceability • 39% Energy • 12% Liveness
5% Instrumentalness • 42% Positiveness
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Palace Winter
Soft Machine
141 bpm • C Maj • 04:56 • -4.64db
25% Popularity • 43% Danceability • 78% Energy • 6% Liveness
42% Instrumentalness • 30% Positiveness
25% Popularity • 43% Danceability • 78% Energy • 6% Liveness
42% Instrumentalness • 30% Positiveness
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Millionaire
Back In You
141 bpm • F# min • 04:28 • -9.28db
10% Popularity • 29% Danceability • 59% Energy • 52% Liveness
69% Instrumentalness • 14% Positiveness
10% Popularity • 29% Danceability • 59% Energy • 52% Liveness
69% Instrumentalness • 14% Positiveness
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Okta Logue
Cats in the Alley
128 bpm • F# Maj • 05:23 • -10.03db
5% Popularity • 36% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
5% Popularity • 36% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Bruce Soord
The Solitary Path of a Convicted Man
127 bpm • C# min • 03:43 • -10.43db
33% Popularity • 68% Danceability • 62% Energy • 11% Liveness
70% Instrumentalness • 43% Positiveness
33% Popularity • 68% Danceability • 62% Energy • 11% Liveness
70% Instrumentalness • 43% Positiveness
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Diagrams
Wild Grasses
142 bpm • B min • 02:55 • -10.73db
32% Popularity • 44% Danceability • 41% Energy • 23% Liveness
11% Instrumentalness • 40% Positiveness
32% Popularity • 44% Danceability • 41% Energy • 23% Liveness
11% Instrumentalness • 40% Positiveness
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Febueder
Paramount Tether
127 bpm • D# min • 04:14 • -11.6db
27% Popularity • 56% Danceability • 46% Energy • 12% Liveness
6% Instrumentalness • 22% Positiveness
27% Popularity • 56% Danceability • 46% Energy • 12% Liveness
6% Instrumentalness • 22% Positiveness
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Leif Erikson
21 Grams
127 bpm • A# Maj • 04:19 • -6.99db
14% Popularity • 54% Danceability • 72% Energy • 11% Liveness
40% Instrumentalness • 38% Positiveness
14% Popularity • 54% Danceability • 72% Energy • 11% Liveness
40% Instrumentalness • 38% Positiveness
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Oi Va Voi
Searchlight
142 bpm • D Maj • 03:46 • -7.32db
9% Popularity • 59% Danceability • 59% Energy • 11% Liveness
14% Instrumentalness • 36% Positiveness
9% Popularity • 59% Danceability • 59% Energy • 11% Liveness
14% Instrumentalness • 36% Positiveness
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Okta Logue
Take It All
128 bpm • D# min • 03:45 • -12.99db
4% Popularity • 43% Danceability • 29% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
4% Popularity • 43% Danceability • 29% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
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The Bony King of Nowhere
Silent Days
126 bpm • A# Maj • 04:27 • -12.14db
38% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Colorist Orchestra
Blood Red
142 bpm • D min • 05:20 • -9.61db
21% Popularity • 54% Danceability • 50% Energy • 71% Liveness
8% Instrumentalness • 66% Positiveness
21% Popularity • 54% Danceability • 50% Energy • 71% Liveness
8% Instrumentalness • 66% Positiveness
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Palace Winter
Acting like Lovers
142 bpm • D Maj • 04:49 • -5.02db
10% Popularity • 39% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 39% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Absynthe Minded
Clickbait Mermaid
126 bpm • G# min • 04:12 • -8.22db
8% Popularity • 61% Danceability • 60% Energy • 10% Liveness
39% Instrumentalness • 22% Positiveness
8% Popularity • 61% Danceability • 60% Energy • 10% Liveness
39% Instrumentalness • 22% Positiveness
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Part Company
Manfred
126 bpm • C Maj • 03:50 • -5db
11% Popularity • 61% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 61% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Okta Logue
Just to Hear You Sleep
140 bpm • D Maj • 02:40 • -7.25db
4% Popularity • 22% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
4% Popularity • 22% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Flo Morrissey
Looking for You
126 bpm • F min • 04:40 • -7.12db
29% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Geppetto & The Whales
I Know Who You Were
125 bpm • A# Maj • 05:05 • -11.27db
17% Popularity • 48% Danceability • 47% Energy • 12% Liveness
50% Instrumentalness • 16% Positiveness
17% Popularity • 48% Danceability • 47% Energy • 12% Liveness
50% Instrumentalness • 16% Positiveness
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Damien Jurado
Lon Bella
125 bpm • F min • 03:12 • -8.69db
25% Popularity • 66% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
25% Popularity • 66% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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Woods
The Other Side
125 bpm • A min • 04:04 • -6.98db
28% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The Van Jets
Pink & Blue
125 bpm • B min • 03:16 • -5.84db
31% Popularity • 67% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 67% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
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Okta Logue
Deal with the Digger
140 bpm • D# min • 04:06 • -12.63db
3% Popularity • 38% Danceability • 28% Energy • 35% Liveness
38% Instrumentalness • 28% Positiveness
3% Popularity • 38% Danceability • 28% Energy • 35% Liveness
38% Instrumentalness • 28% Positiveness
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Other Lives
Hey Hey I
125 bpm • G Maj • 03:05 • -6db
23% Popularity • 54% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 54% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Matthew And The Atlas
Pyres
125 bpm • A# Maj • 03:41 • -9.15db
18% Popularity • 80% Danceability • 52% Energy • 6% Liveness
60% Instrumentalness • 72% Positiveness
18% Popularity • 80% Danceability • 52% Energy • 6% Liveness
60% Instrumentalness • 72% Positiveness
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Febueder
Hence Worth
144 bpm • G min • 03:20 • -8.19db
16% Popularity • 46% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 46% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
