Songs like Chopin: 24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop" by Frédéric Chopin
Based on a tempo of (+/- 10%) and a similar genre
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 15 in D...
130 bpm • C# Maj • 05:48 • -29.48db
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
48% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
48% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Nocturne No. 6 in G Minor, Op. 15 No. 3
132 bpm • D min • 03:56 • -25.61db
50% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
50% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Franz Liszt
Mephisto Waltz No. 1, S. 514
132 bpm • E Maj • 11:02 • -20.16db
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Claude Debussy
Debussy: 2 Arabesques, CD 74, L. 66: No....
132 bpm • F# min • 04:31 • -29db
47% Popularity • 33% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
47% Popularity • 33% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Chopin: Scherzo No. 2 in B-Flat Minor, O...
131 bpm • C# Maj • 09:47 • -21.51db
39% Popularity • 38% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
39% Popularity • 38% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Lang Lang
Bagatelle No. 25 in A Minor, WoO 59 "Fü...
133 bpm • A min • 03:26 • -27.7db
50% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
50% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Erik Satie
3 Gymnopédies: No. 2, Lent et triste
133 bpm • F Maj • 02:32 • -35.85db
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
133 bpm • C# Maj • 04:39 • -27db
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturne No. 2 In E Flat, Op. 9 No. 2
133 bpm • A# Maj • 04:02 • -31db
54% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
54% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
33% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
33% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Lang Lang
The Well-Tempered Clavier, Book 1, BWV 8...
134 bpm • C Maj • 02:19 • -25.42db
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Pianozone
12 Etudes, Op.25: No.5 in E minor
126 bpm • E Maj • 02:59 • -21db
21% Popularity • 34% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 22% Positiveness
21% Popularity • 34% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 22% Positiveness
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Frédéric Chopin
Andante spianato et Grande polonaise bri...
127 bpm • G Maj • 04:55 • -35.89db
29% Popularity • 28% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 28% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Lang Lang
24 Préludes, Op. 28: No. 15 in D Flat M...
134 bpm • C# Maj • 06:34 • -22db
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Janos Sebestyen
Prelude In D Minor, BWV 926 : Prelude In...
126 bpm • G min • 01:15 • -25.58db
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
32% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
32% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Ballade No. 1 in G Minor, Op. 23
133 bpm • D# Maj • 08:52 • -21.4db
47% Popularity • 34% Danceability • 15% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
47% Popularity • 34% Danceability • 15% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
49% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio, H. 220
125 bpm • C min • 01:13 • -24.08db
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
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Charles-Valentin Alkan
Premier Nocturne, Op. 22
135 bpm • B Maj • 06:09 • -31.53db
43% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
43% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Frédéric Chopin
24 Preludes, Op. 28: No. 9 in E Major, L...
135 bpm • E Maj • 01:23 • -23.61db
21% Popularity • 44% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 44% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Maria João Pires
Sonata No. 15 in C Major, I. Allegro
136 bpm • C Maj • 03:05 • -24db
35% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
35% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 3...
124 bpm • G# min • 00:52 • -41.7db
64% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
64% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Erik Satie
Gnossienne: No. 1
124 bpm • F min • 03:34 • -28.35db
61% Popularity • 42% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
61% Popularity • 42% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Frédéric Chopin
12 Études, Op. 10: No. 3 in E Major "Tr...
124 bpm • E Maj • 03:51 • -23db
33% Popularity • 40% Danceability • 9% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 40% Danceability • 9% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 7. Aqua...
136 bpm • A min • 02:31 • -35.4db
54% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
54% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Fritz Kreisler
Liebeslied
136 bpm • A Maj • 03:55 • -26.92db
39% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: II. Etude
124 bpm • G min • 02:48 • -28.34db
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Gabriel Fauré
Fauré: Sicilienne, Op. 78
137 bpm • D# Maj • 03:52 • -27.4db
35% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
35% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Unaccompanied Cello Suite No. 1 in G maj...
137 bpm • G Maj • 02:30 • -22db
59% Popularity • 33% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
59% Popularity • 33% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Franz Liszt
Liebestraum No. 3 in A-Flat Major, S. 54...
137 bpm • G# Maj • 04:53 • -26.8db
62% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
62% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Maurice Ravel
Antar (After N. Rimsky-Korsakov): No. 7....
138 bpm • F Maj • 01:05 • -34db
62% Popularity • 15% Danceability • 1% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
62% Popularity • 15% Danceability • 1% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition: X. The Great ...
138 bpm • D# Maj • 05:34 • -16.75db
19% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
19% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
► Preview
Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
31% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
31% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Erik Satie
Mercure, Scene 1: La nuit
139 bpm • C Maj • 01:13 • -35.36db
58% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
58% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Johann Sebastian Bach
The Well-Tempered Clavier, Book 1, BWV 8...
121 bpm • C Maj • 03:53 • -25.76db
41% Popularity • 34% Danceability • 10% Energy • 13% Liveness
85% Instrumentalness • 15% Positiveness
41% Popularity • 34% Danceability • 10% Energy • 13% Liveness
85% Instrumentalness • 15% Positiveness
► Preview
Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
► Preview
Maurice Ravel
Ravel: Jeux d'eaux, M. 30
140 bpm • F# min • 05:38 • -21.49db
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
► Preview
Lang Lang
Piano Sonata No. 16 in C Major, K. 545 "...
120 bpm • C Maj • 04:54 • -23db
52% Popularity • 31% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
52% Popularity • 31% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
121 bpm • A min • 09:36 • -13db
47% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
47% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
► Preview
Frédéric Chopin
Nocturne en Mi Bémol Majeur, Op. 9 No. ...
120 bpm • D# Maj • 04:28 • -24.7db
60% Popularity • 43% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
60% Popularity • 43% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Janos Sebestyen
Prelude In C Minor, BWV 999 : Prelude In...
120 bpm • G min • 01:08 • -27.43db
65% Popularity • 34% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 78% Positiveness
65% Popularity • 34% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 78% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: I. Mornin...
141 bpm • E Maj • 04:13 • -21.69db
49% Popularity • 14% Danceability • 3% Energy • 23% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 14% Danceability • 3% Energy • 23% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
► Preview
Silverwood Quartet
Vivaldi: Winter From The Four Seasons 1....
142 bpm • F min • 03:36 • -12.96db
49% Popularity • 49% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 13% Positiveness
49% Popularity • 49% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
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George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: The Swa...
118 bpm • G Maj • 03:04 • -33.12db
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
144 bpm • F min • 03:36 • -15db
52% Popularity • 47% Danceability • 21% Energy • 6% Liveness
42% Instrumentalness • 24% Positiveness
52% Popularity • 47% Danceability • 21% Energy • 6% Liveness
42% Instrumentalness • 24% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
145 bpm • G min • 02:18 • -16db
62% Popularity • 36% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
62% Popularity • 36% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Frédéric Chopin
24 Preludes, Op. 28: No. 4 in E Minor, L...
116 bpm • D min • 02:23 • -31.74db
25% Popularity • 44% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 44% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Niccolò Paganini
Sonata for Violin and Guitar in A Minor,...
147 bpm • A min • 01:38 • -16.74db
61% Popularity • 56% Danceability • 15% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
61% Popularity • 56% Danceability • 15% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 3 in D Major, BWV 1...
115 bpm • D Maj • 05:27 • -26.76db
50% Popularity • 50% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 13% Positiveness
50% Popularity • 50% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 13% Positiveness
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Vladimir Horowitz
Carmen Variations
148 bpm • E Maj • 03:33 • -20db
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4 in E Minor, Larg...
115 bpm • C Maj • 02:20 • -31db
46% Popularity • 44% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
46% Popularity • 44% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Sergei Rachmaninoff
Prelude in G Minor, Op. 23, No. 5 - Live...
114 bpm • G min • 03:52 • -17db
42% Popularity • 39% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
42% Popularity • 39% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Concerto for Lute, 2 Violins and Continu...
114 bpm • D Maj • 05:09 • -20db
50% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
50% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Erik Satie
Gnossienne: No. 3
113 bpm • A min • 02:21 • -28db
45% Popularity • 34% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Robert Schumann
Waldszenen, Op. 82: I. Eintritt im Walde
113 bpm • A# Maj • 02:04 • -33.9db
36% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
36% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 5 ...
113 bpm • G min • 03:47 • -22db
28% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
28% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Domenico Scarlatti
Keyboard Sonata in B-Flat Major, K.266/L...
151 bpm • A# Maj • 05:28 • -29.68db
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
149 bpm • G min • 02:53 • -15.39db
58% Popularity • 36% Danceability • 57% Energy • 33% Liveness
91% Instrumentalness • 75% Positiveness
58% Popularity • 36% Danceability • 57% Energy • 33% Liveness
91% Instrumentalness • 75% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
