Songs like Chosen Last by Sara Kays
Based on a tempo of (+/- 10%) and a similar genre
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Hailee Steinfeld
Your Name Hurts
99 bpm • F Maj • 03:42 • -6.8db
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
60% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Sara Kays
Chosen Last
99 bpm • B Maj • 03:46 • -6.5db
49% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Marina Lin
fall apart (acoustic)
100 bpm • D# Maj • 03:25 • -10.29db
21% Popularity • 64% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 64% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Jordan Suaste
Body
98 bpm • E min • 03:25 • -8.69db
58% Popularity • 45% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 45% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Alec Benjamin
I Built A Friend (2020)
100 bpm • A Maj • 02:56 • -8.28db
56% Popularity • 60% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 60% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Sophie Pecora
Overthinking
100 bpm • C min • 03:36 • -9.61db
39% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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salem ilese
Hey Siri
98 bpm • D Maj • 02:20 • -11.81db
43% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 63% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Carson James Argenna
Soulmate Song
100 bpm • A Maj • 03:31 • -6.57db
36% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 60% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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gnash
the broken hearts club
100 bpm • E Maj • 03:04 • -9.43db
52% Popularity • 62% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 62% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Andi
Reasons to Stay
98 bpm • A Maj • 02:55 • -5.23db
37% Popularity • 68% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 68% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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WRENN
Hailey
98 bpm • D Maj • 02:47 • -10.38db
44% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
44% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Olivia Rodrigo
traitor
101 bpm • D# Maj • 03:49 • -7.89db
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Sasha Alex Sloan
High School Me
101 bpm • F# Maj • 03:23 • -8.82db
37% Popularity • 71% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 71% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Avery Lynch
all i need (the distance song)
97 bpm • G# Maj • 04:04 • -16.58db
47% Popularity • 65% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 65% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Devon Gabriella
a little hope never hurt
97 bpm • D min • 02:30 • -9.53db
42% Popularity • 63% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 63% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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badly
I'm Okay Now
101 bpm • D Maj • 03:02 • -7.37db
40% Popularity • 65% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 65% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Isaac Dunbar
suicide
97 bpm • D Maj • 04:17 • -9.31db
45% Popularity • 59% Danceability • 48% Energy • 14% Liveness
61% Instrumentalness • 26% Positiveness
45% Popularity • 59% Danceability • 48% Energy • 14% Liveness
61% Instrumentalness • 26% Positiveness
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Taylor Bickett
Break My Own
97 bpm • A Maj • 03:23 • -5.32db
39% Popularity • 66% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 66% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 49% Positiveness
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mxmtoon
feelings are fatal
96 bpm • C Maj • 02:04 • -16.25db
57% Popularity • 55% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 55% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Rory Webley
Something Super Sweet
102 bpm • C Maj • 02:52 • -9.68db
54% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
54% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Sam MacPherson
Forget I Exist
96 bpm • G Maj • 02:52 • -9db
54% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Maisie Peters
Worst of You
102 bpm • E Maj • 03:17 • -7.26db
58% Popularity • 74% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 74% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Munn
Fake Smiles
96 bpm • C min • 02:35 • -10db
35% Popularity • 64% Danceability • 48% Energy • 13% Liveness
2% Instrumentalness • 34% Positiveness
35% Popularity • 64% Danceability • 48% Energy • 13% Liveness
2% Instrumentalness • 34% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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mxmtoon
fever dream
102 bpm • E Maj • 03:16 • -5.96db
53% Popularity • 57% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 57% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Anna Clendening
Boys Like You
96 bpm • D Maj • 03:07 • -8.82db
51% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Sasha Alex Sloan
Until It Happens To You
103 bpm • C min • 03:41 • -10.11db
45% Popularity • 41% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 41% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Peyton Cardoza
Honey and Glass
96 bpm • A# Maj • 01:56 • -12.26db
51% Popularity • 45% Danceability • 38% Energy • 28% Liveness
2% Instrumentalness • 41% Positiveness
51% Popularity • 45% Danceability • 38% Energy • 28% Liveness
2% Instrumentalness • 41% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
53% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Alec Benjamin
The Book of You & I
103 bpm • A# Maj • 03:27 • -6.24db
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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JORDY
Just Friends
95 bpm • G Maj • 03:09 • -7.02db
51% Popularity • 68% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 68% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Jeremy Zucker
parent song
96 bpm • G Maj • 04:23 • -12.99db
46% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Ricky Montgomery
Line Without a Hook
95 bpm • G# Maj • 04:11 • -7.24db
55% Popularity • 59% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 59% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Dylan
Nineteen
95 bpm • C Maj • 03:38 • -5.8db
49% Popularity • 47% Danceability • 74% Energy • 69% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 47% Danceability • 74% Energy • 69% Liveness
0% Instrumentalness • 22% Positiveness
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Jon Caryl
Tears Come From The Heart
95 bpm • D Maj • 03:29 • -15.31db
41% Popularity • 72% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 72% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Sasha Alex Sloan
Version Of Me
95 bpm • B Maj • 03:01 • -10db
44% Popularity • 70% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 70% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
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BLÜ EYES
break up with a friend
103 bpm • D Maj • 02:51 • -11.56db
33% Popularity • 46% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 46% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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ROSIE
Something I Hate
103 bpm • A# Maj • 02:51 • -10db
41% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jeremy Zucker
all the kids are depressed
104 bpm • A Maj • 02:49 • -8.28db
69% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
69% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
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Suriel Hess
Love Like That (Words from Her)
103 bpm • G Maj • 02:54 • -10.86db
53% Popularity • 47% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 47% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Sophie Pecora
Keeping Everything Inside
94 bpm • F# min • 02:58 • -7.7db
48% Popularity • 56% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 56% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Sasha Alex Sloan
Is It Just Me?
95 bpm • D Maj • 02:34 • -10.84db
60% Popularity • 68% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 68% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Chris James
Don't Forget About Me
104 bpm • C# min • 03:26 • -11.85db
38% Popularity • 47% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 47% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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carobae
the first one
104 bpm • C# Maj • 02:47 • -10db
31% Popularity • 74% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 74% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Sara Kays
Backseat Rider
104 bpm • D Maj • 03:28 • -9db
45% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Alec Benjamin
Jesus in LA
94 bpm • C Maj • 02:51 • -5.24db
61% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Clara Mae
Not Sad Anymore
94 bpm • C# Maj • 03:15 • -7.6db
54% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jeremy Zucker
comethru
94 bpm • C Maj • 03:01 • -11.84db
56% Popularity • 76% Danceability • 19% Energy • 61% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 76% Danceability • 19% Energy • 61% Liveness
0% Instrumentalness • 60% Positiveness
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Clinton Kane
14
105 bpm • D Maj • 02:20 • -6db
50% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Avery Lynch
To Love Someone Else
93 bpm • C# Maj • 03:44 • -11db
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Kays
Math
94 bpm • C# Maj • 02:56 • -6db
38% Popularity • 63% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 63% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Jenna Raine
us
105 bpm • A# Maj • 03:16 • -8db
30% Popularity • 48% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 48% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jordan Suaste
Hookup Culture - Acoustic Version
105 bpm • F# min • 03:29 • -10.63db
34% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Elthia
i love you but you make me cry
105 bpm • D# Maj • 03:02 • -11.38db
36% Popularity • 45% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 45% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Noah Kahan
Pride
105 bpm • C Maj • 02:49 • -6.39db
60% Popularity • 84% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 84% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Lauv
Canada
93 bpm • A Maj • 03:04 • -12.78db
54% Popularity • 63% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 63% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Jeremy Zucker
always, i'll care
105 bpm • F# Maj • 02:26 • -12.62db
67% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
67% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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BRDGS
Dancing Without Music
93 bpm • C# Maj • 04:08 • -9.25db
47% Popularity • 32% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 32% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Sara Kays
Picture of You
93 bpm • A Maj • 03:21 • -11.82db
44% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Chelsea Cutler
Crazier Things
93 bpm • D Maj • 05:04 • -13.08db
49% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Lyn Lapid
The Outsider
93 bpm • B Maj • 03:00 • -6.46db
51% Popularity • 62% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 62% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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vaultboy
i wish u knew
93 bpm • G# Maj • 03:13 • -9.35db
57% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Alex Warren
One More I Love You
93 bpm • G# Maj • 03:36 • -8.23db
59% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Rachel Bochner
Be Happier
106 bpm • F# Maj • 03:40 • -10.15db
19% Popularity • 47% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 47% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Sara Kays
Under Covers
93 bpm • B min • 03:44 • -11.15db
29% Popularity • 40% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 40% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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mxmtoon
cliché
93 bpm • C# min • 03:04 • -17.98db
28% Popularity • 57% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 57% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Cate
All Talk
106 bpm • C Maj • 02:21 • -7.4db
37% Popularity • 53% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 53% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Sabrina Carpenter
Skin
106 bpm • G Maj • 02:57 • -5.37db
66% Popularity • 56% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
66% Popularity • 56% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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dodie
She
92 bpm • D Maj • 03:33 • -15.05db
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Jenna Raine
2%
106 bpm • D Maj • 03:27 • -5.34db
47% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Sara Kays
Smaller Than This
106 bpm • C# Maj • 03:28 • -9.18db
51% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Francis Karel
Like All My Friends
106 bpm • G Maj • 03:07 • -8db
45% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Maddie Zahm
Fat Funny Friend (sadder)
106 bpm • C Maj • 03:22 • -9db
53% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Chelsea Cutler
Lucky
92 bpm • D Maj • 02:28 • -9.61db
49% Popularity • 77% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 77% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Caleb Hearn
Always Be 2.0
106 bpm • C Maj • 02:45 • -10.95db
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Dylan Conrique
Advice from the Internet
92 bpm • F# min • 02:56 • -8.93db
35% Popularity • 69% Danceability • 41% Energy • 88% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 69% Danceability • 41% Energy • 88% Liveness
0% Instrumentalness • 36% Positiveness
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Alec Benjamin
Just Like You
92 bpm • C Maj • 02:47 • -5.61db
49% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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PEGGY
Falling for the Villain
107 bpm • G Maj • 03:38 • -8.51db
44% Popularity • 58% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 58% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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BLÜ EYES
if i were a friend
92 bpm • B Maj • 02:32 • -10db
32% Popularity • 54% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 54% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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JP Saxe
Hey Stupid, I Love You
92 bpm • F min • 03:01 • -9.63db
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Sara Kays
Rich Boy
107 bpm • G Maj • 02:57 • -8.71db
37% Popularity • 50% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 50% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Maddie Zahm
Fat Funny Friend
108 bpm • C Maj • 03:19 • -7.89db
67% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
67% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Conan Gray
Wish You Were Sober
91 bpm • D Maj • 02:48 • -5.23db
73% Popularity • 70% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
73% Popularity • 70% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Andi
Made Up Story
108 bpm • G# Maj • 03:08 • -7.29db
51% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Ashley Kutcher
Favorite What If
91 bpm • F Maj • 02:52 • -7.31db
41% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Jordan Suaste
Body - Acoustic
91 bpm • G Maj • 03:53 • -10.85db
38% Popularity • 51% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 51% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Sara Kays
Where Are You?
91 bpm • C Maj • 02:12 • -10.8db
28% Popularity • 64% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
28% Popularity • 64% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Conan Gray
Comfort Crowd
91 bpm • C Maj • 02:54 • -6.75db
66% Popularity • 68% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
66% Popularity • 68% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Andi
Life's Not Like The Movies
91 bpm • G Maj • 02:41 • -5.21db
34% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Jeremy Zucker
scared
108 bpm • F Maj • 03:27 • -15.84db
58% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Luz
i'm lonely
109 bpm • F Maj • 03:01 • -11db
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sophie Pecora
I'm Fine
90 bpm • B Maj • 02:51 • -7db
25% Popularity • 79% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 79% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Clinton Kane
GO TO HELL
90 bpm • D Maj • 03:03 • -3db
48% Popularity • 61% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 61% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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jenny nuo
print("i'm so tired")
90 bpm • G# Maj • 03:53 • -11.51db
32% Popularity • 68% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 68% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
