Songs like Weihnachts-Oratorium, BWV 248, Pt. 1: Pt. I: Aria. Bereite dich, Zion, mit zartlichen Trieben… (Alto) by Johann Sebastian Bach
Based on a tempo of (+/- 10%) and a similar genre
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Johann Sebastian Bach
Mass in B Minor, BWV 232 / Kyrie: Christ...
71 bpm • C# Maj • 04:52 • -28.63db
14% Popularity • 29% Danceability • 6% Energy • 17% Liveness
32% Instrumentalness • 35% Positiveness
14% Popularity • 29% Danceability • 6% Energy • 17% Liveness
32% Instrumentalness • 35% Positiveness
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John Rutter
A Spotless Rose
71 bpm • A Maj • 02:45 • -24db
0% Popularity • 15% Danceability • 11% Energy • 11% Liveness
7% Instrumentalness • 7% Positiveness
0% Popularity • 15% Danceability • 11% Energy • 11% Liveness
7% Instrumentalness • 7% Positiveness
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Johann Crüger
Wie soll ich dich empfangen
71 bpm • F Maj • 02:06 • -26.07db
7% Popularity • 20% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 20% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Samuel Scheidt
Organ Prelude: "Wie schön leuchtet der ...
71 bpm • F Maj • 01:35 • -42.33db
7% Popularity • 18% Danceability • 0% Energy • 8% Liveness
32% Instrumentalness • 33% Positiveness
7% Popularity • 18% Danceability • 0% Energy • 8% Liveness
32% Instrumentalness • 33% Positiveness
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Traditional
Star in the South (arr. Malcolm Sargent)
71 bpm • G# Maj • 03:19 • -29.02db
13% Popularity • 11% Danceability • 5% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
13% Popularity • 11% Danceability • 5% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
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George Frideric Handel
Der Messias, HWV 56 / Dritter Teil: 43. ...
71 bpm • E Maj • 06:27 • -16.78db
10% Popularity • 15% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 15% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Weihnachts-Oratorium, BWV 248, Pt. 1: Pt...
71 bpm • G# min • 04:52 • -23.97db
10% Popularity • 56% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 56% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Anonymous
Entre le boeuf
70 bpm • G min • 01:50 • -38.35db
11% Popularity • 26% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 26% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Crüger
Gelobet seist du, Jesu Christ - Arr. by ...
70 bpm • F Maj • 01:21 • -19.64db
7% Popularity • 34% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
7% Popularity • 34% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
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Georg Philipp Telemann
Concerto No. 1 For Trumpet, 2 Oboes, Str...
70 bpm • D Maj • 03:41 • -27.45db
8% Popularity • 34% Danceability • 4% Energy • 7% Liveness
71% Instrumentalness • 23% Positiveness
8% Popularity • 34% Danceability • 4% Energy • 7% Liveness
71% Instrumentalness • 23% Positiveness
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Robert Parsons
Ave Maria
72 bpm • G# Maj • 04:38 • -29.43db
13% Popularity • 7% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
13% Popularity • 7% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Det hev ei rose sprunge
72 bpm • G Maj • 02:51 • -20.49db
8% Popularity • 15% Danceability • 15% Energy • 24% Liveness
9% Instrumentalness • 20% Positiveness
8% Popularity • 15% Danceability • 15% Energy • 24% Liveness
9% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232 / Sanctus: Bene...
71 bpm • A# min • 04:47 • -35.36db
10% Popularity • 10% Danceability • 1% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
10% Popularity • 10% Danceability • 1% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
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Harold Darke
In the Bleak Midwinter
72 bpm • G Maj • 04:58 • -30.13db
8% Popularity • 18% Danceability • 6% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
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Johann David Heinichen
Concerto in G Major, S. 213: V. Loure. C...
72 bpm • F# Maj • 01:42 • -22.61db
16% Popularity • 28% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 28% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Marc-Antoine Charpentier
Charpentier: Messe de minuit pour Noël,...
70 bpm • C min • 01:27 • -21.41db
20% Popularity • 14% Danceability • 11% Energy • 40% Liveness
62% Instrumentalness • 35% Positiveness
20% Popularity • 14% Danceability • 11% Energy • 40% Liveness
62% Instrumentalness • 35% Positiveness
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George Frideric Handel
Der Messias - In deutscher Sprache / Ers...
70 bpm • B min • 04:22 • -18.23db
10% Popularity • 18% Danceability • 17% Energy • 27% Liveness
4% Instrumentalness • 20% Positiveness
10% Popularity • 18% Danceability • 17% Energy • 27% Liveness
4% Instrumentalness • 20% Positiveness
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Joseph Haydn
Missa Brevis No. 7 In B Major St. Joanni...
73 bpm • A# Maj • 01:23 • -18.04db
17% Popularity • 25% Danceability • 19% Energy • 11% Liveness
51% Instrumentalness • 34% Positiveness
17% Popularity • 25% Danceability • 19% Energy • 11% Liveness
51% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
70 bpm • G Maj • 02:10 • -21.15db
2% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Bo Holten
Julebudet til dem, der bygge (The Christ...
73 bpm • E Maj • 02:42 • -24.38db
15% Popularity • 20% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 20% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Angèle Dubeau
Bach: Jesu, Joy of Man’s Desiring
73 bpm • G Maj • 03:09 • -19.52db
8% Popularity • 16% Danceability • 16% Energy • 13% Liveness
9% Instrumentalness • 16% Positiveness
8% Popularity • 16% Danceability • 16% Energy • 13% Liveness
9% Instrumentalness • 16% Positiveness
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Anonymous
Overture (Suite) No. 3 in D Major, BWV 1...
69 bpm • D Maj • 04:25 • -26.2db
22% Popularity • 14% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
22% Popularity • 14% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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George Frideric Handel
Der Messias, HWV 56 - In deutscher Sprac...
72 bpm • G Maj • 02:03 • -19.03db
9% Popularity • 38% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 38% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Benjamin Britten
A Ceremony of Carols, Op. 28: No. 6, Thi...
69 bpm • G# min • 01:41 • -21.58db
8% Popularity • 38% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
8% Popularity • 38% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: Pt. I: Ari...
72 bpm • F# Maj • 03:31 • -28.83db
7% Popularity • 27% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 27% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Vienna Boys' Choir
Ave Maria
68 bpm • F Maj • 03:27 • -24.7db
5% Popularity • 15% Danceability • 4% Energy • 7% Liveness
66% Instrumentalness • 3% Positiveness
5% Popularity • 15% Danceability • 4% Energy • 7% Liveness
66% Instrumentalness • 3% Positiveness
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Tomás Luis de Victoria
Motet "Quem vidistis, pastores - Dicite,...
69 bpm • A Maj • 05:03 • -20.7db
9% Popularity • 11% Danceability • 22% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 22% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
Cantata, BWV 147: Jesu, Joy of Man's Des...
68 bpm • G Maj • 03:13 • -11.51db
17% Popularity • 16% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
17% Popularity • 16% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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William Byrd
Ecce virgo concipiet
68 bpm • D# Maj • 02:15 • -26.68db
10% Popularity • 6% Danceability • 9% Energy • 6% Liveness
66% Instrumentalness • 4% Positiveness
10% Popularity • 6% Danceability • 9% Energy • 6% Liveness
66% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Ceremony of Carols, Op. 28: I. Process...
74 bpm • B min • 01:37 • -38db
14% Popularity • 25% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Weihnachts-Oratorium, BWV 248: Part 1, J...
68 bpm • G# min • 01:01 • -20.57db
10% Popularity • 14% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
10% Popularity • 14% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
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Arcangelo Corelli
Concerto Grosso No. 8 in G Minor, Op. 6 ...
74 bpm • F# min • 02:18 • -25.19db
7% Popularity • 15% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 15% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Praetorius
Es ist ein Ros entsprugen
74 bpm • F Maj • 01:30 • -28db
16% Popularity • 8% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
16% Popularity • 8% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
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Choir of King's College, Cambridge
Nun danket alle Gott BWV 386
68 bpm • G Maj • 02:27 • -16.74db
32% Popularity • 16% Danceability • 29% Energy • 30% Liveness
85% Instrumentalness • 37% Positiveness
32% Popularity • 16% Danceability • 29% Energy • 30% Liveness
85% Instrumentalness • 37% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K. 618
75 bpm • D Maj • 03:26 • -27.52db
16% Popularity • 12% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
16% Popularity • 12% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Benjamin Britten
A Ceremony of Carols, Op. 28: IVb. Balul...
74 bpm • D Maj • 01:26 • -32db
14% Popularity • 21% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 6% Positiveness
14% Popularity • 21% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Christmas Oratorio, BWV 248 / Part Five ...
74 bpm • F min • 03:59 • -28.19db
8% Popularity • 41% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 27% Positiveness
8% Popularity • 41% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 27% Positiveness
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Arcangelo Corelli
Concerto grosso in G Minor, Op. 6, No. 8...
74 bpm • F# min • 01:30 • -22.97db
33% Popularity • 11% Danceability • 3% Energy • 10% Liveness
52% Instrumentalness • 5% Positiveness
33% Popularity • 11% Danceability • 3% Energy • 10% Liveness
52% Instrumentalness • 5% Positiveness
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George Frideric Handel
Messiah, HWV 56 / Pt. 2: He Was Despised
75 bpm • D# Maj • 04:55 • -21.53db
13% Popularity • 17% Danceability • 11% Energy • 13% Liveness
12% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 11% Energy • 13% Liveness
12% Instrumentalness • 6% Positiveness
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Choir of King's College, Cambridge
Lobet den Herrn, alle Heiden BWV 230: Al...
75 bpm • B Maj • 01:34 • -18db
8% Popularity • 26% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 26% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Johann Crüger
Fröhlich soll mein Herze springen - Arr...
75 bpm • F Maj • 01:05 • -19.22db
11% Popularity • 24% Danceability • 10% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
11% Popularity • 24% Danceability • 10% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
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Benjamin Britten
A Ceremony of Carols, Op. 28: No. 4b, Ba...
75 bpm • F# min • 01:21 • -27db
10% Popularity • 24% Danceability • 2% Energy • 10% Liveness
24% Instrumentalness • 13% Positiveness
10% Popularity • 24% Danceability • 2% Energy • 10% Liveness
24% Instrumentalness • 13% Positiveness
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Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 140...
75 bpm • D# Maj • 04:03 • -19.16db
8% Popularity • 42% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 42% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Max Reger
Choralvorspiele, Op. 135a: No. 16, Macht...
67 bpm • D min • 01:04 • -25.39db
8% Popularity • 24% Danceability • 3% Energy • 21% Liveness
80% Instrumentalness • 49% Positiveness
8% Popularity • 24% Danceability • 3% Energy • 21% Liveness
80% Instrumentalness • 49% Positiveness
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Pietro Yon
Gesu bambino (arr. for trumpet and organ...
66 bpm • C Maj • 03:38 • -22db
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 1, Scene 3:...
76 bpm • A# min • 03:27 • -22.41db
11% Popularity • 31% Danceability • 8% Energy • 9% Liveness
23% Instrumentalness • 28% Positiveness
11% Popularity • 31% Danceability • 8% Energy • 9% Liveness
23% Instrumentalness • 28% Positiveness
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Arcangelo Corelli
Corelli / Arr. Wright: Concerto Grosso i...
66 bpm • D Maj • 02:59 • -21.19db
14% Popularity • 19% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
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Benjamin Britten
A Ceremony of Carols, Op. 28: II. Wolcum...
67 bpm • D Maj • 01:18 • -24.37db
13% Popularity • 38% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 38% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Christmas Oratorio, BWV 248 / Part One -...
75 bpm • F# Maj • 02:56 • -30.55db
14% Popularity • 25% Danceability • 2% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 25% Danceability • 2% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Brahms
O Heiland, reiß die Himmel auf, Op.74/2
76 bpm • C min • 05:31 • -22.99db
8% Popularity • 15% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 15% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Hector Berlioz
The Shepherds' Farewell
66 bpm • E Maj • 03:23 • -36.48db
20% Popularity • 12% Danceability • 2% Energy • 29% Liveness
76% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 2% Energy • 29% Liveness
76% Instrumentalness • 4% Positiveness
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George Frideric Handel
Messiah / Part 1: "And The Glory Of The ...
77 bpm • D# Maj • 02:50 • -17.46db
13% Popularity • 36% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 36% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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London Philharmonic Orchestra
II. Comfort ye my people
77 bpm • B Maj • 03:56 • -18.87db
7% Popularity • 19% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 19% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In G Minor, Op. 6, No. 8...
77 bpm • G min • 01:09 • -16.52db
34% Popularity • 47% Danceability • 8% Energy • 44% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 47% Danceability • 8% Energy • 44% Liveness
0% Instrumentalness • 41% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
72 bpm • D Maj • 02:28 • -19.89db
2% Popularity • 43% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 43% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Pieter Jan Leusink
II. Wie Schön Leuchtet Der Morgenstern ...
65 bpm • E Maj • 07:17 • -21.01db
7% Popularity • 26% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 33% Positiveness
7% Popularity • 26% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 33% Positiveness
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Camille Saint-Saëns
Sub tuum praesidium
77 bpm • F min • 03:15 • -34.05db
7% Popularity • 8% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Choir of King's College, Cambridge
Jesus bleibet meine Freude, BWV 147
77 bpm • G Maj • 03:00 • -25.98db
21% Popularity • 20% Danceability • 4% Energy • 10% Liveness
39% Instrumentalness • 12% Positiveness
21% Popularity • 20% Danceability • 4% Energy • 10% Liveness
39% Instrumentalness • 12% Positiveness
► Preview
Johann Michael Bach
In dulci jubilo, BWV 751 Anh.III 172 (Ar...
65 bpm • G Maj • 02:10 • -27.96db
20% Popularity • 36% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 19% Positiveness
20% Popularity • 36% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
George Frideric Handel
Messiah / Part 1: 18a. "He shall feed hi...
78 bpm • A Maj • 06:09 • -32.85db
12% Popularity • 20% Danceability • 1% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 1% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
70 bpm • G# min • 01:08 • -24.56db
3% Popularity • 26% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
3% Popularity • 26% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
► Preview
Felix Mendelssohn
Verleih uns Frieden gnädiglich
78 bpm • D# Maj • 04:11 • -28db
21% Popularity • 20% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
21% Popularity • 20% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Pietro Locatelli
Concerto grosso in F Minor, Op. 1 No. 8 ...
65 bpm • G Maj • 01:29 • -18.06db
12% Popularity • 23% Danceability • 14% Energy • 10% Liveness
73% Instrumentalness • 29% Positiveness
12% Popularity • 23% Danceability • 14% Energy • 10% Liveness
73% Instrumentalness • 29% Positiveness
► Preview
Benjamin Britten
A Ceremony of Carols, Op. 28: X. Deo gra...
78 bpm • E min • 01:07 • -22.87db
7% Popularity • 38% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
7% Popularity • 38% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
► Preview
Engelbert Humperdinck
Hansel and Gretel: Abendsegen
65 bpm • D Maj • 02:09 • -26.28db
14% Popularity • 6% Danceability • 4% Energy • 7% Liveness
42% Instrumentalness • 4% Positiveness
14% Popularity • 6% Danceability • 4% Energy • 7% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Thus Saith The Lord Of Hosts - Live
78 bpm • F Maj • 01:31 • -23.78db
5% Popularity • 35% Danceability • 22% Energy • 21% Liveness
1% Instrumentalness • 45% Positiveness
5% Popularity • 35% Danceability • 22% Energy • 21% Liveness
1% Instrumentalness • 45% Positiveness
► Preview
Arcangelo Corelli
Concerto grosso in G minor, Op. 6, No. 8...
78 bpm • D Maj • 02:37 • -27.67db
12% Popularity • 19% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
12% Popularity • 19% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Johann Sebastian Bach
Christmas Oratorio, BWV 248 / Part One -...
73 bpm • G# min • 01:03 • -27.19db
19% Popularity • 18% Danceability • 6% Energy • 14% Liveness
28% Instrumentalness • 23% Positiveness
19% Popularity • 18% Danceability • 6% Energy • 14% Liveness
28% Instrumentalness • 23% Positiveness
► Preview
Camille Saint-Saëns
Oratorio de Noël, Op. 12: No. 7 Tecum p...
78 bpm • D Maj • 03:45 • -25.94db
10% Popularity • 13% Danceability • 7% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 7% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Gregorio Allegri
"Nasceris, alme puer"
78 bpm • F Maj • 04:21 • -25.02db
12% Popularity • 9% Danceability • 11% Energy • 10% Liveness
51% Instrumentalness • 6% Positiveness
12% Popularity • 9% Danceability • 11% Energy • 10% Liveness
51% Instrumentalness • 6% Positiveness
► Preview
Thomanerchor Leipzig
O Jesulein zart
78 bpm • A# Maj • 02:20 • -21.16db
12% Popularity • 29% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 13% Positiveness
12% Popularity • 29% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 13% Positiveness
► Preview
George Frideric Handel
Handel: Messiah, HWV 56, Pt. 1, Scene 1:...
78 bpm • A# Maj • 02:50 • -23.27db
15% Popularity • 28% Danceability • 6% Energy • 46% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 28% Danceability • 6% Energy • 46% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Johann Friedrich Fasch
Fasch: Trumpet Concerto in D Major, FWV ...
78 bpm • C# Maj • 01:02 • -20.59db
27% Popularity • 19% Danceability • 8% Energy • 9% Liveness
98% Instrumentalness • 24% Positiveness
27% Popularity • 19% Danceability • 8% Energy • 9% Liveness
98% Instrumentalness • 24% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232 / Gloria: Domin...
73 bpm • F# Maj • 05:17 • -29.82db
13% Popularity • 30% Danceability • 5% Energy • 77% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 30% Danceability • 5% Energy • 77% Liveness
0% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Oratorio de Noël, Op. 12: No. 2 Et Past...
78 bpm • B min • 04:59 • -27.1db
10% Popularity • 22% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Quelle est cette odeur agréable?
79 bpm • E Maj • 04:24 • -29.06db
8% Popularity • 10% Danceability • 6% Energy • 5% Liveness
92% Instrumentalness • 11% Positiveness
8% Popularity • 10% Danceability • 6% Energy • 5% Liveness
92% Instrumentalness • 11% Positiveness
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The Sixteen
Alma Redemptoris Mater a 5
79 bpm • D# Maj • 05:51 • -24.41db
23% Popularity • 18% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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George Frideric Handel
Messiah, HWV 56 / Pt. 1: 1. Accompagnato...
64 bpm • A# Maj • 02:19 • -28.47db
25% Popularity • 26% Danceability • 2% Energy • 67% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 26% Danceability • 2% Energy • 67% Liveness
0% Instrumentalness • 8% Positiveness
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Tomás Luis de Victoria
O Magnum Mysterium
79 bpm • F min • 03:40 • -24.48db
11% Popularity • 14% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Weihnachtsoratorium, BWV 248, ...
73 bpm • F# Maj • 03:04 • -32.87db
4% Popularity • 22% Danceability • 1% Energy • 23% Liveness
3% Instrumentalness • 11% Positiveness
4% Popularity • 22% Danceability • 1% Energy • 23% Liveness
3% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Ave Maria
79 bpm • A Maj • 02:32 • -31.64db
11% Popularity • 8% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Academy of St Martin in the Fields Chorus
Christmas Oratorio, BWV 248 / Part Two -...
79 bpm • G Maj • 02:22 • -30.55db
24% Popularity • 12% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
24% Popularity • 12% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Harold Darke
In the Bleak Midwinter
79 bpm • G Maj • 04:19 • -27db
5% Popularity • 12% Danceability • 7% Energy • 16% Liveness
77% Instrumentalness • 6% Positiveness
5% Popularity • 12% Danceability • 7% Energy • 16% Liveness
77% Instrumentalness • 6% Positiveness
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Westminster Cathedral Choir
Hark The Herald Angels Sing
80 bpm • G Maj • 03:37 • -14.29db
11% Popularity • 22% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 22% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Stephen Cleobury
Air from Suite No. 3 in D BWV 1068
80 bpm • C# Maj • 03:59 • -30.55db
7% Popularity • 8% Danceability • 3% Energy • 9% Liveness
40% Instrumentalness • 8% Positiveness
7% Popularity • 8% Danceability • 3% Energy • 9% Liveness
40% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Bach, JS: Herz und Mund und Tat und Lebe...
73 bpm • G Maj • 05:42 • -17.01db
21% Popularity • 9% Danceability • 20% Energy • 15% Liveness
93% Instrumentalness • 15% Positiveness
21% Popularity • 9% Danceability • 20% Energy • 15% Liveness
93% Instrumentalness • 15% Positiveness
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Benjamin Britten
A Ceremony Of Carols, Op. 28: Spring Car...
63 bpm • D Maj • 01:03 • -34.43db
24% Popularity • 28% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 28% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Worcester Cathedral Choir
O Little One Sweet - Arr. J. S. Bach
80 bpm • A# Maj • 01:58 • -31.34db
22% Popularity • 16% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 16% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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George Frideric Handel
Messiah, HWV 56, Pt. 3: No. 49, Recit. T...
80 bpm • D# Maj • 04:56 • -24.03db
27% Popularity • 30% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 30% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Giovanni Pierluigi da Palestrina
Hodie Christus natus est (Motet)
80 bpm • A# Maj • 02:32 • -21.47db
15% Popularity • 16% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 16% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Johannes Brahms
Chorale Prelude: Es is ein' Ros' entrspr...
63 bpm • F Maj • 02:38 • -45.8db
18% Popularity • 18% Danceability • 0% Energy • 9% Liveness
100% Instrumentalness • 31% Positiveness
18% Popularity • 18% Danceability • 0% Energy • 9% Liveness
100% Instrumentalness • 31% Positiveness
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Johann Sebastian Bach
Christen, ätzet diesen Tag, BWV 63: III...
74 bpm • G# min • 07:42 • -22.02db
0% Popularity • 20% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 18% Positiveness
0% Popularity • 20% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 18% Positiveness
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Traditional
Transeamus usque Bethlehem
81 bpm • G Maj • 03:51 • -20.98db
14% Popularity • 22% Danceability • 10% Energy • 13% Liveness
40% Instrumentalness • 26% Positiveness
14% Popularity • 22% Danceability • 10% Energy • 13% Liveness
40% Instrumentalness • 26% Positiveness
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Thomanerchor Leipzig
Heil'ge Nacht, auf Engelsschwingen
81 bpm • A# Maj • 02:52 • -23.37db
9% Popularity • 23% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 23% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Dietrich W. Prost
30 Little Chorale Preludes, Op. 135a: No...
62 bpm • F Maj • 01:02 • -25.72db
10% Popularity • 15% Danceability • 3% Energy • 16% Liveness
84% Instrumentalness • 35% Positiveness
10% Popularity • 15% Danceability • 3% Energy • 16% Liveness
84% Instrumentalness • 35% Positiveness
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Jean Mouton
Nesciens Mater
81 bpm • G Maj • 05:12 • -25db
7% Popularity • 17% Danceability • 6% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 6% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Vom Himmel hoch, da komm ich her (Chorus...
62 bpm • C Maj • 05:38 • -17.63db
9% Popularity • 22% Danceability • 20% Energy • 21% Liveness
92% Instrumentalness • 16% Positiveness
9% Popularity • 22% Danceability • 20% Energy • 21% Liveness
92% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 140...
74 bpm • A# Maj • 06:28 • -14.69db
2% Popularity • 42% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 39% Positiveness
2% Popularity • 42% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 39% Positiveness
