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Christus factus est, WAB 11
Songs like
Christus factus est, WAB 11
by
Anton Bruckner
Based on a tempo of (+/- 10%) and a similar genre
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
26% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Laudate Dominum
135 bpm • F Maj • 05:12 • -24.9db
29% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
43% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
135 bpm • D min • 05:03 • -20.99db
23% Popularity • 18% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Henry Purcell
Thou knowest Lord
135 bpm • A# Maj • 02:45 • -27.64db
12% Popularity • 19% Danceability • 3% Energy • 13% Liveness
53% Instrumentalness • 3% Positiveness
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Hugo Wolf
Six sacred Songs after Poems of Joseph v...
135 bpm • E Maj • 01:04 • -22.61db
22% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
26% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
17% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Anton Bruckner
Tantum ergo, WAB 43
135 bpm • A Maj • 01:35 • -21.58db
28% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
11% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
12% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
17% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Unknown
Randall Thompson : Alleluia
136 bpm • D Maj • 05:03 • -18.81db
8% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Josquin des Prez
Ave Maria
136 bpm • C Maj • 06:07 • -25.7db
15% Popularity • 18% Danceability • 5% Energy • 7% Liveness
17% Instrumentalness • 5% Positiveness
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Anton Bruckner
Os justi meditabitur sapientiam, WAB 30
135 bpm • C Maj • 05:25 • -24.13db
11% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
17% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
12% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
9% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Timothy Brown
Hear My Prayer, O Lord
133 bpm • C min • 02:02 • -27.55db
1% Popularity • 16% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Anton Bruckner
3 Pieces, WAB 97: No. 1, Moderato
134 bpm • D# Maj • 02:15 • -22db
17% Popularity • 16% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Dies irae
137 bpm • F min • 10:25 • -19db
21% Popularity • 21% Danceability • 6% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
33% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
19% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
137 bpm • D# Maj • 03:38 • -23db
17% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
34% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Anton Bruckner
Ave Maria (Motet), WAB. 5
136 bpm • F Maj • 04:08 • -28.93db
3% Popularity • 15% Danceability • 1% Energy • 6% Liveness
50% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Rejoice, O Virgin
137 bpm • F# Maj • 02:23 • -28.15db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
42% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
17% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Major, K. 317 "Coronation": II...
138 bpm • G Maj • 04:29 • -14.63db
25% Popularity • 31% Danceability • 28% Energy • 7% Liveness
25% Instrumentalness • 11% Positiveness
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Samuel Sebastian Wesley
Wash me throughly
138 bpm • G min • 04:20 • -27.35db
14% Popularity • 17% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Anton Bruckner
Virga Jesse, WAB 52
137 bpm • E Maj • 03:51 • -21.78db
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Than...
132 bpm • C Maj • 01:34 • -16.66db
25% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Ivo Antognini
I am the rose of Sharon
132 bpm • A min • 05:28 • -29.68db
10% Popularity • 16% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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William Henry Monk
Abide with Me
138 bpm • D# Maj • 05:17 • -26.78db
12% Popularity • 16% Danceability • 10% Energy • 13% Liveness
1% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Lauda Jerusalem (Salmo 147), RV 609
138 bpm • E min • 06:28 • -15db
17% Popularity • 41% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: VI. Vidit suum
138 bpm • F min • 03:31 • -28db
32% Popularity • 17% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
137 bpm • C min • 05:54 • -21.38db
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
11% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part II: Chor...
132 bpm • B min • 07:55 • -23.27db
25% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
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Timothy Brown
Lord, How Long Wilt Thou Be Angry
132 bpm • A min • 03:15 • -25.55db
0% Popularity • 24% Danceability • 6% Energy • 8% Liveness
5% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
24% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os Justi
137 bpm • C Maj • 05:33 • -25db
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
34% Instrumentalness • 3% Positiveness
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John Stainer
God so loved the world
139 bpm • D Maj • 03:40 • -24.08db
9% Popularity • 18% Danceability • 8% Energy • 5% Liveness
32% Instrumentalness • 4% Positiveness
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Henry Purcell
Burial service: Thou knowest, Lord (Henr...
131 bpm • B Maj • 01:53 • -17db
17% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
139 bpm • D Maj • 01:03 • -27.5db
43% Popularity • 19% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
14% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K.618
139 bpm • D Maj • 03:10 • -32.38db
26% Popularity • 15% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi
138 bpm • C Maj • 04:42 • -24db
31% Popularity • 16% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
13% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
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Francis Poulenc
Gloria, FP 144: II. Laudamus te
139 bpm • F Maj • 02:50 • -21db
25% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
31% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
42% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Komm, Jesu, komm, BWV 229
131 bpm • F# min • 08:58 • -22db
26% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Anton Bruckner
Locus iste, WAB 23
139 bpm • C Maj • 03:30 • -23.34db
20% Popularity • 15% Danceability • 5% Energy • 8% Liveness
57% Instrumentalness • 3% Positiveness
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Henry Purcell
Purcell: Remember Not, Lord, Our Offence...
140 bpm • A min • 02:51 • -24.62db
12% Popularity • 16% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
25% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
26% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Francis Poulenc
Gloria, FP 144: III. Domine Deus
130 bpm • G Maj • 04:35 • -24.74db
24% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
14% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Anton Bruckner
Ecce sacerdos magnus, WAB 13
131 bpm • A Maj • 06:33 • -18.17db
11% Popularity • 23% Danceability • 15% Energy • 35% Liveness
73% Instrumentalness • 3% Positiveness
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Henry Purcell
Evening Service in G Minor (Z. 231): Nun...
130 bpm • G# min • 03:43 • -25.34db
11% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Schubert
Mass No.2 in G Major, D.167: II. Gloria
129 bpm • D Maj • 02:51 • -19.89db
15% Popularity • 27% Danceability • 13% Energy • 17% Liveness
61% Instrumentalness • 15% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
31% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
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Gioachino Rossini
Petite Messe solennelle - Kyrie: Christe
129 bpm • F min • 01:45 • -34.66db
12% Popularity • 16% Danceability • 2% Energy • 10% Liveness
37% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe brève No. 7: V. Agnus Dei
141 bpm • C Maj • 03:02 • -35db
13% Popularity • 14% Danceability • 0% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Anton Bruckner
Mass No. 2 In E Minor, WAB 27: VI. Agnus...
139 bpm • E min • 06:10 • -25db
14% Popularity • 15% Danceability • 3% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
24% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Thomas Tomkins
When David heard
129 bpm • C Maj • 04:36 • -23.62db
12% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
23% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Thomas Atwood
Turn Thy face from my sins
142 bpm • E Maj • 04:04 • -26.13db
10% Popularity • 22% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
35% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
139 bpm • A min • 03:04 • -27.03db
19% Popularity • 14% Danceability • 3% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Mass brevis in C major, K.220 "Sparrow M...
129 bpm • G Maj • 02:51 • -20.71db
20% Popularity • 30% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
29% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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William Hine
I Will Love Thee, O Lord (Psalm 18)
128 bpm • G# Maj • 05:52 • -25.88db
14% Popularity • 22% Danceability • 8% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
9% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Anton Bruckner
Equale No. 2, WAB 149
131 bpm • G# Maj • 01:38 • -28.37db
16% Popularity • 16% Danceability • 0% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: II. Et e...
127 bpm • C# Maj • 02:31 • -25.63db
24% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
28% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
O Sacred Head Sore Wounded
143 bpm • C Maj • 02:42 • -26db
21% Popularity • 17% Danceability • 9% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
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Carl Orff
Carmina Burana: XXII. Tempus est iocundu...
127 bpm • D Maj • 02:25 • -23.06db
30% Popularity • 35% Danceability • 25% Energy • 91% Liveness
0% Instrumentalness • 28% Positiveness
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Anton Bruckner
Tota pulchra es, WAB 46
131 bpm • C Maj • 05:20 • -23.67db
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: II. Glori...
127 bpm • A Maj • 02:54 • -14.64db
11% Popularity • 33% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 19% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
22% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Samuel Barber
Reincarnations, Op. 16: III. The Coolin'
126 bpm • G min • 04:42 • -32db
14% Popularity • 17% Danceability • 2% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Samuel Wesley
Blessed be the God and Father
126 bpm • D# Maj • 07:15 • -20.33db
13% Popularity • 21% Danceability • 13% Energy • 9% Liveness
25% Instrumentalness • 4% Positiveness
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Rudolf Mauersberger
Wie liegt die Stadt so wust
145 bpm • A# min • 06:34 • -28.67db
15% Popularity • 13% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Anton Bruckner
Tantum ergo, WAB 42
140 bpm • D Maj • 02:42 • -23.22db
16% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV589: 1. Gloria in e...
126 bpm • C# Maj • 02:22 • -17.45db
23% Popularity • 47% Danceability • 28% Energy • 14% Liveness
4% Instrumentalness • 32% Positiveness
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Herbert Howells
Gloucester Service: I. Magnificat
126 bpm • G Maj • 06:47 • -28.61db
9% Popularity • 17% Danceability • 7% Energy • 12% Liveness
78% Instrumentalness • 5% Positiveness
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Charles Villiers Stanford
Justorum Animae
145 bpm • G Maj • 03:55 • -30.94db
12% Popularity • 13% Danceability • 3% Energy • 7% Liveness
25% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Choir Of Waltham Abbey
Brahms: How Lovely are Thy Dwellings
125 bpm • D# Maj • 05:19 • -24db
10% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Anton Bruckner
Vexilla regis, WAB 51
130 bpm • F Maj • 04:55 • -27.43db
13% Popularity • 16% Danceability • 3% Energy • 9% Liveness
60% Instrumentalness • 3% Positiveness
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Christus factus est, WAB 11