Songs like Ciacona by Giovanni Paolo Foscarini
Based on a tempo of (+/- 10%) and a similar genre
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Giovanni Zamboni
Suonata: Preludio
123 bpm • C min • 01:20 • -21db
23% Popularity • 44% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
23% Popularity • 44% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Lucas Ruiz de Ribayaz
Luz y norte musical: Luz y norte musical...
123 bpm • B Maj • 01:44 • -28.5db
1% Popularity • 47% Danceability • 5% Energy • 9% Liveness
99% Instrumentalness • 34% Positiveness
1% Popularity • 47% Danceability • 5% Energy • 9% Liveness
99% Instrumentalness • 34% Positiveness
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Giovanni Paolo Foscarini
Ciacona
123 bpm • F# Maj • 01:42 • -23.99db
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
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Diego Ortiz
Recercada settima La Romanesca
123 bpm • F# min • 01:31 • -17db
10% Popularity • 61% Danceability • 31% Energy • 22% Liveness
96% Instrumentalness • 92% Positiveness
10% Popularity • 61% Danceability • 31% Energy • 22% Liveness
96% Instrumentalness • 92% Positiveness
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Giulio Caccini
Odi Euterpe
123 bpm • G Maj • 03:27 • -20.6db
0% Popularity • 63% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 63% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Marin Marais
Pièces de violes, Livre V: Petit capric...
124 bpm • B Maj • 01:00 • -21.54db
32% Popularity • 37% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 66% Positiveness
32% Popularity • 37% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 66% Positiveness
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Ennemond Gaultier
Suite in D Minor: VII. La poste
123 bpm • C min • 01:40 • -21.92db
24% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
24% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
32% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
32% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Giovanni Paolo Foscarini
Ciacona Variata sopra l‘B
123 bpm • B Maj • 03:51 • -25.63db
0% Popularity • 63% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
0% Popularity • 63% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Joan Ambrosio Dalza
Piva
122 bpm • G Maj • 01:56 • -27db
28% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
28% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
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Biagio Marini
Scherzi e canzonette, Op. 5: Mirami
124 bpm • F# min • 03:03 • -14.52db
2% Popularity • 36% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 36% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Rinaldo Alessandrini
Déraisonnable beauté: Chaconne
124 bpm • B Maj • 02:47 • -25.87db
26% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
26% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
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Ennemond Gaultier
Suite in D Minor: II. Tombeau de Mezange...
122 bpm • G min • 04:11 • -25db
13% Popularity • 45% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
13% Popularity • 45% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
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Carlo Calvi
Canario
122 bpm • C# Maj • 01:49 • -21.15db
18% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
18% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
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Giovanni Paolo Foscarini
Corrente Francese
124 bpm • C# min • 02:28 • -23.78db
0% Popularity • 71% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 35% Positiveness
0% Popularity • 71% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 35% Positiveness
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Pierre Pitzl
XII Solos, op. 1 - Sonata I: IV. Giga
121 bpm • F# Maj • 01:55 • -21.56db
0% Popularity • 46% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 80% Positiveness
0% Popularity • 46% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 80% Positiveness
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Lucas Ruiz de Ribayaz
Jacaras
125 bpm • C# min • 01:43 • -23.73db
4% Popularity • 56% Danceability • 14% Energy • 15% Liveness
56% Instrumentalness • 30% Positiveness
4% Popularity • 56% Danceability • 14% Energy • 15% Liveness
56% Instrumentalness • 30% Positiveness
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Marcantonio Aldigiatti de Cesena
Gratie et affetti amorosi: Deh volgetemi...
121 bpm • G# min • 04:32 • -18.69db
2% Popularity • 37% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
2% Popularity • 37% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada secunda
121 bpm • B Maj • 01:44 • -16db
17% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
17% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
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Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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Giovanni Paolo Foscarini
Aria di Firenze
124 bpm • D Maj • 01:58 • -27.92db
5% Popularity • 41% Danceability • 9% Energy • 8% Liveness
96% Instrumentalness • 65% Positiveness
5% Popularity • 41% Danceability • 9% Energy • 8% Liveness
96% Instrumentalness • 65% Positiveness
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Thomas Morley
Joyne Hands
126 bpm • C Maj • 01:34 • -20.6db
19% Popularity • 53% Danceability • 13% Energy • 8% Liveness
28% Instrumentalness • 68% Positiveness
19% Popularity • 53% Danceability • 13% Energy • 8% Liveness
28% Instrumentalness • 68% Positiveness
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Antonio Carbonchi
Sonate di chitarra con intavolatura fran...
120 bpm • B Maj • 00:44 • -29.3db
3% Popularity • 41% Danceability • 7% Energy • 8% Liveness
50% Instrumentalness • 54% Positiveness
3% Popularity • 41% Danceability • 7% Energy • 8% Liveness
50% Instrumentalness • 54% Positiveness
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Antonio Bertali
Ciacona in C Major
120 bpm • B Maj • 09:04 • -20db
11% Popularity • 42% Danceability • 16% Energy • 12% Liveness
62% Instrumentalness • 31% Positiveness
11% Popularity • 42% Danceability • 16% Energy • 12% Liveness
62% Instrumentalness • 31% Positiveness
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Diego Pisador
Romance de Abindarraéz y Jarifa
126 bpm • G Maj • 01:45 • -17db
11% Popularity • 68% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
11% Popularity • 68% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada No. 4, "La...
120 bpm • D# min • 01:39 • -24.32db
15% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
15% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
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Giovanni Paolo Foscarini
Villan di Spagna
121 bpm • A Maj • 01:37 • -19.66db
1% Popularity • 52% Danceability • 42% Energy • 15% Liveness
91% Instrumentalness • 96% Positiveness
1% Popularity • 52% Danceability • 42% Energy • 15% Liveness
91% Instrumentalness • 96% Positiveness
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Alonso Mudarra
Pavana de Alexandre (Gallárda)
126 bpm • E Maj • 03:44 • -22db
14% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
14% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Girolamo Frescobaldi
Balletto (Arr. for Harp and Baroque Guit...
120 bpm • B Maj • 01:08 • -25db
24% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
24% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Ronn McFarlane
George Brabazon
120 bpm • E Maj • 01:27 • -22.15db
24% Popularity • 52% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
24% Popularity • 52% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Syntagma Musicum
Basse Danse (Moderne)
120 bpm • D Maj • 01:21 • -25db
18% Popularity • 61% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 82% Positiveness
18% Popularity • 61% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 82% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada tercera
126 bpm • E Maj • 02:06 • -16.31db
9% Popularity • 56% Danceability • 30% Energy • 14% Liveness
51% Instrumentalness • 65% Positiveness
9% Popularity • 56% Danceability • 30% Energy • 14% Liveness
51% Instrumentalness • 65% Positiveness
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David Bruce
"Death Is a Friend of Ours" for Mandolin...
120 bpm • G min • 04:48 • -29.92db
8% Popularity • 46% Danceability • 2% Energy • 15% Liveness
39% Instrumentalness • 8% Positiveness
8% Popularity • 46% Danceability • 2% Energy • 15% Liveness
39% Instrumentalness • 8% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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Giovanni Paolo Foscarini
Ciacona (Improvisation)
120 bpm • D Maj • 01:48 • -31.37db
1% Popularity • 59% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 36% Positiveness
1% Popularity • 59% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 36% Positiveness
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José MarÃn
Aquella sierra nevada
127 bpm • B Maj • 06:11 • -20.97db
0% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Béla Bartók
3 Hungarian Folksongs from the Csìk, Sz...
119 bpm • A Maj • 03:16 • -18.73db
8% Popularity • 38% Danceability • 6% Energy • 11% Liveness
77% Instrumentalness • 24% Positiveness
8% Popularity • 38% Danceability • 6% Energy • 11% Liveness
77% Instrumentalness • 24% Positiveness
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François Dufaut
Suite in G minor: I. Prélude
119 bpm • F Maj • 01:54 • -30.22db
18% Popularity • 44% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
18% Popularity • 44% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Antoine Forqueray
Pièces de Viole: La Regente
127 bpm • C# Maj • 06:14 • -23.87db
0% Popularity • 31% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
0% Popularity • 31% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Charles Mouton
Suite in C Minor from Pieces de luth Pre...
119 bpm • B min • 01:33 • -22.24db
13% Popularity • 48% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
13% Popularity • 48% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
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Ennemond Gaultier
La cascade
127 bpm • D# Maj • 08:02 • -21db
9% Popularity • 38% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
9% Popularity • 38% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Giovanni Battista Granata
Soavi concenti di sonate musicali, Op. 4...
119 bpm • F min • 02:48 • -27.11db
0% Popularity • 47% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
0% Popularity • 47% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
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Joan Ambrosio Dalza
Saltarello
128 bpm • C# Maj • 02:43 • -25.03db
21% Popularity • 46% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
21% Popularity • 46% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Giovanni Paolo Foscarini
Corrente
128 bpm • D# min • 01:33 • -29.65db
1% Popularity • 47% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 42% Positiveness
1% Popularity • 47% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 42% Positiveness
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Ensemble Project Ars Nova
Biaute Paree De Valour
128 bpm • C Maj • 02:08 • -27db
16% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
16% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
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Robert de Visée
Suite in G Major: II. Allemande
118 bpm • F Maj • 01:58 • -27.27db
18% Popularity • 40% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
18% Popularity • 40% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Pierre Francisque Carroubel
Passepieds de Bretaigne
128 bpm • A min • 02:42 • -19db
12% Popularity • 51% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 51% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Nicola Matteis
Passaggio rotto (Andamento Veloce)
118 bpm • G# min • 02:14 • -21.36db
14% Popularity • 39% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
14% Popularity • 39% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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Ronn McFarlane
Cathedral Cave
118 bpm • G min • 03:57 • -23.17db
12% Popularity • 44% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
12% Popularity • 44% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Giovanni Paolo Foscarini
Corrente Francese
118 bpm • A# min • 01:35 • -16.18db
1% Popularity • 63% Danceability • 50% Energy • 16% Liveness
75% Instrumentalness • 82% Positiveness
1% Popularity • 63% Danceability • 50% Energy • 16% Liveness
75% Instrumentalness • 82% Positiveness
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Paolo Pandolfo
… che col partire
118 bpm • A min • 04:56 • -20db
18% Popularity • 29% Danceability • 9% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
18% Popularity • 29% Danceability • 9% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Vincenzo Galilei
Fronimo: Ricercare del primo tuono
129 bpm • C Maj • 01:10 • -18.68db
25% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
25% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
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Jimmy Page
Black Mountain Side (Arr. for Lute & Har...
117 bpm • A# Maj • 01:27 • -18.25db
8% Popularity • 53% Danceability • 28% Energy • 13% Liveness
94% Instrumentalness • 19% Positiveness
8% Popularity • 53% Danceability • 28% Energy • 13% Liveness
94% Instrumentalness • 19% Positiveness
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Robert de Visée
Suite in G Major: VI. Chaconne
117 bpm • F Maj • 08:13 • -27.72db
32% Popularity • 34% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
32% Popularity • 34% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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Jean d'Estrée
Les buffons
117 bpm • C Maj • 02:56 • -18.18db
12% Popularity • 66% Danceability • 17% Energy • 15% Liveness
94% Instrumentalness • 83% Positiveness
12% Popularity • 66% Danceability • 17% Energy • 15% Liveness
94% Instrumentalness • 83% Positiveness
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Giovanni Paolo Foscarini
Li 5 libri della chitarra alla spagnola:...
128 bpm • C# min • 01:22 • -29.72db
5% Popularity • 38% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 35% Positiveness
5% Popularity • 38% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 35% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: I. Fantas...
129 bpm • C# min • 01:33 • -29db
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Juan Arañés
Chacona: "Una sarao de la chacona"
129 bpm • F Maj • 01:19 • -20db
12% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
12% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
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Ronn McFarlane
Carolan's Welcome
117 bpm • G# min • 01:49 • -21db
23% Popularity • 48% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 69% Positiveness
23% Popularity • 48% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 69% Positiveness
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Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 645
129 bpm • G# Maj • 04:42 • -33db
29% Popularity • 59% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
29% Popularity • 59% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Couran...
117 bpm • A Maj • 02:17 • -25db
18% Popularity • 59% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 54% Positiveness
18% Popularity • 59% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 54% Positiveness
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Giulio Caccini
Amarilli, mia bella (1601)
129 bpm • C# Maj • 05:47 • -22.43db
9% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
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Giorgio Mainerio
Saltarello della tedesca
129 bpm • D min • 01:38 • -21.36db
11% Popularity • 33% Danceability • 10% Energy • 10% Liveness
10% Instrumentalness • 60% Positiveness
11% Popularity • 33% Danceability • 10% Energy • 10% Liveness
10% Instrumentalness • 60% Positiveness
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Cesare Negri
So ben mi chi ha bon tempo
130 bpm • G min • 01:38 • -22db
20% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
20% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
► Preview
Ronn McFarlane
O'Carolan's Dream
129 bpm • G# min • 03:31 • -23db
18% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
18% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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John Playford
The Dancing Master: Jog On
117 bpm • C Maj • 01:12 • -25.89db
17% Popularity • 46% Danceability • 14% Energy • 34% Liveness
17% Instrumentalness • 8% Positiveness
17% Popularity • 46% Danceability • 14% Energy • 34% Liveness
17% Instrumentalness • 8% Positiveness
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![Rowland (Lord Willoughby's Welcome Home) [Arr. for chromatic kannel by Anna-Liisa Eller] cover art](https://i.scdn.co/image/ab67616d00001e022f8d7949db7b7757d5a40860)
William Byrd
Rowland (Lord Willoughby's Welcome Home)...
117 bpm • G min • 03:07 • -23db
9% Popularity • 34% Danceability • 5% Energy • 9% Liveness
43% Instrumentalness • 12% Positiveness
9% Popularity • 34% Danceability • 5% Energy • 9% Liveness
43% Instrumentalness • 12% Positiveness
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Robert Ballard
Branles de village
130 bpm • C Maj • 03:49 • -28db
6% Popularity • 42% Danceability • 8% Energy • 13% Liveness
60% Instrumentalness • 50% Positiveness
6% Popularity • 42% Danceability • 8% Energy • 13% Liveness
60% Instrumentalness • 50% Positiveness
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Andrea Falconieri
L’Eroica
117 bpm • G Maj • 04:19 • -15.63db
9% Popularity • 42% Danceability • 30% Energy • 15% Liveness
33% Instrumentalness • 56% Positiveness
9% Popularity • 42% Danceability • 30% Energy • 15% Liveness
33% Instrumentalness • 56% Positiveness
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Claude Gervaise
Allemande 4 - 1557
117 bpm • G min • 02:22 • -20db
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
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José MarÃn
Montes de tajo escuchad
117 bpm • G# Maj • 05:04 • -20.5db
0% Popularity • 31% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 31% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
John Playford
The English Dancing Master: Parson's far...
130 bpm • A min • 01:36 • -14.42db
21% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
21% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
► Preview
Giovanni Paolo Foscarini
Chitarra alla spagnola, Book 5: Monica
117 bpm • C# min • 01:13 • -24.57db
1% Popularity • 72% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 60% Positiveness
1% Popularity • 72% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 60% Positiveness
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Johann Sebastian Bach
Suite in G Minor, BWV 995: IV. Sarabande
116 bpm • F# min • 02:45 • -28.85db
13% Popularity • 56% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
13% Popularity • 56% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Carlo Farina
Gagliarda prima
130 bpm • F Maj • 01:13 • -36db
16% Popularity • 50% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 70% Positiveness
16% Popularity • 50% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 70% Positiveness
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Dave Shepherd
The Rose of Raby (Arr. for Lute, Viola d...
130 bpm • G# min • 03:58 • -18.1db
14% Popularity • 47% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
14% Popularity • 47% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
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Maurizio Cazzati
Balletto Quarto: Adaggio
130 bpm • F# min • 04:00 • -24db
11% Popularity • 26% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 8% Positiveness
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Diego Ortiz
Recercada Passamezzo
116 bpm • C Maj • 01:57 • -15db
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Michael Praetorius
Terpsichore (arr. H. Baumer): Courante
116 bpm • G Maj • 01:39 • -23.55db
23% Popularity • 57% Danceability • 10% Energy • 7% Liveness
81% Instrumentalness • 68% Positiveness
23% Popularity • 57% Danceability • 10% Energy • 7% Liveness
81% Instrumentalness • 68% Positiveness
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Claude Gervaise
Suite I: Gaillarde
116 bpm • A# Maj • 00:56 • -21.12db
21% Popularity • 49% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 29% Positiveness
21% Popularity • 49% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 29% Positiveness
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Paolo Pandolfo
Dialogo sopra un Pass'emezzo
116 bpm • G min • 06:25 • -25.19db
12% Popularity • 34% Danceability • 8% Energy • 9% Liveness
48% Instrumentalness • 26% Positiveness
12% Popularity • 34% Danceability • 8% Energy • 9% Liveness
48% Instrumentalness • 26% Positiveness
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Giovanni Paolo Foscarini
Passacalli passeggiati sopra l‘O
131 bpm • A Maj • 02:39 • -15.33db
0% Popularity • 64% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
0% Popularity • 64% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
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Alonso Mudarra
Pavana II
115 bpm • B min • 02:11 • -22.05db
24% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
24% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
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Hans Neusidler
Myn Hert Altyt Heeft Verlanghen II
131 bpm • G min • 03:39 • -34db
18% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
18% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Monsieur de Sainte-Colombe
La vignon
115 bpm • G Maj • 06:10 • -25db
13% Popularity • 28% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
13% Popularity • 28% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
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Ronn McFarlane
Hoop Her and Gird Her
115 bpm • G# min • 01:45 • -19.56db
17% Popularity • 52% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 64% Positiveness
17% Popularity • 52% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 64% Positiveness
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William Mundy
In Nomine, "Fantasia": Fantasia
115 bpm • B Maj • 04:02 • -25db
14% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
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Jacques Champion de Chambonnières
Sarabande Jeunes Zephirs
131 bpm • F Maj • 02:35 • -23db
11% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Piffaro
Textless Carmen
115 bpm • D Maj • 01:04 • -20db
23% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
23% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
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Hans Neusidler
Der ander Theil des Lautenbuchs: Der hup...
131 bpm • G# min • 01:42 • -18db
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
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Michelangelo Galilei
Il primo libro d'Intavolatura di Liuto: ...
131 bpm • F# min • 01:48 • -22.62db
23% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
23% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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Robert de Visée
Suite in E Minor: VI. Menuet
132 bpm • D min • 01:15 • -30db
25% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
25% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
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![Zappay [lo campo] cover art](https://i.scdn.co/image/ab67616d00001e02684c141be0182d290f55f997)
Capella de Ministrers
Zappay [lo campo]
115 bpm • C Maj • 02:48 • -18.69db
13% Popularity • 54% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
13% Popularity • 54% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Joan Ambrosio Dalza
Piva
115 bpm • C Maj • 02:32 • -16db
15% Popularity • 59% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
15% Popularity • 59% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
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Giovanni Paolo Foscarini
Toccata musicale
132 bpm • F# min • 05:37 • -25.91db
0% Popularity • 50% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
0% Popularity • 50% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
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Francesco Corbetta
Folias
115 bpm • B Maj • 03:05 • -33.4db
9% Popularity • 43% Danceability • 3% Energy • 19% Liveness
50% Instrumentalness • 31% Positiveness
9% Popularity • 43% Danceability • 3% Energy • 19% Liveness
50% Instrumentalness • 31% Positiveness
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![[Suite en sol mineur]: I. Prélude (No. 63) cover art](https://i.scdn.co/image/ab67616d00001e020dc6972d7e8b1544b6486e51)
Marin Marais
[Suite en sol mineur]: I. Prélude (No. ...
115 bpm • F# min • 02:24 • -24.41db
18% Popularity • 25% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
18% Popularity • 25% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
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Robert de Visée
Suite No. 9 en ré mineur: Sarabande
115 bpm • C# Maj • 01:46 • -27.52db
11% Popularity • 62% Danceability • 1% Energy • 8% Liveness
35% Instrumentalness • 35% Positiveness
11% Popularity • 62% Danceability • 1% Energy • 8% Liveness
35% Instrumentalness • 35% Positiveness
