Songs like Circle Round The Moon by Charley Patton
Based on a tempo of (+/- 10%) and a similar genre
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Mississippi Joe Callicott
Laughing to Keep from Crying
131 bpm • B Maj • 03:44 • -8.45db
18% Popularity • 65% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 65% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Charley Patton
Circle Round the Moon
131 bpm • F Maj • 02:34 • -9.46db
6% Popularity • 31% Danceability • 58% Energy • 35% Liveness
71% Instrumentalness • 56% Positiveness
6% Popularity • 31% Danceability • 58% Energy • 35% Liveness
71% Instrumentalness • 56% Positiveness
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Bukka White
Shake 'Em On Down
130 bpm • F# Maj • 03:37 • -11db
21% Popularity • 55% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 55% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Cannon's Jug Stompers
Big Railroad Blues
132 bpm • C Maj • 03:18 • -12db
11% Popularity • 49% Danceability • 32% Energy • 17% Liveness
19% Instrumentalness • 55% Positiveness
11% Popularity • 49% Danceability • 32% Energy • 17% Liveness
19% Instrumentalness • 55% Positiveness
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Andrew & Jim Baxter
K. C. Railroad Blues
132 bpm • C Maj • 03:30 • -17.6db
9% Popularity • 48% Danceability • 21% Energy • 33% Liveness
1% Instrumentalness • 63% Positiveness
9% Popularity • 48% Danceability • 21% Energy • 33% Liveness
1% Instrumentalness • 63% Positiveness
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Blind Willie Johnson
The Soul of a Man
130 bpm • E Maj • 03:12 • -13db
29% Popularity • 71% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 71% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Furry Lewis
Shake 'Em On Down
130 bpm • C Maj • 02:50 • -16db
21% Popularity • 46% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 46% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Charley Patton
Green River Blues
131 bpm • F# Maj • 03:11 • -18.2db
4% Popularity • 42% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
4% Popularity • 42% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
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Son House
John the Revelator
129 bpm • D Maj • 02:29 • -16.37db
37% Popularity • 67% Danceability • 4% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 67% Danceability • 4% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
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Henry Thomas
Red River Blues
133 bpm • G# Maj • 03:04 • -9.94db
22% Popularity • 66% Danceability • 30% Energy • 12% Liveness
74% Instrumentalness • 70% Positiveness
22% Popularity • 66% Danceability • 30% Energy • 12% Liveness
74% Instrumentalness • 70% Positiveness
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Big Joe Williams
When I First Left Home
129 bpm • A Maj • 03:09 • -13.68db
15% Popularity • 65% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
15% Popularity • 65% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
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Hambone Willie Newbern
Roll and Tumble Blues - 1929 Version
133 bpm • G# Maj • 03:04 • -13db
13% Popularity • 62% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 62% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Blind Lemon Jefferson
Broke And Hungry
133 bpm • F# Maj • 02:58 • -19.35db
8% Popularity • 54% Danceability • 2% Energy • 16% Liveness
1% Instrumentalness • 69% Positiveness
8% Popularity • 54% Danceability • 2% Energy • 16% Liveness
1% Instrumentalness • 69% Positiveness
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Charley Patton
Elder Greene Blues
130 bpm • C min • 03:01 • -11.19db
5% Popularity • 49% Danceability • 32% Energy • 30% Liveness
92% Instrumentalness • 69% Positiveness
5% Popularity • 49% Danceability • 32% Energy • 30% Liveness
92% Instrumentalness • 69% Positiveness
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Pink Anderson
I Got A Woman 'Way Cross Town
133 bpm • G Maj • 03:01 • -17.15db
29% Popularity • 71% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 71% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Garfield Akers
Cottonfield Blues, Pt. 2
129 bpm • B Maj • 03:21 • -20.06db
8% Popularity • 71% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 71% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Big Joe Williams
She Left Me a Mule to Ride
129 bpm • G Maj • 02:35 • -11.91db
32% Popularity • 69% Danceability • 47% Energy • 8% Liveness
20% Instrumentalness • 83% Positiveness
32% Popularity • 69% Danceability • 47% Energy • 8% Liveness
20% Instrumentalness • 83% Positiveness
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Memphis Minnie
I'm A Bad Luck Woman
134 bpm • A# Maj • 03:00 • -13.45db
14% Popularity • 78% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 78% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Blind Lemon Jefferson
Match Box Blues
134 bpm • D Maj • 03:08 • -20.46db
24% Popularity • 56% Danceability • 5% Energy • 11% Liveness
62% Instrumentalness • 39% Positiveness
24% Popularity • 56% Danceability • 5% Energy • 11% Liveness
62% Instrumentalness • 39% Positiveness
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Mance Lipscomb
Captain, Captain - Version; Take 2; Rema...
128 bpm • A# Maj • 02:34 • -19.19db
11% Popularity • 67% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 67% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Sleepy John Estes
Someday Baby Blues
134 bpm • B Maj • 02:59 • -14.41db
11% Popularity • 53% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
11% Popularity • 53% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
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Pink Anderson
I Got a Woman Cross Town
135 bpm • G Maj • 01:54 • -16.13db
31% Popularity • 79% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 79% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Furry Lewis
I'm Going To Brownsville
128 bpm • B Maj • 03:32 • -20.28db
8% Popularity • 45% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 45% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Memphis Minnie
Down In The Alley
134 bpm • C Maj • 02:58 • -15.59db
13% Popularity • 65% Danceability • 30% Energy • 16% Liveness
14% Instrumentalness • 80% Positiveness
13% Popularity • 65% Danceability • 30% Energy • 16% Liveness
14% Instrumentalness • 80% Positiveness
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Ed Bell
Mamlish Blues
135 bpm • B Maj • 02:38 • -18.72db
7% Popularity • 42% Danceability • 14% Energy • 12% Liveness
23% Instrumentalness • 79% Positiveness
7% Popularity • 42% Danceability • 14% Energy • 12% Liveness
23% Instrumentalness • 79% Positiveness
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Josh White
The Lass With The Delicate Air
127 bpm • G# Maj • 03:16 • -19.61db
7% Popularity • 84% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 84% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Lonnie Johnson
Tears Don't Fall No More
127 bpm • G# Maj • 03:11 • -16db
17% Popularity • 59% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 59% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Dock Boggs
Sugar Baby - 2020 Remaster
127 bpm • C# Maj • 02:58 • -14.97db
21% Popularity • 60% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 60% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Arthur "Big Boy" Crudup
So Glad You're Mine
127 bpm • C Maj • 02:48 • -14db
17% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Memphis Minnie
Keep On Eatin'
135 bpm • C Maj • 02:37 • -17db
24% Popularity • 82% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 82% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Bukka White
Special Streamline
127 bpm • A min • 02:47 • -12db
16% Popularity • 60% Danceability • 42% Energy • 11% Liveness
69% Instrumentalness • 60% Positiveness
16% Popularity • 60% Danceability • 42% Energy • 11% Liveness
69% Instrumentalness • 60% Positiveness
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Texas Alexander
Blue Devil Blues
136 bpm • F# Maj • 03:23 • -16.01db
6% Popularity • 66% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
6% Popularity • 66% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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J.B. Lenoir
How Much More
136 bpm • C Maj • 02:32 • -8.22db
14% Popularity • 71% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 71% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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James "Son" Thomas
Beefsteak Blues
136 bpm • G Maj • 02:55 • -14.7db
24% Popularity • 69% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 69% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Sleepy John Estes
Floating Bridge
126 bpm • B Maj • 03:12 • -8db
9% Popularity • 74% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 74% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Scrapper Blackwell
"A" Blues
136 bpm • B Maj • 03:53 • -7db
11% Popularity • 62% Danceability • 42% Energy • 7% Liveness
78% Instrumentalness • 82% Positiveness
11% Popularity • 62% Danceability • 42% Energy • 7% Liveness
78% Instrumentalness • 82% Positiveness
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Kokomo Arnold
Old Original Kokomo Blues
137 bpm • F Maj • 02:54 • -18db
10% Popularity • 63% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 63% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Furry Lewis
Mean Old Bedbug Blues
136 bpm • G min • 02:45 • -13.6db
11% Popularity • 59% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 59% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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J.B. Lenoir
Talk to Your Daughter
126 bpm • G Maj • 02:45 • -7db
25% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Sonny Boy Williamson II
The Goat - Mono Instrumental Version
126 bpm • D Maj • 02:46 • -8.02db
18% Popularity • 73% Danceability • 72% Energy • 7% Liveness
2% Instrumentalness • 80% Positiveness
18% Popularity • 73% Danceability • 72% Energy • 7% Liveness
2% Instrumentalness • 80% Positiveness
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Blind Willie Johnson
Trouble Will Soon Be Over
126 bpm • G min • 03:06 • -16.31db
18% Popularity • 55% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 55% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Blind Blake
Southern Rag
126 bpm • F# Maj • 02:50 • -7.03db
29% Popularity • 51% Danceability • 56% Energy • 16% Liveness
20% Instrumentalness • 93% Positiveness
29% Popularity • 51% Danceability • 56% Energy • 16% Liveness
20% Instrumentalness • 93% Positiveness
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Mance Lipscomb
Trouble in Mind - Version; Take 1; Remas...
137 bpm • A# min • 03:09 • -22.13db
11% Popularity • 57% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 57% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Mattie Delaney
Tallahatchie River Blues
137 bpm • D# Maj • 02:48 • -15.76db
8% Popularity • 63% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 63% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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J.B. Lenoir
Mama Talk To Your Daughter
137 bpm • A min • 02:21 • -9db
39% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Charley Patton
Tell Me Man Blues
137 bpm • C Maj • 03:14 • -12.66db
3% Popularity • 53% Danceability • 32% Energy • 12% Liveness
42% Instrumentalness • 57% Positiveness
3% Popularity • 53% Danceability • 32% Energy • 12% Liveness
42% Instrumentalness • 57% Positiveness
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Blind Willie Johnson
John the Revelator
126 bpm • A min • 03:16 • -13db
30% Popularity • 74% Danceability • 33% Energy • 57% Liveness
13% Instrumentalness • 53% Positiveness
30% Popularity • 74% Danceability • 33% Energy • 57% Liveness
13% Instrumentalness • 53% Positiveness
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Frank Hutchison
Stackalee (80359)
125 bpm • C Maj • 03:08 • -10.8db
5% Popularity • 68% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
5% Popularity • 68% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Blind Willie McTell
You Got to Die
138 bpm • C Maj • 03:12 • -14.18db
18% Popularity • 62% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 62% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Bo Carter
My Pencil Won't Write No More
124 bpm • A min • 02:57 • -9db
11% Popularity • 67% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 67% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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J.B. Lenoir
Vietnam
137 bpm • B min • 02:40 • -10.29db
12% Popularity • 68% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 68% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Sleepy John Estes
Little Laura Blues
125 bpm • G# Maj • 02:31 • -10.02db
24% Popularity • 82% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 82% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Geeshie Wiley
Last Kind Word Blues (Alternate Take 2)
138 bpm • G# Maj • 02:58 • -8db
8% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Corey Harris
Bukka's Jitterbug Swing
124 bpm • B min • 02:00 • -17.91db
22% Popularity • 61% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 61% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Josh White
St. James Infirmary
124 bpm • D Maj • 03:42 • -18.58db
15% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Charley Patton
Jim Lee Blues, Pt. 1
138 bpm • F# Maj • 02:58 • -13.14db
2% Popularity • 44% Danceability • 27% Energy • 32% Liveness
33% Instrumentalness • 29% Positiveness
2% Popularity • 44% Danceability • 27% Energy • 32% Liveness
33% Instrumentalness • 29% Positiveness
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Furry Lewis
Billy Lyons and Stack O'lee
124 bpm • F# min • 02:31 • -11db
19% Popularity • 54% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 54% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Mance Lipscomb
Night Time Is the Right Time
138 bpm • A# Maj • 04:00 • -18.15db
5% Popularity • 61% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
5% Popularity • 61% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Roscoe Holcomb
Mississippi Heavy Water Blues
123 bpm • C# Maj • 02:17 • -22db
21% Popularity • 66% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 66% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Blind Willie Johnson
Praise God I'm Satisfied
139 bpm • D min • 03:10 • -12.86db
15% Popularity • 68% Danceability • 40% Energy • 9% Liveness
8% Instrumentalness • 61% Positiveness
15% Popularity • 68% Danceability • 40% Energy • 9% Liveness
8% Instrumentalness • 61% Positiveness
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Geeshie Wiley
Last Kind Word Blues
139 bpm • G# Maj • 03:04 • -11db
24% Popularity • 40% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 40% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Henry Thomas
Charmin' Betsy
139 bpm • E Maj • 03:01 • -9db
12% Popularity • 67% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 67% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Furry Lewis
White Lightinin'
123 bpm • F Maj • 03:26 • -20.71db
9% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Son House
Levee Camp Blues
140 bpm • A# Maj • 03:45 • -11db
21% Popularity • 39% Danceability • 44% Energy • 27% Liveness
85% Instrumentalness • 50% Positiveness
21% Popularity • 39% Danceability • 44% Energy • 27% Liveness
85% Instrumentalness • 50% Positiveness
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Big Joe Williams
Rollin' And Tumblin'
123 bpm • G# Maj • 02:36 • -14.85db
30% Popularity • 68% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 68% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Memphis Minnie
Kissing in the Dark
140 bpm • C Maj • 02:31 • -10db
30% Popularity • 74% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 83% Positiveness
30% Popularity • 74% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 83% Positiveness
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Blind Willie Johnson
Mother's Children Have a Hard Time
123 bpm • A Maj • 03:21 • -14db
17% Popularity • 64% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 64% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Sonny Boy Nelson
Street Walkin'
122 bpm • F Maj • 02:33 • -13.43db
24% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Blind Boy Fuller
My Brownskin Sugar Plum
122 bpm • C Maj • 02:58 • -14.95db
9% Popularity • 66% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
9% Popularity • 66% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
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Geeshie Wiley
Last Kind Words Blues (Alternate Take)
141 bpm • D# min • 03:02 • -12db
12% Popularity • 43% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 33% Positiveness
12% Popularity • 43% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 33% Positiveness
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Big Joe Williams
Little Annie Mae
123 bpm • F min • 02:00 • -15.84db
25% Popularity • 64% Danceability • 28% Energy • 32% Liveness
3% Instrumentalness • 54% Positiveness
25% Popularity • 64% Danceability • 28% Energy • 32% Liveness
3% Instrumentalness • 54% Positiveness
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Memphis Minnie
Hoodoo Lady
122 bpm • C# Maj • 03:02 • -12.88db
19% Popularity • 82% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 82% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Richard "Rabbit" Brown
James Alley Blues
141 bpm • C Maj • 03:09 • -19.29db
9% Popularity • 65% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 65% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Pink Anderson
Greasy Greens
122 bpm • A# Maj • 04:38 • -15.42db
8% Popularity • 78% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 78% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Memphis Jug Band
Cocaine Habit Blues
141 bpm • C Maj • 02:48 • -12.26db
17% Popularity • 64% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 64% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Jim Jackson
Old Dog Blue
121 bpm • F# Maj • 02:58 • -11db
7% Popularity • 53% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 53% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Poole
White House Blues
121 bpm • G Maj • 03:31 • -8.64db
15% Popularity • 55% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 55% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Bukka White
Pinebluff, Arkansas
142 bpm • A Maj • 02:50 • -12db
14% Popularity • 51% Danceability • 26% Energy • 10% Liveness
16% Instrumentalness • 75% Positiveness
14% Popularity • 51% Danceability • 26% Energy • 10% Liveness
16% Instrumentalness • 75% Positiveness
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Sonny Boy Williamson II
Too Young To Die - Stereo Version
142 bpm • D Maj • 03:01 • -8.17db
29% Popularity • 56% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 56% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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Papa Charlie Jackson
Ash Tray Blues
121 bpm • G Maj • 02:58 • -11.61db
20% Popularity • 85% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 75% Positiveness
20% Popularity • 85% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 75% Positiveness
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Memphis Minnie
Black Cat Blues
121 bpm • D# Maj • 02:54 • -15.21db
15% Popularity • 84% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 84% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Willie Lofton
Dark Road Blues
142 bpm • D Maj • 03:03 • -11.48db
21% Popularity • 63% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 63% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Mississippi Sheiks
I've Got Blood In My Eyes For You
142 bpm • F Maj • 03:14 • -7db
14% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Blind Lemon Jefferson
Change My Luck Blues
120 bpm • G min • 02:24 • -17.16db
14% Popularity • 65% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 65% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Robert Pete Williams
Graveyard Blues
120 bpm • A# min • 02:46 • -11db
19% Popularity • 48% Danceability • 64% Energy • 34% Liveness
20% Instrumentalness • 39% Positiveness
19% Popularity • 48% Danceability • 64% Energy • 34% Liveness
20% Instrumentalness • 39% Positiveness
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Blind Willie Johnson
Jesus Make Up My Dying Bed
120 bpm • D# Maj • 03:10 • -14db
24% Popularity • 63% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 63% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Roscoe Holcomb
Graveyard Blues
119 bpm • G Maj • 03:01 • -11db
15% Popularity • 52% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 52% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Charley Patton
Pony Blues
120 bpm • A# Maj • 02:59 • -15.7db
14% Popularity • 44% Danceability • 32% Energy • 13% Liveness
96% Instrumentalness • 48% Positiveness
14% Popularity • 44% Danceability • 32% Energy • 13% Liveness
96% Instrumentalness • 48% Positiveness
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Henry Thomas
Old Country Stomp
144 bpm • G# min • 02:51 • -10.65db
11% Popularity • 58% Danceability • 31% Energy • 13% Liveness
2% Instrumentalness • 48% Positiveness
11% Popularity • 58% Danceability • 31% Energy • 13% Liveness
2% Instrumentalness • 48% Positiveness
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Blind Lemon Jefferson
That Black Snake Moan
144 bpm • F# Maj • 02:59 • -21.02db
10% Popularity • 53% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 55% Positiveness
10% Popularity • 53% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 55% Positiveness
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Memphis Jug Band
Papa's Got Your Water On
119 bpm • A Maj • 02:32 • -13db
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Johnny Shines
Standing At The Crossroads
119 bpm • D# min • 02:54 • -16db
10% Popularity • 69% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 69% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Furry Lewis
John Henry
119 bpm • C# Maj • 04:51 • -16db
16% Popularity • 46% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 46% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Charley Patton
Down the Dirt Road Blues
119 bpm • C# Maj • 02:54 • -10db
30% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
30% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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Cannon's Jug Stompers
Viola Lee Blues
118 bpm • G Maj • 03:10 • -10db
10% Popularity • 54% Danceability • 26% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
10% Popularity • 54% Danceability • 26% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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Blind Lemon Jefferson
Bad Luck Blues
145 bpm • A Maj • 02:52 • -20.56db
24% Popularity • 60% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 60% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Blind Roosevelt Graves
I'll Be Rested (When The Roll Is Called)
118 bpm • B Maj • 02:33 • -12db
11% Popularity • 79% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 79% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Robert Wilkins
Old Jim Canan's
118 bpm • A Maj • 02:58 • -12db
9% Popularity • 74% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 74% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
