Songs like Circumstances by Buju Banton
Based on a tempo of (+/- 10%) and a similar genre
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Anthony Malvo & Josey Wales
Sensi
145 bpm • C Maj • 03:35 • -13.8db
8% Popularity • 81% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 81% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Buju Banton
Circumstances
145 bpm • C# min • 04:05 • -12.25db
23% Popularity • 84% Danceability • 51% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 84% Danceability • 51% Energy • 60% Liveness
0% Instrumentalness • 79% Positiveness
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Queen Ifrica
Genocide
145 bpm • D min • 03:44 • -3db
32% Popularity • 65% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 65% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Louie Culture
Revolution Song
144 bpm • G Maj • 03:36 • -12.41db
6% Popularity • 79% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 79% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Everton Blender
These Hands
144 bpm • C# Maj • 03:49 • -5.67db
18% Popularity • 74% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 74% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Yami Bolo
Curly Locks
144 bpm • G# Maj • 03:52 • -7.21db
23% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Cocoa Tea
Holy Mount Zion
144 bpm • G# Maj • 03:15 • -6.4db
26% Popularity • 85% Danceability • 67% Energy • 29% Liveness
12% Instrumentalness • 96% Positiveness
26% Popularity • 85% Danceability • 67% Energy • 29% Liveness
12% Instrumentalness • 96% Positiveness
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Buju Banton
Wanna Be Loved
146 bpm • F Maj • 04:05 • -7.73db
37% Popularity • 84% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 84% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Pressure
Life Is a Blessing
144 bpm • G# Maj • 03:30 • -7.49db
12% Popularity • 76% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 76% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Louie Culture
Bogus Badge
144 bpm • G Maj • 03:39 • -11.59db
21% Popularity • 80% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 80% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Richie Stephens
Out Cry
146 bpm • C Maj • 03:31 • -8db
0% Popularity • 64% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 64% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Queen Ifrica
Ghetto Queen
144 bpm • G Maj • 04:00 • -5.38db
13% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Carlton Livingston
A Hundred Weight Of Cali Weed
143 bpm • C Maj • 04:05 • -14.34db
9% Popularity • 91% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 91% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Buju Banton
Single Parent
146 bpm • E min • 04:05 • -9.09db
22% Popularity • 75% Danceability • 61% Energy • 43% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 75% Danceability • 61% Energy • 43% Liveness
0% Instrumentalness • 79% Positiveness
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Ras Shiloh
This Generation
143 bpm • A min • 03:37 • -6.46db
21% Popularity • 73% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 73% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Midnite
Same I Ah One
147 bpm • F# min • 04:17 • -5.21db
30% Popularity • 66% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 66% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Norrisman
Home & Away
142 bpm • C Maj • 03:40 • -4db
10% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Jo Mersa Marley
Rock and Swing
148 bpm • F min • 03:50 • -5.48db
39% Popularity • 54% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 54% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Sizzla
(Dry Cry) Just One of Those Days
148 bpm • C Maj • 03:28 • -5.71db
35% Popularity • 70% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 70% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Buju Banton
'Til I'm Laid To Rest
144 bpm • G# Maj • 04:24 • -8.86db
28% Popularity • 81% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 81% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Ras Shiloh
Who Can't Hear
143 bpm • F# min • 04:14 • -8db
28% Popularity • 73% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 73% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Junior Cat
Iron Gloves
142 bpm • C# min • 03:23 • -11.73db
16% Popularity • 92% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 92% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Glen Washington
Viper
148 bpm • C Maj • 03:33 • -5.07db
22% Popularity • 88% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 88% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Culture & Anthony B
Two Sevens Cash
142 bpm • G Maj • 04:55 • -3.44db
14% Popularity • 83% Danceability • 79% Energy • 2% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 83% Danceability • 79% Energy • 2% Liveness
0% Instrumentalness • 88% Positiveness
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Morgan Heritage & Friends
New Jerusalem Medley
148 bpm • G# min • 05:25 • -7.06db
9% Popularity • 67% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 67% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Buju Banton
How Could You
146 bpm • G Maj • 03:55 • -8.58db
21% Popularity • 88% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 88% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Natural Black
Can't Mix Intelligence
149 bpm • G# min • 03:40 • -6.75db
16% Popularity • 55% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 55% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Lloyd Brown
Know Yourself
141 bpm • G# min • 05:03 • -7.4db
15% Popularity • 81% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 81% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Yellowman
Good Loving
141 bpm • G# Maj • 03:11 • -6.38db
30% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Mikal Rose
Stalk Of Sensimilla
141 bpm • C Maj • 03:38 • -15.63db
14% Popularity • 90% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 90% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Cocoa Tea
Informer
141 bpm • G# Maj • 03:13 • -14db
29% Popularity • 81% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 81% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Buju Banton
How The World A Run
143 bpm • A Maj • 03:55 • -17.26db
20% Popularity • 80% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 80% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Ky-Mani Marley
Love in the Morning
150 bpm • D Maj • 03:55 • -5.2db
16% Popularity • 77% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 77% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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VC
By His Deeds
150 bpm • A Maj • 04:40 • -7.72db
29% Popularity • 66% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 66% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Pressure Busspipe
Lion Is A Lion
140 bpm • G Maj • 03:51 • -3.45db
29% Popularity • 72% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 72% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Beres Hammond & Big Youth
Dancehall Vibes
151 bpm • D Maj • 04:13 • -5.55db
15% Popularity • 72% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 72% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Cocoa Tea
Rastaman
150 bpm • F# Maj • 04:03 • -11.29db
29% Popularity • 67% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 67% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Buju Banton
Cry No More
140 bpm • A Maj • 03:52 • -6.3db
33% Popularity • 82% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 82% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Jah9
Love Has Found I
140 bpm • G min • 04:34 • -4.21db
21% Popularity • 49% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 49% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Pressure
Run Away
139 bpm • G# min • 03:54 • -5.89db
29% Popularity • 66% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 66% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Sugar Minott
No Vacancy
138 bpm • F# min • 03:41 • -18.91db
27% Popularity • 86% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 86% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Bushman
ARMS OF A WOMAN
152 bpm • E min • 03:39 • -6.18db
24% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
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Queen Ifrica
Grabba
152 bpm • F min • 03:01 • -4db
9% Popularity • 61% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 61% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Buju Banton
Give I Strength
148 bpm • C# Maj • 04:00 • -7.14db
30% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Ras Shiloh
Unto Zion
138 bpm • A# min • 03:21 • -15db
30% Popularity • 62% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 62% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Turbulence
X-Girlfriend
153 bpm • F Maj • 04:05 • -2.23db
30% Popularity • 61% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 61% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Richie Stephens
My Girl Dis
154 bpm • A Maj • 03:18 • -5.78db
38% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Jah Bouks
No Slave
154 bpm • A# Maj • 03:22 • -3.71db
27% Popularity • 62% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 62% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Mad Cobra
Flex
154 bpm • C# Maj • 04:02 • -8.2db
43% Popularity • 72% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 72% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Buju Banton
Murderer
138 bpm • C Maj • 03:56 • -8.33db
48% Popularity • 85% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 85% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Pressure
Show Love
154 bpm • C Maj • 03:35 • -5db
38% Popularity • 66% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 66% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Bounty Killer, Angel Doolas
Fitness
136 bpm • F min • 03:35 • -6.94db
12% Popularity • 74% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 74% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Jacob Miller
Tired Fi Lick Weed
136 bpm • G Maj • 03:03 • -9.35db
29% Popularity • 84% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 84% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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G Whizz
Don't Blame Life
155 bpm • F# Maj • 03:16 • -9.64db
30% Popularity • 52% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 52% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Wyclef Jean
Who Gave The Order
136 bpm • C Maj • 04:23 • -5.1db
13% Popularity • 52% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 52% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Buju Banton
Not An Easy Road
138 bpm • A Maj • 04:01 • -8.87db
31% Popularity • 79% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 79% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Beres Hammond & Zap Pow
Last War
155 bpm • F# min • 04:02 • -8.1db
41% Popularity • 68% Danceability • 79% Energy • 64% Liveness
51% Instrumentalness • 96% Positiveness
41% Popularity • 68% Danceability • 79% Energy • 64% Liveness
51% Instrumentalness • 96% Positiveness
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Bushman
Creatures Of The Night
156 bpm • B min • 03:53 • -6db
29% Popularity • 75% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 75% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Super Black
Deh Wid You
156 bpm • G min • 03:31 • -5db
0% Popularity • 75% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 75% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Everton Blender
I Love Jah Jah
156 bpm • G Maj • 03:33 • -7.06db
34% Popularity • 77% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 77% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Chezidek
Leave the Trees
156 bpm • A Maj • 03:38 • -3.14db
32% Popularity • 76% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 76% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Buju Banton
Destiny
135 bpm • E Maj • 03:58 • -7.69db
47% Popularity • 82% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
47% Popularity • 82% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Jacob Miller
Mr. Officer
134 bpm • C Maj • 03:43 • -11.52db
27% Popularity • 87% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 87% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Stephen Marley
False Friends
134 bpm • D# min • 03:22 • -4.84db
47% Popularity • 74% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
47% Popularity • 74% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Admiral Bailey
Horse Tonic
157 bpm • C# Maj • 03:10 • -6db
0% Popularity • 81% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 81% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Black Uhuru
Plastic Smile
134 bpm • C# Maj • 07:12 • -11.87db
31% Popularity • 82% Danceability • 42% Energy • 5% Liveness
6% Instrumentalness • 87% Positiveness
31% Popularity • 82% Danceability • 42% Energy • 5% Liveness
6% Instrumentalness • 87% Positiveness
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Frisco Kid
Forgotten
134 bpm • D# min • 02:31 • -9.8db
20% Popularity • 71% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 71% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Buju Banton
Close One Yesterday
134 bpm • A Maj • 04:22 • -8.51db
35% Popularity • 85% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 85% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Merciless
Mavis
158 bpm • D Maj • 03:51 • -6.92db
19% Popularity • 84% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 84% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Everton Blender
Ghetto People Song
158 bpm • A# min • 03:47 • -7.45db
45% Popularity • 81% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 81% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Sizzla
Solid As A Rock
132 bpm • A min • 03:33 • -5.79db
42% Popularity • 64% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 64% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Cocoa Tea
Hurry Up & Come
160 bpm • C# min • 03:48 • -11.19db
41% Popularity • 80% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 80% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Norris Man
Heathen Pt 11
160 bpm • G# Maj • 03:50 • -7.58db
16% Popularity • 62% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 62% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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iNi Kamoze
Hot Stepper
160 bpm • C Maj • 03:47 • -12.26db
22% Popularity • 77% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 77% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Fantan Mojah
Hail The King
160 bpm • C min • 03:37 • -7.34db
30% Popularity • 63% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 63% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Everton Blender
Ghetto People Song
159 bpm • A# min • 03:46 • -10db
26% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Courtney Melody
Modern Girl
160 bpm • C Maj • 03:33 • -4.23db
23% Popularity • 75% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 75% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Buju Banton
Untold Strories
130 bpm • G# Maj • 04:32 • -6.7db
49% Popularity • 82% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 82% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Mad Cobra
Dis Dem Anyweh
131 bpm • C# min • 03:05 • -7.35db
23% Popularity • 71% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 71% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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T.O.K
Top Shotta
130 bpm • C# Maj • 03:09 • -6.44db
27% Popularity • 65% Danceability • 68% Energy • 73% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 65% Danceability • 68% Energy • 73% Liveness
0% Instrumentalness • 60% Positiveness
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Pinchers
I'm a Don - Remastered
162 bpm • D# min • 03:27 • -5.64db
32% Popularity • 82% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 82% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Nicodemus
Old Veteran
162 bpm • C# min • 03:37 • -16db
10% Popularity • 88% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 88% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Admiral Tibet
Be Mine Tonight
163 bpm • C# Maj • 03:08 • -13.62db
31% Popularity • 82% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 82% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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General Degree
Pianist
163 bpm • A Maj • 03:37 • -12.54db
9% Popularity • 85% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 85% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Mad Cobra
A Gal A Chat
130 bpm • C# Maj • 01:10 • -5db
36% Popularity • 85% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 85% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Junior Reid
One Blood Junior Reid
164 bpm • D min • 03:01 • -3.61db
20% Popularity • 50% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 50% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Buju Banton
Love Black Woman
164 bpm • C Maj • 03:37 • -12.44db
30% Popularity • 76% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 76% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Red Rat
Nuh Live Nuh Weh
128 bpm • B Maj • 03:46 • -7.24db
13% Popularity • 74% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 74% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Frankie Paul
I Know the Score
164 bpm • C# min • 03:29 • -10.38db
34% Popularity • 77% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 77% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Beres Hammond & Marcia Griffiths
Live On
165 bpm • D Maj • 03:08 • -4.54db
23% Popularity • 73% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 73% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Mad Cobra
Anything
127 bpm • C# min • 02:47 • -7.34db
28% Popularity • 70% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 70% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Joseph Hill
Natty Never Get Weary
127 bpm • A Maj • 03:47 • -4.21db
13% Popularity • 86% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 86% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Buju Banton
The Grudge
164 bpm • C# Maj • 03:29 • -16.35db
17% Popularity • 80% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 80% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Red Rat
Dwayne
128 bpm • C# Maj • 03:47 • -6db
39% Popularity • 62% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 62% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Brigadier Jerry
What Kind of World
166 bpm • C Maj • 03:22 • -7db
10% Popularity • 80% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 80% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Tony Rebel & Swade
Just Friends
166 bpm • C Maj • 03:51 • -6db
27% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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I Wayne
Bleacher
167 bpm • E min • 03:56 • -5.31db
16% Popularity • 66% Danceability • 68% Energy • 60% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 66% Danceability • 68% Energy • 60% Liveness
0% Instrumentalness • 75% Positiveness
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Jah Mason
My Princess Gone
166 bpm • C Maj • 04:05 • -7db
44% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
