Songs like Cissy Strut by The Meters
Based on a tempo of (+/- 10%) and a similar genre
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Kool & The Gang
Summer Madness
176 bpm • F# min • 04:17 • -16.52db
60% Popularity • 30% Danceability • 33% Energy • 7% Liveness
86% Instrumentalness • 45% Positiveness
60% Popularity • 30% Danceability • 33% Energy • 7% Liveness
86% Instrumentalness • 45% Positiveness
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The Brothers Johnson
Come Together
176 bpm • B Maj • 04:14 • -15db
37% Popularity • 65% Danceability • 52% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
37% Popularity • 65% Danceability • 52% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
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The Meters
Cissy Strut
176 bpm • C Maj • 03:06 • -12.73db
59% Popularity • 51% Danceability • 76% Energy • 32% Liveness
89% Instrumentalness • 71% Positiveness
59% Popularity • 51% Danceability • 76% Energy • 32% Liveness
89% Instrumentalness • 71% Positiveness
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Lee Fields & The Expressions
Ladies
177 bpm • C# min • 04:17 • -6db
50% Popularity • 48% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 48% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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The Dave Brubeck Quartet
Take Five
174 bpm • G# min • 05:24 • -13.19db
69% Popularity • 45% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 45% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Taj Mahal
Leaving Trunk
174 bpm • D# min • 04:49 • -10.61db
53% Popularity • 54% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 95% Positiveness
53% Popularity • 54% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 95% Positiveness
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Beastie Boys
Groove Holmes - Remastered 2009
174 bpm • D Maj • 02:32 • -10db
43% Popularity • 69% Danceability • 68% Energy • 3% Liveness
85% Instrumentalness • 55% Positiveness
43% Popularity • 69% Danceability • 68% Energy • 3% Liveness
85% Instrumentalness • 55% Positiveness
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Linda Lyndell
What A Man
174 bpm • G Maj • 02:40 • -8db
56% Popularity • 58% Danceability • 71% Energy • 20% Liveness
8% Instrumentalness • 90% Positiveness
56% Popularity • 58% Danceability • 71% Energy • 20% Liveness
8% Instrumentalness • 90% Positiveness
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The Meters
Look-Ka Py Py
175 bpm • A# min • 03:18 • -14.91db
32% Popularity • 68% Danceability • 63% Energy • 53% Liveness
36% Instrumentalness • 93% Positiveness
32% Popularity • 68% Danceability • 63% Energy • 53% Liveness
36% Instrumentalness • 93% Positiveness
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Sam Cooke
A Change Is Gonna Come
174 bpm • A# Maj • 03:11 • -10.07db
69% Popularity • 21% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
69% Popularity • 21% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Modeliste
Cissy Strut
178 bpm • F Maj • 02:59 • -15.36db
3% Popularity • 52% Danceability • 61% Energy • 35% Liveness
56% Instrumentalness • 80% Positiveness
3% Popularity • 52% Danceability • 61% Energy • 35% Liveness
56% Instrumentalness • 80% Positiveness
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El Michels Affair
Snakes
178 bpm • C Maj • 02:07 • -7.89db
46% Popularity • 55% Danceability • 33% Energy • 21% Liveness
6% Instrumentalness • 35% Positiveness
46% Popularity • 55% Danceability • 33% Energy • 21% Liveness
6% Instrumentalness • 35% Positiveness
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Mo' Horizons
Yes Baby Yes
172 bpm • D Maj • 05:00 • -10db
55% Popularity • 68% Danceability • 67% Energy • 15% Liveness
42% Instrumentalness • 81% Positiveness
55% Popularity • 68% Danceability • 67% Energy • 15% Liveness
42% Instrumentalness • 81% Positiveness
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Isaac Hayes
Hyperbolicsyllabicsesquedalymistic
180 bpm • F min • 09:36 • -11.92db
35% Popularity • 57% Danceability • 52% Energy • 12% Liveness
25% Instrumentalness • 78% Positiveness
35% Popularity • 57% Danceability • 52% Energy • 12% Liveness
25% Instrumentalness • 78% Positiveness
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Dusty Springfield
Son Of A Preacher Man
180 bpm • E Maj • 02:28 • -12.33db
79% Popularity • 40% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
79% Popularity • 40% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Gil Scott-Heron
The Revolution Will Not Be Televised
181 bpm • B min • 03:07 • -10db
51% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Vulfpeck
1612
171 bpm • C Maj • 03:19 • -11.33db
58% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Shuggie Otis
Strawberry Letter 23
171 bpm • A min • 03:59 • -12.8db
58% Popularity • 52% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 52% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Darondo
Let My People Go
172 bpm • D min • 03:58 • -12db
48% Popularity • 63% Danceability • 58% Energy • 12% Liveness
64% Instrumentalness • 84% Positiveness
48% Popularity • 63% Danceability • 58% Energy • 12% Liveness
64% Instrumentalness • 84% Positiveness
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Allen Toussaint
Soul Sister - Remastered Version
171 bpm • F Maj • 02:49 • -9.13db
41% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Meters
Just Kissed My Baby
171 bpm • C Maj • 04:43 • -14db
47% Popularity • 72% Danceability • 62% Energy • 6% Liveness
5% Instrumentalness • 96% Positiveness
47% Popularity • 72% Danceability • 62% Energy • 6% Liveness
5% Instrumentalness • 96% Positiveness
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Roy Ayers
Funk in the Hole
182 bpm • F Maj • 05:36 • -4.8db
33% Popularity • 49% Danceability • 98% Energy • 22% Liveness
48% Instrumentalness • 96% Positiveness
33% Popularity • 49% Danceability • 98% Energy • 22% Liveness
48% Instrumentalness • 96% Positiveness
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Willie Mitchell
Groovin'
169 bpm • F Maj • 02:59 • -8.57db
33% Popularity • 58% Danceability • 40% Energy • 10% Liveness
83% Instrumentalness • 78% Positiveness
33% Popularity • 58% Danceability • 40% Energy • 10% Liveness
83% Instrumentalness • 78% Positiveness
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Shuggie Otis
Me And My Woman
169 bpm • G# Maj • 04:20 • -12.14db
34% Popularity • 50% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 50% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Freddie King
Going Down
168 bpm • C Maj • 03:24 • -11db
57% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Gil Scott-Heron
Inner City Blues (Make Me Wanna Holler)
167 bpm • B min • 05:49 • -11.54db
31% Popularity • 53% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 53% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Meters
Can You Do Without?
171 bpm • C# Maj • 03:52 • -14.2db
20% Popularity • 66% Danceability • 48% Energy • 6% Liveness
32% Instrumentalness • 93% Positiveness
20% Popularity • 66% Danceability • 48% Energy • 6% Liveness
32% Instrumentalness • 93% Positiveness
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Roy Ayers
Searching
169 bpm • E min • 04:00 • -7.3db
48% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Martha Reeves & The Vandellas
(Love Is Like A) Heat Wave
167 bpm • C min • 02:43 • -9.29db
63% Popularity • 51% Danceability • 62% Energy • 31% Liveness
1% Instrumentalness • 76% Positiveness
63% Popularity • 51% Danceability • 62% Energy • 31% Liveness
1% Instrumentalness • 76% Positiveness
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The Isley Brothers
It's Your Thing
186 bpm • A# Maj • 02:49 • -9.27db
58% Popularity • 38% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
58% Popularity • 38% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Bacao Rhythm & Steel Band
PIMP
167 bpm • D# min • 03:14 • -5.23db
62% Popularity • 67% Danceability • 86% Energy • 10% Liveness
81% Instrumentalness • 96% Positiveness
62% Popularity • 67% Danceability • 86% Energy • 10% Liveness
81% Instrumentalness • 96% Positiveness
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Aaron Neville
Hercules
167 bpm • G# min • 04:09 • -11.68db
51% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
51% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Meters
Hey Pocky A-Way - 2002 Remaster
169 bpm • D Maj • 04:06 • -12.35db
38% Popularity • 56% Danceability • 67% Energy • 4% Liveness
9% Instrumentalness • 97% Positiveness
38% Popularity • 56% Danceability • 67% Energy • 4% Liveness
9% Instrumentalness • 97% Positiveness
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Darondo
Didn't I - Dave Allison Rework
186 bpm • C Maj • 05:28 • -6.73db
52% Popularity • 54% Danceability • 70% Energy • 13% Liveness
13% Instrumentalness • 68% Positiveness
52% Popularity • 54% Danceability • 70% Energy • 13% Liveness
13% Instrumentalness • 68% Positiveness
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Shuggie Otis
Funky Thithee
167 bpm • A Maj • 03:12 • -13.07db
36% Popularity • 51% Danceability • 46% Energy • 10% Liveness
70% Instrumentalness • 79% Positiveness
36% Popularity • 51% Danceability • 46% Energy • 10% Liveness
70% Instrumentalness • 79% Positiveness
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Bootsy Collins
I'd Rather Be with You
166 bpm • D Maj • 04:58 • -9.17db
52% Popularity • 48% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 48% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Fatback Band
Gotta Learn How to Dance
190 bpm • C Maj • 03:47 • -10db
37% Popularity • 58% Danceability • 85% Energy • 36% Liveness
68% Instrumentalness • 86% Positiveness
37% Popularity • 58% Danceability • 85% Energy • 36% Liveness
68% Instrumentalness • 86% Positiveness
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Jean Knight
Do Me
166 bpm • F Maj • 02:49 • -13.34db
41% Popularity • 78% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
41% Popularity • 78% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Meters
Pungee
161 bpm • A# Maj • 02:59 • -12.55db
23% Popularity • 65% Danceability • 63% Energy • 6% Liveness
76% Instrumentalness • 93% Positiveness
23% Popularity • 65% Danceability • 63% Energy • 6% Liveness
76% Instrumentalness • 93% Positiveness
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The Poets Of Rhythm
More Mess on My Thing
190 bpm • C Maj • 04:12 • -6.18db
53% Popularity • 54% Danceability • 87% Energy • 5% Liveness
89% Instrumentalness • 96% Positiveness
53% Popularity • 54% Danceability • 87% Energy • 5% Liveness
89% Instrumentalness • 96% Positiveness
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Shuggie Otis
Purple
166 bpm • F min • 07:08 • -15.86db
43% Popularity • 43% Danceability • 48% Energy • 15% Liveness
76% Instrumentalness • 58% Positiveness
43% Popularity • 43% Danceability • 48% Energy • 15% Liveness
76% Instrumentalness • 58% Positiveness
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Toots & The Maytals
54-46 Was My Number
160 bpm • C Maj • 03:24 • -9.57db
65% Popularity • 68% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
65% Popularity • 68% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Roy Ayers Ubiquity
Everybody Loves The Sunshine
161 bpm • B min • 03:59 • -10.33db
67% Popularity • 52% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
67% Popularity • 52% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Ann Peebles
I Can't Stand the Rain
160 bpm • C# Maj • 02:30 • -12.33db
61% Popularity • 73% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
61% Popularity • 73% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
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Lee Fields & The Expressions
Honey Dove
160 bpm • E min • 04:06 • -5.78db
49% Popularity • 49% Danceability • 50% Energy • 11% Liveness
17% Instrumentalness • 20% Positiveness
49% Popularity • 49% Danceability • 50% Energy • 11% Liveness
17% Instrumentalness • 20% Positiveness
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The Meters
Funkify Your Life
159 bpm • E min • 05:40 • -10.39db
16% Popularity • 72% Danceability • 93% Energy • 7% Liveness
10% Instrumentalness • 83% Positiveness
16% Popularity • 72% Danceability • 93% Energy • 7% Liveness
10% Instrumentalness • 83% Positiveness
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Booker T. & the M.G.'s
Behave Yourself
195 bpm • F Maj • 03:55 • -11.36db
40% Popularity • 45% Danceability • 29% Energy • 14% Liveness
82% Instrumentalness • 12% Positiveness
40% Popularity • 45% Danceability • 29% Energy • 14% Liveness
82% Instrumentalness • 12% Positiveness
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The Neville Brothers
Voodoo
159 bpm • B min • 04:27 • -16.78db
39% Popularity • 78% Danceability • 49% Energy • 8% Liveness
18% Instrumentalness • 73% Positiveness
39% Popularity • 78% Danceability • 49% Energy • 8% Liveness
18% Instrumentalness • 73% Positiveness
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Beastie Boys
Sabrosa
159 bpm • D min • 03:29 • -13db
45% Popularity • 72% Danceability • 70% Energy • 8% Liveness
66% Instrumentalness • 87% Positiveness
45% Popularity • 72% Danceability • 70% Energy • 8% Liveness
66% Instrumentalness • 87% Positiveness
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The J.B.'s
Pass The Peas
196 bpm • D Maj • 03:11 • -14.81db
49% Popularity • 56% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 56% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Bobby "Blue" Bland
Ain't No Love In The Heart Of The City -...
158 bpm • A min • 03:53 • -18.25db
65% Popularity • 52% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
65% Popularity • 52% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
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Ann Peebles
Trouble, Heartaches & Sadness
157 bpm • D min • 02:41 • -8.39db
53% Popularity • 57% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 57% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Meters
Rigor Mortis
157 bpm • B min • 02:36 • -14.53db
26% Popularity • 60% Danceability • 47% Energy • 7% Liveness
77% Instrumentalness • 58% Positiveness
26% Popularity • 60% Danceability • 47% Energy • 7% Liveness
77% Instrumentalness • 58% Positiveness
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Chuck Berry
You Never Can Tell
157 bpm • G Maj • 02:41 • -9.52db
73% Popularity • 52% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
73% Popularity • 52% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Graham Central Station
Hair
157 bpm • A Maj • 04:55 • -10db
42% Popularity • 72% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 72% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Hazel
California Dreamin'
156 bpm • C# min • 06:17 • -9.36db
44% Popularity • 58% Danceability • 68% Energy • 5% Liveness
3% Instrumentalness • 91% Positiveness
44% Popularity • 58% Danceability • 68% Energy • 5% Liveness
3% Instrumentalness • 91% Positiveness
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Ray Charles
I've Got a Woman
199 bpm • A Maj • 02:51 • -4.73db
69% Popularity • 56% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
69% Popularity • 56% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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The Spinners
It's A Shame
199 bpm • B Maj • 03:10 • -11.96db
67% Popularity • 37% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
67% Popularity • 37% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Nina Simone
Baltimore
155 bpm • A Maj • 04:38 • -16.52db
61% Popularity • 64% Danceability • 28% Energy • 6% Liveness
44% Instrumentalness • 73% Positiveness
61% Popularity • 64% Danceability • 28% Energy • 6% Liveness
44% Instrumentalness • 73% Positiveness
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The Meters
Ease Back
155 bpm • D Maj • 03:14 • -13.44db
31% Popularity • 62% Danceability • 60% Energy • 30% Liveness
23% Instrumentalness • 62% Positiveness
31% Popularity • 62% Danceability • 60% Energy • 30% Liveness
23% Instrumentalness • 62% Positiveness
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Bill Withers
Use Me
155 bpm • B min • 03:48 • -13.46db
67% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
67% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Booker T. & the M.G.'s
Let's Go Get Stoned
154 bpm • A# Maj • 02:54 • -20.15db
42% Popularity • 49% Danceability • 5% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
42% Popularity • 49% Danceability • 5% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
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Marvin Gaye
What's Going On
202 bpm • C# min • 03:53 • -9.63db
70% Popularity • 28% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
70% Popularity • 28% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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The Dramatics
Whatcha See Is Whatcha Get
153 bpm • F# Maj • 03:34 • -8.43db
59% Popularity • 64% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 64% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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The Isley Brothers
Summer Breeze, Pts. 1 & 2
152 bpm • A min • 06:11 • -10.06db
51% Popularity • 31% Danceability • 63% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
51% Popularity • 31% Danceability • 63% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
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The Meters
Ease Back
154 bpm • A Maj • 03:14 • -12.75db
20% Popularity • 64% Danceability • 70% Energy • 31% Liveness
54% Instrumentalness • 59% Positiveness
20% Popularity • 64% Danceability • 70% Energy • 31% Liveness
54% Instrumentalness • 59% Positiveness
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Minnie Riperton
Les Fleurs
152 bpm • F# Maj • 03:19 • -9.45db
59% Popularity • 44% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 44% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Just Brothers
Sliced Tomatoes
152 bpm • C Maj • 02:22 • -8.95db
48% Popularity • 70% Danceability • 72% Energy • 4% Liveness
87% Instrumentalness • 93% Positiveness
48% Popularity • 70% Danceability • 72% Energy • 4% Liveness
87% Instrumentalness • 93% Positiveness
