Songs like Clarinet Concerto: I. Slowly and expressively - by Aaron Copland
Based on a tempo of (+/- 10%) and a similar genre
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Ruth Gipps
Song for Orchestra, Op. 33
67 bpm • F# min • 06:03 • -32.71db
8% Popularity • 21% Danceability • 1% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 1% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Richard Strauss
Morgen, Op. 27 No. 4 (Arr. Reger for Pia...
67 bpm • G Maj • 03:52 • -37db
59% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
59% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
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Germaine Tailleferre
Valse lente
67 bpm • A Maj • 02:18 • -28db
37% Popularity • 47% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
37% Popularity • 47% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Einojuhani Rautavaara
Harp Concerto: II. Adagietto
67 bpm • G# Maj • 05:17 • -34db
13% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Aaron Copland
Clarinet Concerto: I. Slowly and express...
67 bpm • D min • 06:22 • -22.13db
17% Popularity • 7% Danceability • 4% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 4% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Much Ado about Nothing Suite, Op. 11: II...
67 bpm • C# Maj • 03:40 • -26db
27% Popularity • 10% Danceability • 5% Energy • 37% Liveness
84% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 5% Energy • 37% Liveness
84% Instrumentalness • 7% Positiveness
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Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
41% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
41% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Jean-Philippe Rameau
Musette en rondeau
68 bpm • E Maj • 03:13 • -30db
28% Popularity • 19% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
28% Popularity • 19% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Rebecca Clarke
Lullaby on an Ancient Irish Tune
68 bpm • C# Maj • 02:37 • -37db
26% Popularity • 10% Danceability • 0% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
26% Popularity • 10% Danceability • 0% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
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Ned Rorem
Violin Concerto: III. Romance Without Wo...
66 bpm • F# Maj • 02:44 • -30db
16% Popularity • 20% Danceability • 6% Energy • 11% Liveness
14% Instrumentalness • 3% Positiveness
16% Popularity • 20% Danceability • 6% Energy • 11% Liveness
14% Instrumentalness • 3% Positiveness
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Aaron Copland
The Tender Land Act II: Finale
66 bpm • F Maj • 05:36 • -20.13db
9% Popularity • 6% Danceability • 10% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
9% Popularity • 6% Danceability • 10% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Visions fugitives, Op. 22: No. 8, Commod...
66 bpm • F# min • 01:22 • -40db
46% Popularity • 28% Danceability • 0% Energy • 11% Liveness
81% Instrumentalness • 16% Positiveness
46% Popularity • 28% Danceability • 0% Energy • 11% Liveness
81% Instrumentalness • 16% Positiveness
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Gustav Holst
A Song of the Night, Op. 19, No. 1, H. 7...
68 bpm • F Maj • 08:15 • -19.34db
16% Popularity • 9% Danceability • 12% Energy • 24% Liveness
51% Instrumentalness • 3% Positiveness
16% Popularity • 9% Danceability • 12% Energy • 24% Liveness
51% Instrumentalness • 3% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
36% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
36% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Gerald Finzi
A Severn Rhapsody, Op. 3 - Instrumental
66 bpm • C min • 06:36 • -22db
13% Popularity • 12% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Charles Ives
The Unanswered Question
68 bpm • C Maj • 05:55 • -31.37db
20% Popularity • 6% Danceability • 1% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
20% Popularity • 6% Danceability • 1% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
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Aaron Copland
Rodeo: No. 4, Saturday Night Waltz
68 bpm • D# Maj • 05:15 • -30.11db
12% Popularity • 10% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
12% Popularity • 10% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces Book V, Op. 54: No. 4 Nottu...
68 bpm • C Maj • 03:52 • -28.18db
24% Popularity • 38% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
24% Popularity • 38% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Masques et bergamasques Suite, Op. 112: ...
66 bpm • D Maj • 04:23 • -31db
35% Popularity • 18% Danceability • 2% Energy • 30% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 2% Energy • 30% Liveness
92% Instrumentalness • 4% Positiveness
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Frederick Delius
Florida Suite: IV. At Night
68 bpm • F# min • 09:01 • -27.78db
25% Popularity • 6% Danceability • 2% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
25% Popularity • 6% Danceability • 2% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Firebird Suite *: Firebird: Lullaby
66 bpm • G# min • 03:27 • -23.07db
26% Popularity • 11% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Nora Mercz
Sadko: Hindu Song (arr. N. Mercz): Hindu...
65 bpm • F Maj • 03:32 • -31.62db
54% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
54% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Arthur Honegger
Pastorale d'été, H.31
68 bpm • A Maj • 08:08 • -23.8db
12% Popularity • 6% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
12% Popularity • 6% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Vasily Kalinnikov
Symphony No. 2 in A Major: II. Andante c...
69 bpm • F# min • 08:01 • -18db
24% Popularity • 8% Danceability • 13% Energy • 18% Liveness
67% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 13% Energy • 18% Liveness
67% Instrumentalness • 4% Positiveness
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Gabriel Pierné
Canzonetta in E-Flat Major, Op. 19
69 bpm • D# Maj • 03:06 • -22.28db
18% Popularity • 35% Danceability • 6% Energy • 16% Liveness
74% Instrumentalness • 23% Positiveness
18% Popularity • 35% Danceability • 6% Energy • 16% Liveness
74% Instrumentalness • 23% Positiveness
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Aaron Copland
Music for the Theater: Interlude
69 bpm • A# Maj • 05:25 • -35.14db
10% Popularity • 16% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
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Luciano Berio
Clarinet Sonata No. 1 in F Minor, Op. 12...
69 bpm • G# Maj • 05:44 • -30db
13% Popularity • 6% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Le Sacre du Printemps - Revised version ...
69 bpm • G Maj • 03:18 • -27.41db
29% Popularity • 16% Danceability • 4% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 4% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: III. An...
69 bpm • D# Maj • 06:16 • -22.56db
13% Popularity • 13% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Frank Bridge
Cradle Song in F Major, H. 96 (Version f...
69 bpm • G min • 02:52 • -25.82db
17% Popularity • 16% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
17% Popularity • 16% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Aaron Copland
Quiet City
69 bpm • F Maj • 09:53 • -20.97db
14% Popularity • 7% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 7% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
François Couperin
Couperin: Les Baricades mistérieuses
65 bpm • A# Maj • 02:44 • -37db
42% Popularity • 16% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
42% Popularity • 16% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 6. Andan...
65 bpm • C Maj • 01:22 • -33db
43% Popularity • 22% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
43% Popularity • 22% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Federico Mompou
Música callada, Book 1: No. 3, Placide
70 bpm • A# Maj • 01:07 • -25.78db
44% Popularity • 24% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
44% Popularity • 24% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
69 bpm • E min • 01:38 • -32.76db
42% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
42% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
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Max Reger
Variation 3: Con moto
70 bpm • A min • 01:22 • -29.94db
28% Popularity • 15% Danceability • 2% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
28% Popularity • 15% Danceability • 2% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
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Henri Rabaud
Dolly Suite, Op. 56 (arr. H. Rabaud): I....
70 bpm • E Maj • 02:36 • -31.95db
25% Popularity • 18% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
25% Popularity • 18% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Edward Elgar
Sospiri, Op. 70
65 bpm • F Maj • 04:49 • -24.23db
29% Popularity • 16% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Aaron Copland
The Tender Land (Opera in Three Acts): A...
70 bpm • F Maj • 02:57 • -26.36db
6% Popularity • 36% Danceability • 5% Energy • 70% Liveness
0% Instrumentalness • 28% Positiveness
6% Popularity • 36% Danceability • 5% Energy • 70% Liveness
0% Instrumentalness • 28% Positiveness
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Rebecca Clarke
Morpheus
64 bpm • D# Maj • 07:15 • -27db
12% Popularity • 21% Danceability • 3% Energy • 29% Liveness
38% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 3% Energy • 29% Liveness
38% Instrumentalness • 4% Positiveness
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Peggy Glanville-Hicks
Sinfonia da Pacifica: 2. Recitativo. Len...
70 bpm • B min • 04:47 • -27.49db
12% Popularity • 16% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Nora Mercz
Piece en forme de habanera (arr. N. Merc...
70 bpm • G min • 02:46 • -31db
38% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: Romanz...
70 bpm • G# Maj • 04:52 • -30.05db
31% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Manuel de Falla
Suite populaire espagnole (Transcr. M. M...
64 bpm • A Maj • 02:11 • -33db
22% Popularity • 19% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
22% Popularity • 19% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Aaron Copland
Quiet City
70 bpm • F Maj • 08:39 • -22.67db
18% Popularity • 8% Danceability • 6% Energy • 14% Liveness
80% Instrumentalness • 6% Positiveness
18% Popularity • 8% Danceability • 6% Energy • 14% Liveness
80% Instrumentalness • 6% Positiveness
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Paul Hindemith
Trauermusik: IV. Choral (Arr. for Saxoph...
70 bpm • B min • 01:54 • -22.08db
27% Popularity • 20% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Edward Elgar
Elegy, Op. 58
70 bpm • F min • 04:27 • -36.89db
27% Popularity • 6% Danceability • 0% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
27% Popularity • 6% Danceability • 0% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
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Joaquín Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Samuel Coleridge-Taylor
Othello, Op. 79: IV. The Willow Song
70 bpm • F min • 02:41 • -26db
14% Popularity • 7% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
14% Popularity • 7% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
37% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
37% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Aaron Copland
3 Latin American Sketches: Paisaje Mexic...
70 bpm • F# Maj • 03:56 • -36.77db
18% Popularity • 16% Danceability • 1% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 1% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
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John Ireland
Piano Concerto in E-Flat Major: II. Lent...
71 bpm • B Maj • 07:38 • -26db
0% Popularity • 16% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
0% Popularity • 16% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Ma mère l'oye, M. 62: II. Pavane de la ...
63 bpm • E min • 02:21 • -43db
30% Popularity • 13% Danceability • 0% Energy • 16% Liveness
7% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 0% Energy • 16% Liveness
7% Instrumentalness • 6% Positiveness
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George Butterworth
The Banks of Green Willow
71 bpm • A min • 06:25 • -32db
36% Popularity • 12% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
36% Popularity • 12% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
► Preview
Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 1 in ...
63 bpm • C Maj • 01:10 • -28db
46% Popularity • 37% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
46% Popularity • 37% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo Ed Euridice: Dance of the Blessed ...
63 bpm • F Maj • 06:45 • -28db
46% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
46% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Aaron Copland
In Evening Air
70 bpm • C Maj • 02:41 • -30.35db
13% Popularity • 43% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
13% Popularity • 43% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
William Alwyn
Lyra Angelica: I. Adagio
71 bpm • C min • 08:06 • -22.56db
8% Popularity • 15% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
63% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
63% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Gerald Finzi
Love's Labour's Lost, Op. 28: 2. Soliloq...
72 bpm • F Maj • 01:32 • -28.02db
29% Popularity • 16% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
29% Popularity • 16% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Rebecca Clarke
I'll bid my heart be still
63 bpm • F Maj • 03:33 • -26.09db
8% Popularity • 13% Danceability • 2% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 2% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
43% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
43% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Aaron Copland
Copland: Symphony No. 3: III. Andantino ...
71 bpm • E min • 10:17 • -28.21db
12% Popularity • 11% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 3% Positiveness
12% Popularity • 11% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 3% Positiveness
► Preview
Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
50% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
50% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Charles Ives
Piano Sonata No. 2 ("Concord, Mass., 184...
72 bpm • D# Maj • 05:39 • -24db
16% Popularity • 30% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 30% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
33% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Claude Debussy
Préludes / Book 1, L. 117: La fille aux...
72 bpm • F Maj • 02:56 • -29.64db
23% Popularity • 12% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 7% Positiveness
23% Popularity • 12% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Emma Johnson
Violin Sonata (version for clarinet and ...
73 bpm • D# Maj • 06:08 • -27db
21% Popularity • 16% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
21% Popularity • 16% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
► Preview
Aaron Copland
Copland: Symphony No. 3: II. Allegro mol...
71 bpm • F Maj • 08:43 • -17.19db
13% Popularity • 29% Danceability • 14% Energy • 17% Liveness
84% Instrumentalness • 21% Positiveness
13% Popularity • 29% Danceability • 14% Energy • 17% Liveness
84% Instrumentalness • 21% Positiveness
► Preview
Gerald Finzi
A Severn Rhapsody, Op. 3
62 bpm • C min • 06:45 • -22db
15% Popularity • 12% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Britten: Four Sea Interludes from Peter ...
73 bpm • A min • 03:44 • -32db
13% Popularity • 7% Danceability • 3% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 7% Danceability • 3% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Béla Bartók
3 Hungarian Folksongs from the Csìk Dis...
62 bpm • F# min • 03:12 • -28db
27% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
27% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Erich Wolfgang Korngold
Violin Concerto in D Major, Op. 35, TH. ...
73 bpm • G Maj • 07:57 • -24.35db
13% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
13% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
► Preview
Robert Schumann
5 Stücke im Volkston, Op. 102: II. Lang...
62 bpm • F Maj • 03:10 • -25.09db
48% Popularity • 7% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
48% Popularity • 7% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Aaron Copland
Appalachian Spring - 1945 Suite: 1. Very...
71 bpm • A Maj • 02:54 • -35db
44% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
44% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Nora Mercz
Variations on 'Non piu mesta' from Rossi...
73 bpm • E Maj • 05:12 • -26.58db
17% Popularity • 29% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 33% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 33% Positiveness
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Claude Debussy
La Mer, L.109: 1. From Dawn Till Noon On...
61 bpm • F# Maj • 08:48 • -24db
18% Popularity • 6% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 6% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Hymn-Tune Prelude on Song 13 by Orlando ...
73 bpm • G Maj • 03:21 • -32.73db
17% Popularity • 17% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
55% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
55% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
73 bpm • A# Maj • 07:10 • -15db
24% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
24% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Aaron Copland
Quiet City
72 bpm • F Maj • 09:16 • -22.68db
25% Popularity • 13% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
48% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
48% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Claude Debussy
Danse Sacrée et Danse Profane, L. 103: ...
73 bpm • A Maj • 05:06 • -26.86db
15% Popularity • 18% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
50% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
50% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: I. Prel...
74 bpm • A Maj • 03:01 • -15.78db
23% Popularity • 30% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
23% Popularity • 30% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
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Aaron Copland
Fanfare for the Common Man
73 bpm • A# Maj • 02:47 • -16.39db
34% Popularity • 22% Danceability • 16% Energy • 35% Liveness
95% Instrumentalness • 5% Positiveness
34% Popularity • 22% Danceability • 16% Energy • 35% Liveness
95% Instrumentalness • 5% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
37% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
37% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Ferde Grofé
Grand Canyon Suite: 5. Cloudburst
61 bpm • E Maj • 09:55 • -15db
14% Popularity • 9% Danceability • 34% Energy • 28% Liveness
77% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 34% Energy • 28% Liveness
77% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: Promenade. Mo...
74 bpm • G# Maj • 01:02 • -35.84db
47% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
47% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
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![For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] cover art](https://i.scdn.co/image/ab67616d00001e029ba7f8d4d73c109135eb5341)
Béla Bartók
For Children, Vol. 1, Sz. 42 (Excerpts):...
74 bpm • E min • 01:10 • -37db
46% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
46% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Leoš Janáček
Lachian Dances, JW VI/17: No. 2. Pozehna...
60 bpm • F Maj • 02:12 • -21.79db
31% Popularity • 48% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
31% Popularity • 48% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Aaron Copland
4 Dance Episodes from Rodeo: III. Saturd...
73 bpm • D# Maj • 04:09 • -18.81db
24% Popularity • 13% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
24% Popularity • 13% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
36% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Fauré / Arr. Auber: Fantaisie, Op. 79
75 bpm • C Maj • 05:20 • -22db
22% Popularity • 26% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
22% Popularity • 26% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
60 bpm • E Maj • 02:12 • -20db
37% Popularity • 25% Danceability • 9% Energy • 65% Liveness
86% Instrumentalness • 16% Positiveness
37% Popularity • 25% Danceability • 9% Energy • 65% Liveness
86% Instrumentalness • 16% Positiveness
