Songs like Close To You by Dayglow
Based on a tempo of (+/- 10%) and a similar genre
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Dayglow
Hot Rod
140 bpm • G Maj • 03:24 • -7.07db
70% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
70% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Djo
Mortal Projections
140 bpm • D min • 03:08 • -9db
57% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Wallows
Calling After Me
140 bpm • G# Maj • 03:07 • -4.64db
72% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
72% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Ashes To Amber
IRIS
140 bpm • F# Maj • 02:31 • -9.09db
63% Popularity • 72% Danceability • 54% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
63% Popularity • 72% Danceability • 54% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
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Harry Styles
Golden
140 bpm • E min • 03:28 • -5.26db
77% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
77% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Gus Dapperton
Prune, You Talk Funny
140 bpm • A# min • 03:32 • -7.19db
57% Popularity • 57% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 57% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Dayglow
Something
140 bpm • C min • 01:54 • -5db
50% Popularity • 82% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
50% Popularity • 82% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Far Caspian
Let's Go Outside
140 bpm • B min • 04:36 • -8db
44% Popularity • 51% Danceability • 82% Energy • 9% Liveness
11% Instrumentalness • 77% Positiveness
44% Popularity • 51% Danceability • 82% Energy • 9% Liveness
11% Instrumentalness • 77% Positiveness
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Arlie
didya think
140 bpm • E Maj • 03:20 • -2.97db
58% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
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Kid Bloom
Different State of Mind
141 bpm • B Maj • 03:45 • -9.93db
55% Popularity • 66% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
55% Popularity • 66% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
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Harry Styles
Satellite
139 bpm • C Maj • 03:38 • -6.47db
79% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
79% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Still Woozy
Goodie Bag
138 bpm • G min • 02:26 • -12.3db
77% Popularity • 74% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
77% Popularity • 74% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Dayglow
Then It All Goes Away
140 bpm • D Maj • 03:03 • -3db
57% Popularity • 68% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
57% Popularity • 68% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Foster The People
Static Space Lover
142 bpm • C min • 04:00 • -4.65db
50% Popularity • 62% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 62% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Her's
Harvey
142 bpm • A Maj • 03:31 • -6.15db
67% Popularity • 59% Danceability • 86% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
67% Popularity • 59% Danceability • 86% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
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Claire Rosinkranz
Backyard Boy
138 bpm • F Maj • 02:09 • -7.25db
67% Popularity • 82% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
67% Popularity • 82% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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BENEE
Same Effect
142 bpm • D Maj • 04:04 • -7.63db
48% Popularity • 78% Danceability • 60% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
48% Popularity • 78% Danceability • 60% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
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Wallows
Uncomfortable
142 bpm • D Maj • 04:54 • -2.81db
57% Popularity • 40% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
57% Popularity • 40% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
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Dayglow
Close To You
140 bpm • F# Maj • 03:14 • -6db
67% Popularity • 88% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
67% Popularity • 88% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Sure Sure
Warm Animal
138 bpm • F Maj • 03:31 • -8.66db
55% Popularity • 79% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 79% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Local Natives
When Am I Gonna Lose You
142 bpm • B Maj • 04:24 • -4.66db
59% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Good Morning
Warned You
138 bpm • F# Maj • 02:16 • -16.4db
60% Popularity • 54% Danceability • 21% Energy • 13% Liveness
14% Instrumentalness • 52% Positiveness
60% Popularity • 54% Danceability • 21% Energy • 13% Liveness
14% Instrumentalness • 52% Positiveness
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No Vacation
Yam Yam
138 bpm • G min • 03:36 • -9db
64% Popularity • 44% Danceability • 59% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
64% Popularity • 44% Danceability • 59% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
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Wallows
Scrawny
138 bpm • F# min • 02:46 • -5.28db
67% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
67% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
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JAWNY
4Tounce
138 bpm • A Maj • 02:48 • -5.79db
39% Popularity • 49% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 49% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Far Caspian
Today
143 bpm • F# Maj • 02:46 • -8db
38% Popularity • 58% Danceability • 72% Energy • 11% Liveness
89% Instrumentalness • 96% Positiveness
38% Popularity • 58% Danceability • 72% Energy • 11% Liveness
89% Instrumentalness • 96% Positiveness
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Mac DeMarco
Freaking Out The Neighborhood
143 bpm • G# min • 02:53 • -5.74db
55% Popularity • 57% Danceability • 82% Energy • 39% Liveness
3% Instrumentalness • 83% Positiveness
55% Popularity • 57% Danceability • 82% Energy • 39% Liveness
3% Instrumentalness • 83% Positiveness
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The MarÃas
Only in My Dreams
144 bpm • A# Maj • 02:50 • -11.61db
68% Popularity • 52% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 28% Positiveness
68% Popularity • 52% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 28% Positiveness
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Beach Weather
Sex, Drugs, Etc.
144 bpm • E min • 03:16 • -5.09db
84% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
84% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
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Briston Maroney
Freakin' Out On the Interstate
144 bpm • E Maj • 04:11 • -5.02db
70% Popularity • 45% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
70% Popularity • 45% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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boy pablo
honey
144 bpm • C Maj • 04:14 • -10.16db
56% Popularity • 66% Danceability • 63% Energy • 14% Liveness
7% Instrumentalness • 72% Positiveness
56% Popularity • 66% Danceability • 63% Energy • 14% Liveness
7% Instrumentalness • 72% Positiveness
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Phoenix
1901
144 bpm • C Maj • 03:13 • -5.65db
73% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
73% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Wallows
Just Like a Movie
136 bpm • B Maj • 04:07 • -5.18db
60% Popularity • 45% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 45% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Vansire
Nosebleed Seats
144 bpm • E Maj • 02:41 • -8.91db
57% Popularity • 55% Danceability • 71% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
57% Popularity • 55% Danceability • 71% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
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Sarah and the Sundays
Ruby Fields
145 bpm • C# min • 03:07 • -7db
50% Popularity • 54% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 54% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Cage The Elephant
Sweetie Little Jean
136 bpm • F# min • 03:44 • -6.07db
57% Popularity • 52% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
57% Popularity • 52% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Rex Orange County
Best Friend
145 bpm • F# Maj • 04:22 • -5.25db
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Dayglow
Someone Else
145 bpm • B Maj • 03:10 • -2.97db
31% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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The Polar Boys
Nothing Has Changed
145 bpm • C# Maj • 03:34 • -5.95db
53% Popularity • 47% Danceability • 77% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
53% Popularity • 47% Danceability • 77% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
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Her's
Dorothy
145 bpm • C# min • 04:06 • -4.15db
55% Popularity • 52% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 91% Positiveness
55% Popularity • 52% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 91% Positiveness
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Peach Pit
Sweet FA
145 bpm • C# min • 03:35 • -7.89db
50% Popularity • 57% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 57% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Boyscott
Nova Scotia 500
135 bpm • F# min • 03:12 • -4.52db
60% Popularity • 60% Danceability • 77% Energy • 36% Liveness
72% Instrumentalness • 48% Positiveness
60% Popularity • 60% Danceability • 77% Energy • 36% Liveness
72% Instrumentalness • 48% Positiveness
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Still Woozy
Get By
135 bpm • G Maj • 02:26 • -7db
61% Popularity • 78% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 90% Positiveness
61% Popularity • 78% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 90% Positiveness
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Dayglow
Talking To Light
145 bpm • G Maj • 03:02 • -3.76db
36% Popularity • 71% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 71% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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BØRNS
American Money
135 bpm • F# min • 04:20 • -5.26db
66% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
66% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Her's
Under Wraps
135 bpm • A# Maj • 05:03 • -5.22db
47% Popularity • 59% Danceability • 67% Energy • 13% Liveness
21% Instrumentalness • 39% Positiveness
47% Popularity • 59% Danceability • 67% Energy • 13% Liveness
21% Instrumentalness • 39% Positiveness
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Djo
Chateau (Feel Alright)
135 bpm • G Maj • 04:32 • -12db
73% Popularity • 64% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
73% Popularity • 64% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Harry Styles
Daylight
146 bpm • C Maj • 02:44 • -7.19db
75% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
75% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Still Woozy
Wolfcat
135 bpm • D Maj • 02:54 • -12.58db
55% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
55% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Dayglow
Listerine
135 bpm • B Maj • 03:35 • -11.55db
59% Popularity • 69% Danceability • 58% Energy • 33% Liveness
82% Instrumentalness • 90% Positiveness
59% Popularity • 69% Danceability • 58% Energy • 33% Liveness
82% Instrumentalness • 90% Positiveness
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The Growlers
Dope on a Rope
146 bpm • G Maj • 04:10 • -3.86db
57% Popularity • 42% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 42% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Her's
What Once Was
146 bpm • D# min • 04:15 • -4.37db
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Verzache
All I Need
146 bpm • A Maj • 03:23 • -5.33db
47% Popularity • 66% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 66% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Grady
CAN YOU HEAR THE MOON
146 bpm • F# min • 03:02 • -6.02db
52% Popularity • 34% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 34% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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Winnetka Bowling League
Slow Dances
134 bpm • B Maj • 03:52 • -5.39db
53% Popularity • 60% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 60% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Dayglow
Into Blue
135 bpm • F# Maj • 03:39 • -8.88db
31% Popularity • 70% Danceability • 49% Energy • 8% Liveness
10% Instrumentalness • 40% Positiveness
31% Popularity • 70% Danceability • 49% Energy • 8% Liveness
10% Instrumentalness • 40% Positiveness
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The Backseat Lovers
Pool House
134 bpm • G Maj • 04:29 • -11.18db
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Peach Pit
Tommy's Party
134 bpm • G Maj • 06:01 • -8.72db
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
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Eyedress
Something About You
133 bpm • A min • 02:33 • -8.74db
83% Popularity • 65% Danceability • 78% Energy • 30% Liveness
1% Instrumentalness • 82% Positiveness
83% Popularity • 65% Danceability • 78% Energy • 30% Liveness
1% Instrumentalness • 82% Positiveness
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COIN
Malibu 1992
147 bpm • F# Maj • 05:41 • -7.69db
59% Popularity • 56% Danceability • 32% Energy • 17% Liveness
13% Instrumentalness • 50% Positiveness
59% Popularity • 56% Danceability • 32% Energy • 17% Liveness
13% Instrumentalness • 50% Positiveness
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Cafuné
Tek It
147 bpm • G# Maj • 03:11 • -5.35db
78% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
78% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Tipling Rock
miss me if u want to
148 bpm • E min • 02:37 • -8.38db
46% Popularity • 67% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 67% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Strawberry Guy
Mrs Magic
133 bpm • G# Maj • 03:28 • -7.41db
80% Popularity • 47% Danceability • 63% Energy • 37% Liveness
36% Instrumentalness • 37% Positiveness
80% Popularity • 47% Danceability • 63% Energy • 37% Liveness
36% Instrumentalness • 37% Positiveness
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Cage The Elephant
Come a Little Closer
148 bpm • C# min • 03:49 • -1.79db
73% Popularity • 44% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
73% Popularity • 44% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Lawrence Rothman
Kate's Not Here - Day Wave & Lawrence Ro...
148 bpm • G Maj • 03:07 • -4.53db
50% Popularity • 48% Danceability • 87% Energy • 25% Liveness
12% Instrumentalness • 37% Positiveness
50% Popularity • 48% Danceability • 87% Energy • 25% Liveness
12% Instrumentalness • 37% Positiveness
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Peach Pit
Being so Normal
148 bpm • F# min • 03:40 • -8.89db
54% Popularity • 54% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
54% Popularity • 54% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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boy pablo
Ready / Problems
132 bpm • C Maj • 04:01 • -7.77db
47% Popularity • 56% Danceability • 71% Energy • 23% Liveness
1% Instrumentalness • 42% Positiveness
47% Popularity • 56% Danceability • 71% Energy • 23% Liveness
1% Instrumentalness • 42% Positiveness
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Last Dinosaurs
Stream
132 bpm • C Maj • 03:51 • -5.52db
40% Popularity • 45% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 45% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Declan McKenna
British Bombs
132 bpm • F# Maj • 04:57 • -6.17db
58% Popularity • 67% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 67% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Cage The Elephant
Social Cues
132 bpm • A Maj • 03:39 • -3.1db
66% Popularity • 67% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
66% Popularity • 67% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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half•alive
RUNAWAY
132 bpm • C min • 02:42 • -5.59db
53% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Cavetown
Juliet
132 bpm • F# Maj • 04:38 • -8.49db
73% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
73% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
66% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Far Caspian
Finding My Way Home
149 bpm • A Maj • 04:09 • -10.29db
43% Popularity • 53% Danceability • 55% Energy • 11% Liveness
78% Instrumentalness • 26% Positiveness
43% Popularity • 53% Danceability • 55% Energy • 11% Liveness
78% Instrumentalness • 26% Positiveness
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Mac DeMarco
Chamber Of Reflection
131 bpm • B Maj • 03:51 • -8.67db
58% Popularity • 54% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
58% Popularity • 54% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
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Tame Impala
Feels Like We Only Go Backwards
150 bpm • D min • 03:12 • -2.35db
76% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
76% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
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Jelani Aryeh
Marigold
131 bpm • E Maj • 04:03 • -8db
43% Popularity • 78% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 78% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Dayglow
False Direction
150 bpm • B Maj • 04:37 • -10db
51% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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girl in red
girls
150 bpm • F Maj • 03:18 • -14.46db
70% Popularity • 52% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 79% Positiveness
70% Popularity • 52% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 79% Positiveness
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HUNNY
Vowels (and the Importance of Being Me)
150 bpm • E Maj • 03:04 • -5.24db
53% Popularity • 48% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 48% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Suki Waterhouse
Good Looking
150 bpm • E Maj • 03:34 • -9.08db
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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COIN
Boyfriend
150 bpm • C Maj • 02:59 • -4.83db
49% Popularity • 57% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 57% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Dayglow
Balcony
150 bpm • B min • 02:31 • -6db
50% Popularity • 70% Danceability • 83% Energy • 3% Liveness
60% Instrumentalness • 98% Positiveness
50% Popularity • 70% Danceability • 83% Energy • 3% Liveness
60% Instrumentalness • 98% Positiveness
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Yot Club
no way !
130 bpm • G Maj • 02:46 • -8db
69% Popularity • 65% Danceability • 70% Energy • 39% Liveness
90% Instrumentalness • 62% Positiveness
69% Popularity • 65% Danceability • 70% Energy • 39% Liveness
90% Instrumentalness • 62% Positiveness
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carwash
striptease
130 bpm • G# Maj • 02:40 • -8.89db
64% Popularity • 69% Danceability • 57% Energy • 10% Liveness
95% Instrumentalness • 73% Positiveness
64% Popularity • 69% Danceability • 57% Energy • 10% Liveness
95% Instrumentalness • 73% Positiveness
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girl in red
we fell in love in october
130 bpm • G Maj • 03:04 • -12.81db
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
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Rex Orange County
Sunflower
130 bpm • F# Maj • 04:12 • -4.46db
73% Popularity • 55% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 57% Positiveness
73% Popularity • 55% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 57% Positiveness
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No Vacation
Beach Bummer
130 bpm • A# Maj • 02:28 • -5.15db
53% Popularity • 69% Danceability • 78% Energy • 15% Liveness
24% Instrumentalness • 76% Positiveness
53% Popularity • 69% Danceability • 78% Energy • 15% Liveness
24% Instrumentalness • 76% Positiveness
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Dayglow
Can I Call You Tonight?
130 bpm • A Maj • 04:38 • -7.27db
77% Popularity • 64% Danceability • 84% Energy • 42% Liveness
91% Instrumentalness • 50% Positiveness
77% Popularity • 64% Danceability • 84% Energy • 42% Liveness
91% Instrumentalness • 50% Positiveness
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The Rare Occasions
Origami
130 bpm • B Maj • 02:54 • -6.46db
61% Popularity • 48% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 63% Positiveness
61% Popularity • 48% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 63% Positiveness
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Briston Maroney
Small Talk
130 bpm • C Maj • 03:18 • -7.64db
64% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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girl in red
summer depression
130 bpm • A Maj • 02:31 • -15.64db
66% Popularity • 69% Danceability • 31% Energy • 13% Liveness
48% Instrumentalness • 68% Positiveness
66% Popularity • 69% Danceability • 31% Energy • 13% Liveness
48% Instrumentalness • 68% Positiveness
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Bedroom
In My Head
151 bpm • A Maj • 05:54 • -13.54db
71% Popularity • 58% Danceability • 61% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
71% Popularity • 58% Danceability • 61% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Vansire
The Latter Teens
130 bpm • B min • 03:41 • -10db
53% Popularity • 66% Danceability • 44% Energy • 11% Liveness
24% Instrumentalness • 35% Positiveness
53% Popularity • 66% Danceability • 44% Energy • 11% Liveness
24% Instrumentalness • 35% Positiveness
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Dominic Fike
3 Nights
152 bpm • G min • 02:57 • -6.59db
76% Popularity • 82% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
76% Popularity • 82% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Young the Giant
Cough Syrup
129 bpm • B min • 04:09 • -7.31db
71% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
71% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Tame Impala
New Person, Same Old Mistakes
152 bpm • G# Maj • 06:03 • -6.74db
79% Popularity • 47% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
79% Popularity • 47% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
