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Closing Time
Songs like
Closing Time
by
Ryan Griffin
Based on a tempo of (+/- 10%) and a similar genre
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Troy Cartwright
Just Kids
102 bpm • A# Maj • 02:48 • -4.71db
46% Popularity • 57% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Lily Rose
I'd Be You
102 bpm • C# min • 02:58 • -4.13db
42% Popularity • 60% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Alexandra Kay
We Wouldn't Be Us
102 bpm • F# Maj • 03:16 • -5.85db
42% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Drake White
Hurts the Healing
103 bpm • G# Maj • 02:43 • -4.6db
41% Popularity • 59% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Ryan Griffin
Closing Time
102 bpm • C# min • 03:13 • -4.88db
17% Popularity • 60% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Logan Mize
Gone Goes on and On
101 bpm • C# Maj • 02:55 • -5.61db
35% Popularity • 68% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Rayne Johnson
Real Dang Good
100 bpm • F# Maj • 03:03 • -3.26db
18% Popularity • 61% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Roman Alexander
Mess Me Up
101 bpm • G Maj • 02:46 • -3.78db
30% Popularity • 49% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Adam Doleac
Wrong Side of a Sunrise
104 bpm • A min • 03:15 • -5.47db
47% Popularity • 62% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Hannah Ellis
Us
104 bpm • F Maj • 03:04 • -5.42db
32% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Austin Michael
Ain't Got Me
100 bpm • F Maj • 02:26 • -5.69db
46% Popularity • 61% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Ryan Griffin
Right Here Right Now
100 bpm • D Maj • 03:15 • -4.76db
29% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Tyler Hubbard
Inside And Out
100 bpm • D# Maj • 03:05 • -7db
50% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -7.65db
49% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Abby Anderson
We Go Together Like
100 bpm • B Maj • 02:43 • -5.32db
37% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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George Birge
"Beer Beer, Truck Truck"
105 bpm • B Maj • 02:26 • -5.09db
36% Popularity • 62% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Troy Cartwright
Prettiest Girl I Don't Know
105 bpm • E Maj • 03:23 • -6.57db
45% Popularity • 65% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Kylie Morgan
Break Things
105 bpm • G# Maj • 02:52 • -5db
41% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Nate Smith
The Way She Rolls
105 bpm • F Maj • 03:05 • -4.57db
46% Popularity • 62% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -8.23db
34% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Waters Band
Chevrolet You Down
105 bpm • E Maj • 02:38 • -8db
52% Popularity • 70% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Travis Denning
Tank Of Gas And A Radio Song
106 bpm • A Maj • 02:52 • -6.06db
50% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Josh Melton
I Get That With You
106 bpm • A Maj • 03:09 • -7db
40% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Ross
First Taste of Gone
106 bpm • C Maj • 02:52 • -7db
61% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Nate Smith
If I Could Stop Loving You
99 bpm • E Maj • 03:26 • -6db
46% Popularity • 59% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Alana Springsteen
Me Myself and Why
106 bpm • E Maj • 03:34 • -5.25db
47% Popularity • 54% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Leaving Austin
Too Late
98 bpm • D min • 03:07 • -4.28db
27% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Adam Hambrick
Wreck Me Again
98 bpm • B Maj • 03:37 • -6.29db
22% Popularity • 63% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Kelsey Lamb
Come Here to Talk
98 bpm • C Maj • 02:39 • -5.42db
20% Popularity • 62% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Roman Alexander
One Tequila
107 bpm • D Maj • 03:05 • -4.54db
27% Popularity • 60% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Nate Smith
I Don’t Want to Go To Heaven
105 bpm • C Maj • 03:25 • -6.06db
44% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Ryan Griffin
Salt, Lime & Tequila (Acoustic)
107 bpm • G# Maj • 02:55 • -8.86db
14% Popularity • 84% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Canaan Cox
J.O.Y.
97 bpm • G Maj • 02:23 • -6db
44% Popularity • 68% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Rayne Johnson
Laid Back
97 bpm • G# Maj • 03:20 • -5db
39% Popularity • 83% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Seaforth
Talk About
97 bpm • E Maj • 02:46 • -5.07db
39% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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MacKenzie Porter
Pickup
97 bpm • C# Maj • 02:48 • -3.97db
42% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Teddy Robb
Whiskey Can't
97 bpm • A Maj • 02:52 • -5.15db
29% Popularity • 61% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Ryan Griffin
Salt, Lime & Tequila
107 bpm • G# Maj • 02:55 • -6db
48% Popularity • 74% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Priscilla Block
My Bar
97 bpm • B Maj • 03:13 • -3db
52% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Smithfield
Reason for a Rita
108 bpm • G# Maj • 02:48 • -4.26db
31% Popularity • 77% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Grant Gilbert
She Goes Home (Dirty Breakup Song)
108 bpm • A Maj • 03:19 • -4.31db
35% Popularity • 60% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Conner Smith
Why I Can't Leave
108 bpm • E Maj • 03:25 • -4db
42% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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The Tuten Brothers
So Far So Good
108 bpm • B Maj • 03:21 • -5db
35% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Melton
Every Last Little Bit
108 bpm • G Maj • 02:58 • -6db
26% Popularity • 59% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
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John King
Ain't Missing You
96 bpm • A min • 03:24 • -6.33db
12% Popularity • 58% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Ryan Griffin
Beer Like That
96 bpm • B Maj • 02:49 • -5.02db
13% Popularity • 60% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Trevor Martin
Can't Call You Beautiful
96 bpm • G# Maj • 03:25 • -5.57db
32% Popularity • 66% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Levi Hummon
Good Taste
96 bpm • A Maj • 02:37 • -5.83db
35% Popularity • 66% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Tuten Brothers
Life Without You
108 bpm • A# Maj • 02:51 • -5.2db
32% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Roman Alexander
Yours
109 bpm • B Maj • 03:08 • -4.3db
26% Popularity • 52% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Evans
Love Is Real
95 bpm • D# Maj • 02:42 • -5.09db
47% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Ryan Griffin
Sake of the Summer
95 bpm • C# min • 03:30 • -5.14db
14% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Bandi
What If We Don't
95 bpm • B Maj • 02:55 • -3.57db
17% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Tyler Rich
Rather Be Us
95 bpm • B Maj • 03:20 • -6.61db
33% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Dylan Schneider
How Bad Could One Kiss Hurt
95 bpm • C# Maj • 02:56 • -5.26db
40% Popularity • 53% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 79% Positiveness
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Jordan Davis
Lose You
95 bpm • F# Maj • 03:23 • -6db
59% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Adam Doleac
Famous
95 bpm • G Maj • 03:06 • -5.58db
47% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ryan Griffin
Good Company
95 bpm • D# Maj • 02:53 • -4.25db
14% Popularity • 70% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Todd Cameron
I Don't Feel Like Talking Right Now
110 bpm • A# Maj • 03:07 • -5.88db
25% Popularity • 67% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Restless Road
Bar Friends
110 bpm • D Maj • 03:06 • -4.5db
39% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Parmalee
Only You
110 bpm • B Maj • 03:05 • -3.83db
46% Popularity • 64% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Jordan Davis
Need To Not
110 bpm • G Maj • 03:02 • -5.69db
51% Popularity • 67% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Sanders
Make Em Wanna Change
110 bpm • F# Maj • 03:18 • -4.5db
37% Popularity • 62% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Priscilla Block
I Bet You Wanna Know
94 bpm • G min • 02:39 • -5db
43% Popularity • 57% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Eric Burgett
Wild Girl
110 bpm • C# Maj • 03:08 • -4.23db
26% Popularity • 53% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Brian Fuller
Talk of This Town
94 bpm • G# Maj • 02:44 • -6.59db
28% Popularity • 63% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Nate Smith
Alright, Alright, Alright
94 bpm • C# Maj • 02:40 • -4.86db
48% Popularity • 59% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Austin Burke
Ain't Gonna Break My Heart
111 bpm • B Maj • 02:40 • -7db
35% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Sam Grow
Song About You
111 bpm • A# Maj • 03:01 • -4.3db
53% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Drew Baldridge
Senior Year
111 bpm • F Maj • 03:55 • -3.72db
39% Popularity • 52% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Ashley Cooke
what are you on fire about
111 bpm • D# Maj • 03:27 • -4.36db
45% Popularity • 56% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Doleac
Coulda Loved You Longer
93 bpm • B Maj • 02:56 • -6.41db
43% Popularity • 64% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 73% Positiveness
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Ryan Griffin
All Over Again
93 bpm • C# Maj • 03:43 • -9.24db
15% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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James Barker Band
Meet Your Mama
93 bpm • A# Maj • 02:58 • -4db
42% Popularity • 52% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Josh Ross
Before I Loved You
93 bpm • A Maj • 02:28 • -5db
56% Popularity • 65% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Drew Baldridge
Beach Ain't One
93 bpm • B Maj • 02:50 • -3.71db
40% Popularity • 60% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Kylie Morgan
Cuss A Little
112 bpm • A# Maj • 02:48 • -7.5db
43% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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SixForty1
All Night
112 bpm • C Maj • 02:23 • -5db
33% Popularity • 68% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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Noah Hicks
Love You Too
112 bpm • E min • 02:48 • -4.77db
38% Popularity • 60% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Ryan Hurd
June, July, August
92 bpm • B Maj • 03:01 • -4.64db
38% Popularity • 57% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Steven Lee Olsen
Outta Yours
112 bpm • E Maj • 02:58 • -5db
52% Popularity • 59% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Sanders
All Summer Long
113 bpm • G min • 03:28 • -3.29db
29% Popularity • 62% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Erin Kinsey
Stayed A Summer
113 bpm • E Maj • 02:56 • -4.73db
48% Popularity • 63% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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SixForty1
You Still Keep Me Up
113 bpm • B Maj • 04:02 • -4.55db
25% Popularity • 56% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Brandon Ray
Distraction
92 bpm • D min • 03:18 • -8.71db
10% Popularity • 66% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Adam Doleac
Coulda Loved You Longer - Acoustic
92 bpm • A# Maj • 03:05 • -7.13db
35% Popularity • 66% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Jordan Davis
A Little Lime
92 bpm • G# Maj • 02:39 • -5.51db
58% Popularity • 66% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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CHASE WRIGHT
Why Should We
92 bpm • G# min • 02:50 • -6db
46% Popularity • 57% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Ryan Griffin
Been Missing You
92 bpm • F Maj • 03:03 • -6.11db
31% Popularity • 55% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Kyle Clark
Call Me Monday
92 bpm • C min • 03:04 • -5db
41% Popularity • 55% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Smithfield
Life & Living
114 bpm • D Maj • 03:46 • -5db
37% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Mitchell Tenpenny
To Us It Did
114 bpm • C Maj • 02:45 • -4.76db
50% Popularity • 69% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 46% Positiveness
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Brandon Lay
Break Down On Me
114 bpm • D# Maj • 02:54 • -8.62db
38% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Conner Smith
Learn From It
91 bpm • E Maj • 02:59 • -3.57db
42% Popularity • 60% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Matt Stell
Breakin' in Boots
114 bpm • C Maj • 02:35 • -4.24db
67% Popularity • 59% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Canaan Cox
Long Way Home
91 bpm • B Maj • 03:16 • -4.96db
45% Popularity • 54% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Seaforth
Good Beer
91 bpm • F# Maj • 02:54 • -4.25db
47% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Josh Melton
Take Your Breath Away
91 bpm • G Maj • 02:54 • -6.05db
32% Popularity • 64% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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SixForty1
Started Right Here
91 bpm • D Maj • 02:45 • -4.35db
26% Popularity • 54% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Tyler Braden
What I See
115 bpm • E Maj • 03:52 • -6.88db
42% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Closing Time