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Coffee Break
Songs like
Coffee Break
by
Billy McLaughlin
Based on a tempo of (+/- 10%) and a similar genre
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Roberto Dalla Vecchia
The Water Is Wide
99 bpm • A# Maj • 03:08 • -22.21db
35% Popularity • 48% Danceability • 20% Energy • 13% Liveness
94% Instrumentalness • 58% Positiveness
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Billy McLaughlin
Coffee Break
99 bpm • E min • 04:58 • -20.42db
26% Popularity • 66% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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Mike Golay
Anam Cara
99 bpm • B Maj • 03:27 • -17.5db
23% Popularity • 48% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 29% Positiveness
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El McMeen
Skye Boat Song/give Me Your Hand
99 bpm • D Maj • 04:23 • -20.38db
20% Popularity • 37% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 31% Positiveness
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Andrew White
Dingle Bay Dream
99 bpm • F# Maj • 02:42 • -21.76db
36% Popularity • 39% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 24% Positiveness
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Wayne Jones
Trust Your Heart
99 bpm • C Maj • 03:46 • -22.44db
21% Popularity • 43% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Ed Gerhard
Willy O'Winsbury
100 bpm • F# Maj • 04:49 • -12.97db
13% Popularity • 65% Danceability • 29% Energy • 24% Liveness
70% Instrumentalness • 10% Positiveness
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Billy McLaughlin
Breaking Of The Shells
99 bpm • F# min • 04:28 • -20.38db
28% Popularity • 44% Danceability • 13% Energy • 11% Liveness
76% Instrumentalness • 12% Positiveness
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Robert Linton
Seasons of Years Past
100 bpm • G Maj • 03:28 • -19.55db
22% Popularity • 52% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Frank Smith (BMI)
Chasing the Shade
98 bpm • B min • 04:03 • -21.41db
28% Popularity • 26% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Jeff Oster
On One Knee
98 bpm • D Maj • 03:58 • -14.1db
12% Popularity • 29% Danceability • 8% Energy • 8% Liveness
28% Instrumentalness • 10% Positiveness
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Soulfood featuring Billy McLaughlin
East to West
100 bpm • C min • 06:11 • -24.24db
11% Popularity • 30% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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Mike Howe
A Long Way to Go
98 bpm • A# min • 03:29 • -21.38db
29% Popularity • 53% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Billy McLaughlin
11
100 bpm • F# Maj • 05:10 • -9.52db
2% Popularity • 66% Danceability • 90% Energy • 7% Liveness
86% Instrumentalness • 62% Positiveness
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Franco Morone
Blues When I lost You
98 bpm • F# min • 03:29 • -11.53db
20% Popularity • 50% Danceability • 37% Energy • 13% Liveness
90% Instrumentalness • 49% Positiveness
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Ben Woolman
Legends of the Fall
100 bpm • D Maj • 05:09 • -15.37db
10% Popularity • 38% Danceability • 31% Energy • 9% Liveness
91% Instrumentalness • 47% Positiveness
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Michael Mucklow
Balm
98 bpm • G Maj • 06:43 • -12.94db
26% Popularity • 42% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
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Soulfood featuring Billy McLaughlin
Madre
98 bpm • E min • 03:02 • -21.95db
17% Popularity • 62% Danceability • 9% Energy • 37% Liveness
40% Instrumentalness • 12% Positiveness
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Robert Linton
Throughout the Autumn Light
100 bpm • C Maj • 04:58 • -18.72db
18% Popularity • 53% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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Billy McLaughlin
11
100 bpm • F# Maj • 03:46 • -9.53db
4% Popularity • 67% Danceability • 90% Energy • 3% Liveness
88% Instrumentalness • 60% Positiveness
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Acoustic Alchemy
Caravan Of Dreams
100 bpm • G Maj • 03:01 • -14.91db
34% Popularity • 57% Danceability • 17% Energy • 9% Liveness
78% Instrumentalness • 56% Positiveness
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Erick Turnbull
Bomba-Checka
98 bpm • F Maj • 02:35 • -12.29db
23% Popularity • 49% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
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Will Ackerman
On One Knee
98 bpm • D Maj • 04:01 • -14.64db
26% Popularity • 32% Danceability • 5% Energy • 7% Liveness
49% Instrumentalness • 16% Positiveness
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Vin Downes
Just Before You Leave
100 bpm • C# Maj • 04:55 • -24.26db
24% Popularity • 37% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Soulfood featuring Billy McLaughlin
Dream Sketcher
98 bpm • E Maj • 04:26 • -22.13db
8% Popularity • 38% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Billy McLaughlin
Dreamsketcher - Stormseeker version
97 bpm • E Maj • 04:25 • -24.44db
2% Popularity • 37% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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Ed Gerhard
Can't Help Falling in Love
97 bpm • G# Maj • 04:03 • -13.55db
14% Popularity • 62% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 15% Positiveness
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Eric Tingstad
The Craftsman
101 bpm • F Maj • 03:39 • -16.85db
12% Popularity • 55% Danceability • 28% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Will Ackerman
Unconditional
97 bpm • G Maj • 02:22 • -19.45db
34% Popularity • 32% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Gareth Pearson
Beauty of Discipline
101 bpm • F# Maj • 04:23 • -16.36db
30% Popularity • 47% Danceability • 29% Energy • 11% Liveness
37% Instrumentalness • 24% Positiveness
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Ben Woolman
Sunday Shine
97 bpm • G Maj • 03:57 • -15db
10% Popularity • 47% Danceability • 64% Energy • 13% Liveness
84% Instrumentalness • 45% Positiveness
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Soulfood featuring Billy McLaughlin
Polar
97 bpm • C Maj • 05:00 • -21.49db
11% Popularity • 36% Danceability • 8% Energy • 16% Liveness
89% Instrumentalness • 16% Positiveness
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Adam Rafferty
Superstition
97 bpm • D Maj • 04:08 • -15.52db
15% Popularity • 72% Danceability • 21% Energy • 8% Liveness
84% Instrumentalness • 83% Positiveness
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El McMeen
Inisheer Air
101 bpm • A Maj • 02:15 • -16.06db
14% Popularity • 37% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 84% Positiveness
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Will Ackerman
Imagine (Will's Version)
97 bpm • F Maj • 02:37 • -14.13db
26% Popularity • 34% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Erick Turnbull
Jazz in A Minor
101 bpm • A Maj • 01:55 • -13.41db
28% Popularity • 52% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 77% Positiveness
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Snuffy
Alone
97 bpm • G Maj • 03:44 • -16.67db
11% Popularity • 43% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 35% Positiveness
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Ken Bonfield
The Name of the Wind
97 bpm • C# min • 04:26 • -15.33db
22% Popularity • 38% Danceability • 35% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Adam Rafferty
In My Life
101 bpm • D Maj • 02:41 • -15.81db
15% Popularity • 60% Danceability • 24% Energy • 9% Liveness
36% Instrumentalness • 44% Positiveness
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Michael Hedges
Java Man
97 bpm • C Maj • 03:44 • -16.28db
22% Popularity • 63% Danceability • 14% Energy • 10% Liveness
70% Instrumentalness • 15% Positiveness
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John Danley
Ship's Mast
96 bpm • C# Maj • 03:28 • -16.24db
23% Popularity • 38% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Billy McLaughlin
Soulmates
102 bpm • C Maj • 04:03 • -16.72db
31% Popularity • 37% Danceability • 17% Energy • 10% Liveness
69% Instrumentalness • 24% Positiveness
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Andrew White
Nicola's Tears
102 bpm • E Maj • 04:01 • -23.32db
25% Popularity • 38% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
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Ed Gerhard
The Handing Down
96 bpm • G# Maj • 04:43 • -20.15db
15% Popularity • 31% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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David Arkenstone
Carnation Lily Lily Rose
102 bpm • C Maj • 04:48 • -20.05db
30% Popularity • 35% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
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Peter Ciluzzi
Soliloquy
96 bpm • E Maj • 02:41 • -12.42db
28% Popularity • 38% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
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El McMeen
Castle Of Dromore
102 bpm • B Maj • 02:21 • -22.67db
30% Popularity • 45% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Michael Mucklow
A Quiet Walk
96 bpm • E min • 03:17 • -26.81db
28% Popularity • 61% Danceability • 0% Energy • 9% Liveness
76% Instrumentalness • 60% Positiveness
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Ken Bonfield
Edelweiss
96 bpm • A Maj • 02:55 • -19.12db
17% Popularity • 27% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 42% Positiveness
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Billy McLaughlin
Don't Know How to Die - Coming Back Aliv...
96 bpm • D Maj • 06:29 • -13.32db
4% Popularity • 26% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Peter Finger
101 South
102 bpm • D Maj • 04:05 • -12.46db
27% Popularity • 33% Danceability • 43% Energy • 9% Liveness
84% Instrumentalness • 54% Positiveness
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Ed Gerhard
Si Bhig, Si Mhor
102 bpm • B Maj • 04:41 • -16.85db
21% Popularity • 39% Danceability • 27% Energy • 67% Liveness
86% Instrumentalness • 40% Positiveness
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Shambhu
Imagine
96 bpm • F Maj • 03:25 • -17.85db
15% Popularity • 32% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Ben Woolman
Grass Grows Blue
96 bpm • C Maj • 04:06 • -20db
9% Popularity • 55% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Acoustic Alchemy
Cherry Hill
95 bpm • E Maj • 03:27 • -15.15db
37% Popularity • 56% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 34% Positiveness
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William Ellwood
Light A Candle
96 bpm • F# min • 05:01 • -19db
18% Popularity • 56% Danceability • 20% Energy • 16% Liveness
86% Instrumentalness • 32% Positiveness
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Tony Sandate
Song For Andrés
95 bpm • D Maj • 04:46 • -18.47db
12% Popularity • 44% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
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Ed Gerhard
Isa Lei
95 bpm • C# Maj • 06:04 • -12.93db
11% Popularity • 62% Danceability • 24% Energy • 13% Liveness
78% Instrumentalness • 15% Positiveness
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Peter White
By Candlelight
103 bpm • A Maj • 02:59 • -18.56db
13% Popularity • 70% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Muriel Anderson
Clarsah
103 bpm • D min • 02:58 • -17.55db
17% Popularity • 49% Danceability • 10% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Will Ackerman
Visiting
103 bpm • B Maj • 05:46 • -18.25db
27% Popularity • 34% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Billy McLaughlin
Midwatch
95 bpm • G# Maj • 04:09 • -11.74db
3% Popularity • 63% Danceability • 62% Energy • 5% Liveness
36% Instrumentalness • 67% Positiveness
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Erick Turnbull
Egypt
95 bpm • C Maj • 01:58 • -13.69db
28% Popularity • 53% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 87% Positiveness
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Andrew White
Home James
104 bpm • D Maj • 04:21 • -24.4db
26% Popularity • 38% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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El McMeen
The Lovers' Waltz
95 bpm • E Maj • 03:15 • -21.75db
23% Popularity • 23% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 43% Positiveness
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Pierre Bensusan
The Last Pint
95 bpm • E Maj • 02:35 • -18.74db
19% Popularity • 45% Danceability • 33% Energy • 12% Liveness
71% Instrumentalness • 51% Positiveness
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Peter Finger
The Girl at the Harbour
104 bpm • D Maj • 04:11 • -22.14db
30% Popularity • 30% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Billy McLaughlin
The Good Wife
95 bpm • C# Maj • 03:33 • -26.42db
22% Popularity • 45% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 25% Positiveness
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Ken Bonfield
Indian Rain
94 bpm • A# min • 02:38 • -17.73db
16% Popularity • 32% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Robert Linton
Winds Swaying the Trees
104 bpm • G Maj • 04:14 • -22.04db
24% Popularity • 48% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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Soulfood featuring Billy McLaughlin
Tres Casitas
104 bpm • A Maj • 03:54 • -19.32db
11% Popularity • 68% Danceability • 6% Energy • 18% Liveness
56% Instrumentalness • 27% Positiveness
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Doug Young
Shenandoah
94 bpm • A Maj • 02:44 • -20.19db
20% Popularity • 35% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 60% Positiveness
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Ian Melrose
Fingerpickers Have More Fun
104 bpm • A# Maj • 03:34 • -14.11db
29% Popularity • 57% Danceability • 34% Energy • 9% Liveness
89% Instrumentalness • 88% Positiveness
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Billy McLaughlin
Into The Blue, Out Of The Blue - Stormse...
94 bpm • F# min • 07:06 • -26.57db
4% Popularity • 38% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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El McMeen
Will Ye Go, Lassie, Go?
104 bpm • F Maj • 01:42 • -21.91db
38% Popularity • 34% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Chris Proctor
War Games
94 bpm • C Maj • 03:37 • -17.87db
17% Popularity • 39% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 50% Positiveness
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Wayne Jones
Piazza Garibaldi
94 bpm • G Maj • 04:26 • -20.41db
18% Popularity • 65% Danceability • 4% Energy • 14% Liveness
90% Instrumentalness • 24% Positiveness
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Robert Linton
Glistening After the Mist
104 bpm • F# min • 04:45 • -22.25db
16% Popularity • 40% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
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Ken Bonfield
Wiseman's View
104 bpm • D Maj • 02:59 • -19.05db
30% Popularity • 28% Danceability • 22% Energy • 16% Liveness
97% Instrumentalness • 22% Positiveness
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Billy McLaughlin
William's Run
104 bpm • G# Maj • 04:24 • -13.72db
9% Popularity • 76% Danceability • 55% Energy • 15% Liveness
98% Instrumentalness • 49% Positiveness
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Vin Downes
When the Sea Lets Go
104 bpm • A# min • 04:19 • -21.41db
36% Popularity • 35% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Pat Kirtley
South Wind
105 bpm • D Maj • 02:52 • -12.56db
27% Popularity • 43% Danceability • 25% Energy • 10% Liveness
65% Instrumentalness • 18% Positiveness
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Peter Janson
Fushigi
104 bpm • F# Maj • 04:59 • -19.59db
18% Popularity • 43% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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William Ellwood
At The World
94 bpm • E min • 02:45 • -19db
36% Popularity • 44% Danceability • 28% Energy • 11% Liveness
73% Instrumentalness • 50% Positiveness
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Artie Traum
Monte and Heather
94 bpm • G Maj • 02:25 • -20.19db
10% Popularity • 40% Danceability • 13% Energy • 12% Liveness
83% Instrumentalness • 18% Positiveness
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Billy McLaughlin
The Happy Archer
94 bpm • D Maj • 03:13 • -20.41db
29% Popularity • 68% Danceability • 14% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
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Roberto Dalla Vecchia
Grateful
105 bpm • A# Maj • 04:13 • -15.25db
26% Popularity • 34% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Andrew White
Primavera
105 bpm • E Maj • 04:06 • -23.54db
23% Popularity • 33% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 33% Positiveness
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Jimmy Wahlsteen
Shifts of Attention
94 bpm • F# Maj • 03:13 • -9.57db
16% Popularity • 58% Danceability • 55% Energy • 9% Liveness
79% Instrumentalness • 96% Positiveness
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Will Ackerman
In a Region of Clouds
93 bpm • G# Maj • 04:22 • -19.65db
30% Popularity • 25% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Soulfood featuring Billy McLaughlin
South by Winterwest
93 bpm • A Maj • 04:03 • -19.06db
6% Popularity • 38% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Billy McLaughlin
Helms Place
104 bpm • D Maj • 05:11 • -19.09db
17% Popularity • 23% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
► Preview
Vin Downes
Streets of Sunday
105 bpm • E Maj • 04:44 • -21.05db
14% Popularity • 43% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
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Ed Gerhard
Duet
93 bpm • F# Maj • 02:30 • -21db
17% Popularity • 46% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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Andrew York
Muir Woods
93 bpm • D Maj • 04:47 • -24.89db
18% Popularity • 37% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Liz Story
Wedding Rain
106 bpm • F# Maj • 05:42 • -22.13db
21% Popularity • 32% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Emilio Bonito
Daydreamer
93 bpm • A min • 02:56 • -14.13db
38% Popularity • 36% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 24% Positiveness
► Preview
Billy McLaughlin
Dreamsketcher
105 bpm • E Maj • 03:52 • -18.96db
7% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Eric Tingstad
Emerald Pavane - Remastered
92 bpm • A Maj • 04:07 • -15.99db
26% Popularity • 47% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
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Soulfood featuring Billy McLaughlin
The Pond (Pt. II)
106 bpm • A min • 06:11 • -17.06db
13% Popularity • 43% Danceability • 12% Energy • 12% Liveness
78% Instrumentalness • 11% Positiveness
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Coffee Break