Songs like Colder by the Minute - From "Frozen: The Broadway Musical" by Patti Murin
Based on a tempo of (+/- 10%) and a similar genre
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Patti Murin
Colder by the Minute
76 bpm • G# Maj • 04:01 • -7.87db
35% Popularity • 29% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 29% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Sherie Rene Scott as Ursula
Poor Unfortunate Souls
76 bpm • F min • 05:20 • -16.07db
38% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Emma Hunton
Just One Day
77 bpm • G Maj • 04:30 • -4.95db
32% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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John Arthur Greene
Miracle: Pt. 2
77 bpm • F Maj • 02:11 • -11.02db
32% Popularity • 57% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 57% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 63% Positiveness
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Josh Gad
You and Me (But Mostly Me)
75 bpm • C Maj • 02:43 • -7.95db
51% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Jeremy Jordan
I Never Planned On You / Don't Come A-Kn...
77 bpm • G# Maj • 01:40 • -13.64db
44% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Sierra Boggess as Ariel
The World Above
77 bpm • F# Maj • 01:34 • -22.22db
35% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Christy Altomare
Do Me a Favor
78 bpm • G Maj • 03:18 • -6.37db
32% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Chanler-Berat
At Least I'll Know I Tried
78 bpm • E Maj • 05:13 • -6.15db
11% Popularity • 31% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 31% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Barbara Walsh
Never Surrender
78 bpm • F# min • 03:52 • -13.33db
0% Popularity • 34% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 34% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Erika Henningsen
More Is Better
74 bpm • C Maj • 03:20 • -8.07db
46% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Emily Blunt
It Takes Two
78 bpm • A Maj • 02:29 • -15.85db
40% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Original Cast of Amélie
Times Are Hard for Dreamers
78 bpm • D# Maj • 03:17 • -6.98db
40% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Stephen Schwartz
A Sentimental Man
74 bpm • B Maj • 01:16 • -15db
33% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Princesses - The Little Mermaid Original Broadway Cast
The Contest
74 bpm • A Maj • 01:33 • -17.32db
27% Popularity • 62% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 62% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Heidi Blickenstaff
Parents Lie
74 bpm • B Maj • 02:51 • -10db
27% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Original Broadway Cast Of Matilda The Musical
When I Grow Up
78 bpm • F Maj • 03:38 • -11.23db
40% Popularity • 48% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 48% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Original StarKid Cast of Twisted
The Power in Me
79 bpm • D# Maj • 04:09 • -10.1db
28% Popularity • 36% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 36% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
24% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Caissie Levy
Mr. Gellman's Shirt
73 bpm • C Maj • 01:42 • -9.86db
3% Popularity • 49% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 49% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
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Merwin Foard as Pilot
Fathoms Below
79 bpm • D Maj • 02:34 • -16db
33% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Patti Murin
True Love
79 bpm • A# Maj • 02:54 • -12.58db
13% Popularity • 41% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 41% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Tryouts
73 bpm • G Maj • 01:01 • -5db
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Sarah Charles Lewis
Live Like This
80 bpm • C Maj • 06:01 • -9db
30% Popularity • 38% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 38% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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John Bolton
Paris Holds the Key (To Your Heart)
80 bpm • D Maj • 03:07 • -9.63db
43% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Heather Headley
The Madness Of King Scar
72 bpm • A# Maj • 05:27 • -10.84db
34% Popularity • 50% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 50% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Bertie Carvel
The Hammer
80 bpm • G Maj • 03:00 • -10.75db
33% Popularity • 48% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 48% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Bring It On: The Musical - Original Broadway Cast
We're Not Done
72 bpm • A Maj • 03:04 • -9.73db
29% Popularity • 39% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 39% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Rob Rokicki
Down and Under
80 bpm • D Maj • 03:21 • -7.38db
14% Popularity • 61% Danceability • 59% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 61% Danceability • 59% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
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Derek Klena
Everything to Win
80 bpm • F Maj • 02:47 • -12db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Kyle Selig
Stupid With Love (Reprise)
80 bpm • C Maj • 01:25 • -9.79db
49% Popularity • 63% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 63% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Jeanna de Waal
The World According to Chris
80 bpm • G# Maj • 04:40 • -6.02db
38% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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'Come From Away' Company
Something's Missing
80 bpm • G Maj • 05:36 • -9.6db
38% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Barbara Walsh
Ruined
80 bpm • G min • 03:54 • -10.4db
1% Popularity • 62% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 62% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Sierra Boggess as Ariel
If Only (Quartet)
81 bpm • A Maj • 04:55 • -19db
37% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Caissie Levy
Noah Has a Problem
72 bpm • D min • 01:59 • -9.31db
4% Popularity • 61% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 61% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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John Riddle
Hans of the Southern Isles (Reprise)
81 bpm • C Maj • 02:16 • -8.53db
39% Popularity • 36% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 36% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
28% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sophia Anne Caruso
Prologue: Invisible
81 bpm • E Maj • 02:42 • -11.76db
48% Popularity • 31% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 31% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
The Book Report
81 bpm • D# Maj • 05:10 • -13db
28% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Patti Murin
The Rut
81 bpm • D Maj • 01:00 • -13.69db
12% Popularity • 34% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 34% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Adam Makké
Aftermath
71 bpm • G Maj • 05:54 • -13.97db
2% Popularity • 55% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 55% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Gaby Alter
Back of the Bus
81 bpm • A# Maj • 02:48 • -9.09db
13% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sherie Rene Scott as Ursula
I Want the Good Times Back
82 bpm • G Maj • 04:57 • -14.85db
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Original StarKid Cast of Twisted
Everything and More
82 bpm • G Maj • 03:49 • -8.91db
29% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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'Come From Away' Company
Darkness And Trees
82 bpm • E min • 03:08 • -12.61db
39% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Chris McCarrell
Prologue / The Day I Got Expelled
82 bpm • G Maj • 07:43 • -8.43db
44% Popularity • 52% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 52% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Adam Makké
Caroline, There's Extra Food
81 bpm • G Maj • 02:26 • -12.24db
5% Popularity • 58% Danceability • 20% Energy • 47% Liveness
0% Instrumentalness • 23% Positiveness
5% Popularity • 58% Danceability • 20% Energy • 47% Liveness
0% Instrumentalness • 23% Positiveness
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Burke Moses
Me
82 bpm • F# min • 02:48 • -17.3db
36% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Chefs - The Little Mermaid Original Broadway Cast
Les Poissons (Reprise)
82 bpm • A# Maj • 01:56 • -14.62db
27% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Janine LaManna
The One Feather Tail Of Miss Gertrude Mc...
82 bpm • C Maj • 01:16 • -16.14db
34% Popularity • 38% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 38% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
35% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Katie Ladner
Kindergarten Boyfriend
82 bpm • F Maj • 03:48 • -11.16db
48% Popularity • 40% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 40% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Alice Ripley
Just Another Day
83 bpm • E min • 03:49 • -7.52db
35% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Barbara Walsh
Why Not? / Surrender
83 bpm • C Maj • 05:24 • -11.24db
0% Popularity • 36% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 36% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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Sean Palmer as Prince Eric
One Step Closer
83 bpm • D Maj • 04:22 • -20.5db
31% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Original StarKid Cast of Twisted
Orphaned at Thirty-Three
70 bpm • D Maj • 03:18 • -9.83db
29% Popularity • 44% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 44% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Kevin Chamberlin
The People Versus Horton The Elephant - ...
82 bpm • E Maj • 04:30 • -10.84db
30% Popularity • 49% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 49% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Lewis Flinn
Where Am I Now?
83 bpm • A# Maj • 04:09 • -8.85db
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Roger Bart
Suppertime
83 bpm • G Maj • 04:38 • -12.58db
27% Popularity • 50% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 50% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Brian D'Arcy James
Travel Song
83 bpm • E Maj • 01:56 • -8db
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Tom Bosley
No Matter What
83 bpm • D# Maj • 03:06 • -22.26db
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Terrence Mann
In The Arms
83 bpm • C Maj • 02:25 • -8.25db
30% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Greg Hildreth
In Summer
83 bpm • F Maj • 01:58 • -10.21db
33% Popularity • 46% Danceability • 31% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 46% Danceability • 31% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
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Lewis Flinn
Just Once
83 bpm • F Maj • 01:49 • -14.61db
2% Popularity • 48% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
2% Popularity • 48% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Caroline Bowman
I Can't Lose You
83 bpm • G Maj • 03:04 • -6.07db
40% Popularity • 44% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 44% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Lynn Ahrens
All For You - Original Broadway Cast Rec...
69 bpm • F Maj • 03:37 • -13.12db
31% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Caitlin Kinnunen
Dance with You
84 bpm • C# Maj • 03:07 • -7.27db
36% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Enjoy The Trip
84 bpm • G# Maj • 03:09 • -7.46db
34% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Terrence Mann
If I Can't Love Her (Reprise)
84 bpm • D Maj • 01:34 • -26.39db
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
40% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
40% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Patti Murin
The Next Right Thing
84 bpm • C# Maj • 03:59 • -9.19db
6% Popularity • 30% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
6% Popularity • 30% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
25% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Olga Merediz
Paciencia Y Fe
84 bpm • D Maj • 04:55 • -8.16db
39% Popularity • 54% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 54% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Ben Fankhauser
Watch What Happens (Reprise)
85 bpm • F Maj • 01:53 • -11db
44% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
27% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Ramin Karimloo
Still / The Neva Flows (Reprise)
68 bpm • A# Maj • 02:22 • -9.71db
42% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sean Palmer as Prince Eric
Finale
68 bpm • C# Maj • 02:33 • -15db
30% Popularity • 21% Danceability • 23% Energy • 40% Liveness
16% Instrumentalness • 18% Positiveness
30% Popularity • 21% Danceability • 23% Energy • 40% Liveness
16% Instrumentalness • 18% Positiveness
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Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Rodgers + Hammerstein's Cinderella Original Broadway Ensemble
"Ten Minutes Ago" (Reprise)
86 bpm • F Maj • 01:40 • -7.34db
30% Popularity • 38% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 38% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Original Broadway Cast of Frozen
Finale / Let It Go
68 bpm • G Maj • 02:31 • -8.41db
35% Popularity • 20% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
35% Popularity • 20% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
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Caissie Levy
Rose Recovers
86 bpm • C Maj • 02:07 • -18.35db
3% Popularity • 58% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
3% Popularity • 58% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Nick Cordero
You Will Still Be Mine
86 bpm • D# Maj • 02:18 • -9.05db
44% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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James Monroe Iglehart
Arabian Nights
67 bpm • F# Maj • 06:16 • -9db
38% Popularity • 39% Danceability • 36% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 39% Danceability • 36% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Caitlin Kinnunen
Just Breathe
87 bpm • F# Maj • 02:47 • -8db
40% Popularity • 74% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 74% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Josh Gad
I Am Here for You
87 bpm • A Maj • 02:04 • -19.37db
42% Popularity • 37% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 37% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Brian D'Arcy James
Build A Wall
87 bpm • F Maj • 02:40 • -6.16db
38% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Jo Ellen Pellman
Just Breathe
87 bpm • B Maj • 02:54 • -9.61db
35% Popularity • 63% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 63% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Kevin Chamberlin
Horton Hears A Who - Original Broadway C...
87 bpm • A Maj • 02:37 • -16db
34% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Henry Stram
Fly By Night
87 bpm • G# Maj • 03:02 • -10.37db
17% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Barbara Walsh
Out Go the Chairs / Happiness
87 bpm • F Maj • 06:11 • -12.1db
1% Popularity • 42% Danceability • 17% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 42% Danceability • 17% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Luke Brady
Faster
88 bpm • A# min • 02:00 • -11.11db
31% Popularity • 43% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 43% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Mary Beth Peil
Close the Door
88 bpm • G min • 03:11 • -11.19db
36% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
