Songs like Coma Girl by Joe Strummer
Based on a tempo of (+/- 10%) and a similar genre
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Adam Green
Buddy Bradley
154 bpm • G Maj • 02:00 • -9.46db
35% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Nick Cave & The Bad Seeds
Stagger Lee
154 bpm • G Maj • 05:15 • -9.18db
43% Popularity • 50% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 50% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Bill Callahan
Drover
154 bpm • B min • 05:24 • -11db
37% Popularity • 58% Danceability • 62% Energy • 13% Liveness
6% Instrumentalness • 70% Positiveness
37% Popularity • 58% Danceability • 62% Energy • 13% Liveness
6% Instrumentalness • 70% Positiveness
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Joan As Police Woman
The Magic
155 bpm • C# Maj • 04:09 • -6db
44% Popularity • 64% Danceability • 81% Energy • 13% Liveness
19% Instrumentalness • 83% Positiveness
44% Popularity • 64% Danceability • 81% Energy • 13% Liveness
19% Instrumentalness • 83% Positiveness
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The 101ers
Keys to Your Heart
153 bpm • G Maj • 03:44 • -9.07db
33% Popularity • 60% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 60% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Tindersticks
Tiny Tears
153 bpm • E min • 05:45 • -16.63db
42% Popularity • 25% Danceability • 24% Energy • 18% Liveness
36% Instrumentalness • 10% Positiveness
42% Popularity • 25% Danceability • 24% Energy • 18% Liveness
36% Instrumentalness • 10% Positiveness
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Joe Strummer
Get Down Moses
156 bpm • E min • 05:05 • -5.07db
37% Popularity • 59% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 59% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
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David Rawlings
Cumberland Gap
156 bpm • C Maj • 02:55 • -8.53db
57% Popularity • 59% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 59% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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T. Rex
Cosmic Dancer
156 bpm • C Maj • 04:26 • -8.09db
57% Popularity • 36% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
57% Popularity • 36% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
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Ali Farka Touré
Ai Du
152 bpm • F min • 07:09 • -17.17db
52% Popularity • 57% Danceability • 22% Energy • 7% Liveness
6% Instrumentalness • 41% Positiveness
52% Popularity • 57% Danceability • 22% Energy • 7% Liveness
6% Instrumentalness • 41% Positiveness
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The Only Ones
Another Girl, Another Planet - 2008 re-m...
157 bpm • C# min • 03:01 • -7db
47% Popularity • 32% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 32% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Belle and Sebastian
Another Sunny Day
156 bpm • G# Maj • 04:04 • -5.41db
48% Popularity • 40% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 40% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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C.W. Stoneking
The Love Me Or Die
151 bpm • D# min • 03:54 • -5.44db
48% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
48% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The Beta Band
Dry the Rain
150 bpm • E Maj • 06:06 • -11.29db
52% Popularity • 59% Danceability • 63% Energy • 22% Liveness
17% Instrumentalness • 75% Positiveness
52% Popularity • 59% Danceability • 63% Energy • 22% Liveness
17% Instrumentalness • 75% Positiveness
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Flamin' Groovies
Whiskey Woman
149 bpm • E min • 04:46 • -5db
35% Popularity • 40% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 40% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Nick Cave & The Bad Seeds
Abattoir Blues
158 bpm • C Maj • 03:58 • -6.53db
44% Popularity • 73% Danceability • 82% Energy • 16% Liveness
6% Instrumentalness • 59% Positiveness
44% Popularity • 73% Danceability • 82% Energy • 16% Liveness
6% Instrumentalness • 59% Positiveness
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Son Of Dave
Shake a Bone
149 bpm • C# Maj • 03:04 • -17db
43% Popularity • 86% Danceability • 39% Energy • 31% Liveness
29% Instrumentalness • 96% Positiveness
43% Popularity • 86% Danceability • 39% Energy • 31% Liveness
29% Instrumentalness • 96% Positiveness
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Joe Strummer
Ride Your Donkey
149 bpm • A Maj • 02:18 • -8.2db
17% Popularity • 68% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 68% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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John Lennon
Working Class Hero - Remastered 2010
159 bpm • G Maj • 03:47 • -18.57db
57% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
57% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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RodrÃguez
Cause
149 bpm • E Maj • 05:30 • -4db
50% Popularity • 37% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 37% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Tim Hardin
If I Were A Carpenter
160 bpm • G Maj • 02:41 • -13db
46% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
46% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
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Stanley Brinks and The Wave Pictures
Gin in Me
160 bpm • D min • 03:12 • -9.36db
14% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Los Lobos
Kiko and the Lavender Moon
148 bpm • G Maj • 03:35 • -13db
37% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Joe Strummer
Junco Partner - Live
160 bpm • F Maj • 04:18 • -9.9db
13% Popularity • 41% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 41% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Violent Femmes
Good Feeling
160 bpm • D Maj • 03:56 • -12db
45% Popularity • 37% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 37% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Belle and Sebastian
Legal Man
147 bpm • G# Maj • 02:42 • -6.69db
42% Popularity • 44% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 44% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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The Dandy Warhols
Get Off
146 bpm • E min • 03:10 • -4.88db
50% Popularity • 46% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 46% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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The 101ers
Surf City (2005 Remaster)
146 bpm • A Maj • 02:48 • -10.08db
15% Popularity • 59% Danceability • 66% Energy • 9% Liveness
18% Instrumentalness • 98% Positiveness
15% Popularity • 59% Danceability • 66% Energy • 9% Liveness
18% Instrumentalness • 98% Positiveness
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The Kinks
A Well Respected Man
162 bpm • A min • 02:40 • -9.63db
60% Popularity • 51% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 51% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Joe Strummer
King of the Bayou
146 bpm • G Maj • 02:52 • -7.66db
14% Popularity • 57% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 57% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Cat Power
New York
146 bpm • G min • 02:01 • -8db
51% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Jazz Butcher
Soul Happy Hour
146 bpm • G Maj • 02:23 • -9.67db
15% Popularity • 43% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 43% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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The Velvet Underground
Heroin
146 bpm • C# Maj • 07:13 • -10.17db
55% Popularity • 20% Danceability • 78% Energy • 10% Liveness
78% Instrumentalness • 24% Positiveness
55% Popularity • 20% Danceability • 78% Energy • 10% Liveness
78% Instrumentalness • 24% Positiveness
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Scissor Sisters
Take Me Out
163 bpm • E min • 04:32 • -3.66db
42% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Sallie Ford & The Sound Outside
Danger
163 bpm • G Maj • 02:58 • -8.18db
29% Popularity • 64% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 64% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Mercury Rev
Goddess on a Hiway
145 bpm • A Maj • 03:45 • -5.89db
51% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Harry Nilsson
Jump Into The Fire
145 bpm • D Maj • 07:02 • -12.31db
44% Popularity • 61% Danceability • 71% Energy • 8% Liveness
68% Instrumentalness • 93% Positiveness
44% Popularity • 61% Danceability • 71% Energy • 8% Liveness
68% Instrumentalness • 93% Positiveness
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Joe Strummer
Gangsterville
144 bpm • G Maj • 04:18 • -6.75db
15% Popularity • 44% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 44% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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The 101ers
Five Star R'N'R (2005 Remaster)
164 bpm • C Maj • 02:56 • -8.84db
7% Popularity • 47% Danceability • 74% Energy • 8% Liveness
5% Instrumentalness • 95% Positiveness
7% Popularity • 47% Danceability • 74% Energy • 8% Liveness
5% Instrumentalness • 95% Positiveness
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RodrÃguez
Sandrevan Lullaby - Lifestyles
144 bpm • D min • 06:37 • -5.36db
43% Popularity • 37% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 37% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Parquet Courts
These Boots Are Made For Walkin'
165 bpm • A Maj • 03:31 • -8.5db
27% Popularity • 49% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 49% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Solomon Burke
None Of Us Are Free
143 bpm • F min • 05:29 • -10db
49% Popularity • 67% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 67% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Jonathan Wilson
La Isla Bonita
143 bpm • G Maj • 04:39 • -9.34db
13% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Joe Strummer
Secret Agent Man
165 bpm • G Maj • 03:11 • -3.82db
13% Popularity • 46% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 46% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
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The 101ers
Shake Your Hips (Live) (2005 Remaster)
144 bpm • D Maj • 03:36 • -8.45db
5% Popularity • 30% Danceability • 75% Energy • 60% Liveness
3% Instrumentalness • 81% Positiveness
5% Popularity • 30% Danceability • 75% Energy • 60% Liveness
3% Instrumentalness • 81% Positiveness
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Charlotte Gainsbourg
Hey Joe
143 bpm • C Maj • 04:52 • -7.91db
44% Popularity • 39% Danceability • 49% Energy • 10% Liveness
82% Instrumentalness • 37% Positiveness
44% Popularity • 39% Danceability • 49% Energy • 10% Liveness
82% Instrumentalness • 37% Positiveness
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Sid Vicious
My Way
166 bpm • B Maj • 01:16 • -9.03db
28% Popularity • 22% Danceability • 89% Energy • 81% Liveness
40% Instrumentalness • 21% Positiveness
28% Popularity • 22% Danceability • 89% Energy • 81% Liveness
40% Instrumentalness • 21% Positiveness
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Billy Bragg
A New England
167 bpm • F Maj • 02:14 • -7db
46% Popularity • 50% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 50% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Belle and Sebastian
The Boy With the Arab Strap
142 bpm • G Maj • 05:14 • -9.81db
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
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Joe Strummer
Shaktar Donetsk
166 bpm • F min • 05:57 • -9.14db
19% Popularity • 50% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 50% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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The Jam
That's Entertainment
142 bpm • C min • 03:32 • -11.52db
60% Popularity • 57% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
60% Popularity • 57% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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The 101ers
Hideaway (2005 Remaster)
165 bpm • B Maj • 02:48 • -7.81db
6% Popularity • 38% Danceability • 96% Energy • 7% Liveness
20% Instrumentalness • 89% Positiveness
6% Popularity • 38% Danceability • 96% Energy • 7% Liveness
20% Instrumentalness • 89% Positiveness
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The Modern Lovers
Roadrunner (Alternative Version)
142 bpm • D Maj • 04:55 • -7.11db
50% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
50% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Mano Negra
Out of Time Man
142 bpm • F Maj • 03:24 • -8.52db
57% Popularity • 65% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 65% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Marlon Williams
Hello Miss Lonesome
142 bpm • A# min • 03:14 • -6db
25% Popularity • 38% Danceability • 92% Energy • 70% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 38% Danceability • 92% Energy • 70% Liveness
0% Instrumentalness • 49% Positiveness
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Joe Strummer
Czechoslovak Song / Where Is England?
143 bpm • D Maj • 03:48 • -5.96db
0% Popularity • 70% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 70% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Morphine
In Spite of Me
167 bpm • G Maj • 02:34 • -15db
49% Popularity • 43% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 49% Positiveness
49% Popularity • 43% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 49% Positiveness
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Leonard Cohen
The Future
142 bpm • A min • 06:41 • -10.76db
45% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Cowboy Junkies
Sweet Jane
167 bpm • G Maj • 03:34 • -22.19db
56% Popularity • 60% Danceability • 20% Energy • 11% Liveness
8% Instrumentalness • 80% Positiveness
56% Popularity • 60% Danceability • 20% Energy • 11% Liveness
8% Instrumentalness • 80% Positiveness
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The Sonics
Shot Down
142 bpm • G min • 02:12 • -6.34db
39% Popularity • 62% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
39% Popularity • 62% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Shane MacGowan & The Popes
The Church Of The Holy Spook
167 bpm • G Maj • 03:00 • -7db
28% Popularity • 33% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 33% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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The Lively Ones
Surf Rider
141 bpm • A Maj • 03:18 • -13.26db
54% Popularity • 56% Danceability • 55% Energy • 11% Liveness
79% Instrumentalness • 82% Positiveness
54% Popularity • 56% Danceability • 55% Energy • 11% Liveness
79% Instrumentalness • 82% Positiveness
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Chuck Prophet
Doubter Out of Jesus (All Over You)
141 bpm • B min • 04:10 • -5.15db
9% Popularity • 64% Danceability • 90% Energy • 20% Liveness
12% Instrumentalness • 43% Positiveness
9% Popularity • 64% Danceability • 90% Energy • 20% Liveness
12% Instrumentalness • 43% Positiveness
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Mavis Staples
Can You Get To That
141 bpm • E Maj • 02:57 • -9.59db
30% Popularity • 75% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 75% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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The 101ers
Rabies
141 bpm • C Maj • 03:12 • -8.78db
7% Popularity • 59% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
7% Popularity • 59% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Joe Strummer
Slant Six
141 bpm • D Maj • 03:04 • -8.33db
12% Popularity • 44% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 44% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny Cash
I See A Darkness
140 bpm • F Maj • 03:41 • -8.02db
44% Popularity • 45% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 45% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Kitty, Daisy & Lewis
Don't Make a Fool out of Me
141 bpm • B min • 03:53 • -6db
34% Popularity • 65% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 65% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Natalie Merchant
Which Side Are You on?
140 bpm • D min • 05:04 • -8db
30% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Sallie Ford & The Sound Outside
I Swear
170 bpm • G Maj • 03:04 • -6.94db
30% Popularity • 64% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 64% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The 101ers
Keys to Your Heart (Version 2)
169 bpm • G Maj • 03:08 • -7.59db
16% Popularity • 51% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 51% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Richard & Linda Thompson
I Want To See The Bright Lights Tonight
140 bpm • C Maj • 03:09 • -10db
44% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Cash
Satisfied Mind
140 bpm • A Maj • 02:49 • -13db
41% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Joe Strummer
Arms Aloft
140 bpm • F Maj • 03:47 • -5.36db
25% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Andrew Oldham Orchestra
The Last Time
170 bpm • A Maj • 03:46 • -5db
42% Popularity • 29% Danceability • 92% Energy • 4% Liveness
22% Instrumentalness • 73% Positiveness
42% Popularity • 29% Danceability • 92% Energy • 4% Liveness
22% Instrumentalness • 73% Positiveness
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Nick Cave & The Bad Seeds
Nature Boy
140 bpm • G Maj • 04:54 • -4.61db
46% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Jarvis Cocker
Baby's Coming Back To Me
170 bpm • C Maj • 04:11 • -11db
30% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Box Tops
The Letter
139 bpm • A min • 01:52 • -12.16db
70% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
70% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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The Beat
Whine & Grine/Stand Down Margaret - 2012...
170 bpm • G Maj • 03:45 • -10.01db
33% Popularity • 74% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 74% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Johnny Cash
Solitary Man
171 bpm • G min • 02:23 • -6.93db
52% Popularity • 35% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 35% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Beck
Leopard-Skin Pill-Box Hat
139 bpm • F min • 03:02 • -5.23db
20% Popularity • 57% Danceability • 82% Energy • 6% Liveness
19% Instrumentalness • 45% Positiveness
20% Popularity • 57% Danceability • 82% Energy • 6% Liveness
19% Instrumentalness • 45% Positiveness
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Johnny Thunders
Eve of Destruction
139 bpm • G Maj • 01:19 • -16.09db
31% Popularity • 44% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 44% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Jonathan Richman
Roadrunner (Once)
139 bpm • A Maj • 04:44 • -8.24db
33% Popularity • 68% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 68% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Tweedy
Let's Find Each Other Tonight
138 bpm • G Maj • 02:14 • -8.09db
24% Popularity • 77% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 96% Positiveness
24% Popularity • 77% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 96% Positiveness
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Eels
I Like Birds
138 bpm • D Maj • 02:31 • -7db
48% Popularity • 67% Danceability • 65% Energy • 16% Liveness
38% Instrumentalness • 78% Positiveness
48% Popularity • 67% Danceability • 65% Energy • 16% Liveness
38% Instrumentalness • 78% Positiveness
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Jesse Winchester
Step by Step
172 bpm • A min • 02:57 • -10.34db
41% Popularity • 52% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 52% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Richard Hell
Blank Generation - 2013 Remaster
138 bpm • B min • 02:47 • -4db
47% Popularity • 44% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 44% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Beck
True Love Will Find You in the End
138 bpm • G Maj • 03:23 • -10db
35% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Joe Strummer
Global A Go-Go
138 bpm • A min • 05:49 • -5.79db
24% Popularity • 67% Danceability • 81% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 67% Danceability • 81% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
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RodrÃguez
Hate Street Dialogue
138 bpm • D# Maj • 02:33 • -3.66db
60% Popularity • 64% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 64% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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The 101ers
Sweet Revenge
138 bpm • A Maj • 02:57 • -9.79db
17% Popularity • 65% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 65% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Violent Femmes
Add It Up
172 bpm • E Maj • 04:44 • -7.9db
56% Popularity • 41% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
56% Popularity • 41% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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The Real Kids
Do The Boob
138 bpm • E Maj • 02:18 • -14db
19% Popularity • 49% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 49% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Thalia Zedek Band
Bone
138 bpm • G Maj • 04:34 • -6.03db
12% Popularity • 42% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 42% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Harry Nilsson
Coconut
137 bpm • F Maj • 03:51 • -14.79db
55% Popularity • 65% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 65% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Nick Cave
All The Gold In California
137 bpm • E min • 02:26 • -6.04db
38% Popularity • 39% Danceability • 92% Energy • 11% Liveness
16% Instrumentalness • 38% Positiveness
38% Popularity • 39% Danceability • 92% Energy • 11% Liveness
16% Instrumentalness • 38% Positiveness
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Howe Gelb
Get to Leave
137 bpm • C Maj • 02:55 • -16.72db
28% Popularity • 60% Danceability • 27% Energy • 9% Liveness
70% Instrumentalness • 48% Positiveness
28% Popularity • 60% Danceability • 27% Energy • 9% Liveness
70% Instrumentalness • 48% Positiveness
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Eels
My Timing Is Off
137 bpm • D# Maj • 02:57 • -10db
40% Popularity • 67% Danceability • 69% Energy • 10% Liveness
15% Instrumentalness • 84% Positiveness
40% Popularity • 67% Danceability • 69% Energy • 10% Liveness
15% Instrumentalness • 84% Positiveness
