Songs like COMATOSE by Akurei
Based on a tempo of (+/- 10%) and a similar genre
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j ember
Parallel
142 bpm • A# Maj • 04:18 • -8.4db
29% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Chiiild
Gone
142 bpm • G Maj • 02:57 • -7.96db
37% Popularity • 62% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
37% Popularity • 62% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
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EXES
Timing Is Everything
142 bpm • D Maj • 03:29 • -10db
21% Popularity • 71% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 71% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Super Duper
Quiver
143 bpm • C# Maj • 03:53 • -6.72db
30% Popularity • 45% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 45% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Wells*
Picture On The Wall
143 bpm • C Maj • 03:28 • -5.27db
8% Popularity • 66% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 66% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Public Library Commute
stoplights
141 bpm • C Maj • 02:24 • -13.45db
23% Popularity • 64% Danceability • 35% Energy • 10% Liveness
11% Instrumentalness • 17% Positiveness
23% Popularity • 64% Danceability • 35% Energy • 10% Liveness
11% Instrumentalness • 17% Positiveness
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Akurei
Hollow
140 bpm • A Maj • 03:15 • -13.62db
19% Popularity • 64% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 64% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Ayo River
Archaeology
143 bpm • E Maj • 02:59 • -7.55db
27% Popularity • 49% Danceability • 48% Energy • 31% Liveness
32% Instrumentalness • 28% Positiveness
27% Popularity • 49% Danceability • 48% Energy • 31% Liveness
32% Instrumentalness • 28% Positiveness
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Nate Traveller
Sunset
140 bpm • D Maj • 03:18 • -9db
17% Popularity • 76% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
17% Popularity • 76% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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Vasser
Little Things
140 bpm • C# min • 04:04 • -11db
26% Popularity • 73% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 73% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Matt DiMona
alive
140 bpm • F Maj • 02:18 • -10.21db
9% Popularity • 68% Danceability • 59% Energy • 8% Liveness
16% Instrumentalness • 44% Positiveness
9% Popularity • 68% Danceability • 59% Energy • 8% Liveness
16% Instrumentalness • 44% Positiveness
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Vacation Club
Fire Goes Out
144 bpm • A# Maj • 05:11 • -8.46db
22% Popularity • 55% Danceability • 49% Energy • 8% Liveness
6% Instrumentalness • 22% Positiveness
22% Popularity • 55% Danceability • 49% Energy • 8% Liveness
6% Instrumentalness • 22% Positiveness
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Akurei
Quarter Tank Full
144 bpm • E min • 02:56 • -10.62db
8% Popularity • 72% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 72% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Benji Lewis
Peaceful
140 bpm • C# Maj • 03:02 • -7.94db
32% Popularity • 77% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 77% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Julius Black
Dopamine
140 bpm • C# min • 03:40 • -9.97db
24% Popularity • 61% Danceability • 38% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 61% Danceability • 38% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Julia Wolf
Chlorine
140 bpm • D# Maj • 01:52 • -7db
37% Popularity • 72% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 72% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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DanDlion
BETTERMAN
140 bpm • F min • 04:14 • -7db
32% Popularity • 65% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 65% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Saint Christopher
Downhill
140 bpm • F# Maj • 02:46 • -7.46db
17% Popularity • 72% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 72% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Akurei
August
140 bpm • D Maj • 02:57 • -9db
23% Popularity • 74% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 74% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Couros
Cracks
140 bpm • C# Maj • 03:11 • -11db
30% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Nolie
Clever
144 bpm • A min • 02:31 • -11.5db
17% Popularity • 82% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 82% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Julia Wolf
Play It Safe
140 bpm • C min • 02:53 • -10.06db
32% Popularity • 72% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 72% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Nick Ward
Holding The Man
140 bpm • B Maj • 03:03 • -10.44db
17% Popularity • 70% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 70% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
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Nate Traveller
Airport
140 bpm • E min • 02:35 • -7db
38% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Dekleyn
Bite (Original)
140 bpm • D Maj • 03:41 • -6.81db
21% Popularity • 60% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
21% Popularity • 60% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
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Cards
One Too Many Movies
140 bpm • E Maj • 03:36 • -8.53db
21% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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asking for a friend
Summer Sky
139 bpm • F# Maj • 04:06 • -11db
26% Popularity • 46% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 46% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Jae Luna
What You Came Here For
139 bpm • C min • 03:34 • -9.65db
26% Popularity • 43% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 43% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Matt DiMona
green tea ice cream
140 bpm • B Maj • 02:05 • -10.36db
34% Popularity • 59% Danceability • 43% Energy • 14% Liveness
32% Instrumentalness • 14% Positiveness
34% Popularity • 59% Danceability • 43% Energy • 14% Liveness
32% Instrumentalness • 14% Positiveness
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Dylan Fraser
Losing Sleep
145 bpm • A Maj • 03:42 • -6db
27% Popularity • 64% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 64% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Mulherin
Anniversary
145 bpm • A# min • 02:55 • -10db
30% Popularity • 58% Danceability • 48% Energy • 34% Liveness
2% Instrumentalness • 25% Positiveness
30% Popularity • 58% Danceability • 48% Energy • 34% Liveness
2% Instrumentalness • 25% Positiveness
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Public Library Commute
2000
139 bpm • C Maj • 02:15 • -11.15db
15% Popularity • 68% Danceability • 47% Energy • 10% Liveness
69% Instrumentalness • 40% Positiveness
15% Popularity • 68% Danceability • 47% Energy • 10% Liveness
69% Instrumentalness • 40% Positiveness
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Jesse Aicher
Surf's Up, I'm Drowning
145 bpm • D Maj • 02:45 • -7.3db
21% Popularity • 67% Danceability • 54% Energy • 9% Liveness
14% Instrumentalness • 47% Positiveness
21% Popularity • 67% Danceability • 54% Energy • 9% Liveness
14% Instrumentalness • 47% Positiveness
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Akurei
BUTTERCUP
145 bpm • E min • 02:50 • -11.69db
4% Popularity • 63% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
4% Popularity • 63% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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loren north
Push It Away
138 bpm • F# min • 03:34 • -10.47db
17% Popularity • 79% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 79% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Mont Duamel
Sunshine
146 bpm • D Maj • 03:00 • -6.89db
22% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Freida Mari
Floors
138 bpm • F# min • 03:25 • -8.1db
8% Popularity • 63% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 63% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ben Kessler
Cruise Control
146 bpm • F Maj • 02:39 • -8.42db
32% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Marius
Breeze
138 bpm • C# min • 03:33 • -7.99db
32% Popularity • 86% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 86% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 67% Positiveness
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Dreamer Boy
Crybaby
138 bpm • F Maj • 03:25 • -6.13db
21% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Sleeping Lion
Stop It
138 bpm • G# Maj • 03:23 • -13db
20% Popularity • 72% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
20% Popularity • 72% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
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George Walter
Fall In Love Again
147 bpm • B Maj • 04:34 • -11.76db
28% Popularity • 62% Danceability • 52% Energy • 13% Liveness
58% Instrumentalness • 59% Positiveness
28% Popularity • 62% Danceability • 52% Energy • 13% Liveness
58% Instrumentalness • 59% Positiveness
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Pageant Boys
Over My Head
147 bpm • C Maj • 03:35 • -8.02db
8% Popularity • 57% Danceability • 45% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
8% Popularity • 57% Danceability • 45% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
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Peter Fenn
Against Your Tide
148 bpm • F Maj • 02:22 • -8.93db
31% Popularity • 67% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
31% Popularity • 67% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Bennett Coast
Deep End
148 bpm • A# Maj • 03:05 • -11.03db
40% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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DWY
You & Me
136 bpm • F# Maj • 03:22 • -8.38db
30% Popularity • 37% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 37% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
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Emerson Leif
Good Shot
148 bpm • D Maj • 02:56 • -5.32db
37% Popularity • 70% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 70% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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SEBASTIAN PAUL
TOO MUCH
136 bpm • C# Maj • 04:34 • -10.04db
39% Popularity • 47% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 47% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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.irg
new jersey
148 bpm • G# min • 03:43 • -11.02db
27% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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WATTS
Get Up
148 bpm • G# Maj • 03:17 • -7.99db
9% Popularity • 72% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 72% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Akurei
11th Avenue
136 bpm • C# min • 03:08 • -8.01db
2% Popularity • 70% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
2% Popularity • 70% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Public Library Commute
golden feeling since june
136 bpm • C Maj • 02:27 • -12.92db
23% Popularity • 72% Danceability • 55% Energy • 11% Liveness
50% Instrumentalness • 31% Positiveness
23% Popularity • 72% Danceability • 55% Energy • 11% Liveness
50% Instrumentalness • 31% Positiveness
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Benji Lewis
Push
136 bpm • C# Maj • 03:40 • -8.24db
20% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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TRACE
All My Friends
136 bpm • C Maj • 03:51 • -7.8db
20% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Kessler
Good Enough
136 bpm • C Maj • 02:50 • -11db
23% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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October Tooth
Lobster Claw
135 bpm • B Maj • 02:27 • -9.36db
15% Popularity • 64% Danceability • 49% Energy • 11% Liveness
9% Instrumentalness • 19% Positiveness
15% Popularity • 64% Danceability • 49% Energy • 11% Liveness
9% Instrumentalness • 19% Positiveness
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Akurei
SEROTONIN
136 bpm • G Maj • 02:48 • -10.07db
18% Popularity • 69% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 69% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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RVRB
bad at love
135 bpm • A Maj • 03:29 • -11db
9% Popularity • 64% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 64% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Emerson Leif
More or Less
135 bpm • G min • 02:57 • -6.61db
26% Popularity • 75% Danceability • 56% Energy • 12% Liveness
6% Instrumentalness • 27% Positiveness
26% Popularity • 75% Danceability • 56% Energy • 12% Liveness
6% Instrumentalness • 27% Positiveness
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AOBeats
Running
135 bpm • A Maj • 03:49 • -9.95db
21% Popularity • 66% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 66% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Brooke Sierra
Poetry & Stars
150 bpm • F min • 03:17 • -10.98db
24% Popularity • 57% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 57% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Julius Black
Mirrors
150 bpm • A# Maj • 03:45 • -12.76db
12% Popularity • 54% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 54% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Akurei
Hinterland
135 bpm • B min • 03:36 • -10db
25% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Twiceyoung
Alléemaze
135 bpm • D Maj • 04:08 • -9.47db
9% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Kwesi
Mistakes of My Youth
150 bpm • C Maj • 02:43 • -7db
39% Popularity • 78% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 78% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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NÄM
Saturday Night
150 bpm • G Maj • 03:16 • -9.29db
25% Popularity • 52% Danceability • 42% Energy • 11% Liveness
36% Instrumentalness • 13% Positiveness
25% Popularity • 52% Danceability • 42% Energy • 11% Liveness
36% Instrumentalness • 13% Positiveness
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WATTS
Lie Here With You
134 bpm • B min • 02:42 • -8.04db
20% Popularity • 66% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 66% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Sally Boy
Sally Boy
150 bpm • A Maj • 02:43 • -7.21db
8% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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ASL
SPEAK UP
150 bpm • A# Maj • 03:55 • -5.98db
11% Popularity • 69% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 69% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Hotel Apache
Maybe, One Day
150 bpm • B Maj • 03:50 • -8.64db
39% Popularity • 59% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 59% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Yønah
she do it to me
150 bpm • B min • 03:21 • -8.72db
19% Popularity • 78% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 78% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Max Reichert
Shaking
150 bpm • F Maj • 03:56 • -9.91db
28% Popularity • 56% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 56% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Laiko
In The Light
150 bpm • G# Maj • 03:55 • -8.11db
10% Popularity • 58% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
10% Popularity • 58% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Tyzo Bloom
Two Months in New York City
150 bpm • C Maj • 02:38 • -6.8db
13% Popularity • 59% Danceability • 62% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
13% Popularity • 59% Danceability • 62% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
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Scarlett
Burning Daylight
150 bpm • G# min • 02:00 • -7.28db
14% Popularity • 80% Danceability • 76% Energy • 10% Liveness
52% Instrumentalness • 76% Positiveness
14% Popularity • 80% Danceability • 76% Energy • 10% Liveness
52% Instrumentalness • 76% Positiveness
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ELLIANA
Nirvana
134 bpm • E Maj • 04:26 • -9.57db
39% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Mont Duamel
Eyes On You
134 bpm • C min • 03:53 • -5.22db
26% Popularity • 75% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 75% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Max Leone
Malleable
150 bpm • G# min • 02:48 • -7db
34% Popularity • 69% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
34% Popularity • 69% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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j. pastel
Strawberry Lemonade
133 bpm • D Maj • 04:04 • -9.43db
12% Popularity • 70% Danceability • 23% Energy • 8% Liveness
5% Instrumentalness • 32% Positiveness
12% Popularity • 70% Danceability • 23% Energy • 8% Liveness
5% Instrumentalness • 32% Positiveness
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remy
what did you get yourself into
133 bpm • E Maj • 03:12 • -8.47db
24% Popularity • 80% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 80% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Abby Bella May
Drive-in Movie
133 bpm • G Maj • 03:17 • -8.46db
8% Popularity • 88% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 88% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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On Planets
Don't Think So Hard
152 bpm • C min • 03:36 • -9db
34% Popularity • 70% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
34% Popularity • 70% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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ASL
Cinnamon Girl
152 bpm • C# min • 03:32 • -4.43db
38% Popularity • 48% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 48% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Reuben Fillies
Sincerity
132 bpm • E Maj • 03:14 • -9.7db
12% Popularity • 68% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 85% Positiveness
12% Popularity • 68% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 85% Positiveness
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Nolie
Enough
132 bpm • D# Maj • 02:15 • -4.07db
26% Popularity • 62% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 62% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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demotapes
Running
132 bpm • E Maj • 02:29 • -8.31db
27% Popularity • 80% Danceability • 55% Energy • 7% Liveness
4% Instrumentalness • 35% Positiveness
27% Popularity • 80% Danceability • 55% Energy • 7% Liveness
4% Instrumentalness • 35% Positiveness
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Refs
Little Late
132 bpm • G Maj • 03:01 • -8.81db
14% Popularity • 36% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 36% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Terence Ryan
Wicked
132 bpm • E min • 03:04 • -10db
23% Popularity • 77% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 77% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Emerson Leif
Blood
153 bpm • F Maj • 02:29 • -9.95db
32% Popularity • 58% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 58% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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The Motel Brothers
Prescription
131 bpm • F min • 02:43 • -11.03db
14% Popularity • 82% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 82% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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The True Blue
Sundane
155 bpm • A Maj • 03:19 • -5.95db
30% Popularity • 52% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 52% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Matthew Chaim
Byways
155 bpm • E Maj • 03:41 • -11.56db
25% Popularity • 46% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 46% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Cuva
Erase Yourself
155 bpm • E Maj • 03:47 • -8.92db
31% Popularity • 41% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
31% Popularity • 41% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Andrey Azizov
Braindead
130 bpm • G Maj • 02:21 • -10db
30% Popularity • 79% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 79% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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HANNI
Wired
130 bpm • B min • 03:23 • -14.51db
17% Popularity • 77% Danceability • 30% Energy • 12% Liveness
5% Instrumentalness • 9% Positiveness
17% Popularity • 77% Danceability • 30% Energy • 12% Liveness
5% Instrumentalness • 9% Positiveness
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nodisco.
Unrelated
130 bpm • G# Maj • 03:19 • -8.24db
16% Popularity • 76% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 76% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
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remy
checklist / the one about watching frien...
130 bpm • G# Maj • 02:39 • -7.77db
19% Popularity • 74% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 74% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Max Leone
The Beach
155 bpm • A min • 02:45 • -6.55db
30% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
