Songs like Come Here and Leave Me Alone by Alexander 23
Based on a tempo of (+/- 10%) and a similar genre
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Alexander 23
Mars
117 bpm • A# Maj • 02:33 • -7.63db
41% Popularity • 94% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 94% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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The Wldlfe
You Don't Love Me (Like You Used To)
117 bpm • F min • 04:26 • -8.5db
40% Popularity • 68% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
40% Popularity • 68% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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vaultboy
aftermath
117 bpm • A Maj • 02:46 • -9.28db
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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ROSIE
Next Life
117 bpm • F# Maj • 03:07 • -7db
34% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Sky McCreery
i remember
117 bpm • G# Maj • 02:02 • -11.84db
29% Popularity • 63% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 63% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Lennon Stella
Older Than I Am
117 bpm • A Maj • 03:01 • -8.95db
50% Popularity • 44% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 44% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Alexander 23
Come Here and Leave Me Alone
117 bpm • C# min • 03:06 • -12.4db
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Bazzi
Renee's Song
118 bpm • A Maj • 02:10 • -8.89db
52% Popularity • 59% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 59% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Suriel Hess
About Love
118 bpm • C# Maj • 02:36 • -5.34db
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Jonah Kagen
Wish You Did
118 bpm • C# min • 02:50 • -6db
39% Popularity • 42% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 42% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Sky McCreery
Silhouette
118 bpm • A Maj • 02:59 • -15db
32% Popularity • 66% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 66% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Selena Gomez
Rare - Alexander 23 Edit
116 bpm • F Maj • 03:48 • -9db
34% Popularity • 53% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 53% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Isaac Dunbar
love, or the lack thereof
115 bpm • C# Maj • 03:07 • -7.06db
50% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Akurei
In Other Words
115 bpm • C Maj • 03:28 • -11.79db
23% Popularity • 29% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 29% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
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morgxn
HOW DO YOU HOLD WHAT HURTS
119 bpm • D# Maj • 03:09 • -8.44db
21% Popularity • 41% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 41% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Gracie Abrams
Stay
114 bpm • A# Maj • 02:57 • -10.5db
69% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Hayd
October Snow
120 bpm • E Maj • 03:38 • -20.38db
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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yaeow
Everything and More
120 bpm • G# min • 01:59 • -11.24db
25% Popularity • 72% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 72% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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GRACEY
Like That
114 bpm • C min • 02:46 • -6db
40% Popularity • 83% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 83% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Suriel Hess
Hurt Me
120 bpm • G# Maj • 03:02 • -9.65db
43% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Hayd
Superhero
120 bpm • A Maj • 04:01 • -19db
51% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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PJ Harding
You Belong To Somebody Else
120 bpm • F Maj • 03:19 • -8.24db
45% Popularity • 70% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 70% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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clide
blank space
120 bpm • D# Maj • 02:42 • -8.21db
25% Popularity • 72% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 72% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Lexi Jayde
newbury park
120 bpm • C# Maj • 02:54 • -7.13db
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Mob Rich
Yoko Ono (Stripped with Matt Maeson)
114 bpm • E Maj • 03:12 • -12.63db
37% Popularity • 38% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 38% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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We Three
Secrets
120 bpm • C# Maj • 03:20 • -8db
36% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Hayd
Safe & Sound
120 bpm • D Maj • 03:24 • -21db
42% Popularity • 71% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 71% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Ruel
LET THE GRASS GROW
120 bpm • F Maj • 02:55 • -7.62db
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Alec Benjamin
Match In The Rain
120 bpm • A# min • 02:39 • -7.34db
57% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Gracie Abrams
Long Sleeves
114 bpm • A# Maj • 03:38 • -9.16db
58% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
58% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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John-Robert
Move It to the Side
120 bpm • C Maj • 02:33 • -8.12db
29% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Tony Ferrari
Let's Buy a House
114 bpm • C Maj • 03:35 • -10.03db
22% Popularity • 62% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 62% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Fischer
Hopeless Romantic
114 bpm • G# Maj • 03:01 • -6.91db
44% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Lexi Jayde
Oldest Teenager
114 bpm • C# Maj • 03:16 • -12.6db
40% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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GRACEY
Like That - Acoustic
114 bpm • C min • 02:55 • -6.3db
6% Popularity • 86% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
6% Popularity • 86% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Hayd
Changes
120 bpm • F# Maj • 03:34 • -17.14db
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Alexander 23
High School
120 bpm • F# Maj • 03:08 • -7.04db
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Luz
we'll be fine
121 bpm • A# Maj • 04:22 • -11.14db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Abe Parker
Self Sabotage
121 bpm • A# Maj • 03:03 • -5.33db
44% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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X Lovers
Mad World
113 bpm • D Maj • 02:22 • -4.09db
15% Popularity • 85% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 85% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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GRACEY
Empty Love
120 bpm • D Maj • 03:27 • -9db
43% Popularity • 80% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 80% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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yaeow
The Way I Love You
113 bpm • F# Maj • 02:42 • -18.04db
51% Popularity • 54% Danceability • 21% Energy • 38% Liveness
45% Instrumentalness • 13% Positiveness
51% Popularity • 54% Danceability • 21% Energy • 38% Liveness
45% Instrumentalness • 13% Positiveness
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bülow
Lost
113 bpm • D# Maj • 03:57 • -10.63db
38% Popularity • 71% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 71% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Emilee
How It Goes
113 bpm • C Maj • 02:19 • -13.32db
27% Popularity • 76% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 76% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Conan Gray
Lookalike
122 bpm • A# Maj • 03:40 • -10.12db
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Tobias Dray
We'll Be Beautiful
122 bpm • G Maj • 02:48 • -12.83db
28% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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GRACEY
Like That - Riton Remix
121 bpm • A# Maj • 03:52 • -4.56db
5% Popularity • 77% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
5% Popularity • 77% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
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Lauv
Julia
113 bpm • B Maj • 03:38 • -14.56db
49% Popularity • 53% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 53% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Sody
butterfly
122 bpm • C Maj • 03:09 • -9.5db
40% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Lexi Jayde
If I Really Love You
122 bpm • C Maj • 03:14 • -14.1db
47% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Avery Lynch
i put you first, and you did too (as wri...
122 bpm • G min • 03:44 • -15.76db
32% Popularity • 56% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 56% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Munn
i'm fucked, i know
122 bpm • C# Maj • 02:25 • -9.04db
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Fiji Blue
Home
122 bpm • C# Maj • 02:40 • -7.89db
42% Popularity • 84% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 84% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Holly Humberstone
Falling Asleep At The Wheel
122 bpm • C Maj • 03:23 • -8db
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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LANY
bad news
122 bpm • F min • 03:30 • -9.49db
44% Popularity • 81% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 81% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Nick De La Hoyde
Night Stuff
112 bpm • C# Maj • 03:07 • -6.31db
11% Popularity • 68% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 68% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Hayd
Suffocate
122 bpm • E Maj • 04:01 • -22db
51% Popularity • 65% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 65% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Katelyn Tarver
Hurt Like That
112 bpm • C Maj • 03:16 • -7.55db
27% Popularity • 78% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 78% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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david hugo
Dangerous
112 bpm • F# min • 02:51 • -7.33db
41% Popularity • 83% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 83% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Francis Karel
You're Too Close
112 bpm • F# Maj • 03:37 • -5db
39% Popularity • 71% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 71% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Bryce Xavier
Romeo
122 bpm • D# Maj • 03:03 • -13.66db
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Jaymes Young
Spaces
112 bpm • F Maj • 03:47 • -13.75db
31% Popularity • 72% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 72% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Sody
Bedroom Ceiling - Ouse Remix
123 bpm • F# Maj • 03:25 • -8db
23% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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John K
happiness
123 bpm • B Maj • 03:16 • -4.04db
44% Popularity • 80% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
44% Popularity • 80% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Nick Wilson
Everybody But Me
123 bpm • C# min • 03:04 • -5.65db
40% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Gracie Abrams
Mean It
123 bpm • A min • 02:51 • -9.5db
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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carobae
just one night
111 bpm • A# Maj • 03:14 • -9.76db
21% Popularity • 80% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 80% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Sody
Nothing Ever Changes
123 bpm • B Maj • 03:02 • -7db
32% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Alec Benjamin
Six Feet Apart
111 bpm • F Maj • 02:53 • -7.12db
52% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Christian French
paper thin
124 bpm • C# Maj • 03:30 • -7.65db
30% Popularity • 57% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 57% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Sara Kays
I’m Okay Though
124 bpm • C Maj • 03:02 • -6.68db
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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ROLE MODEL
notice me - acoustic
124 bpm • G# min • 03:14 • -5.74db
47% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Peter Fenn
Something of Myself
124 bpm • F Maj • 02:18 • -9db
22% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Sody
What We Had
124 bpm • G Maj • 03:02 • -7.44db
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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JP Saxe
Explain You
124 bpm • B Maj • 03:18 • -11.55db
41% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Ber
Feels So Easy
110 bpm • F# min • 02:26 • -10db
42% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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mxmtoon
late nights (Alexander 23 edit)
110 bpm • E Maj • 02:54 • -8.57db
21% Popularity • 60% Danceability • 52% Energy • 19% Liveness
3% Instrumentalness • 11% Positiveness
21% Popularity • 60% Danceability • 52% Energy • 19% Liveness
3% Instrumentalness • 11% Positiveness
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Sody
is your bedroom ceiling bored?
124 bpm • F# Maj • 03:27 • -9.83db
51% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Suriel Hess
Feel Love
110 bpm • G Maj • 02:36 • -8db
44% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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yaeow
i don't wanna let u go
110 bpm • F# Maj • 02:24 • -12.7db
37% Popularity • 72% Danceability • 28% Energy • 32% Liveness
3% Instrumentalness • 26% Positiveness
37% Popularity • 72% Danceability • 28% Energy • 32% Liveness
3% Instrumentalness • 26% Positiveness
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Etham
I Wish It Was Me
110 bpm • F# min • 03:31 • -8.4db
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Greyson Chance
Nobody
110 bpm • C# min • 03:09 • -7db
37% Popularity • 78% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 78% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Munn
Come Home
110 bpm • A# Maj • 02:48 • -12.1db
35% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Jonah Kagen
Moon
110 bpm • C# min • 03:40 • -8.81db
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
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ROSIE
Social Stamina
110 bpm • D# Maj • 02:34 • -9db
41% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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yaeow
I'm Just a Ghost
110 bpm • E Maj • 03:01 • -19.7db
41% Popularity • 43% Danceability • 24% Energy • 36% Liveness
61% Instrumentalness • 25% Positiveness
41% Popularity • 43% Danceability • 24% Energy • 36% Liveness
61% Instrumentalness • 25% Positiveness
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Christian French
crowded room
125 bpm • B min • 02:52 • -6.59db
33% Popularity • 75% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 75% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Alexander 23
Different (Demo)
125 bpm • C# Maj • 03:31 • -6.73db
29% Popularity • 80% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 80% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 90% Positiveness
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carobae
rock bottom
109 bpm • C Maj • 02:50 • -11db
31% Popularity • 49% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 49% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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OVERSTREET
Man on the Moon
109 bpm • B Maj • 03:28 • -6db
29% Popularity • 67% Danceability • 56% Energy • 6% Liveness
4% Instrumentalness • 46% Positiveness
29% Popularity • 67% Danceability • 56% Energy • 6% Liveness
4% Instrumentalness • 46% Positiveness
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ROLE MODEL
six speed
109 bpm • C Maj • 03:27 • -10.25db
41% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
41% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
