Songs like Come Pick Me Up by Ryan Adams
Based on a tempo of (+/- 10%) and a similar genre
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Band of Horses
On My Way Back Home
124 bpm • C Maj • 03:28 • -7.83db
41% Popularity • 56% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
41% Popularity • 56% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
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Fire Mountain
Be Your Eyes
124 bpm • G min • 04:41 • -5.23db
11% Popularity • 55% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 55% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Ryan Adams
Harder Now That It's Over
124 bpm • G Maj • 04:32 • -12.14db
19% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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John Prine
I Remember Everything
124 bpm • A# Maj • 02:43 • -10.39db
47% Popularity • 56% Danceability • 19% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 56% Danceability • 19% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Caitlin Cary
The Battle
124 bpm • G Maj • 03:00 • -9.73db
29% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Great Lake Swimmers
Easy Come Easy Go
124 bpm • F Maj • 04:24 • -7.08db
2% Popularity • 56% Danceability • 84% Energy • 7% Liveness
68% Instrumentalness • 75% Positiveness
2% Popularity • 56% Danceability • 84% Energy • 7% Liveness
68% Instrumentalness • 75% Positiveness
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Jason Isbell
Elephant
124 bpm • A min • 03:39 • -14.06db
25% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Joe Pug
How Good You Are
124 bpm • D Maj • 04:19 • -12.2db
33% Popularity • 73% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 73% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Ryan Adams
Amy
124 bpm • F# Maj • 03:46 • -19.7db
34% Popularity • 50% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 50% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Whiskeytown
Excuse Me While I Break My Own Heart Ton...
124 bpm • G Maj • 03:14 • -4.84db
40% Popularity • 54% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 54% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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The Shins
A Comet Appears
125 bpm • D Maj • 03:49 • -13db
44% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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The Decemberists
Down By The Water
123 bpm • E min • 03:41 • -4db
47% Popularity • 49% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 49% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Band of Horses
The Great Salt Lake
123 bpm • G# Maj • 04:45 • -6db
54% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Jay Farrar
Williamine
125 bpm • A Maj • 03:59 • -12.84db
17% Popularity • 45% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
17% Popularity • 45% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
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Ryan Adams
Come Pick Me Up
124 bpm • A# Maj • 05:18 • -10.96db
51% Popularity • 58% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 58% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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The Jayhawks
Save It For A Rainy Day
125 bpm • B Maj • 03:07 • -3.54db
45% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Deer Tick
The Dream's in the Ditch
125 bpm • F Maj • 03:11 • -5db
30% Popularity • 65% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 90% Positiveness
30% Popularity • 65% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 90% Positiveness
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Blake Mills
Don't Tell Our Friends About Me
125 bpm • A# Maj • 05:19 • -8.06db
39% Popularity • 74% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 74% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Band of Horses
Laredo
123 bpm • A# Maj • 03:12 • -5.15db
48% Popularity • 50% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 50% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Alexi Murdoch
Orange Sky
125 bpm • D Maj • 06:19 • -20.54db
59% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
59% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
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Joe Pug
Messenger
123 bpm • G Maj • 04:23 • -9.11db
25% Popularity • 72% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 72% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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The Lone Bellow
Then Came the Morning
125 bpm • A# Maj • 04:11 • -6db
28% Popularity • 46% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 46% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Hiss Golden Messenger
Heart Like a Levee
123 bpm • F# Maj • 03:52 • -8db
39% Popularity • 70% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 70% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Ryan Adams & The Cardinals
Magnolia Mountain
123 bpm • A Maj • 05:51 • -6.13db
35% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Bon Iver
Re: Stacks
125 bpm • D Maj • 06:41 • -22.85db
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
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Justin Townes Earle
Rogers Park
123 bpm • D Maj • 04:27 • -10.29db
34% Popularity • 51% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 25% Positiveness
34% Popularity • 51% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 25% Positiveness
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Great Lake Swimmers
The Great Exhale
123 bpm • G Maj • 04:38 • -7.75db
7% Popularity • 58% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
7% Popularity • 58% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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Gillian Welch
Look at Miss Ohio
123 bpm • C Maj • 04:14 • -12.65db
40% Popularity • 68% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 68% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Civil Wars
20 Years
123 bpm • B min • 03:01 • -12.49db
32% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Griffin House
Tell Me A Lie
126 bpm • C# Maj • 04:28 • -11.68db
22% Popularity • 74% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 74% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Uncle Tupelo
New Madrid
125 bpm • A Maj • 03:31 • -11.16db
40% Popularity • 71% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 71% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Beck
Country Down
122 bpm • G Maj • 04:00 • -6.33db
38% Popularity • 65% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 65% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Milk Carton Kids
Michigan
122 bpm • A# Maj • 05:30 • -15db
54% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
65% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
65% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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Jay Farrar
Big Sur
122 bpm • E Maj • 03:24 • -11.72db
21% Popularity • 35% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 35% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Hiss Golden Messenger
Highland Grace
122 bpm • D# Maj • 05:58 • -9.93db
42% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
42% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Conor Oberst
Cape Canaveral
126 bpm • A Maj • 04:04 • -10.18db
40% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Jessica Lea Mayfield
For Today
126 bpm • B Maj • 03:39 • -5.28db
8% Popularity • 39% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 39% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Andrew Duhon
Evelyn
122 bpm • C# Maj • 03:42 • -6.77db
31% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Watchhouse
Wildfire
121 bpm • E Maj • 05:29 • -10db
56% Popularity • 65% Danceability • 35% Energy • 11% Liveness
26% Instrumentalness • 17% Positiveness
56% Popularity • 65% Danceability • 35% Energy • 11% Liveness
26% Instrumentalness • 17% Positiveness
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Band of Horses
Detlef Schrempf
127 bpm • B Maj • 04:28 • -8db
52% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
52% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Whiskeytown
16 Days
128 bpm • C Maj • 03:54 • -7db
46% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Justin Townes Earle
White Gardenias
127 bpm • G Maj • 02:38 • -10.64db
7% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Ryan Adams
Call Me on Your Way Back Home
120 bpm • D# Maj • 03:09 • -17.14db
31% Popularity • 40% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
31% Popularity • 40% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Old 97's
Salome
128 bpm • F Maj • 04:07 • -8db
30% Popularity • 51% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 51% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Decemberists
Rise To Me
128 bpm • G Maj • 04:59 • -5db
34% Popularity • 50% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 50% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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My Morning Jacket
Rocket Man
120 bpm • D# Maj • 04:59 • -9.59db
46% Popularity • 56% Danceability • 27% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
46% Popularity • 56% Danceability • 27% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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Jason Isbell
Traveling Alone
128 bpm • D Maj • 04:29 • -11.61db
24% Popularity • 57% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 57% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Aoife O'Donovan
Red & White & Blue & Gold
128 bpm • B Maj • 03:20 • -10db
47% Popularity • 61% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
47% Popularity • 61% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Dave Rawlings Machine
Ruby
120 bpm • A Maj • 04:54 • -10db
23% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Jakob Dylan
Down On Our Own Shield
128 bpm • F Maj • 03:40 • -15db
24% Popularity • 63% Danceability • 30% Energy • 11% Liveness
65% Instrumentalness • 26% Positiveness
24% Popularity • 63% Danceability • 30% Energy • 11% Liveness
65% Instrumentalness • 26% Positiveness
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Joe Pug
The Great Despiser
128 bpm • C Maj • 04:05 • -5.8db
17% Popularity • 51% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 51% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Sera Cahoone
Every Little Word
128 bpm • E Maj • 03:26 • -6.93db
13% Popularity • 64% Danceability • 74% Energy • 20% Liveness
1% Instrumentalness • 86% Positiveness
13% Popularity • 64% Danceability • 74% Energy • 20% Liveness
1% Instrumentalness • 86% Positiveness
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Jason Isbell
Speed Trap Town
128 bpm • E Maj • 04:02 • -16.63db
23% Popularity • 63% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 63% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Hiss Golden Messenger
Jenny of the Roses
120 bpm • G# Maj • 03:38 • -6db
38% Popularity • 72% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 72% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Kathleen Edwards
Copied Keys
120 bpm • D min • 05:07 • -5.07db
16% Popularity • 48% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 48% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Deer Tick
Ashamed
120 bpm • C Maj • 02:13 • -5.57db
44% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Beck
Blue Moon
120 bpm • C Maj • 04:02 • -6.73db
49% Popularity • 68% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
49% Popularity • 68% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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Pete Yorn
Strange Condition
120 bpm • G Maj • 03:57 • -6.15db
42% Popularity • 52% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 52% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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A.A. Bondy
There's a Reason
120 bpm • C# Maj • 04:12 • -13.23db
21% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jakob Dylan
Holy Rollers For Love
128 bpm • E Maj • 03:55 • -12.16db
18% Popularity • 49% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
18% Popularity • 49% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
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Kathleen Edwards
In State
120 bpm • A Maj • 03:56 • -4db
27% Popularity • 47% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 47% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Ray LaMontagne
Jolene
120 bpm • G Maj • 04:10 • -15.2db
63% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Beck
Lost Cause
120 bpm • C Maj • 03:47 • -8.73db
53% Popularity • 61% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 61% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
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Justin Townes Earle
Christchurch Woman
120 bpm • F Maj • 04:11 • -9.09db
35% Popularity • 66% Danceability • 54% Energy • 29% Liveness
1% Instrumentalness • 80% Positiveness
35% Popularity • 66% Danceability • 54% Energy • 29% Liveness
1% Instrumentalness • 80% Positiveness
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The Decemberists
The Crane Wife 3
120 bpm • D Maj • 04:18 • -9.66db
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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Band of Horses
I Go to the Barn Because I Like The
119 bpm • D Maj • 03:06 • -8db
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Ryan Adams
My Wrecking Ball
129 bpm • E Maj • 03:08 • -12.4db
23% Popularity • 61% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 61% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Neko Case
Hold On, Hold On
119 bpm • F min • 02:46 • -5.02db
50% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Lucinda Williams
Are You Alright?
119 bpm • B Maj • 05:18 • -9.17db
44% Popularity • 61% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 61% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Watchhouse
Golden Embers
119 bpm • D Maj • 04:45 • -16db
49% Popularity • 65% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
49% Popularity • 65% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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The Decemberists
Make You Better
119 bpm • D Maj • 05:07 • -5db
42% Popularity • 42% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 42% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The Cave Singers
Summer Light
129 bpm • F Maj • 04:06 • -12.41db
24% Popularity • 69% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 69% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Ryan Adams
Hallelujah
119 bpm • A Maj • 03:10 • -4.74db
23% Popularity • 60% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 60% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Tift Merritt
Sweet Spot
119 bpm • A# Maj • 02:50 • -8db
35% Popularity • 66% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
35% Popularity • 66% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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The Jayhawks
I'd Run Away
119 bpm • F Maj • 03:33 • -6.62db
34% Popularity • 58% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 58% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Grant-Lee Phillips
Smoke and Sparks
119 bpm • C Maj • 03:39 • -10.92db
15% Popularity • 47% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
15% Popularity • 47% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Kathleen Edwards
House Full Of Empty Rooms
130 bpm • B Maj • 03:01 • -13.49db
22% Popularity • 54% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 54% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Ryan Adams
Bartering Lines
119 bpm • C Maj • 03:59 • -17.21db
28% Popularity • 73% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 73% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Watchhouse
Take This Heart of Gold
119 bpm • F Maj • 03:45 • -11db
50% Popularity • 52% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
50% Popularity • 52% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Houndmouth
For No One
130 bpm • D# Maj • 03:49 • -11.18db
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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The Wood Brothers
Lovin' Arms
130 bpm • E Maj • 03:20 • -10db
41% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Justin Townes Earle
One More Night In Brooklyn
118 bpm • A Maj • 03:04 • -10.55db
50% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Kathleen Edwards
Change The Sheets
130 bpm • D Maj • 04:30 • -7db
27% Popularity • 54% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
27% Popularity • 54% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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Blitzen Trapper
Not Your Lover
118 bpm • C Maj • 02:50 • -13db
41% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Rogue Wave
Eyes
130 bpm • C# Maj • 02:28 • -8.03db
60% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The National
Start a War
130 bpm • C Maj • 03:16 • -12.06db
44% Popularity • 66% Danceability • 44% Energy • 12% Liveness
63% Instrumentalness • 14% Positiveness
44% Popularity • 66% Danceability • 44% Energy • 12% Liveness
63% Instrumentalness • 14% Positiveness
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Jay Farrar
These Roads Don't Move
130 bpm • E Maj • 03:05 • -7.99db
27% Popularity • 58% Danceability • 78% Energy • 11% Liveness
6% Instrumentalness • 67% Positiveness
27% Popularity • 58% Danceability • 78% Energy • 11% Liveness
6% Instrumentalness • 67% Positiveness
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Jason Isbell
Cover Me Up
130 bpm • D# Maj • 04:53 • -15.91db
37% Popularity • 47% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
37% Popularity • 47% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Band of Horses
Monsters
118 bpm • D Maj • 05:21 • -7.04db
35% Popularity • 39% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 39% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Kasey Anderson
Don't Look Back
130 bpm • A# Maj • 06:04 • -7.8db
15% Popularity • 69% Danceability • 50% Energy • 9% Liveness
75% Instrumentalness • 39% Positiveness
15% Popularity • 69% Danceability • 50% Energy • 9% Liveness
75% Instrumentalness • 39% Positiveness
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Court Yard Hounds
See You In The Spring
118 bpm • B Maj • 04:51 • -6db
15% Popularity • 72% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 72% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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The Lumineers
Morning Song
118 bpm • C Maj • 05:16 • -9.64db
43% Popularity • 51% Danceability • 21% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 51% Danceability • 21% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
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A.A. Bondy
American Hearts
118 bpm • D Maj • 04:16 • -9.62db
21% Popularity • 50% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 50% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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The New Basement Tapes
The Whistle Is Blowing
117 bpm • C Maj • 05:16 • -10.28db
31% Popularity • 49% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 18% Positiveness
31% Popularity • 49% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 18% Positiveness
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Band of Horses
The General Specific
118 bpm • F Maj • 03:07 • -6db
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
