Songs like Come Rain Or Come Shine - Remastered 1998 by Sonny Clark
Based on a tempo of (+/- 10%) and a similar genre
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Sonny Clark
Come Rain Or Come Shine - Remastered 199...
59 bpm • A min • 07:29 • -14db
25% Popularity • 39% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
25% Popularity • 39% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
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Wes Montgomery Trio
Yesterday's Child
60 bpm • F Maj • 04:12 • -32.19db
36% Popularity • 40% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
36% Popularity • 40% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Duke Jordan
Starbrite - Remastered 2007/Rudy Van Gel...
60 bpm • C Maj • 07:47 • -13.99db
10% Popularity • 49% Danceability • 9% Energy • 14% Liveness
88% Instrumentalness • 14% Positiveness
10% Popularity • 49% Danceability • 9% Energy • 14% Liveness
88% Instrumentalness • 14% Positiveness
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McCoy Tyner Trio
Good Morning, Heartache
61 bpm • G min • 05:26 • -13.24db
11% Popularity • 39% Danceability • 30% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
11% Popularity • 39% Danceability • 30% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
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Junior Mance
Lilacs In The Rain
56 bpm • C Maj • 03:39 • -24.44db
55% Popularity • 74% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 16% Positiveness
55% Popularity • 74% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 16% Positiveness
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Johnny Hodges
A Flower Is A Lovesome Thing
56 bpm • A# min • 03:04 • -18.27db
38% Popularity • 32% Danceability • 3% Energy • 12% Liveness
37% Instrumentalness • 4% Positiveness
38% Popularity • 32% Danceability • 3% Energy • 12% Liveness
37% Instrumentalness • 4% Positiveness
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Sonny Clark
Blues In The Night - Alternate Take
63 bpm • C Maj • 07:13 • -17db
18% Popularity • 62% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 62% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Dizzy Reece
'Round About Midnight
55 bpm • A# min • 04:48 • -13.08db
33% Popularity • 42% Danceability • 18% Energy • 10% Liveness
29% Instrumentalness • 26% Positiveness
33% Popularity • 42% Danceability • 18% Energy • 10% Liveness
29% Instrumentalness • 26% Positiveness
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Kenny Drew
Angie
63 bpm • F Maj • 05:38 • -21.85db
25% Popularity • 49% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
25% Popularity • 49% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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The Ben Webster Quintet
Ill Wind
63 bpm • C# Maj • 03:34 • -18.5db
24% Popularity • 50% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
24% Popularity • 50% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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McCoy Tyner Trio
Goodbye
55 bpm • C Maj • 05:46 • -21db
30% Popularity • 42% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
30% Popularity • 42% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Red Garland Quintet
I've Got It Bad (And That Ain't Good)
63 bpm • C min • 06:15 • -13db
12% Popularity • 50% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
12% Popularity • 50% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Sonny Clark
My Conception
63 bpm • D# Maj • 04:44 • -18db
42% Popularity • 53% Danceability • 6% Energy • 11% Liveness
72% Instrumentalness • 37% Positiveness
42% Popularity • 53% Danceability • 6% Energy • 11% Liveness
72% Instrumentalness • 37% Positiveness
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Billy Taylor
Willow Weep for Me
64 bpm • A# min • 03:31 • -15.48db
21% Popularity • 60% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
21% Popularity • 60% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Johnny Hodges
Your Love Has Faded
63 bpm • C Maj • 03:00 • -15db
39% Popularity • 28% Danceability • 11% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
39% Popularity • 28% Danceability • 11% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
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John Lewis
I Can't Get Started
64 bpm • C Maj • 03:36 • -16.33db
34% Popularity • 46% Danceability • 12% Energy • 31% Liveness
83% Instrumentalness • 29% Positiveness
34% Popularity • 46% Danceability • 12% Energy • 31% Liveness
83% Instrumentalness • 29% Positiveness
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Junior Mance
Blues For Beverlee
64 bpm • G Maj • 07:52 • -21.87db
23% Popularity • 54% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 12% Positiveness
23% Popularity • 54% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 12% Positiveness
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Dave Brubeck Trio
Always
65 bpm • G# Maj • 02:46 • -18.91db
36% Popularity • 52% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
36% Popularity • 52% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Phil Woods
Hindsight
65 bpm • G# Maj • 06:31 • -19.41db
32% Popularity • 43% Danceability • 18% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
32% Popularity • 43% Danceability • 18% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
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Wes Montgomery Trio
Satin Doll - Take 7
65 bpm • C Maj • 03:56 • -23db
41% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
41% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
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Warne Marsh
Tschaikovsky's Opus #42, Third Movement
66 bpm • C min • 04:00 • -22.17db
21% Popularity • 40% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
21% Popularity • 40% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
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Art Pepper Quintet
Maybe Next Year
66 bpm • F Maj • 04:21 • -14.58db
23% Popularity • 61% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 26% Positiveness
23% Popularity • 61% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 26% Positiveness
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Sonny Criss
We'll Be Together Again
67 bpm • C Maj • 02:59 • -14.1db
36% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
36% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
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Earl Hines
Fantastic, That's You
68 bpm • C Maj • 04:10 • -19db
43% Popularity • 47% Danceability • 14% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
43% Popularity • 47% Danceability • 14% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
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Thelonious Monk Septet
Crepuscule With Nellie - Breakdown
67 bpm • A# min • 01:01 • -27.09db
53% Popularity • 58% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 58% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Wes Montgomery Trio
Satin Doll - Take 5
68 bpm • C Maj • 04:06 • -20.14db
33% Popularity • 60% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 60% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Hampton Hawes Trio
Easy Living
69 bpm • F min • 04:49 • -23db
31% Popularity • 52% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
31% Popularity • 52% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Thelonious Monk Quartet
Monk's Mood - Live At Carnegie Hall, New...
68 bpm • F Maj • 07:52 • -17.27db
30% Popularity • 33% Danceability • 16% Energy • 42% Liveness
69% Instrumentalness • 10% Positiveness
30% Popularity • 33% Danceability • 16% Energy • 42% Liveness
69% Instrumentalness • 10% Positiveness
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Bobby Timmons
Autumn in New York - Bonus Track
69 bpm • F Maj • 02:11 • -16.72db
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Johnny Hodges & His Orchestra
Blues-A-Plenty
70 bpm • C# Maj • 03:23 • -15.18db
29% Popularity • 48% Danceability • 14% Energy • 31% Liveness
15% Instrumentalness • 47% Positiveness
29% Popularity • 48% Danceability • 14% Energy • 31% Liveness
15% Instrumentalness • 47% Positiveness
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John Coltrane
Violets For Your Furs - Rudy Van Gelder ...
69 bpm • F Maj • 06:15 • -9db
40% Popularity • 59% Danceability • 23% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
40% Popularity • 59% Danceability • 23% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
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Sonny Clark
Gee Baby, Ain't I Good To You
70 bpm • D Maj • 03:58 • -16db
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
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Mary Lou Williams
My Blue Heaven
70 bpm • F min • 03:10 • -14.62db
33% Popularity • 69% Danceability • 26% Energy • 27% Liveness
5% Instrumentalness • 62% Positiveness
33% Popularity • 69% Danceability • 26% Energy • 27% Liveness
5% Instrumentalness • 62% Positiveness
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Don Byas
Misty
72 bpm • F Maj • 03:06 • -14.87db
43% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
43% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
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Benny Carter
The Midnight Sun Will Never Set
72 bpm • G min • 03:57 • -12db
42% Popularity • 35% Danceability • 30% Energy • 16% Liveness
6% Instrumentalness • 32% Positiveness
42% Popularity • 35% Danceability • 30% Energy • 16% Liveness
6% Instrumentalness • 32% Positiveness
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Dave Brubeck Trio
Laura
72 bpm • G# Maj • 02:42 • -12.1db
36% Popularity • 65% Danceability • 43% Energy • 10% Liveness
5% Instrumentalness • 28% Positiveness
36% Popularity • 65% Danceability • 43% Energy • 10% Liveness
5% Instrumentalness • 28% Positiveness
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John Coltrane
My Ideal
71 bpm • C min • 07:32 • -17.63db
23% Popularity • 42% Danceability • 15% Energy • 17% Liveness
1% Instrumentalness • 32% Positiveness
23% Popularity • 42% Danceability • 15% Energy • 17% Liveness
1% Instrumentalness • 32% Positiveness
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Wes Montgomery Trio
Missile Blues - Take 5
73 bpm • C Maj • 04:33 • -19db
31% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sonny Clark
Ain't No Use
70 bpm • F min • 04:48 • -18db
24% Popularity • 50% Danceability • 16% Energy • 16% Liveness
38% Instrumentalness • 20% Positiveness
24% Popularity • 50% Danceability • 16% Energy • 16% Liveness
38% Instrumentalness • 20% Positiveness
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Billy Taylor
Can You Tell by Looking at Me
73 bpm • G min • 04:24 • -16.26db
25% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
25% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Ornette Coleman
The Blessing
73 bpm • E min • 04:46 • -15.89db
27% Popularity • 58% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 58% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Johnny Hodges & His Orchestra
Cool Your Motor
73 bpm • A# Maj • 03:36 • -13.7db
29% Popularity • 52% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 61% Positiveness
29% Popularity • 52% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 61% Positiveness
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John Coltrane
Central Park West
73 bpm • B Maj • 04:11 • -21.88db
42% Popularity • 31% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
42% Popularity • 31% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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Freddie Redd
Melanie - Digital Remaster/2007
74 bpm • D min • 05:03 • -8.82db
20% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sonny Clark
Gee Baby, Ain't I Good To You - Alternat...
73 bpm • C Maj • 03:50 • -15.55db
17% Popularity • 66% Danceability • 17% Energy • 9% Liveness
9% Instrumentalness • 16% Positiveness
17% Popularity • 66% Danceability • 17% Energy • 9% Liveness
9% Instrumentalness • 16% Positiveness
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Kenny Drew
I Could Write a Book
74 bpm • F min • 04:43 • -16.27db
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Lennie Tristano
Atonement
74 bpm • A min • 02:32 • -19.87db
32% Popularity • 56% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
32% Popularity • 56% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Sonny Criss
Summertime
75 bpm • C Maj • 04:01 • -8.06db
29% Popularity • 59% Danceability • 43% Energy • 45% Liveness
64% Instrumentalness • 53% Positiveness
29% Popularity • 59% Danceability • 43% Energy • 45% Liveness
64% Instrumentalness • 53% Positiveness
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Barry Harris Trio
Embraceable You
75 bpm • F Maj • 03:56 • -13.28db
41% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
41% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Elmo Hope Trio
Happy Hour
76 bpm • A# min • 02:52 • -14.62db
37% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
37% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
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Sonny Clark
I'm Just A Lucky So And So
75 bpm • F min • 04:30 • -16.76db
21% Popularity • 55% Danceability • 16% Energy • 9% Liveness
21% Instrumentalness • 22% Positiveness
21% Popularity • 55% Danceability • 16% Energy • 9% Liveness
21% Instrumentalness • 22% Positiveness
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Wes Montgomery Trio
Fried Pies
76 bpm • C min • 06:41 • -23.36db
30% Popularity • 58% Danceability • 18% Energy • 16% Liveness
47% Instrumentalness • 55% Positiveness
30% Popularity • 58% Danceability • 18% Energy • 16% Liveness
47% Instrumentalness • 55% Positiveness
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Billy Strayhorn
Chelsea Bridge
76 bpm • G# Maj • 03:17 • -17.34db
34% Popularity • 50% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
34% Popularity • 50% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Kenny Drew
Polka Dots And Moonbeams
76 bpm • F Maj • 04:19 • -21.08db
25% Popularity • 36% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
25% Popularity • 36% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Benny Carter
Body And Soul
76 bpm • A# min • 04:10 • -11db
38% Popularity • 40% Danceability • 34% Energy • 12% Liveness
75% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 34% Energy • 12% Liveness
75% Instrumentalness • 31% Positiveness
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Tommy Flanagan Trio
Velvet Moon
76 bpm • G# Maj • 05:19 • -18.4db
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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Sonny Clark
Sonny's Mood
75 bpm • F min • 08:38 • -11.96db
12% Popularity • 54% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 54% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Sonny Criss
Sunrise Sunset - Remastered 2008/Rudy Va...
76 bpm • G min • 02:49 • -10.8db
34% Popularity • 53% Danceability • 26% Energy • 11% Liveness
73% Instrumentalness • 53% Positiveness
34% Popularity • 53% Danceability • 26% Energy • 11% Liveness
73% Instrumentalness • 53% Positiveness
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Billy Taylor
One for Fun
77 bpm • F Maj • 03:34 • -11.25db
14% Popularity • 68% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
14% Popularity • 68% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
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Kenny Drew
Undercurrent - Rudy Van Gelder Edition/2...
76 bpm • D min • 07:18 • -8db
19% Popularity • 48% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 48% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Benny Carter
Blue Star
77 bpm • G# Maj • 05:20 • -10.99db
30% Popularity • 33% Danceability • 28% Energy • 30% Liveness
59% Instrumentalness • 30% Positiveness
30% Popularity • 33% Danceability • 28% Energy • 30% Liveness
59% Instrumentalness • 30% Positiveness
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Warne Marsh
Quintessence
77 bpm • C min • 04:15 • -15db
32% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Sonny Clark
Love Walked In
76 bpm • G# Maj • 05:50 • -18.94db
12% Popularity • 57% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
12% Popularity • 57% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Sonny Criss
Willow Weep For Me
77 bpm • G Maj • 03:50 • -11.02db
36% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
36% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Tommy Flanagan Trio
You Go To My Head
77 bpm • D# Maj • 04:27 • -21db
41% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
41% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
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Bud Powell Trio
Somebody Loves Me - 1990 Remaster
77 bpm • D min • 02:55 • -20db
43% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
43% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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Sonny Rollins Quartet
Paul's Pal - Rudy Van Gelder Remaster
77 bpm • G Maj • 05:09 • -12.71db
47% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
47% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
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Thelonious Monk Quartet
Epistrophy - Live At Carnegie Hall, New ...
78 bpm • A Maj • 04:29 • -10.41db
22% Popularity • 36% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 36% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Sonny Clark
Nica
77 bpm • F Maj • 06:18 • -14.86db
11% Popularity • 62% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 49% Positiveness
11% Popularity • 62% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 49% Positiveness
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Sonny Criss
Memories Of You
77 bpm • D# Maj • 03:47 • -8.48db
15% Popularity • 53% Danceability • 43% Energy • 33% Liveness
85% Instrumentalness • 46% Positiveness
15% Popularity • 53% Danceability • 43% Energy • 33% Liveness
85% Instrumentalness • 46% Positiveness
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Shelly Manne
Slowly
78 bpm • F min • 05:33 • -18.16db
30% Popularity • 37% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 34% Positiveness
30% Popularity • 37% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 34% Positiveness
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Johnny Hodges
Black And Tan Fantasy
78 bpm • F min • 06:20 • -18.38db
31% Popularity • 46% Danceability • 7% Energy • 11% Liveness
78% Instrumentalness • 21% Positiveness
31% Popularity • 46% Danceability • 7% Energy • 11% Liveness
78% Instrumentalness • 21% Positiveness
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Wes Montgomery Trio
Missile Blues - Take 6
78 bpm • C Maj • 06:00 • -17.05db
29% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Thelonious Monk Quartet
Nutty - Live At Carnegie Hall, New York/...
78 bpm • A# Maj • 05:03 • -10.71db
22% Popularity • 57% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 57% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Sonny Clark
Blues Blue
78 bpm • F Maj • 07:18 • -13db
21% Popularity • 64% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 55% Positiveness
21% Popularity • 64% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 55% Positiveness
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Herbie Nichols
Step Tempest
78 bpm • D# min • 05:13 • -15.24db
9% Popularity • 64% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 44% Positiveness
9% Popularity • 64% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 44% Positiveness
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Duke Pearson
Farewell Machelle
78 bpm • C min • 02:48 • -26.67db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
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Fats Navarro
Nostalgia
79 bpm • G Maj • 02:45 • -10db
35% Popularity • 73% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 73% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Tommy Flanagan Trio
In A Sentimental Mood
79 bpm • D min • 06:39 • -20.51db
45% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
45% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Thelonious Monk Quartet
Blue Monk - Live At Carnegie Hall, New Y...
78 bpm • D# Maj • 06:31 • -10.32db
23% Popularity • 57% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 57% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Sonny Criss
Don't Blame Me
79 bpm • C min • 02:48 • -13.14db
21% Popularity • 40% Danceability • 31% Energy • 22% Liveness
88% Instrumentalness • 50% Positiveness
21% Popularity • 40% Danceability • 31% Energy • 22% Liveness
88% Instrumentalness • 50% Positiveness
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Sonny Clark
With A Song In My Heart - Remastered 199...
77 bpm • C min • 07:55 • -8.79db
38% Popularity • 52% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 52% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Thad Jones
Mean What You Say
79 bpm • C Maj • 04:34 • -19db
28% Popularity • 44% Danceability • 21% Energy • 15% Liveness
57% Instrumentalness • 33% Positiveness
28% Popularity • 44% Danceability • 21% Energy • 15% Liveness
57% Instrumentalness • 33% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
34% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
34% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Tadd Dameron
Soultrane - Rudy Van Gelder Remaster
80 bpm • G# Maj • 05:21 • -10.17db
34% Popularity • 46% Danceability • 20% Energy • 12% Liveness
50% Instrumentalness • 30% Positiveness
34% Popularity • 46% Danceability • 20% Energy • 12% Liveness
50% Instrumentalness • 30% Positiveness
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Barry Harris Trio
Allen's Alley
80 bpm • G# Maj • 02:56 • -14.89db
27% Popularity • 59% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 79% Positiveness
27% Popularity • 59% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 79% Positiveness
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Lennie Tristano
Ghost of a Chance
81 bpm • C Maj • 06:05 • -24.63db
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
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Sonny Clark
Eastern Incident
77 bpm • C Maj • 08:14 • -11.44db
3% Popularity • 59% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
3% Popularity • 59% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Duke Pearson
Ready Rudy?
81 bpm • F Maj • 05:58 • -9.1db
29% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Miles Davis Sextet
Donna
82 bpm • F min • 03:13 • -9.7db
29% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Billy Taylor
Solace
83 bpm • G# Maj • 02:35 • -19db
45% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
45% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
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Miles Davis
Little Melonae
83 bpm • G# Maj • 07:19 • -10.02db
28% Popularity • 46% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 46% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Warne Marsh
Dixie's Dilemma
83 bpm • G# Maj • 04:22 • -17.18db
15% Popularity • 57% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 53% Positiveness
15% Popularity • 57% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 53% Positiveness
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Sonny Clark
Blue Minor - Rudy Van Gelder Edition/199...
78 bpm • F min • 10:19 • -7db
25% Popularity • 50% Danceability • 53% Energy • 32% Liveness
1% Instrumentalness • 66% Positiveness
25% Popularity • 50% Danceability • 53% Energy • 32% Liveness
1% Instrumentalness • 66% Positiveness
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Thad Jones
I've Got A Crush On You
83 bpm • A# Maj • 07:36 • -10.91db
25% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
25% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Fats Navarro
John's Delight
84 bpm • F Maj • 02:58 • -13.57db
34% Popularity • 55% Danceability • 30% Energy • 9% Liveness
77% Instrumentalness • 57% Positiveness
34% Popularity • 55% Danceability • 30% Energy • 9% Liveness
77% Instrumentalness • 57% Positiveness
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McCoy Tyner Trio
Reaching Fourth
84 bpm • E Maj • 04:22 • -13.22db
37% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
37% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
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Johnny Hodges
Autumn In New York
84 bpm • F min • 03:37 • -20db
42% Popularity • 42% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
42% Popularity • 42% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
