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Come ready and see me
Songs like
Come ready and see me
by
Richard Hundley
Based on a tempo of (+/- 10%) and a similar genre
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Francesco Durante
Vergin, tutto amor
123 bpm • D min • 02:48 • -19.34db
15% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Vincenzo Bellini
6 Ariette: No. 5, Per pietà, bell'idol ...
122 bpm • C min • 02:35 • -21db
9% Popularity • 43% Danceability • 10% Energy • 19% Liveness
7% Instrumentalness • 18% Positiveness
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Franz von Suppé
Requiem aeternam: Recordare
121 bpm • D min • 05:40 • -24.31db
10% Popularity • 23% Danceability • 7% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Bob Chilcott
St. John Passion, Part II: The Judgement...
123 bpm • F min • 06:18 • -18.83db
8% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Jules Massenet
Le Cid: Plus de tourments et plus de pei...
123 bpm • A# Maj • 01:55 • -17.18db
12% Popularity • 32% Danceability • 13% Energy • 22% Liveness
4% Instrumentalness • 8% Positiveness
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Georges Bizet
Ouvre ton coeur - Bolero
124 bpm • D# Maj • 02:47 • -20db
11% Popularity • 40% Danceability • 9% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
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George Frideric Handel
Joshua, HWV 64, Pt. 3: No. 63, Oh, had I...
120 bpm • A Maj • 02:33 • -25.07db
1% Popularity • 49% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
120 bpm • G Maj • 05:42 • -18.49db
11% Popularity • 29% Danceability • 18% Energy • 12% Liveness
17% Instrumentalness • 24% Positiveness
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Gabriel Fauré
Fauré: Les Djinns, Op. 12
120 bpm • A# min • 04:16 • -26.98db
9% Popularity • 35% Danceability • 4% Energy • 10% Liveness
30% Instrumentalness • 8% Positiveness
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Benjamin Britten
The Salley Gardens
125 bpm • D# min • 03:06 • -29db
10% Popularity • 29% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Louis Beydts
Cinq Humoresques: II. À la fontaine
125 bpm • F# min • 02:34 • -22.15db
2% Popularity • 26% Danceability • 7% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness
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Robert Schumann
Myrthen, Op. 25: No. 24. Du bist wie ein...
125 bpm • G# Maj • 01:53 • -27db
23% Popularity • 36% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
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Cuarteto Vocal Cavatina
Indianas: V. Al Tribunal de tu Pecho
119 bpm • E Maj • 03:53 • -26.69db
8% Popularity • 32% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 14% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Epilogue: N...
126 bpm • F Maj • 06:06 • -15.49db
18% Popularity • 30% Danceability • 28% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
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Gabriel Fauré
4 Melodies, Op. 39: No. 4, Les roses d'I...
119 bpm • E Maj • 03:45 • -30.16db
7% Popularity • 30% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
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César Franck
Les Béatitudes, CFF 185: Prologue
126 bpm • E Maj • 04:22 • -29.25db
10% Popularity • 17% Danceability • 4% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Richard Hundley
I Do
126 bpm • F# Maj • 00:48 • -24.63db
0% Popularity • 52% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Andrea Falconieri
Bella porta di rubini
118 bpm • F Maj • 02:03 • -20.49db
8% Popularity • 45% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Leonard Bernstein
Mass A Theatre Piece for Singers, Player...
126 bpm • D min • 01:58 • -19.87db
0% Popularity • 27% Danceability • 49% Energy • 66% Liveness
5% Instrumentalness • 16% Positiveness
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Patricia Cameron
The Pirates of Penzance: Climbing Over R...
117 bpm • A# Maj • 03:38 • -22.39db
8% Popularity • 48% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Gene Scheer
Scheer / Arr Thomas & Terry: Lean Away
127 bpm • D Maj • 04:44 • -19.56db
7% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Douglas Moore
The Ballad of Baby Doe / Act 1: Willow, ...
117 bpm • A# Maj • 03:01 • -22.52db
11% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ralph Vaughan Williams
Songs of Travel: Whither must I wander?
117 bpm • C min • 04:12 • -22db
15% Popularity • 38% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Giovanni Legrenzi
Che fiero costume
127 bpm • F min • 01:46 • -24db
10% Popularity • 50% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Giuseppe Sarti
Miserere in F Minor: Asperges me hyssopo...
117 bpm • C Maj • 01:15 • -24.83db
19% Popularity • 29% Danceability • 6% Energy • 20% Liveness
6% Instrumentalness • 8% Positiveness
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Charles Villiers Stanford
Blarney Ballads: No. 1, The Grand Ould M...
117 bpm • C min • 04:03 • -22.75db
10% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Clara Schumann
Six Lieder, Op. 13: 4. Der Mond kommt st...
127 bpm • C# Maj • 01:51 • -27db
11% Popularity • 34% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
The Music Makers, Op. 69: II. We are the...
128 bpm • A# min • 01:59 • -28.79db
8% Popularity • 17% Danceability • 3% Energy • 9% Liveness
43% Instrumentalness • 6% Positiveness
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Roger Quilter
Weep You No More, Op. 12, No. 1
128 bpm • D min • 02:28 • -33db
8% Popularity • 29% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Charlotte Hoather
Griselda, Act II: “Per la Gloria D’a...
129 bpm • G Maj • 02:38 • -15db
9% Popularity • 43% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Ralph Vaughan Williams
Songs of Travel: I. The Vagabond
115 bpm • C# Maj • 03:17 • -20.87db
6% Popularity • 42% Danceability • 15% Energy • 11% Liveness
8% Instrumentalness • 26% Positiveness
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Stefano Donaudy
Donaudy : "O del mio amato ben"
129 bpm • A Maj • 03:51 • -22.6db
8% Popularity • 31% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Maurice Ravel
Don Quichotte à Dulcinée, M. 84: No. 2...
115 bpm • F Maj • 02:54 • -18.73db
8% Popularity • 31% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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John Jacob Niles
The Lass From the Low Countree
115 bpm • B min • 02:42 • -19.56db
9% Popularity • 34% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Thomas Pasatieri
A Rustling of Angels: I Saw
129 bpm • C min • 01:03 • -26db
9% Popularity • 67% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Clara Schumann
Six Lieder, Op. 13: 5. Ich hab 'in deine...
130 bpm • G# Maj • 02:12 • -29db
9% Popularity • 34% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Thomas Arne
Blow, blow thou winter wind
130 bpm • A Maj • 01:48 • -20.29db
8% Popularity • 57% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Francis Poulenc
Poulenc: Banalités, FP 107: No. 5, Sang...
115 bpm • F# Maj • 04:08 • -25db
9% Popularity • 37% Danceability • 3% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Elliott Z. Levine
Moon and Flowering Plum
130 bpm • D min • 02:24 • -25.7db
9% Popularity • 34% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Amy Beach
The Year's At The Spring
130 bpm • C# Maj • 00:58 • -16db
7% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Bob Chilcott
St. John Passion, Part II: The Judgement...
114 bpm • C min • 02:53 • -20.09db
8% Popularity • 43% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Richard Hundley
Maiden Snow
130 bpm • C min • 02:16 • -19.6db
0% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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André Jolivet
Suite liturgique: VIII. Final
130 bpm • G min • 01:47 • -16.69db
10% Popularity • 28% Danceability • 8% Energy • 12% Liveness
52% Instrumentalness • 38% Positiveness
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Francis Poulenc
La courte paille, FP 178: No. 7, Lune d�...
115 bpm • C min • 03:08 • -26.01db
0% Popularity • 25% Danceability • 1% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
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Johannes Brahms
4 Lieder, Op. 43: I. Von ewiger Liebe - ...
130 bpm • B Maj • 04:39 • -20.69db
9% Popularity • 32% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Hugo Wolf
Mörike-Lieder: 12. "Verborgenheit"
131 bpm • C Maj • 02:59 • -24db
8% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Robert Schumann
Frauenliebe und -leben Op. 42: 2. Er, de...
131 bpm • D# Maj • 03:01 • -21db
14% Popularity • 36% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Richard Hundley
Sweet Suffolk Owl
114 bpm • F min • 01:19 • -22.73db
0% Popularity • 47% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 33% Positiveness
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Teresa Berganza
La maja dolorosa II
131 bpm • A min • 02:23 • -24db
10% Popularity • 33% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Jacques Offenbach
Hoffmanns Erzählungen: Prologue: Aus de...
114 bpm • F Maj • 01:27 • -17.02db
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
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Aaron Copland
Simple Gifts (Shaker Song)
114 bpm • G# Maj • 01:40 • -21.31db
10% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
114 bpm • E min • 04:12 • -23db
11% Popularity • 25% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Reynaldo Hahn
Paysage
131 bpm • C Maj • 02:28 • -21.62db
23% Popularity • 24% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
6 Lieder, Op. 1: No. 1. Schwanenlied
131 bpm • G min • 03:07 • -24.81db
9% Popularity • 30% Danceability • 4% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
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Richard Hundley
Sweet River
113 bpm • F# min • 00:56 • -16.62db
0% Popularity • 57% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Glou, gl...
114 bpm • C Maj • 01:03 • -26.08db
11% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: VIII. Ved gjaetle-bek...
132 bpm • B min • 06:23 • -15.02db
8% Popularity • 35% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: VI. Vidit suum
113 bpm • G Maj • 03:13 • -22.92db
11% Popularity • 25% Danceability • 9% Energy • 14% Liveness
45% Instrumentalness • 3% Positiveness
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Benjamin Britten
Quatre chansons françaises: No. 3, L'en...
133 bpm • A Maj • 04:38 • -19.18db
8% Popularity • 28% Danceability • 9% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
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Erich Kunzel
Mono Chant
112 bpm • E min • 00:59 • -41.31db
9% Popularity • 38% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Ella Fitzgerald
You Showed Me the Way (Arr. for Voice an...
133 bpm • D Maj • 04:26 • -20.25db
13% Popularity • 40% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Lili Boulanger
Clairières dans le ciel (Version for So...
133 bpm • A Maj • 01:59 • -24.76db
8% Popularity • 30% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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John Ireland
Sea Fever
112 bpm • E min • 02:29 • -23.27db
21% Popularity • 46% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Emiliano Géant
Amarilli, mia bella
134 bpm • F Maj • 04:12 • -17.91db
10% Popularity • 26% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Blackford
Mirror of Perfection: Canticle of the Fu...
133 bpm • D min • 03:14 • -20.26db
7% Popularity • 38% Danceability • 10% Energy • 11% Liveness
54% Instrumentalness • 10% Positiveness
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Samuel Barber
Hermit Songs Op. 29: 8. The Monk and His...
134 bpm • F Maj • 02:22 • -27.72db
9% Popularity • 39% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Robert Schumann
Myrthen, Op. 25: 1. Widmung
111 bpm • G# Maj • 02:04 • -22.13db
13% Popularity • 35% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
In Windsor Forest: No. 3, Falstaff and t...
134 bpm • F Maj • 04:49 • -21.11db
12% Popularity • 31% Danceability • 12% Energy • 7% Liveness
3% Instrumentalness • 25% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Prologue: N...
135 bpm • A Maj • 04:05 • -25.76db
16% Popularity • 24% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Igor Stravinsky
The Rake's Progress / Act I / Scene III:...
135 bpm • C Maj • 02:42 • -18db
8% Popularity • 36% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Henry Purcell
Purcell: I Attempt from Love's Sickness ...
110 bpm • G# Maj • 01:46 • -24.06db
10% Popularity • 48% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Natalie Choquette
Voi che sapete
110 bpm • A# Maj • 03:00 • -23.45db
11% Popularity • 33% Danceability • 7% Energy • 12% Liveness
8% Instrumentalness • 23% Positiveness
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Richard Hundley
Waterbird
135 bpm • G# Maj • 03:19 • -20.69db
0% Popularity • 30% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Songs of Travel: The Roadside Fire
135 bpm • F# Maj • 02:18 • -21db
14% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Fanny Mendelssohn
Bergeslust
110 bpm • A Maj • 01:29 • -17db
14% Popularity • 49% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Henry Walford Davies
Confortare (Arr. Rutter)
110 bpm • D Maj • 01:25 • -23.75db
10% Popularity • 31% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 6% Positiveness
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Charles Ives
2 Little Flowers (text by C. Ives, H. Tw...
110 bpm • D Maj • 01:13 • -26.88db
8% Popularity • 39% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Roger Quilter
Come away, death, Op. 6 No. 1
109 bpm • G min • 03:01 • -24.13db
11% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Emmanuel Chabrier
Lied
109 bpm • C Maj • 02:22 • -18.88db
17% Popularity • 53% Danceability • 12% Energy • 14% Liveness
23% Instrumentalness • 58% Positiveness
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Richard Hundley
Bartholomew Green
109 bpm • A# Maj • 00:38 • -28.01db
0% Popularity • 53% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Fanny Mendelssohn
Schwanenlied
137 bpm • G min • 02:35 • -19.77db
13% Popularity • 36% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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George Butterworth
6 Songs from A Shropshire Lad: No. 4. Th...
109 bpm • G# min • 01:15 • -16.68db
10% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Luciano Berio
Folk Songs: No. 2, I Wonder as I Wander
108 bpm • G min • 02:00 • -24.53db
18% Popularity • 37% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Dans les ruines d'une abbaye, Op. 2 No. ...
137 bpm • A Maj • 01:44 • -25.09db
7% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Gerald Finzi
Let us garlands bring, Op. 18: It was a ...
138 bpm • A Maj • 02:37 • -21db
9% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Giuseppe De Ferraris
Tirsi non giova il pianto, Archivio di M...
138 bpm • C Maj • 01:32 • -20.28db
15% Popularity • 32% Danceability • 12% Energy • 16% Liveness
85% Instrumentalness • 26% Positiveness
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Richard Hundley
On a Wife
108 bpm • D Maj • 00:44 • -20.81db
0% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Hector Berlioz
Berlioz: Tristia, Op. 18, H. 119: II. La...
108 bpm • A# Maj • 05:38 • -21.34db
8% Popularity • 32% Danceability • 9% Energy • 9% Liveness
16% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Le violette
108 bpm • A# Maj • 02:09 • -26db
13% Popularity • 52% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Pauline Viardot
Hai Luli
138 bpm • G min • 03:42 • -14.47db
10% Popularity • 34% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
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Benjamin Britten
Johnny: Tell me the truth about love
108 bpm • A# Maj • 05:36 • -27db
8% Popularity • 39% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Lamento della Ninfa: II. Amor dicea il c...
108 bpm • A min • 04:05 • -26db
10% Popularity • 26% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Fernando Obradors
Con amores, la mi madre
138 bpm • F min • 01:53 • -30db
9% Popularity • 35% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: VI. Killingdans
108 bpm • G Maj • 01:44 • -10.49db
9% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Hector Berlioz
The Damnation of Faust, Op. 24, H. 111, ...
108 bpm • A Maj • 05:04 • -26.77db
8% Popularity • 22% Danceability • 3% Energy • 65% Liveness
1% Instrumentalness • 4% Positiveness
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Arthur Sullivan
Macbeth: Chorus of Spirits in the Air - ...
140 bpm • D min • 01:07 • -26.79db
16% Popularity • 46% Danceability • 9% Energy • 12% Liveness
55% Instrumentalness • 10% Positiveness
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Giacomo Puccini
Suor Angelica: Ave Maria, piena di grati...
106 bpm • F Maj • 03:33 • -34db
14% Popularity • 16% Danceability • 3% Energy • 35% Liveness
14% Instrumentalness • 4% Positiveness
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Bob Chilcott
Benedictus - SATB
106 bpm • C# Maj • 01:13 • -23.84db
17% Popularity • 63% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Reynaldo Hahn
Études Latines: "Tyndaris"
106 bpm • G# Maj • 01:49 • -27db
11% Popularity • 36% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Edouard Lippé
How Do I Love Thee
141 bpm • C# Maj • 03:25 • -18.72db
8% Popularity • 29% Danceability • 5% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
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Come ready and see me