Songs like Come Turn Me On by Casey Barnes
Based on a tempo of (+/- 10%) and a similar genre
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HUTCH
Dead To Me
112 bpm • A Maj • 02:58 • -5db
21% Popularity • 76% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 76% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Lane Pittman
Let's Get Lost
112 bpm • D Maj • 02:29 • -6.54db
46% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Casey Barnes
Come Turn Me On
112 bpm • B Maj • 03:04 • -2.91db
37% Popularity • 61% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 61% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Lee Kernaghan
It's Only Country
112 bpm • A# Maj • 03:10 • -6.23db
29% Popularity • 70% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
29% Popularity • 70% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
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The McClymonts
House
112 bpm • C# Maj • 03:21 • -5.07db
27% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Amy Sheppard
Nothing But Wild
112 bpm • B min • 03:10 • -2.73db
24% Popularity • 61% Danceability • 87% Energy • 51% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 61% Danceability • 87% Energy • 51% Liveness
0% Instrumentalness • 69% Positiveness
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McAlister Kemp
Fight Me
113 bpm • A Maj • 03:27 • -6.89db
23% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Hurricane Fall
Levis
112 bpm • D Maj • 03:12 • -3.54db
25% Popularity • 64% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 64% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Casey Barnes
Saving All My Love
112 bpm • A Maj • 03:19 • -5.64db
19% Popularity • 59% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 59% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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James Johnston
OLD COUNTRY BARN
111 bpm • D Maj • 03:05 • -5.03db
40% Popularity • 76% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 76% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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The McClymonts
I Got This
113 bpm • F Maj • 03:11 • -4.28db
24% Popularity • 55% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 55% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Darlinghurst
Hangman
113 bpm • B Maj • 03:14 • -6.45db
21% Popularity • 66% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 66% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Drew Baldridge
Senior Year
111 bpm • F Maj • 03:55 • -3.72db
38% Popularity • 52% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 52% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Brooke McClymont & Adam Eckersley
What Are You Waiting For
113 bpm • F# Maj • 03:07 • -4.07db
25% Popularity • 53% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 53% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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LANCO
Old Camaro
113 bpm • B Maj • 03:07 • -4.58db
31% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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James Johnston
RAISED LIKE THAT
111 bpm • C# Maj • 03:25 • -3.91db
51% Popularity • 61% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 61% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Casey Barnes
Kiss Me Like You Mean It
110 bpm • B Maj • 03:06 • -3.53db
33% Popularity • 64% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 64% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Melanie Dyer
Cheap Moscato
110 bpm • D Maj • 02:45 • -5.32db
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Kaylee Bell
Small Town Friday Nights
110 bpm • E Maj • 03:03 • -4.72db
39% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Taylor Moss
Both
110 bpm • C Maj • 02:59 • -2.08db
26% Popularity • 68% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 68% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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McAlister Kemp
After the Breakdown
110 bpm • G Maj • 03:24 • -5db
5% Popularity • 58% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 58% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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The Tuten Brothers
So Long Summer
110 bpm • A Maj • 02:53 • -5.2db
33% Popularity • 62% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 62% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Casey Barnes
The One You Love
110 bpm • E Maj • 03:09 • -6.62db
15% Popularity • 63% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 63% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Christie Lamb
Up All Night
110 bpm • E min • 03:29 • -4.68db
10% Popularity • 70% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 70% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Tom Curtain
Why We Live Out Here
110 bpm • A Maj • 03:53 • -5db
22% Popularity • 66% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 66% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Amy Sheppard
Overthinking
110 bpm • G# Maj • 02:46 • -3.14db
28% Popularity • 66% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 66% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Kaylee Bell
Just A Little Crazy
114 bpm • A Maj • 03:22 • -3.6db
36% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Brad Cox
Water On The Ground
114 bpm • A Maj • 04:12 • -9.22db
36% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Lane Pittman
Father & Son - The Voice Australia 2022 ...
115 bpm • G# Maj • 01:37 • -5.94db
30% Popularity • 55% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 55% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Casey Barnes
Ain't Coming Home
110 bpm • C Maj • 03:05 • -4.45db
28% Popularity • 68% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 68% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Darlinghurst
Bad Things
115 bpm • B Maj • 03:42 • -5.69db
15% Popularity • 59% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 59% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Jason Kirkness
Anywhere the Night Goes
115 bpm • C# Maj • 02:53 • -6.88db
22% Popularity • 72% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 72% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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The Viper Creek Band
Good To Be Us
115 bpm • G Maj • 03:22 • -3.28db
18% Popularity • 56% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 56% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Brad Cox
Lake House
109 bpm • A# Maj • 03:52 • -9.2db
41% Popularity • 61% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 61% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Curtain
In the West
109 bpm • D Maj • 03:24 • -5db
28% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Laine Hardy
Here's to Anyone
109 bpm • D Maj • 03:01 • -4.51db
32% Popularity • 69% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 69% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Tenille Arts
Girl to Girl
116 bpm • D Maj • 03:12 • -3.37db
38% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Kaylee Bell
Shot In The Dark
116 bpm • D# Maj • 03:09 • -5.17db
38% Popularity • 68% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 68% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Christie Lamb
Loaded
116 bpm • D min • 03:26 • -5.06db
10% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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The Tuten Brothers
Life Without You
108 bpm • A# Maj • 02:51 • -5.2db
32% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Lainey Wilson
Waste of Good Whiskey
108 bpm • D# Maj • 02:55 • -7.8db
52% Popularity • 66% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 66% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Max Jackson
Runnin'
116 bpm • A Maj • 03:06 • -2.98db
24% Popularity • 61% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 61% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Casey Barnes
Say That You Love Me
108 bpm • F Maj • 03:17 • -5.85db
14% Popularity • 63% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 63% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Melanie Dyer
Save My Cents
108 bpm • D Maj • 03:18 • -3.5db
22% Popularity • 68% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 68% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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The Reklaws
Hometown Kids
108 bpm • F Maj • 03:06 • -6db
36% Popularity • 57% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 57% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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The Tuten Brothers
Heartbroke HWY
108 bpm • C min • 03:17 • -4.2db
26% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Sammy White
Drowning My Sorrows
108 bpm • C Maj • 03:33 • -6.72db
16% Popularity • 67% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 67% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Jordan Davis
More Than I Know
107 bpm • E min • 02:48 • -3.67db
45% Popularity • 66% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 66% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Zac & George
Get You Backroads
107 bpm • C# Maj • 03:08 • -5.27db
36% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Lee Kernaghan
Let There Be Cowgirls
107 bpm • B min • 02:49 • -5.13db
29% Popularity • 62% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 62% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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The Viper Creek Band
Green Light
107 bpm • B min • 03:21 • -4.4db
23% Popularity • 56% Danceability • 86% Energy • 28% Liveness
5% Instrumentalness • 66% Positiveness
23% Popularity • 56% Danceability • 86% Energy • 28% Liveness
5% Instrumentalness • 66% Positiveness
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The Tuten Brothers
So Far So Good
108 bpm • B Maj • 03:21 • -5db
34% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Lee Brice
Good Ol' Boys
118 bpm • G Maj • 03:06 • -7.12db
30% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Kaylee Bell
That Summer
118 bpm • C Maj • 03:04 • -5.31db
39% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Madeline Merlo
Slide
118 bpm • D Maj • 03:34 • -3.24db
38% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Casey Barnes
Hard Times
118 bpm • G Maj • 03:21 • -4.41db
12% Popularity • 63% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 63% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Viper Creek Band
Kickin' Up Dust
118 bpm • A min • 04:10 • -4.61db
19% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Tom Curtain
When The Rain Comes Down
118 bpm • C min • 04:00 • -6.05db
21% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Tuten Brothers
Lottery
108 bpm • D Maj • 02:29 • -4.26db
34% Popularity • 71% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 71% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Lee Brice
If You
118 bpm • D Maj • 02:13 • -5.93db
38% Popularity • 67% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
38% Popularity • 67% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Kaylee Bell
Boots 'N All
118 bpm • D Maj • 02:45 • -4.43db
46% Popularity • 65% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 65% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Casey Barnes
Heartbreaker
118 bpm • B Maj • 02:54 • -3.38db
24% Popularity • 63% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 63% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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McAlister Kemp
I Got You
118 bpm • E Maj • 03:51 • -4.73db
15% Popularity • 55% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 55% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Scotty McCreery
Small Town Girl
106 bpm • G# Maj • 03:04 • -6.11db
38% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Lainey Wilson
LA
106 bpm • C# Maj • 02:49 • -4.62db
40% Popularity • 62% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 62% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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James Johnston
SAME SONGS
106 bpm • D Maj • 02:47 • -4.85db
49% Popularity • 64% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 64% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Nate Haller
Ain't Like Me
106 bpm • D Maj • 02:54 • -3.69db
25% Popularity • 59% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 59% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Max Jackson
Someone in a Small Town
106 bpm • A Maj • 03:35 • -4.63db
21% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Andrew Swift
Runaway Train
106 bpm • F Maj • 03:58 • -6db
21% Popularity • 68% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 68% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Steve Forde
I Ain't That Guy
119 bpm • D Maj • 02:50 • -5.29db
23% Popularity • 57% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 57% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Ty Herndon
Dents On A Chevy
119 bpm • D# Maj • 03:17 • -2.11db
26% Popularity • 59% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 59% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Busby Marou
Over Drinking Over You
106 bpm • C# Maj • 03:00 • -6.56db
37% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Zac & George
Nothin' To Lose
105 bpm • D Maj • 03:22 • -3.87db
32% Popularity • 69% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 69% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Amber Lawrence
Outrageous
105 bpm • D Maj • 03:05 • -4.62db
17% Popularity • 65% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 65% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Casey Barnes
Better Days
105 bpm • A Maj • 03:52 • -4.66db
17% Popularity • 61% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 61% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Nate Smith
The Way She Rolls
105 bpm • F Maj • 03:05 • -4.57db
46% Popularity • 62% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 62% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Brad Cox
Acres
105 bpm • C# Maj • 03:52 • -4.99db
45% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jordan Harvey
Along For The Ride
105 bpm • D# Maj • 02:51 • -4.14db
36% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Steve Forde
Summer's Little Angel
105 bpm • C Maj • 02:53 • -5db
32% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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The Washboard Union
Dock Rock
105 bpm • A Maj • 03:09 • -4db
38% Popularity • 71% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 71% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Brooke McClymont & Adam Eckersley
Lost If I Lost You
105 bpm • A# Maj • 03:37 • -5.05db
21% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Casey Barnes
The Way We Ride
105 bpm • G# Maj • 03:11 • -4db
29% Popularity • 60% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 60% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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James Johnston
COUNTRY BOYS
120 bpm • C Maj • 03:14 • -5.36db
43% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Andrew Hyatt
Close To You
120 bpm • D Maj • 02:45 • -5.65db
27% Popularity • 61% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 61% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Brad Cox
Single Life
120 bpm • G# Maj • 03:42 • -3.83db
26% Popularity • 54% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 54% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Cornell And Carr
Whatchawanna
120 bpm • E Maj • 03:22 • -4.93db
16% Popularity • 69% Danceability • 88% Energy • 46% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 69% Danceability • 88% Energy • 46% Liveness
0% Instrumentalness • 88% Positiveness
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Morgan Evans
Young Again
120 bpm • F# Maj • 02:55 • -5.41db
47% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Casey Barnes
Flesh & Bone
120 bpm • A min • 02:54 • -3.96db
20% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Christie Lamb
All She Wrote
120 bpm • C# Maj • 02:51 • -4.61db
15% Popularity • 73% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 73% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Levi Hummon
Drink On
120 bpm • E Maj • 02:53 • -6db
26% Popularity • 68% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 68% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Jade Gibson
Country Mile
120 bpm • D Maj • 03:07 • -3.71db
24% Popularity • 60% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 60% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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James Johnston
I STILL CALL IT HOME
104 bpm • D Maj • 02:57 • -4.44db
40% Popularity • 58% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 58% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Hurricane Fall
Love Her Right
104 bpm • D Maj • 03:32 • -3db
18% Popularity • 58% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 58% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Nate Haller
Lightning In A Bottle
104 bpm • G# Maj • 02:46 • -3.81db
35% Popularity • 60% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 60% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Melanie Dyer
Song For That
103 bpm • E Maj • 03:35 • -2.93db
22% Popularity • 53% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 53% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Kaylee Bell
Keith
103 bpm • A Maj • 02:51 • -4.21db
60% Popularity • 60% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 60% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Jenna Paulette
Country In The Girl
103 bpm • G# Maj • 03:26 • -4.27db
38% Popularity • 70% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 70% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Sammy White
Friends With The Bottle
103 bpm • A Maj • 03:20 • -4.84db
24% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
