Songs like Come We Go by Jamie xx
Based on a tempo of (+/- 10%) and a similar genre
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Nathan Fake
DEGREELESSNESS - Overmono Remix
132 bpm • E min • 07:19 • -9.55db
20% Popularity • 66% Danceability • 76% Energy • 8% Liveness
80% Instrumentalness • 49% Positiveness
20% Popularity • 66% Danceability • 76% Energy • 8% Liveness
80% Instrumentalness • 49% Positiveness
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Laurence Guy
Wildlife
132 bpm • C# Maj • 06:03 • -10.98db
10% Popularity • 69% Danceability • 91% Energy • 12% Liveness
94% Instrumentalness • 87% Positiveness
10% Popularity • 69% Danceability • 91% Energy • 12% Liveness
94% Instrumentalness • 87% Positiveness
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Jamie xx
Come We Go
132 bpm • G Maj • 05:44 • -12.09db
33% Popularity • 60% Danceability • 86% Energy • 11% Liveness
72% Instrumentalness • 11% Positiveness
33% Popularity • 60% Danceability • 86% Energy • 11% Liveness
72% Instrumentalness • 11% Positiveness
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Gil Scott-Heron
Ur Soul And Mine
132 bpm • C Maj • 04:17 • -12.01db
28% Popularity • 85% Danceability • 47% Energy • 22% Liveness
65% Instrumentalness • 27% Positiveness
28% Popularity • 85% Danceability • 47% Energy • 22% Liveness
65% Instrumentalness • 27% Positiveness
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FaltyDL
Hip Love - Jamie xx Remix
132 bpm • D# min • 04:49 • -11db
19% Popularity • 78% Danceability • 56% Energy • 9% Liveness
5% Instrumentalness • 51% Positiveness
19% Popularity • 78% Danceability • 56% Energy • 9% Liveness
5% Instrumentalness • 51% Positiveness
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Simian Mobile Disco
Defender
132 bpm • F min • 07:24 • -10.31db
24% Popularity • 61% Danceability • 73% Energy • 8% Liveness
16% Instrumentalness • 52% Positiveness
24% Popularity • 61% Danceability • 73% Energy • 8% Liveness
16% Instrumentalness • 52% Positiveness
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Four Tet
Lush
133 bpm • C# min • 05:11 • -10.46db
52% Popularity • 66% Danceability • 67% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
52% Popularity • 66% Danceability • 67% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
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DJ Seinfeld
Electrian
131 bpm • F# Maj • 06:52 • -6db
27% Popularity • 67% Danceability • 58% Energy • 10% Liveness
85% Instrumentalness • 38% Positiveness
27% Popularity • 67% Danceability • 58% Energy • 10% Liveness
85% Instrumentalness • 38% Positiveness
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Dauwd
What's There
131 bpm • E min • 06:24 • -10db
24% Popularity • 68% Danceability • 67% Energy • 13% Liveness
84% Instrumentalness • 34% Positiveness
24% Popularity • 68% Danceability • 67% Energy • 13% Liveness
84% Instrumentalness • 34% Positiveness
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Joy Orbison
The Shrew Would Have Cushioned The Blow
133 bpm • F# Maj • 05:47 • -9.14db
23% Popularity • 57% Danceability • 54% Energy • 7% Liveness
93% Instrumentalness • 67% Positiveness
23% Popularity • 57% Danceability • 54% Energy • 7% Liveness
93% Instrumentalness • 67% Positiveness
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Or:la
UK Lonely
131 bpm • B Maj • 04:29 • -9.08db
18% Popularity • 79% Danceability • 87% Energy • 7% Liveness
76% Instrumentalness • 78% Positiveness
18% Popularity • 79% Danceability • 87% Energy • 7% Liveness
76% Instrumentalness • 78% Positiveness
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Jamie xx
Just Saying
134 bpm • G# min • 01:23 • -17.39db
39% Popularity • 28% Danceability • 20% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
39% Popularity • 28% Danceability • 20% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
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Four Tet
Parallel Jalebi
133 bpm • B min • 03:53 • -15.14db
38% Popularity • 65% Danceability • 70% Energy • 10% Liveness
86% Instrumentalness • 51% Positiveness
38% Popularity • 65% Danceability • 70% Energy • 10% Liveness
86% Instrumentalness • 51% Positiveness
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DJ Koze aka Adolf Noise
Anspieltipp: Titel 5
134 bpm • C# Maj • 02:02 • -24.93db
4% Popularity • 46% Danceability • 15% Energy • 41% Liveness
11% Instrumentalness • 27% Positiveness
4% Popularity • 46% Danceability • 15% Energy • 41% Liveness
11% Instrumentalness • 27% Positiveness
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Dimlite
Can't Get Used To Those (Kosi Edit) | Oh...
130 bpm • F min • 02:40 • -10.39db
36% Popularity • 43% Danceability • 59% Energy • 40% Liveness
72% Instrumentalness • 58% Positiveness
36% Popularity • 43% Danceability • 59% Energy • 40% Liveness
72% Instrumentalness • 58% Positiveness
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HAAi
E
130 bpm • F min • 06:27 • -10.7db
9% Popularity • 61% Danceability • 77% Energy • 34% Liveness
1% Instrumentalness • 7% Positiveness
9% Popularity • 61% Danceability • 77% Energy • 34% Liveness
1% Instrumentalness • 7% Positiveness
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Floating Points
LesAlpx
130 bpm • C Maj • 04:41 • -12db
38% Popularity • 70% Danceability • 74% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
38% Popularity • 70% Danceability • 74% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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DJ Seinfeld
Sakura
130 bpm • C# Maj • 05:45 • -9db
27% Popularity • 60% Danceability • 68% Energy • 2% Liveness
78% Instrumentalness • 79% Positiveness
27% Popularity • 60% Danceability • 68% Energy • 2% Liveness
78% Instrumentalness • 79% Positiveness
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Four Tet
Lahaina Noon
133 bpm • C# min • 06:15 • -7.63db
19% Popularity • 78% Danceability • 89% Energy • 36% Liveness
85% Instrumentalness • 16% Positiveness
19% Popularity • 78% Danceability • 89% Energy • 36% Liveness
85% Instrumentalness • 16% Positiveness
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DJ Koze aka Adolf Noise
Gymnasium
130 bpm • G min • 01:31 • -19.07db
5% Popularity • 44% Danceability • 22% Energy • 45% Liveness
0% Instrumentalness • 42% Positiveness
5% Popularity • 44% Danceability • 22% Energy • 45% Liveness
0% Instrumentalness • 42% Positiveness
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Jamie xx
It's So Good
130 bpm • F min • 04:38 • -9.81db
60% Popularity • 83% Danceability • 76% Energy • 37% Liveness
61% Instrumentalness • 42% Positiveness
60% Popularity • 83% Danceability • 76% Energy • 37% Liveness
61% Instrumentalness • 42% Positiveness
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Florence + The Machine
You've Got The Love - Jamie xx Rework
130 bpm • C Maj • 05:42 • -7.44db
60% Popularity • 70% Danceability • 50% Energy • 8% Liveness
46% Instrumentalness • 38% Positiveness
60% Popularity • 70% Danceability • 50% Energy • 8% Liveness
46% Instrumentalness • 38% Positiveness
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Tangents
Jindabyne - Four Tet Remix
130 bpm • A min • 07:08 • -15.41db
10% Popularity • 73% Danceability • 48% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
10% Popularity • 73% Danceability • 48% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
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Mount Kimbie
Carbonated
135 bpm • E min • 04:18 • -13.52db
44% Popularity • 55% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 78% Positiveness
44% Popularity • 55% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 78% Positiveness
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Four Tet
Aerial
130 bpm • A# min • 05:56 • -10.77db
18% Popularity • 73% Danceability • 77% Energy • 10% Liveness
85% Instrumentalness • 62% Positiveness
18% Popularity • 73% Danceability • 77% Energy • 10% Liveness
85% Instrumentalness • 62% Positiveness
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Lone
Hyper Seconds
130 bpm • A# min • 07:53 • -8.77db
17% Popularity • 65% Danceability • 85% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
17% Popularity • 65% Danceability • 85% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
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Jamie xx
Stranger in a Room
130 bpm • C min • 02:57 • -17.26db
50% Popularity • 67% Danceability • 16% Energy • 10% Liveness
38% Instrumentalness • 33% Positiveness
50% Popularity • 67% Danceability • 16% Energy • 10% Liveness
38% Instrumentalness • 33% Positiveness
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DjRUM
Watermark
135 bpm • B min • 09:06 • -16db
28% Popularity • 52% Danceability • 74% Energy • 57% Liveness
84% Instrumentalness • 4% Positiveness
28% Popularity • 52% Danceability • 74% Energy • 57% Liveness
84% Instrumentalness • 4% Positiveness
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Shanti Celeste
Make Time
135 bpm • B min • 08:35 • -10.49db
25% Popularity • 80% Danceability • 68% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
25% Popularity • 80% Danceability • 68% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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Mount Kimbie
At Least - Instra:mental Remix
135 bpm • F min • 06:19 • -11.24db
19% Popularity • 71% Danceability • 72% Energy • 16% Liveness
92% Instrumentalness • 55% Positiveness
19% Popularity • 71% Danceability • 72% Energy • 16% Liveness
92% Instrumentalness • 55% Positiveness
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Four Tet
Anna Painting
129 bpm • B min • 07:41 • -7.99db
28% Popularity • 65% Danceability • 68% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
28% Popularity • 65% Danceability • 68% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
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Fünf Sterne deluxe
Happy Hip Hop - DJ Koze Remix 1998
129 bpm • B min • 07:21 • -4.68db
6% Popularity • 65% Danceability • 93% Energy • 10% Liveness
73% Instrumentalness • 86% Positiveness
6% Popularity • 65% Danceability • 93% Energy • 10% Liveness
73% Instrumentalness • 86% Positiveness
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The xx
On Hold - Jamie xx Remix
128 bpm • C min • 06:11 • -7.85db
55% Popularity • 76% Danceability • 91% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
55% Popularity • 76% Danceability • 91% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Joe Goddard
Human Touch - Dub
128 bpm • G Maj • 07:44 • -6.87db
10% Popularity • 68% Danceability • 80% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
10% Popularity • 68% Danceability • 80% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
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Simian Mobile Disco
Far Away From A Distance
128 bpm • E min • 06:01 • -10.6db
8% Popularity • 81% Danceability • 72% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
8% Popularity • 81% Danceability • 72% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Headie One
Smoke
136 bpm • B min • 03:48 • -6.15db
40% Popularity • 66% Danceability • 90% Energy • 17% Liveness
55% Instrumentalness • 40% Positiveness
40% Popularity • 66% Danceability • 90% Energy • 17% Liveness
55% Instrumentalness • 40% Positiveness
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Four Tet
Dreamer
135 bpm • C Maj • 03:22 • -9.74db
29% Popularity • 76% Danceability • 76% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
29% Popularity • 76% Danceability • 76% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
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Kenton Slash Demon
Syko
128 bpm • F# min • 06:13 • -9.17db
24% Popularity • 80% Danceability • 61% Energy • 11% Liveness
74% Instrumentalness • 16% Positiveness
24% Popularity • 80% Danceability • 61% Energy • 11% Liveness
74% Instrumentalness • 16% Positiveness
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John Tejada
Subdivided
128 bpm • E min • 04:50 • -10.14db
27% Popularity • 79% Danceability • 77% Energy • 16% Liveness
90% Instrumentalness • 42% Positiveness
27% Popularity • 79% Danceability • 77% Energy • 16% Liveness
90% Instrumentalness • 42% Positiveness
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George FitzGerald
Burns - DJ Seinfeld Remix
128 bpm • B min • 07:11 • -11db
14% Popularity • 59% Danceability • 81% Energy • 4% Liveness
88% Instrumentalness • 65% Positiveness
14% Popularity • 59% Danceability • 81% Energy • 4% Liveness
88% Instrumentalness • 65% Positiveness
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Robag Wruhme
Topinambur
128 bpm • C# Maj • 06:30 • -12db
21% Popularity • 74% Danceability • 57% Energy • 24% Liveness
80% Instrumentalness • 4% Positiveness
21% Popularity • 74% Danceability • 57% Energy • 24% Liveness
80% Instrumentalness • 4% Positiveness
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Jamie xx
KILL DEM
128 bpm • D Maj • 03:43 • -6db
59% Popularity • 79% Danceability • 87% Energy • 33% Liveness
31% Instrumentalness • 29% Positiveness
59% Popularity • 79% Danceability • 87% Energy • 33% Liveness
31% Instrumentalness • 29% Positiveness
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Four Tet
SW9 9SL
129 bpm • E min • 07:55 • -9.76db
35% Popularity • 71% Danceability • 83% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
35% Popularity • 71% Danceability • 83% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Booka Shade
Darko
128 bpm • D Maj • 06:11 • -7db
29% Popularity • 78% Danceability • 68% Energy • 19% Liveness
87% Instrumentalness • 46% Positiveness
29% Popularity • 78% Danceability • 68% Energy • 19% Liveness
87% Instrumentalness • 46% Positiveness
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Isolée
Beau Mot Plage
128 bpm • B min • 06:46 • -11.01db
29% Popularity • 80% Danceability • 61% Energy • 12% Liveness
83% Instrumentalness • 44% Positiveness
29% Popularity • 80% Danceability • 61% Energy • 12% Liveness
83% Instrumentalness • 44% Positiveness
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Superpitcher
Heroin
128 bpm • A# min • 07:00 • -13.21db
25% Popularity • 74% Danceability • 57% Energy • 9% Liveness
74% Instrumentalness • 45% Positiveness
25% Popularity • 74% Danceability • 57% Energy • 9% Liveness
74% Instrumentalness • 45% Positiveness
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George FitzGerald
Burns - DJ Seinfeld Remix (Edit)
128 bpm • B min • 04:00 • -10db
16% Popularity • 57% Danceability • 86% Energy • 2% Liveness
90% Instrumentalness • 53% Positiveness
16% Popularity • 57% Danceability • 86% Energy • 2% Liveness
90% Instrumentalness • 53% Positiveness
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Myd
Número Uno
128 bpm • C min • 04:32 • -7.43db
17% Popularity • 49% Danceability • 90% Energy • 26% Liveness
73% Instrumentalness • 17% Positiveness
17% Popularity • 49% Danceability • 90% Energy • 26% Liveness
73% Instrumentalness • 17% Positiveness
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Four Tet
Pyramid
128 bpm • A Maj • 08:26 • -12.1db
26% Popularity • 78% Danceability • 59% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
26% Popularity • 78% Danceability • 59% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
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New Jackson
Anya's Piano
128 bpm • C# Maj • 05:54 • -14db
18% Popularity • 66% Danceability • 54% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 66% Danceability • 54% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Radio Slave
Feel The Same - DJ Koze Edit
128 bpm • D# min • 06:52 • -7.62db
10% Popularity • 92% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 92% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Avalon Emerson
Dystopian Daddy
127 bpm • F# min • 05:38 • -13.97db
9% Popularity • 78% Danceability • 65% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
9% Popularity • 78% Danceability • 65% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
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George FitzGerald
Outgrown
128 bpm • C# Maj • 06:05 • -6.67db
28% Popularity • 51% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
28% Popularity • 51% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Phon.o
Fukushima
137 bpm • B min • 04:41 • -9.17db
28% Popularity • 71% Danceability • 55% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
28% Popularity • 71% Danceability • 55% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
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Mount Kimbie
Four Years and One Day - Gerd Janson Rem...
127 bpm • F# Maj • 06:36 • -8.15db
10% Popularity • 62% Danceability • 93% Energy • 57% Liveness
90% Instrumentalness • 86% Positiveness
10% Popularity • 62% Danceability • 93% Energy • 57% Liveness
90% Instrumentalness • 86% Positiveness
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Kink
Yom Thorke
127 bpm • A# min • 09:04 • -10.05db
20% Popularity • 75% Danceability • 67% Energy • 7% Liveness
85% Instrumentalness • 15% Positiveness
20% Popularity • 75% Danceability • 67% Energy • 7% Liveness
85% Instrumentalness • 15% Positiveness
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Agoria
For One Hour - Paradis Remix
127 bpm • E min • 07:06 • -9.86db
15% Popularity • 74% Danceability • 73% Energy • 28% Liveness
74% Instrumentalness • 11% Positiveness
15% Popularity • 74% Danceability • 73% Energy • 28% Liveness
74% Instrumentalness • 11% Positiveness
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efdemin
Stately, Yes
127 bpm • D Maj • 05:57 • -16.56db
20% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
20% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
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John Tejada
The Living Night
127 bpm • A min • 06:54 • -11db
21% Popularity • 70% Danceability • 74% Energy • 10% Liveness
84% Instrumentalness • 56% Positiveness
21% Popularity • 70% Danceability • 74% Energy • 10% Liveness
84% Instrumentalness • 56% Positiveness
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Four Tet
Lion
127 bpm • C# Maj • 09:00 • -10.49db
24% Popularity • 80% Danceability • 74% Energy • 7% Liveness
87% Instrumentalness • 59% Positiveness
24% Popularity • 80% Danceability • 74% Energy • 7% Liveness
87% Instrumentalness • 59% Positiveness
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Legowelt
Experiential Awakening
127 bpm • F# Maj • 08:08 • -13.87db
22% Popularity • 55% Danceability • 84% Energy • 35% Liveness
79% Instrumentalness • 69% Positiveness
22% Popularity • 55% Danceability • 84% Energy • 35% Liveness
79% Instrumentalness • 69% Positiveness
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Nathan Fake
Sunder
127 bpm • A min • 06:26 • -5.62db
11% Popularity • 70% Danceability • 84% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 70% Danceability • 84% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Pantha Du Prince
Suzan
127 bpm • E min • 08:02 • -9.22db
14% Popularity • 84% Danceability • 53% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
14% Popularity • 84% Danceability • 53% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
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Rival Consoles
Recovery - Vessels Remix
127 bpm • B min • 07:34 • -15.34db
23% Popularity • 67% Danceability • 68% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
23% Popularity • 67% Danceability • 68% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
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John Tejada
Farther And Fainter
127 bpm • C# Maj • 06:19 • -11.13db
33% Popularity • 78% Danceability • 57% Energy • 11% Liveness
91% Instrumentalness • 83% Positiveness
33% Popularity • 78% Danceability • 57% Energy • 11% Liveness
91% Instrumentalness • 83% Positiveness
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Ross from Friends
Gettin' It Done
127 bpm • F# min • 05:06 • -11.5db
35% Popularity • 84% Danceability • 70% Energy • 10% Liveness
76% Instrumentalness • 89% Positiveness
35% Popularity • 84% Danceability • 70% Energy • 10% Liveness
76% Instrumentalness • 89% Positiveness
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Jamie xx
Far Nearer
127 bpm • C Maj • 06:50 • -11.54db
41% Popularity • 61% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
41% Popularity • 61% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
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Four Tet
Planet
127 bpm • C Maj • 07:18 • -10.11db
35% Popularity • 67% Danceability • 76% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
35% Popularity • 67% Danceability • 76% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
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Pantha Du Prince
The Right for Romance
127 bpm • G# Maj • 06:00 • -9.94db
11% Popularity • 65% Danceability • 63% Energy • 23% Liveness
76% Instrumentalness • 40% Positiveness
11% Popularity • 65% Danceability • 63% Energy • 23% Liveness
76% Instrumentalness • 40% Positiveness
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Gil Scott-Heron
Piano Player
127 bpm • A min • 01:16 • -16.17db
33% Popularity • 44% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
33% Popularity • 44% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
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Andrea
Outlines
127 bpm • F# Maj • 05:35 • -6.53db
12% Popularity • 26% Danceability • 97% Energy • 18% Liveness
86% Instrumentalness • 44% Positiveness
12% Popularity • 26% Danceability • 97% Energy • 18% Liveness
86% Instrumentalness • 44% Positiveness
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Radiohead
Bloom - Jamie xx Rework Part 3
127 bpm • A min • 07:47 • -7.36db
29% Popularity • 62% Danceability • 78% Energy • 31% Liveness
69% Instrumentalness • 19% Positiveness
29% Popularity • 62% Danceability • 78% Energy • 31% Liveness
69% Instrumentalness • 19% Positiveness
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Nosaj Thing
Fog - Jamie XX Remix
138 bpm • A# min • 04:40 • -10.61db
17% Popularity • 51% Danceability • 43% Energy • 12% Liveness
49% Instrumentalness • 21% Positiveness
17% Popularity • 51% Danceability • 43% Energy • 12% Liveness
49% Instrumentalness • 21% Positiveness
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DJ Koze
Brutalga Square
126 bpm • A# min • 09:39 • -13.9db
14% Popularity • 69% Danceability • 67% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
14% Popularity • 69% Danceability • 67% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
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Moderat
No. 22
138 bpm • B min • 05:40 • -13.33db
37% Popularity • 61% Danceability • 53% Energy • 27% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 61% Danceability • 53% Energy • 27% Liveness
83% Instrumentalness • 4% Positiveness
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Ross from Friends
The Outsiders
126 bpm • C# min • 10:03 • -6.02db
14% Popularity • 81% Danceability • 94% Energy • 8% Liveness
84% Instrumentalness • 84% Positiveness
14% Popularity • 81% Danceability • 94% Energy • 8% Liveness
84% Instrumentalness • 84% Positiveness
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Zomby
SURF I
126 bpm • C# min • 05:44 • -8.43db
9% Popularity • 80% Danceability • 68% Energy • 16% Liveness
28% Instrumentalness • 43% Positiveness
9% Popularity • 80% Danceability • 68% Energy • 16% Liveness
28% Instrumentalness • 43% Positiveness
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Radiohead
Bloom - Jamie xx Rework
127 bpm • A min • 02:28 • -11.87db
28% Popularity • 46% Danceability • 54% Energy • 20% Liveness
5% Instrumentalness • 19% Positiveness
28% Popularity • 46% Danceability • 54% Energy • 20% Liveness
5% Instrumentalness • 19% Positiveness
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Four Tet
Pinnacles
126 bpm • D Maj • 08:20 • -12.31db
26% Popularity • 72% Danceability • 77% Energy • 24% Liveness
16% Instrumentalness • 50% Positiveness
26% Popularity • 72% Danceability • 77% Energy • 24% Liveness
16% Instrumentalness • 50% Positiveness
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Totally Enormous Extinct Dinosaurs
Energy Fantasy
126 bpm • C Maj • 06:41 • -5db
7% Popularity • 62% Danceability • 90% Energy • 30% Liveness
31% Instrumentalness • 3% Positiveness
7% Popularity • 62% Danceability • 90% Energy • 30% Liveness
31% Instrumentalness • 3% Positiveness
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Radio Slave
Reverse - DJ Koze Edit
126 bpm • B min • 06:36 • -7.5db
8% Popularity • 75% Danceability • 55% Energy • 12% Liveness
62% Instrumentalness • 14% Positiveness
8% Popularity • 75% Danceability • 55% Energy • 12% Liveness
62% Instrumentalness • 14% Positiveness
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Ross from Friends
Pale Blue Dot
126 bpm • D min • 03:58 • -9db
36% Popularity • 61% Danceability • 74% Energy • 35% Liveness
40% Instrumentalness • 4% Positiveness
36% Popularity • 61% Danceability • 74% Energy • 35% Liveness
40% Instrumentalness • 4% Positiveness
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Dauwd
Kindlinn
126 bpm • C# Maj • 06:06 • -13db
27% Popularity • 79% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
27% Popularity • 79% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
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John Tejada
Detector
126 bpm • F# min • 05:20 • -10.95db
10% Popularity • 72% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
10% Popularity • 72% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
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Pantha Du Prince
Bohemian Forest
126 bpm • A# min • 07:24 • -12db
28% Popularity • 74% Danceability • 72% Energy • 55% Liveness
90% Instrumentalness • 32% Positiveness
28% Popularity • 74% Danceability • 72% Energy • 55% Liveness
90% Instrumentalness • 32% Positiveness
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Daso
Idee
126 bpm • A min • 07:05 • -12db
31% Popularity • 80% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
31% Popularity • 80% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
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DJ Seinfeld
U
126 bpm • G# Maj • 06:08 • -7.58db
44% Popularity • 72% Danceability • 84% Energy • 4% Liveness
75% Instrumentalness • 45% Positiveness
44% Popularity • 72% Danceability • 84% Energy • 4% Liveness
75% Instrumentalness • 45% Positiveness
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Joe Goddard
After Dark
126 bpm • B min • 09:39 • -8.42db
10% Popularity • 80% Danceability • 64% Energy • 6% Liveness
87% Instrumentalness • 90% Positiveness
10% Popularity • 80% Danceability • 64% Energy • 6% Liveness
87% Instrumentalness • 90% Positiveness
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Dauwd
Ikopol
126 bpm • G min • 04:55 • -12db
31% Popularity • 79% Danceability • 47% Energy • 37% Liveness
90% Instrumentalness • 43% Positiveness
31% Popularity • 79% Danceability • 47% Energy • 37% Liveness
90% Instrumentalness • 43% Positiveness
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John Tejada
The End Of It All - 2015 mix
126 bpm • F# min • 06:37 • -8.05db
17% Popularity • 63% Danceability • 73% Energy • 20% Liveness
95% Instrumentalness • 52% Positiveness
17% Popularity • 63% Danceability • 73% Energy • 20% Liveness
95% Instrumentalness • 52% Positiveness
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Eliphino
I Don’t Care
126 bpm • G# Maj • 06:09 • -6.78db
20% Popularity • 84% Danceability • 77% Energy • 8% Liveness
69% Instrumentalness • 29% Positiveness
20% Popularity • 84% Danceability • 77% Energy • 8% Liveness
69% Instrumentalness • 29% Positiveness
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James Holden
Lump
126 bpm • G# Maj • 06:10 • -10db
32% Popularity • 70% Danceability • 65% Energy • 21% Liveness
84% Instrumentalness • 28% Positiveness
32% Popularity • 70% Danceability • 65% Energy • 21% Liveness
84% Instrumentalness • 28% Positiveness
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Ross from Friends
.biz
126 bpm • C# min • 04:10 • -7.54db
17% Popularity • 74% Danceability • 77% Energy • 89% Liveness
82% Instrumentalness • 66% Positiveness
17% Popularity • 74% Danceability • 77% Energy • 89% Liveness
82% Instrumentalness • 66% Positiveness
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Lone
Not Seeing Is A Flower
126 bpm • C# Maj • 08:17 • -8.69db
10% Popularity • 73% Danceability • 82% Energy • 64% Liveness
84% Instrumentalness • 32% Positiveness
10% Popularity • 73% Danceability • 82% Energy • 64% Liveness
84% Instrumentalness • 32% Positiveness
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Entro Senestre
Rosegold
126 bpm • G min • 06:10 • -12db
28% Popularity • 75% Danceability • 76% Energy • 9% Liveness
39% Instrumentalness • 70% Positiveness
28% Popularity • 75% Danceability • 76% Energy • 9% Liveness
39% Instrumentalness • 70% Positiveness
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Nathan Micay
Ecstacy Is On Maple Mountain
126 bpm • G Maj • 05:38 • -7.64db
25% Popularity • 66% Danceability • 80% Energy • 4% Liveness
75% Instrumentalness • 31% Positiveness
25% Popularity • 66% Danceability • 80% Energy • 4% Liveness
75% Instrumentalness • 31% Positiveness
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John Tejada
The Looping Generation
126 bpm • D Maj • 04:35 • -10.45db
10% Popularity • 80% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
10% Popularity • 80% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Jamie xx
Hold Tight
126 bpm • C# Maj • 04:03 • -10.12db
40% Popularity • 58% Danceability • 78% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
40% Popularity • 58% Danceability • 78% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness